Beats  - part 2

Ravaged

Anomalies in Heart Rate (Original Mix)

Ghost Machine 133 bpm D#

“Last Flight” has landed at #67 on the Beatport Top 100 Progressive House Releases!
Huge thanks to everyone who supported the track – let’s keep it flying! ✈️🔥
"Last Flight" by Aglaia Rave is available exclusively on Beatport – including a powerful remix by Michael Kortenhaus!
▶️ Stream or buy now:
🔗 Beatport https://www.beatport.com/de/release/last-flight/5209918
📲 Available on all digital platforms:
https://go.protonradio.com/r/rlf_8-_RlOGQc
#LastFlight #AglaiaRave #MichaelKortenhaus #NewRelease #OutNow #AllPlatforms #BeatportRelease #SpotifyRelease #ElectronicMusic #NewMusicFriday #playlist #foryoupageシ #fypシ゚
#beatport
No rework, remix, or any other modification of my track may be published or distributed without my explicit permission. I am the sole copyright holder.

Last Flight

Kaufen Beatport

Aglaia Rave - Last Flight (Michael Kortenhaus Remix) Short Cut Release Date 19.09.2025

------ www.techno-blackbore.com ------ 
 Black Bore Records presents
 Markoza with " Cosmic Tunnel " 
 Follow us 
 https://www.techno-blackbore.com/ 
 https://www.facebook.com/BlackBorerecords/
 https://soundcloud.com/black-bore-records 
 https://www.instagram.com/blackborerecords/ 
 https://twitter.com/blackborerecord
 https://www.youtube.com/c/technoBLACKBORERECORDStechnolabel

Cosmic Tunnel

Markoza-Cosmic Tunnel (original mix)Preview

Italy’s fastest rising name in house and techno returns to the respected Drumcode imprint with this blistering new 4-track EP, ‘Climax’. Featuring a distinctive vocal sample crescending over a typically thumping bassline, opening lead track ‘Climax’ grows gradually with the introduction of a single synth note and skipping hi-hats. Two beatless breakdowns increase the pressure whilst a new synth melody is introduced in the second, making for a powerful ending as all the elements join together.

‘Boost’ starts out deep and dark, with a high-pitched call echoing over a determined beat. The track changes course mid-way through with the introduction of a bassy, low-pitched synth melody, helping ‘Boost’ evolve into a catchier, more playful track.

‘Spectre’, a no-nonsense closing piece featuring a jittering synth note, rattling hi-hats and a trademark tension-filled breakdown.

‘Over The Clouds’, as its name would suggest, is the gentlest of the four tracks. Filled with dusty textures over a rumbling bassline, twinkling synths move in waves before lower-pitched chords join, adding a real sense of depth to this production.

Overall, ‘Climax’ is an outstanding example of Faraone’s ear for detail as a producer: his experience as both a resident and touring DJ clearly feeds into his skill for manipulating tension in his productions like he does on the dancefloors. Having recently warmed up for Adam Beyer at Tenax, Marco Faraone’s relationship with the iconic label continues to grow.

Marco Faraone - Boost - Drumcode - DC154

My Thang

2000 and One - Hood Thang (Original Mix)

Grab you copy: sensosounds.lnk.to/senso023d

Picking up where he left off with his last release on Senso, Victor Ruiz brings yet more heat to Oliver Huntemann’s always impressive label. One of the hottest names in under- ground electronic music right now, Victor cements that reputation with another two tracks of uncompromising, precise Techno.
His new release brings us Red Lights - a spacey journey to the heart of the dancefloor - tweaked and shaped for maximum effect on big room sound-systems.
Dutchman Bart Skils steps up on remix duties to provide a sick Motor Speedway mix - somewhere between the Krautrock influences of Kraftwerk and the sleek Techno of Detroit’s 2nd wave.

Show some love:
@victorruiz
@bart-skils

GET IT HERE

Victor Ruiz - Red Lights (Bart Skils Motor Speedway Rework)

A work 12 months in the making, Adam Beyer continues his exciting series of collaborative EPs, teaming up with heavy-hitters Pig&Dan for an multi-faceted four-tracker.

Chances are up if you spied Adam Beyer in an airport departure lounge over the past 12 months, he’d have his head buried in his laptop, immersed in creating sound sketches. A long-time fan of collaborations, the Drumcode chief has been on an inspiring streak of form lately, teaming up with the likes of Mark Reeve, Dense & Pika and now Pig&Dan. The results have been compelling, to say the least. 

