playlist 02

Nordpol / Südpol

Nordpol

Denis A presents: 

1. Tunnelvisions - Acid Neverland
2. Kasper Koman  - Hi (Cid Inc. Remix)
3. Faithless - Insomnia 2021 (Maceo Plex Dub mix)
4. New Hook  - Sexergy
5. Lopezhouse - Vostok
6. Argy - The Third Degree
7. Shiffer - Memento (Adriatique remix)
8. Eelke Kleijn - The Magician (Extended Mix)
9. Add-Us - Trust
10. Rey&Kjavik - Time
11. Empathy Test -  Seeing Stars (MNYNMS remix)
12. UNDERHER - You Can`t Give Me What I Want (UNDERHER`S State Of Independence Mix)
13. Faktorm - Faith
14. Evelynka & Jean Vayat - Your Rain
15. You & Me - Damiana

Denis A - ILLUZIA Afterhours Vol.5

FREE DOWNLOAD: https://www.toneden.io/lezen_music/post/on-my-knees-lezen-remode

Here's my edit of Rufus Du Sol's new track, "On My Knees" <3

I love the vocal from the original, but I knew I wanted to beef it up a bit more so I could play it in my sets. The result is a much more "DJ friendly" version of the song, primed and ready for the festival season.

DJ's - Turn off key lock on your CDJ, then play this one up around 126-128bpm. Thank me later...

Hope you enjoy xx

On My Knees

On My Knees (LEZEN Remode) - RÜFÜS DU SOL

Foremost international techno outlet Drumcode is delighted to announce the release of its next full-length album, ‘Satellite’, by enduring Italian techno talent Sam Paganini.

Though he has been active since the mid nineties, recent years have been hugely successful for Sam, with searing techno EPs coming on revered labels such as Riche Hawtin’s Plus8, Sven Vath’s Cocoon and of course, Adam Beyer’s Drumcode. In his time he has been responsible for underground hits like ‘Zoe’, ‘Polyester’ and ‘Fire In My Arms’, all of which demonstrate his dynamic understanding of sexy, dark and hypnotic techno grooves and at the same time have earned him plenty of great Beatport chart positions as well as respect from the best in the game.

Incredibly, ‘Satellite’ is Sam’s first full-length album. Informed by his DJ gigs at legendary places like Berghain in Berlin and Cielo in New York, the album starts with a dystopian bit of sonic scene setting, as if a space ship is charging up ready to take off.

From there it’s a case of getting straight down to business. ‘Another Chance’ is a spacey bit of cantering techno and ‘White’ is rooted in devastating kick drums and is riddled with serrated synth lines that build lots of great techno pressure. ‘Down’ is an undulating bit of funky techno complete with choice vocal flourishes and tracks like ‘Lotus’ are prime offerings from the deeper end of the scale.

No two tracks sound the same on Satellite: Sam is always teasing out a new bit of texture, nailing a slightly different vibe or exploring different amounts of light and dark throughout the course of this most excellent album. This is evidenced by diverse cuts like ‘Dusty’, ‘Toxic’ and ‘Rave’.

Despite ‘Satellite’ being Sam’s debut album, it showcases his seductive style in all its glory across 12 fantastic tracks that will leave you begging for more.

Sam Paganini - Rave - Drumcode - DCCD10

Get your hight quality copy : https://pro.beatport.com/release/wrong-choice/1399854

Matt Minimal comes back on Perfekt Groove with four new tunes who explore the melodic part of the techno music vibe . This ep concentrate groove and punch the analog melodic parts who give something unforgetable of the tracks . This ep is perfect if you want to keep the crowd reactive  . Grab your copy now

Connect With Matt Minimal : 
Facebook : www.facebook.com/mattminimalpage
Soundcloud : www/soundcloud.com/mattminimal
Twitter : www.twitter.com/mattminimal

Matt Minimal - For The Bass (Orignal Mix)

Nicotine Induced

Play with me Part 2
Minus Records




I don't own the rights of this track

Matador - Da Hustle

Get Oliver Koletzki's 'Iyéwaye Remixed' EP here: 
➟ iTunes: apple.co/1jekNxQ
➟ Beatport: http://btprt.dj/1MNgcfV

Stream 'Iyéwaye Remixed' EP here: 
➟ Spotify: bit.ly/1P2vHF8
➟ Beatport: http://btprt.dj/1Pd6hyt

Artist: Oliver Koletzki ➟ @Oliverkoletzki
Release Title: Iyéwaye Remixed
Label: Stil vor Talent
Catalogue No: SVT159
Release: 02.10.2015

