Auch heute noch ein absolut geisteskranker Track 🤯🔥

Techno❤️

Katzengrass

Sweet Dreams - Felix Kröcher

Pappenheimer - Freed From Desire

Filth On Acid

Free Download

17. Reinier Zonneveld - Hard Gaan (Original Mix)

Drumcode returns with its 6th installment of the internationally celebrated A-Sides series. Renowned for fostering a shared space between industry tastemakers and rising talent alike, the careful curation that goes into each volume is a fine example of why Beyer’s brand continues to go from strength to strength.

Techno titan Adam Beyer has grown Drumcode into a force to be reckoned with; the label has become synonymous with forward-thinking, functional techno and even after 20 years, Drumcode continues to find new boundaries to push, and ways to solidify its legacy as the world’s number one techno label. 

2017 is no exception, with Beyer’s imprint hosting it’s first stage at Tomorrowland, not to mention the expansion of the critically acclaimed Junction 2 where the Drumcode stage is the centrepiece and Adam plays the key role of festival director. The Drumcode phenomenon continues to grow each week, chiefly fuelled by Drumcode Radio, Adam’s radio show that’s broadcast in 57 countries via 86 stations and to a global audience of 16 million techno fans per week. 

The A-Sides series acts as a perfect vignette of Drumcode’s cutting-edge sound; functional yet inspired techno, all tracks tried and tested by Beyer himself. Vol. 6 continues this tradition with a collection of 16 multi-faceted cuts from a mixture of both emerging artists and experienced label friends. 

The heart-throbbing bass in Amelie Lens’ electrifying piece ‘In Silence’ sets the tone for the dark and dance-floor-ready energy that Vol.6 carries the whole way through. Other standouts include Mars Bill’s rough’n’ready ‘Mohave’. Pulsating and precise, ‘Mohave’ has highlighted many of Beyer’s sets recently as has Wehbba’s monster track ‘Fake’, which fans have been anticipating the release of all year. 

Label-favourites Dense & Pika also feature on ‘A-Sides’ Vol. 6 with their hard-hitting ‘Just a Beat’ and a huge track from Beyer himself who has joined forces with Enrico Sangiuliano to bring us their undeniably infectious ‘Preset Heaven’. 

With many more notable selections from the likes of Julian Jewell, Timmo, Tiger Stripes and Pig&Dan, A-Sides Vol. 6 is another impressive addition to the label’s prolific release roster and a testament to why Drumcode remains at the forefront of the electronic world.

Amelie Lens - In Silence - Drumcode - DC178

Drumcode has become a label synonymous with some of the most-cutting edge and forward-thinking techno over the last 20 years. Their artists include both emerging and established names, and one of those well recognised is Enrico Sangiuliano. Now announcing the very first concept album of his career.

The prolific Italian producer has been catapulted into the limelight after the runaway success of his past releases, and now Biomorph is born. 

A very special concept album designed to take the listener on a journey of evolution. A musical adaptation describing how biological and technological advances over numerous generations of time have all started from the same first step in our own biological journey.

Divided into 4 parts, Organisms opens with atmospheric tones, gradually blending complex textures and timbres to begin the evolutional process. The beginning of this section combines full sounding arrangements before stripping it all back to basics. From here it dissolves into the atmosphere. Organisms then progresses into a break-beat influenced, down tempo track using synths to add complexity to the straight, broken rhythms.

Galactic, futuristic elements are found in both tracks in Cosmic Forces. Upbeat, groovy, electronic synths resonate, before ‘Hidden T’ brings the tension to get things pumped up with stratospheric swirls and twirls to lay down one of the most mind meltingly deep drops.

Metamorphosis is mysterious, its opening beat is a deep and piercing tone that sends the listener into a sensory awareness of their surroundings before breaking into a fully charged, techno track, with Enrico’s trademark sounds and textures.

All evolution has an ending.

Two Probabilities shows the positive, starting out evocative and emotional, with a gentle harmony, gazing towards a ‘New Dawn’. On the other side of the spectrum lies the negative. This is influenced with a rhythm that articulates the beat of death, mathematical, cold and metallic in texture, it shows the unsustainability of its nature, with a hectic, anxious break beat influenced ending.

