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Pan-Pot - The Other Remixes [SNDST015]

VINYL: bit.ly/1OehZwS
DIGITAL: btprt.dj/1Rk9Lp2

As the dust finally begins to settle after the release of Pan-Pot's massive album 'The Other', it's time to unleash a collection of heavy hitting reworks from the best and brightest stars of todays techno elite. Through careful consideration and an acute attention to detail, we couldn't be more elated to confirm ten artists we know and love to contribute their unique vision to Second State's first ever remix package.

Kicking things off with a heavily twisted alteration of 'Attention' is Nicole Moudaber and it's a tangled, dark trek through dense acoustic layers of audible madness. Next up is the Hamburg duo

Extrawelt with their twist on 'Optimistic Grey' and they deliver a beautiful blend of emotion and groove they are synonymous for.

Following suit is another passionately romantic number from man of the hour, Stephan Bodzin, and his take feels like floating through a sea of clouds, resulting in a timeless classic to be a focal point in any set for years to come.

Next in line is Ray Kajioka's take on '808 Nirvana' and it's a cosmic ride, ripe with swirling atmospherics laid over big churning drums and rolling cymbals.

Following up on the second 12“ of this LP is a man who needs no introduction: Carl Cox. And in true Coxy fashion he turns 'Riot' into just that: a big room, tension building monster!

Broken Engine' is the next track to get worked over and Wigbert delivers a stunning mix of shimmering tones and growling bass resulting in a lush venture through a cosmic backdrop of flickering stars in deep space.

Joseph Capriati ensues with his vision of 'Fugitives' and he brilliantly keeps the vibe of the original yet adds his trademark big room flair to take it to another level of driving euphoria.

Enlisting the talents of Alan Fitzpatrick to remix one of the slower listening tracks on the album turned out to be magic. With his signature percussion, Fitzpatrick takes the parts and creates a dive deep into sultry smooth waters of seduction.

The first of our last two remixes, which are digital exclusives, come from Paul Ritch and he delivers a grinding rendition of 'Riot', expertly crafted for the more euphoric peak time occasions.

Last and certainly not least is a man on the rise, Kevin Knapp with his twist on his own collaboration with Pan-Pot: 'Get In'. An expertly crafted tech house jam exploding with energy and attitude perfect for any moment, day or night, indoors or out.

No matter the time or place, there is something here for everyone and we are truly fulfilled and honored to present this package of cutting edge artists to celebrate this landmark moment. We know you will enjoy!

@pan-pot
@secondstateaudio
@joseph-capriati


Vinyl

Pan-Pot - Fugitives (Joseph Capriati Remix)

Read more:
http://dancingastronaut.com/2016/11/da-premiere-moby-heart-feel-bad-enrico-sangiuliano-remix/

Premiere: Moby - Why Does My Heart Feel So Bad (Enrico Sangiuliano Remix)

Pleasurekraft share a dark techno revision of their seminal hit, "Tarantula." The "7 Year Itch Rework" will be released via Kraftek May 5.

Read our review, and enter for a chance to win a signed, limited edition vinyl of the track here: dncgastrnt.co/4rbz

Preorder the digital track here: http://www.beatport.com/track/tarantula-7-year-itch-rework/9243625

Premiere: Pleasurekraft - Tarantula (Pleasurekraft's '7 Year Itch Rework')

Hypnotize

Sam Paganini - Hypnotize (Feat. Zoe) (Original Mix) [JAM]

Drumcode continues its commitment to releasing the scene’s most cutting-edge techno. With releases this year already from Adam Beyer, Pig&Dan, Alan Fitzpatrick, Dense & Pika and Julian Jeweil, this July see’s the return of Enrico Sangiuliano with ‘Astral Projection’.

After his remix of Moby’s of ‘Why Does My Heart Feel So Bad’ back in November last year, Enrico sought creative inspiration from his travels, transcending that into his productions and long studio sessions during the winter months. The result brings a mind and body melting release from the Italian producer.

The title track ‘Astral Projection’ is a captivating, big room techno masterpiece. Deep reverberations punch alongside a sinisterly crisp percussive drive. Launching into a groove laden synth modulation of low end textures, it breaks down into an ethereal amalgamation of pads and synths before the vocal launches, taking this track to another level.

‘Blooming Era’ has destructive dancefloor intent. There is no holding back with the low end synth modulation which Enrico has mastered to perfection. A tightly woven percussive flare moulds flawlessly with the rolling oscillations of the beast of this track.

If you have seen label head honcho Adam Beyer playing anywhere on the globe in the last 5 months, this has been a peak time favourite. Road-tested to the max, and with much success.

Enrico Sangiuliano - Blooming Era - Drumcode - DC176

Adam Beyer’s Drumcode is growing from strength to strength, year after year, with a non-stop release schedule showcasing both the labels new and most established artists with cutting edge techno beats. After 20 years since its inception, Drumcode continues to push the boundaries, firmly grounding their position as the world’s No.1 techno label.

