Getting deep 1

Rodrigo Bermejo a.k.a. DJ Nuke is the most important DJ's of the new wave of techno talents from Madrid. Having been a huge part of the techno scene in Madrid since the late 90's, Nuke hosts his won Cultura Techno radio show and is resident at Fabrik where he hosts his own Code events.



Going Upstairs brings together a variety of styles to create one absorbing piece. From heavy, mechanical tech groove to disco bassline undertones and trance-like synth patterns in the break, this is an inventive and ear-catching debut for NUKE on MB Elektronics.



Mark Broom lends his ever-reliable skills to this release with a no-nonsense remix that retains the distinctive stylistic mash-up of the original but streamlines the arrangement into a throbbing and hypnotic techno bomb.

Nuke - Going Upstairs (Mark Broom Remix)

Bandcamp: https://refractionrecords.bandcamp.com/album/d-diggler-red-mercury-ep
Octal Industries delivers a powerful and atmospheric reinterpretation of “Red Mercury,” deepening the original’s energy with a sense of force and grandeur. This remix expands the EP’s scope with authority and depth.

• Beatport: www.beatport.com/label/refraction-records/116619
• Bandcamp: www.refractionrecords.bandcamp.com/
• Instagram: www.instagram.com/refraction_recor…MTIwNjQ2YQ%3D%3D
• YouTube: www.youtube.com/channel/UC7raGerhKQAP9uhEL3pEm1w

Bandcamp

*PREMIERE* D. Diggler - Red Mercury (Octal Industries Remix)

Losing Control (Original Mix)

Untitled

AWESOME

Delivered by <a href='http://www.label-worx.com'>Label Worx</a> on behalf of <a href='http://www.yinyangrecords.co.uk'>Yin Yang Records</a>

YYR181 : Jose Baher & Bad Omen - Nobel Virginity (Original Mix)

Essential Techno vol.1

Terra Nosa

Degenerate EP

Compulsion (Original Mix)

Out now on vinyl & digital release - https://lnk.to/REKIDS124

Matt Edwards and multifaceted artist Patrick Mason team up as SRVD with debut release entitled ‘ELEVATE’ dropping on Rekids this August. 

Whether as Radio Slave or his various other monikers, Matt Edwards is one of electronic music’s most consistent and innovative artists. Ever since his early reinterpretations of Kylie Minogue and New Order, Edwards has continually commanded respect as a producer and in-demand remixer, whilst as a label owner his Rekids imprint is undoubtedly one of house and techno’s most influential platforms. 

Meanwhile, Patrick Mason continues to conquer the fashion world; a devout club kid and gifted creative turning heads as an outstanding art director, illustrator and model, whose extensive artistic talents include a unique and compelling voice destined for dancefloors. 

SRVD’s story begins when the pair met in Panorama Bar, which soon led to Edwards and Mason hanging out at the studio and later evolved into improvised performances in Berlin’s club scene and beyond. ‘ELEVATE’ perfectly captures the raw spirit and vibe of their live show, with whispering vocals ushering in precision kicks and piercing stabs until Mason’s mesmerising voice comes fully into play. 

An homage to the New York vogue scene and a huge hit at Panorama Bar - where the pair have set the house on fire with three unannounced shows so far this year - ‘NASTY’ is a syncopated, bass-driven monster of a cut complete with infectious claps and metallic effects.