In trademark perfectionist Beyer style, the title track ‘Capsule’ – a shimmering slice of techno - involved “around 15 different versions” the track rigorously road tested by the Swede and featured in episodes of Drumcode Radio to test dancefloor reactions, before finally getting the sign off.  ‘In Love’ is a big room techno groover, driven by crisp drums and the kind of evocative vocal effect that’ll have hairs standing on ends. ‘Atmosfear’ is true to its name, centered on a menacing synth line and gritty percussion, its deep kicks and subterranean bass combining superbly to create a heady dancefloor brew. ‘We Are E’ is propelled by a catchy synth hook and a classic call-to-arms vocal, which tips its cap to the artists’ shared love of classic UK rave.

Adam Beyer Vs Pig&Dan - In Love - Drumcode - DC171

Luigi Madonna & Roberto Capuano – Midfield EP [SNDST035]

1: Midfield
2: Wendy
3: Dark Soul 

For our next release we look south to two of Italy’s finest exports and rising stars: Luigi Madonna and Roberto Capuano. Both hailing from the coastal city of Naples, the two have been on fire for some time now and their ‘Midfield’ EP is a perfect representation of their approach and sound that is winning dancers the world over. Kicking things off is the title track ‘Midfield’ with infectious percussion, hefty drums and an absolutely unforgettable lead that will, without any doubt, create full on dance floor mayhem. ‘Wendy’ follows up with rapid fire drumming and a soul drenched vocal laid over a booming kick drum resulting in a simple yet highly effective sonic excursion. Rounding out the EP is ‘Dark Soul’ which does the job using only percussive elements like racing shakers and colossal, crunchy impacts balanced perfectly with a lush vocal shot placed a few times throughout the track in the most effective moments. – In short, three stunning tunes from our Italian cohorts Luigi Madonna and Roberto Capuano to be played loud and often!

@robertocapuano
@luigimadonna
@secondstateaudio

Luigi Madonna & Roberto Capuano - Wendy

Dominance EP

Dominance (Original Mix)

Sam Paganini - Hypnotize (Sample)

Wehbba collaborates with ghetto tech legend DJ Deeon, to deliver another superlative EP on Drumcode.

Since his debut on Drumcode in 2017, Brazil’s Wehbba has become one of the most dependable and impressive artists on the roster. Last year saw two standout EP’s ‘Eclipse’ and ‘Catarse’ drop on the imprint, alongside ‘Just’, his strong contribution to A-Sides Vol.7. He also made his mark playing Drumcode events at OFF Week, Resistance Ibiza and the much talked about double header in Manchester and Bristol when DC took over Warehouse Project and Motion respectively.

A true master craftsman in the studio, his first contribution for 2019 is typically impressive. A huge inspiration to Wehbba since his nascent raver days, ghetto tech icon DJ Deeon contributes a fierce vocal to ‘We Have Bass’, after a serendipitous hook up in São Paulo. A peak career moment collaborating with one of his original heroes and the artist responsible for the classic ‘Freak Like Me’, the resulting percussive-heavy cut kicks like a rodeo bull. ‘Third Wave’ is coffee geek Wehbba’s homage to his favourite brew, constructing the production to mirror the experience of a caffeine fix, as a loopy trance-inducing groove leads to powerful synth stabs that are heavy on impact. ‘Steamroller’ is a stripped back slice of techno driven by the Brazilian’s Korg MS-20 and found form after it initially begun as a studio jam inspired by Richie Hawtin’s ‘Minus Orange’. 

A Jean-Michel Jarre fan stretching back to his childhood, ‘Another Mistake’ was conceived after Wehbba saw the French legend in concert last year and was subsequently able to meet him backstage through a mutual friend. While creating the track, the producer imagined Jarre playing the main layers of the hook on his famous Laser-harp, eliciting an almost celestial quality with the melody. This is a stirring slice of techno fit for stadiums. The EP ends with ‘Purge’, the artist’s stream-of-consciousness expression recorded in one-take and a beautiful beat-less way to conclude the work.

Buy all

Wehbba - Third Wave - Drumcode - DC202

The Belgium sweethearts Joyhauser are back on Terminal M! Check out the new 4 track ep with their unique Joyhauser sound! (Monika Kruse)

beatport/spotify/vinyl

Joyhauser - Landa

The Curse

A rare treat for Drumcode faithful: A-Sides Vol.10 is set to drop in December, the second edition of the beloved series to come in 2020.

Fuelled by the extra time and space to be creative during lockdown, Drumcode’s collective of artists have stepped up. Across 17 contributions, the producers have gone deeper into their sonic repertoire, crafting powerful, yet reflective works that capture the range of the label’s sound.