Drumcode’s youngest rising star, Layton Giordani, exploded on to the scene after his debut album “Where It Begins” back in February, after scoring some of the biggest festivals in Europe this summer, he now returns with an exciting collab titled “Live Again”.

NY born and bred, Danny Tenaglia has always been a true inspiration for Layton since his teenage years, so when the opportunity to collaborate with the fellow NY legend was on the cards, it was a dream come true.

Danny and Layton join forces for the lead track ‘Live Again’. Its deep and dark with a slowly building pad wrapping around a modulating synthetic hook. The dark and effected vocal echo takes the track into a hypnotic vibe.

‘Take It Back’ delivers a pumping drive the moment it fires up. Snapping percussive force and an infectious rhythmic groove will unhinge dance floors nationwide, whilst ‘Secrets of Vibration’ has a rattling, yet blistering low end presence to it.

The New Yorkers unite on this energetic and exciting collab.

Layton Giordani feat. Danny Tenaglia - Live Again - Drumcode - DC180

Tale Of Us recorded live at Time Warp Mannheim 2018.

Time Warp

Tale Of Us live at Time Warp Mannheim 2018

Meine erste Mayday! Momente, die man nie vergisst: 
06:30 - 08:00 und noch so eine Energie auf dem Dancefloor!
Ich bin unendlich dankbar für diese Erfahrung! 
TEILT DAS SET MIT EUREN FREUNDEN!

LIKE

[Live - Mitschnitt] Pappenheimer @ MAYDAY 2018 (Empire Closing)

@carl-cox
@christopher_coe
@filthonacid

DO IT NOW

Get it here...

PREMIERE: Carl Cox & Reinier Zonneveld & Chris Coe - Inferno (Original Mix) [Filth on Acid]

Hidden Empire - Cashmere

▸ Hidden Empire:
Facebook ► https://www.facebook.com/hiddenempire.music/
Soundcloud ► https://soundcloud.com/hiddenempire

▸ Octopus Recordings:
Facebook ► https://www.facebook.com/OctopusRecordings
Soundcloud ► https://soundcloud.com/octopusrecordings

▸ SleepLess:
Facebook ► https://www.facebook.com/SleepLessMusique/
Youtube ► https://www.youtube.com/channel/UCxrBvMakeT6JBfQK8zwP_bg/featured
Soundcloud - SleepLess Musique ► https://soundcloud.com/sleeplessmusique
Soundcloud - SleepLess Recordings ► https://soundcloud.com/sleepless-recordings
Instagram ► https://www.instagram.com/sleepless.musique/

Cashmere

Buy On Beatport

Hidden Empire - Cashmere

BUY IT NOW: https://www.beatport.com/track/space-date-pleasurekraft-remix/12153522
STREAM IT NOW (Spotify): https://open.spotify.com/track/1lbUtnuS8AYvKd0lziKpJ4?si=gasYXChQSSeRezMAL9tiug

Pleasurekraft return to Drumcode on remix duties after a 2 year hiatus with all engines on the Cosmic Techno ship firing.  Big-room atmospheric drums and an infectious call and response hook intertwine with Green Velvet's otherworldly vocals to produce a new highly visceral and steroid injected version of the original.  The "Space Date" remix marks the sixth collaboration between the seminal purveyors of the Cosmic Techno sub-genre, Pleasurekraft, and Chicago's iconic dance music pioneer Green Velvet. 

The remix initially came about after Drumcode head Adam Beyer heard Pleasurekraft's "Welcome to the Universe" EP [Kraftek] at the end of 2018.  A huge supporter of the Swedish/American production duo, Adam felt so inspired by the whole EP, especially "Main Sequence" that the opportunity for Pleasurekraft to take their love of all things space related lent itself naturally to the thematic elements in Green Velvet's vocals. 

The track's spine is built around a hypnotic groove that is anchored to a single word from the original's vocals : "ecstasy" and slowly builds to the first climax of the record where the listener finally hears Green Velvet's vocals in full for the first time.  However it isn't until the second break of the track that the power of the remix is finally unsheathed, resetting the groove and building up to a second swell featuring a duo of call and response melodies between the lead hook and a lower end bass that takes the intensity of the track up another notch - ultimately culminating in complete silence that gives way to the remix's original heartbeat and repeating mantra: "ecstasy". 

Taking over a month of studio time to complete, it was road tested for the first time at Pleasurekraft's Fabric London gig, where there was no shortage of inquiries as to the ID of the record.  This soon became a repeating theme after Adam Beyer first included it on DCR446 and played it during both of his Ultra Miami (Resistance) sets, including his closing b2b set with Maceo Plex who loved the track so much he proceeded to get his own copy and play it during his own solo set one week later at Time Warp in Germany.  