Elevate

SRVD - Elevate

'Backstage/In my Head' is the debut Ep of Raffaele Rizzi on Silent Storm!
The Italian artist has been in the scene for years and boasts collaborations with top-level labels.
He introduces himself with 2 tracks, they represent very well all the characteristics of the sound that led him to be supported by the top DJs of the scene.
These 2 originals are supported by an excellent remix of Barbuto, the artist is not new to this type of collaboration on Silent Storm as he had already done a great job remixing 'Long Knife' by Tom Laws a year ago.
'Backstage' It's characterized by a very deep bass and reverberations that project a sense of greatness. The atmosphere is hypnotic and the synth riffs contrast it, creating an amazing effect. The main Break is impress for the melody created by the warm lead that open its frequencies until it suddenly disappears, leaving space for the main theme again.
'In My Head' represents the other side of the producer, the most melodic and groovy one certainly not less powerful. The bass line leaves no escape out and forces you to move following the rhythm of the percussions. Everything is strengthened by the very fine pad that fills the horizon and vanishes only to leave room to the characteristic vocal that takes the absolute command during the main break, to then reappear in a rhythmic way.
In the remix of Barbuto the track is revisited in a definitely more straight way, the voice always finds a dominant place during the break but this time the melody leaves space to a resolute and deep rhythm.

Delivered by <a href='http://www.label-worx.com'>Label Worx</a> on behalf of <a href='http://www.silentstormrec.net'>Silent Storm</a>

SSR039 : Raffaele Rizzi - In My Head (Barbuto Remix)

Beatport : 16 August
Worldwide : 30 August

Cosmic Boys - Meteor (Original Mix) Preview LGD009

Timmo returns to Terminal M to release his highly anticipated debut album ‘Starlight’ this September. 
 
Since making his debut in 2008, Bulgarian talent Valeri Ivanov, aka Timmo, has swiftly become a name of note within the current techno landscape following with a string of releases via some of the biggest labels in the scene, from Adam Beyer’s Drumcode and of course Monika Kruse’s Terminal M imprint. Having emerged as a core figure for the label following his collaboration ‘Violet’ with Kruse back in May, and leading straight on from his ‘Starlight’ EP which featured three tracks from the extensive body of work in early June, the imprint will now welcome the arrival of his eleven-track LP ‘Starlight’, featuring a combination of club-focused tracks alongside more emotive soundscapes. 
 
“’Starlight’ is my debut album, and I’m very happy it’s going to be out on Monika Kruse’s Terminal M. It took me more than a year to finish and create it as an experience, the way I felt it should be. Starting with more melodic tracks, going through more energetic and electric ones and finishing off with some acid. 
 
All 11 songs have been recorded in my home studio in Sofia, using a variety of synths and modules, some dating back to the early 80s like the Roland Juno 60, and some being brand new or improved versions of classic synthesizers such as the Sequential Prophet 6.” - Timmo 
 
Opening via the ominous ‘Leaving Earth’ and flowing straight into the action via the acid laced ‘New Beginning’, the eleven-track project swiftly takes its form as a balance of driving, uncompromising productions accented by subtle interludes and moments  of  space.  Take  for  example  the  bubbling  ‘Solar’  and  the  warping  ‘Belle  Epoque’,  which  keep  the  focus  on oscillating synths and regimented percussion, whilst title cut ‘Starlight’ takes control and ups the energy via soaring lead synths and frenzied electrics. 
 
Next up, ‘Sonic Voyage’ reveals yet another twisting journey as Timmo merges ever-evolving leads with restrained vocal snippets, whilst ‘Vortex’ and ‘Spacefreaks’ add further energy via a medley of hefty kicks and menacing bass patterns throughout. Entering into the final three cuts, ‘Rhythm X’ brings forth further infectious 303-lines, tripped out vocal hooks and slick hats to head further into the peak time, whilst the darker ‘Connect’ throws its hat into the mix via a combination of commanding female vocals and choppy bass licks, before arriving at closing track ‘Interspace’ which lowers the tempo and switches the emphasis towards bright synth melodies and calming breaks featuring rich soundscapes to punctuate the project in emphatic fashion. 
 
