Climb My Pyramid

My Sirens Of The Nile

Lightness Of Being Part Two

Meseket

American Prayer

Fuck Your Ethnicity

Exodus

Kennedy

Selah

Like The Bride In The Morning, I Give My Light For Your Love

Devil

Forget About It

Show Me That You Love Me

Pearls And Diamonds

Harlem Air

Thick Face Black Heart

Blue Skies For My Falcon

'Saskia has a bit of a rebellious streak and her songs are reminiscent of Nick Cave but perhaps the best comparison is Bonnie Prince Billy in his I See A Darkness Mode' CMJ radio New York Spotlight Artist Of The Month 

"Saskias music shines in her simple way of composing and singing, now and then remembering the dream pop of immersive Hope Sandoval and her newly risen from the ashes Mazzy Star, or The sadness of lo-fi Cat Power"

"Elegance is a rare quality in a time of such immediacy, elegance in rock and roll even more so. But one listen to her music and one swift and wide eyed glimpse at Saskia on stage, and it's hard to ignore the fact that elegance has as much relevance in this Modern Age, as it ever has in times past. Ethereal, powerful, intimate yet lonely, her music punches and kisses, breaks up and makes up, turns heads and o worldpens hearts. It's infused with a pa  ssion that drives, never burns, and a breathy sadness which has the power to bring tears of joy. Having recently finished recording her debut LP with legendary drummer Jim White (Dirty Three, Smog, etc…), Kay draws comparisons to Catpower, Mazzy Star and PJ Harvey, yet her haunted and fragile delivery is a sound all her own" Inpress 

"It's hard to imagine anything more sparse or more romantic" Band Camp

"With it’s alternately delicate and thunderous soundscape of percussion by Jim White, The Silver Ship is the glorious centrepiece of the EP that shares it’s title, a collection of songs of eerie beauty (the moody Rosemary is a particularly captivating dirge.) I recall crossing paths with Saskia back in the good old bad old days of Melbourne’s rock evolution, and thinking she could mop the floor with most of those pretenders. That it took five years or so from then for The Silver Ship to materialize is a testament to her dedication to her work, and her work – these intelligent, romantic sketches, propelled by her womanly voice – was well worth the wait" Single Of The Week, Inpress 

"Perhaps the best comparison might be to Bonnie Prince Billy in his I See A Darkness Mode" CMJ NEW YORK Spotlight Artist Of The Monthly 

Jackie Kennedy

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