Enrico Sangiuliano - Symbiosis - Drumcode - DC190 [III - Metamorphosis]

'Reinier Zonneveld is back with his first solo-ep since 1 year...'

Read More: http://whenwedip.com/2018/10/premiere-reinier-zonneveld-filth-on-acid/

Follow: @reinier-zonneveld // @filthonacid

Connect: When We Dip on Spotify - open.spotify.com/user/whenwedip

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Premiere: Reinier Zonneveld - Move Your Body To The Beat [Filth On Acid]

Move Your Body To The Beat EP

Get it here...

Reinier Zonneveld, Miro - Shining (Reinier Zonneveld's Filth on Acid Remix) [Filth on Acid]

Cherrymoon Trax - The House Of House (Thomas Schumacher Remix)

Drumcode starts 2020 with a sterling EP from genre hero Thomas Schumacher, his first on the label after a long association with Adam Beyer.

No ifs or buts, if you’re a techno fan, Thomas Schumacher holds a place in your heart. His 1997 classic ‘When I Rock’ still gets rinsed, he has a vast body of stellar work on his influential former label Spielzeug Schallplatten, including a release from Adam Beyer, and he continues to deliver pin-sharp productions via his Electric Ballroom imprint, including a scorching remix of ‘The House of House’, the 1994 classic from Cherry Moon Trax. The rework was first played by Beyer at Time Warp and has been a 2019 highlight.

He first contributed to Drumcode in 2018 with ‘The Unseen’, a stirring contribution to ‘A-Sides Vol.7’, setting up a maiden EP with ‘Crimson’. Beginning with the brilliant ‘Feist’, it’s a no-nonsense brain melter, as 303 arpeggios bloom and recede, creating a thrilling rhythmic intensity throughout. The title track ‘Crimson’ is crafted around two minutes of tension-building synths, before a beat finally appears and a rasping deep bassline commands the dancefloor. ‘Anker’ brings the rave with eagle-eye focus, unleashing a wall of fierce acid to round out the pack.
“Adam and I have both been producing and playing techno since the early ‘90s. I have deep respect for him as a person and artist. It’s an honour to have the opportunity to collaborate in this way.” – Thomas Schumacher

Crimson

Buy all

Thomas Schumacher — Feist — Drumcode — DC217

Techno don Reinier Zonneveld looks set for a massive hit with his latest track, which reworks the stunning melody made famous by PPK’s 1998 smash ‘Resurrection’. 

Zonneveld made his remix of the trance classic to play in his live sets, and it proved to be so popular that he felt it simply had to be released. He and his team set about trying to find the rightsholder of the original melody so that they could license it. 

This journey led them not to PPK, but to the original composer: the now 82 year old Russian electronic music pioneer, Edward Artemiev. He wrote the melody for the soundtrack of a 1979 movie called ‘Siberiade’. Zonneveld wrote him a letter asking if he could grant him permission to release his take on the melody. Listening to Reinier’s new interpretation of ‘Resurrection’, Artemiev was immediately sold and approved it to release. 

One of the earliest composers to adopt the synthesiser, Artemiev has a pioneering legacy that lives on through this new version that has been so skilfully crafted by Zonneveld. 

Moving on to the track itself. Pummeling old skool hardcore techno kicks thump under filtered layers of bubbling synths as an ominous tone is set early on. The melodic elements tease in tense fashion as layers of hissing percussion build on top. Flashes of the distinctive riff are sparingly deployed. Then suddenly the swell comes, rising pads and dramatic synth riffs fuelling the fire as cymbal rides urge us forward. Snare rolls and acidic textures build the tension further before the rug is pulled from under us and we’re thrust into the dream-like sounds of that famous riff. 

Sounding as enchanting and otherworldly as ever, these cute interweaving melodic lines soon transport you to another dimension. Filtered kick drums and heavily reverbed pad sounds interplay with percussive builds and rising acid tones, suggesting an explosive drop. Instead, the minimal approach is chosen, stripping the track down to its bare melodic basics and letting the famous hook shine. Further glorious melodic subtleties lift the track again and snare rolls push higher, but the track never reaches for excess and continues to tease throughout.