Channeling main room sonics whilst intertwining rich melodies and softer tones throughout, ‘Starlight’ sees the unveiling of Timmo’s most complete body of work as he continues his ascent as one of his genres leading talents via the ever-impressing Terminal M.

beatport/spotify/vinyl

Timmo - New Beginning

The third edition in Senso Sounds' very own Kontakt series features a collaboration between Teenage Mutants and Frankyeffe. Teenage Mutants, the Germany based duo who have been releasing techno-inspired dance music on the likes of Terminal M, Noir und Stil vor Talent, team up with the Italian producer Frankyeffe for this release on Oliver Huntemann’s Senso Sounds. The track they cooked up together is called Run - a brooding, growling techno monster that slowly builds and builds, finding new layers of groove and drama through precision percussions and lazer sharp synth lines. We are also treated to a remix from label regular André Winter and Lilly Palmer, who team up to twist new levels of drive and grit out of the original. It’s hard-as nails, muscular stuff sure to set off the party at peak time.

Tracklist:
01. Run
02. Run (Lilly Palmer & André Winter Remix)
digital

Releasedate: 15.11.2019
Label: Senso Sounds
Cat. Nr. : senso057
Contact: kontakt@senso-sounds.net

Buy Now

Teenage Mutants & Frankyeffe - Run (André Winter & Lilly Palmer Remix)

Destination

Destination (Original Mix)

The Reactivitz is back on Immersion with a prodigious single : "Space Trip".

The Reactivitz - Space Trip (Immersion)

Reinier Zonneveld's upcoming tour dates: http://gigs.gigatools.com/user/Reinier

Bookings: WASSERMANN
Reinier Zonneveld's label: @filthonacid

As one of the most heavily supported and best-sold techno producers of the moment, notorious for his powerful live performances at renowned festivals and clubs, Reinier Zonneveld is currently taking over the contemporary scene with his unique view on techno. In spite of his young age, Zonneveld already managed to score several charting hits, including Beatport overall no.1 “Things We Might Have Said”, which was included on his well-received artist album “Megacity Servant” and later on landed in a Hollywood production. 
Born in the Netherlands on the 30 January 1991, Zonneveld’s introduction to music was through classical piano lessons from the tender age of three. In his youth, Reinier started to compose classical music pieces and performed piano concerts by himself. But it was only when he started his university studies in econometrics and finance and after attending his first illegal raves, that Reinier Zonneveld began exploring music production by way of electronic means. Spending all of his student’s allowance on his first synthesizers during his university time, Zonneveld managed to teach himself his outstanding production skills in his student dorm. 
At the end of 2015, after he completed his two master’s degrees, Zonneveld decided to dedicate all of his time and effort to his ever-growing passion: producing and performing techno music. Soon after, his tracks got picked up by some of the biggest names in the scene, followed by releases on Oliver Koletzki’s Stil vor Talent, Carl Cox’s Intec, Richie Hawtin’s Minus and two official remixes for Moby. 
With his productions and live-sets influenced by both, Zonneveld’s classical background and his own rave experiences, it’s no surprise that his sound contains an incredible breadth, ranging from deep melodic tracks to pounding warehouse acid techno. 
Zonneveld’s musical talent truly shines through in his live performances as he manages to craft hits, both old and new, live on stage. This extraordinary talent enables Reinier to perform a unique all-night live-set on the spot, while creating explosive moments on the dance floor. 
Only just starting his career, Zonneveld has already performed on all continents, from main stages to underground clubs, leaving a thrilled crowd on each dance-floor. If not on the road, Zonneveld tries to find time in his fully-booked tour schedule to create tracks and further hone his skills in the studio, with the experiences and influences gained from his performances and travels as a constant source of inspiration. 

Next to performing and producing music, Reinier runs his own well-received label Filth on Acid, which was founded in early 2017. Filth on Acid will fully enable Zonneveld’s creativity and serves as a platform for his wide view on techno music. All being said, it’s apparent that Reinier Zonneveld will further influence today’s global techno scene with his unique productions and dance floor-shaking live-sets for years to come. It’s just the beginning...

Compulsion (Original Mix)

Reinier Zonneveld

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