Jay Lumen leads the way with a rousing riff-driven weapon, ‘Galactic Rainbow’, while Ramon Tapia brings us the muscular gem ‘Drum Control’, mixing up ruffneck techno with a barrage of synapse-tickling synths in the second half. Both rousing highlights of the compilation.
Victor Ruiz, Drumcode’s most prolific contributor in 2020, dishes up ‘Love Story’, led by a huge vocal lead. Zimmz also returns with ‘Tension’, which deftly combines deep squelchy grooves with a silky synth interlude. Thomas Hoffknecht follows up his debut on Vol.9 with ‘Escape’, keeping listeners on their toes with dynamic, choppy shifts throughout. Veerus joins with another stirring addition ‘I Know’, reinforcing why Beyer rates him so highly.

Elsewhere a string of debutants feature: buzzy newcomer Lilly Palmer gives us ‘Amnesie’, a brilliantly pummelling and eerie cut; Alex Lentini & Stomp Boxx serve up ‘Expanders’ mixing up drone effects, trippy vocals and an unsettling melody line; and Patrik Berg’s ‘Activated’ is full-bodied techno that drops down into funky rhythms.

Long-time DC family member Bart Skils brings his A-game with the thrilling no-nonsense ‘Solid State’ that hits like a steam train. Likewise, Alan Fitzpatrick who brings a momentous slab of techno energy with ‘Rochus’, while Thomas Schumacher, now feeling like a regular on the imprint, crafts another dark techno opus, this time in collaboration with CAITLIN.

There’s even a special appearance by the chief Adam Beyer, who makes a welcome return with the progressive-tinged ‘Changes’, driven by organic tones and spacey atmospherics. The track stands as his first original contribution to A-Sides since 2017.

Veerus — I Know — Drumcode — DC235

Reinier Zonneveld's upcoming tour dates: http://gigs.gigatools.com/user/Reinier

Bookings: WASSERMANN
Reinier Zonneveld's label: @filthonacid

As one of the most heavily supported and best-sold techno producers of the moment, notorious for his powerful live performances at renowned festivals and clubs, Reinier Zonneveld is currently taking over the contemporary scene with his unique view on techno. In spite of his young age, Zonneveld already managed to score several charting hits, including Beatport overall no.1 “Things We Might Have Said”, which was included on his well-received artist album “Megacity Servant” and later on landed in a Hollywood production. 
Born in the Netherlands on the 30 January 1991, Zonneveld’s introduction to music was through classical piano lessons from the tender age of three. In his youth, Reinier started to compose classical music pieces and performed piano concerts by himself. But it was only when he started his university studies in econometrics and finance and after attending his first illegal raves, that Reinier Zonneveld began exploring music production by way of electronic means. Spending all of his student’s allowance on his first synthesizers during his university time, Zonneveld managed to teach himself his outstanding production skills in his student dorm. 
At the end of 2015, after he completed his two master’s degrees, Zonneveld decided to dedicate all of his time and effort to his ever-growing passion: producing and performing techno music. Soon after, his tracks got picked up by some of the biggest names in the scene, followed by releases on Oliver Koletzki’s Stil vor Talent, Carl Cox’s Intec, Richie Hawtin’s Minus and two official remixes for Moby. 
With his productions and live-sets influenced by both, Zonneveld’s classical background and his own rave experiences, it’s no surprise that his sound contains an incredible breadth, ranging from deep melodic tracks to pounding warehouse acid techno. 
Zonneveld’s musical talent truly shines through in his live performances as he manages to craft hits, both old and new, live on stage. This extraordinary talent enables Reinier to perform a unique all-night live-set on the spot, while creating explosive moments on the dance floor. 
Only just starting his career, Zonneveld has already performed on all continents, from main stages to underground clubs, leaving a thrilled crowd on each dance-floor. If not on the road, Zonneveld tries to find time in his fully-booked tour schedule to create tracks and further hone his skills in the studio, with the experiences and influences gained from his performances and travels as a constant source of inspiration. 

Next to performing and producing music, Reinier runs his own well-received label Filth on Acid, which was founded in early 2017. Filth on Acid will fully enable Zonneveld’s creativity and serves as a platform for his wide view on techno music. All being said, it’s apparent that Reinier Zonneveld will further influence today’s global techno scene with his unique productions and dance floor-shaking live-sets for years to come. It’s just the beginning...

Dominance (Original Mix)

Reinier Zonneveld

Related tracks