Multiple clips of the remix have already gone viral on various social media and blog outlets, with no shortage of fans waiting anxiously for the June 24 release date on Adam Beyer's own Drumcode Records. In Adam Beyer's own words, Pleasurekraft are "setting new standards" with their continued foray into the Cosmic Techno sub-genre they continue to define.

www.instagram.com/pleasurekraftofficial
https://www.youtube.com/user/pleasurekraftREAL
www.facebook.com/pkmusic
www.twitter.com/pleasurekraft

Space Date Remixes

BUY IT NOW

Adam Beyer, Layton Giordani, ft Green Velvet - Space Date (Pleasurekraft Remix)

A testament to the growth of Adam Beyer’s scene-leading label, Drumcode annual A-Sides Vol.8 is the brand’s biggest yet.

The 25-track strong compilation features standout cuts Beyer has received over the last 12 months, but been unable to find room for in Drumcode’s regular release schedule, such is the volume and high standard of music that’s submitted.

The highlight-rich compilation includes Jamie Jones & Darius Syrossian’s buzzy Drumcode debut ‘Eyes of the Night’, Nicole Moudaber’s first DC release in 5 years with the mesmerizing ‘This Is Us’, Will Clarke’s bass-drenched re-work of Adam Beyer & Bart Skils ‘Your Mind’ and Joey Beltram’s first Drumcode release in 11 years with the retro-tinged ‘Can You Feel It’.

The beloved Alan Fitzpatrick returns to the fold with the searing ‘Heiße Rakete’, alongside label mainstays Layton Giordani, who drops the stirring chord-driven ‘Chrome’ and Wehbba with ‘Mantra’, combining techno classicism with future-focused groove.

There’s a troupe of debutants donning the Drumcode jersey for the first time, including BEC, Shelley Johannson, Anthony Castaldo, Avision, Zimmz, Woo York, SAMA (in a terrific collaboration with Secret Cinema) and Ilija Djokovic, who delivers a shimmering highlight with ‘Aura’, a particular favourite of Beyer’s over the last year. Raxon also debuts on the label after a couple of quality additions to the Truesoul back catalogue.

Exciting young guns Weska and Juliet Fox bring heat to the compilation, while Veerus and Timmo follow up strong DC releases with a repeat dose. Elsewhere faithful contributors Ramon Tapia, Jay Lumen, Luca Agnelli, Marco Bailey and Mark Reeve craft powerful dancefloor weapons.

Layton Giordani — Chrome — A-Sides Vol. 8 — Drumcode — DC211

Reinier Zonneveld's upcoming tour dates: http://gigs.gigatools.com/user/Reinier

Bookings: WASSERMANN
Reinier Zonneveld's label: @filthonacid

As one of the most heavily supported and best-sold techno producers of the moment, notorious for his powerful live performances at renowned festivals and clubs, Reinier Zonneveld is currently taking over the contemporary scene with his unique view on techno. In spite of his young age, Zonneveld already managed to score several charting hits, including Beatport overall no.1 “Things We Might Have Said”, which was included on his well-received artist album “Megacity Servant” and later on landed in a Hollywood production. 
Born in the Netherlands on the 30 January 1991, Zonneveld’s introduction to music was through classical piano lessons from the tender age of three. In his youth, Reinier started to compose classical music pieces and performed piano concerts by himself. But it was only when he started his university studies in econometrics and finance and after attending his first illegal raves, that Reinier Zonneveld began exploring music production by way of electronic means. Spending all of his student’s allowance on his first synthesizers during his university time, Zonneveld managed to teach himself his outstanding production skills in his student dorm. 
At the end of 2015, after he completed his two master’s degrees, Zonneveld decided to dedicate all of his time and effort to his ever-growing passion: producing and performing techno music. Soon after, his tracks got picked up by some of the biggest names in the scene, followed by releases on Oliver Koletzki’s Stil vor Talent, Carl Cox’s Intec, Richie Hawtin’s Minus and two official remixes for Moby. 
With his productions and live-sets influenced by both, Zonneveld’s classical background and his own rave experiences, it’s no surprise that his sound contains an incredible breadth, ranging from deep melodic tracks to pounding warehouse acid techno. 
Zonneveld’s musical talent truly shines through in his live performances as he manages to craft hits, both old and new, live on stage. This extraordinary talent enables Reinier to perform a unique all-night live-set on the spot, while creating explosive moments on the dance floor. 
Only just starting his career, Zonneveld has already performed on all continents, from main stages to underground clubs, leaving a thrilled crowd on each dance-floor. If not on the road, Zonneveld tries to find time in his fully-booked tour schedule to create tracks and further hone his skills in the studio, with the experiences and influences gained from his performances and travels as a constant source of inspiration. 

Next to performing and producing music, Reinier runs his own well-received label Filth on Acid, which was founded in early 2017. Filth on Acid will fully enable Zonneveld’s creativity and serves as a platform for his wide view on techno music. All being said, it’s apparent that Reinier Zonneveld will further influence today’s global techno scene with his unique productions and dance floor-shaking live-sets for years to come. It’s just the beginning...

PREMIERE: Carl Cox & Reinier Zonneveld & Chris Coe - Inferno (Original Mix) [Filth on Acid]

Reinier Zonneveld

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