Resurrection is out now on Filth On Acid.

Resurrection

Get it NOW

PREMIERE: Edward Artemiev - Resurrection (Reinier Zonneveld 2020 Remix)

The Antidote

Beatport

T78 & Ballarak - The Antidote (Original Mix)

Higher

Amelie Lens - Higher (Lenske013)

Markantonios label AnalyticTrail welcomes back Australian artist Mha Iri who has released her hard hitting techno tracks on labels such as Steve Mulder's Orange Recordings, Spartaque's Codex and The Yellowheads Reload Black Label.

Mha Iri featured a track made in collaboration with Nohak on an AnalyticTrails mixed artist release titled Expression A5 at the start of 2020, but this time she is back with three solo tracks on her own EP.

Known for her charismatic blend of high energy percussion shrouded in shadowy atmosphere, she is the master of blending hints of euphoria to enrapture with sounds both dark and light.

Burn Steadily opens the release with a sensual vocal layered with a pounding kick drum, stabbing acid and a grinding bassline. Life Is A Game has dramatic synth bursts and swelling tension unleashed with maximum impact. Mission Control has a twisted melody and pulsating rhythms that create an eerie atmosphere full of suspense.

Mha Iri - Burn Steadily

Reinier Zonneveld's upcoming tour dates: http://gigs.gigatools.com/user/Reinier

Bookings: WASSERMANN
Reinier Zonneveld's label: @filthonacid

As one of the most heavily supported and best-sold techno producers of the moment, notorious for his powerful live performances at renowned festivals and clubs, Reinier Zonneveld is currently taking over the contemporary scene with his unique view on techno. In spite of his young age, Zonneveld already managed to score several charting hits, including Beatport overall no.1 “Things We Might Have Said”, which was included on his well-received artist album “Megacity Servant” and later on landed in a Hollywood production. 
Born in the Netherlands on the 30 January 1991, Zonneveld’s introduction to music was through classical piano lessons from the tender age of three. In his youth, Reinier started to compose classical music pieces and performed piano concerts by himself. But it was only when he started his university studies in econometrics and finance and after attending his first illegal raves, that Reinier Zonneveld began exploring music production by way of electronic means. Spending all of his student’s allowance on his first synthesizers during his university time, Zonneveld managed to teach himself his outstanding production skills in his student dorm. 
At the end of 2015, after he completed his two master’s degrees, Zonneveld decided to dedicate all of his time and effort to his ever-growing passion: producing and performing techno music. Soon after, his tracks got picked up by some of the biggest names in the scene, followed by releases on Oliver Koletzki’s Stil vor Talent, Carl Cox’s Intec, Richie Hawtin’s Minus and two official remixes for Moby. 
With his productions and live-sets influenced by both, Zonneveld’s classical background and his own rave experiences, it’s no surprise that his sound contains an incredible breadth, ranging from deep melodic tracks to pounding warehouse acid techno. 
Zonneveld’s musical talent truly shines through in his live performances as he manages to craft hits, both old and new, live on stage. This extraordinary talent enables Reinier to perform a unique all-night live-set on the spot, while creating explosive moments on the dance floor. 
Only just starting his career, Zonneveld has already performed on all continents, from main stages to underground clubs, leaving a thrilled crowd on each dance-floor. If not on the road, Zonneveld tries to find time in his fully-booked tour schedule to create tracks and further hone his skills in the studio, with the experiences and influences gained from his performances and travels as a constant source of inspiration. 

Next to performing and producing music, Reinier runs his own well-received label Filth on Acid, which was founded in early 2017. Filth on Acid will fully enable Zonneveld’s creativity and serves as a platform for his wide view on techno music. All being said, it’s apparent that Reinier Zonneveld will further influence today’s global techno scene with his unique productions and dance floor-shaking live-sets for years to come. It’s just the beginning...

Reinier Zonneveld, Miro - Shining (Reinier Zonneveld's Filth on Acid Remix) [Filth on Acid]

Reinier Zonneveld

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