'Iyewaye', Oliver Koletzki’s first release after the autobiographical I AM OK album, introduced a new facet of the artist’s sound. The EP catered to a darker and more raw aesthetic, a direction followed and deepened by the four remixes. First up is the title track 'Iyewaye', turned into a lengthy tech infused introspection by Hatzler. Loosely centered around the initial vocals, Loco & Jam’s makeover explores the track’s captivating snappy narrative. The more rhythm focused 'Ipuza' gets a special treatment from Hidden Empire who dial up the aggression of the percussion. Zakari & Blange downplay the track’s initial exotic elements, focusing on the rattling synths and giving it a late-night dancefloor rework.

➟ Homepage: www.stilvortalent.de
➟ Facebook: facebook.de/stilvortalent
➟ Soundcloud: @stilvortalent
➟ Youtube: youtube.com/stilvortalenttv
➟ Online-Shop: www.shop.stilvortalent.de/
➟ Twitter: twitter.com/_StilvorTalent
➟ Instagram: instagram.com/stilvortalentmusic



Oliver Koletzki – Iyéwaye (Hatzler Remix) [Full Track]

It was in 2014 when a mutual friend introduced me to Victor Ruiz while he was staying here in Berlin. I invited Victor to my studio where we had a fantastic session, playing our music to each other, listening to stuff we like and simply talkin and connecting. Since then, we became close friends as well as starting to work together. Victor has released two outstanding EPs on Electric Ballroom by now. This summer we met again and recorded three tracks. The result is our first joint EP, of which I am very proud. (Thomas Schumacher, November 2015)

Check:
https://www.facebook.com/ElectricBallroomMusic
https://www.facebook.com/ThomasSchumacherOfficial
https://www.facebook.com/victorruizofficial


Thomas Schumacher & Victor Ruiz - Apollo

Hot on the heels of the A-Sides Volume 5 compilation, Enrico Sangiuliano makes his return to Drumcode with his highly anticipated EP ‘Moon Rocks’. The heavy hitting four track EP shines a light on Sangiuliano’s tight, thundering production skills. The hoover heavy lead track ‘Moon Rocks’ is packed with booming percussion, intricate synths and brooding crescendos. The EP encapsulates Sangiuliano’s wide spectrum of sounds ranging from the fat bass line of ‘Moon Rocks’ to the more delicate harmonies shown within the ‘Dutch Kiss’ mixes whilst ‘Ghettoblaster’ sits somewhere in between.

Enrico Sangiuliano - Moon Rocks - Drumcode - DC160

Read more:
http://dancingastronaut.com/2016/11/da-premiere-moby-heart-feel-bad-enrico-sangiuliano-remix/

Premiere: Moby - Why Does My Heart Feel So Bad (Enrico Sangiuliano Remix)

Filth on Acid is excited to welcome Cari Golden for a new collaboration with label honcho Reinier Zonneveld. "Bending The End" is the second track they recorded together and the follow up of the enormous hit "Things We Might Have Said", which was one of the biggest electronic hits of 2016.

That being said, Cari and Reinier wanted to bring something new to the table and started with a white canvas when composing "Bending The End", and because of that they ended up taking a totally different direction. This time the track comes in two variations, the melody centred original mix and a dancefloor orientated 4AM mix. 

The original mix starts out with a throbbing, deep Moog bassline, and a round, deep bassdrum, while at the same time blending soft, haunting effects and a fragmented, distorted melody. Cari Golden's voice, deep and beautiful, comes in and sets the mood for a hypnotic slow burner. The bassline initiates a subtle chord progression and delicate production skills elevate the mood of the track. Powerful but stripped back drum programming along with short bursts of white noise bring impact for the dancefloor. A long breakdown starts the orchestra by three of the big classic synths - Oberheim, Moog and Juno - and pave the road for unimpeachable ear candy with Cari's angel like voice as the centerpoint of the attention. All the elements come together and form an indisputable peak; without building up too obvious. In the vein of bending the end to the beginning again, the track's outro ends as it started: deep and delicate. The second version in the package - 4AM Mix - has a definite peaktime feel to it. Powerful driving drums and a heavy bed of sub bass kick lead the way to the introduction of looped elements of Cari's voice. Colossal, bassy stabs hint to original in a disrobed way. Long synth notes lying somewhere between bass and melody introduce the harmonies of the original during the breakdowns and translate it to demanding dancefloors in a profound way.

Early feedback (in random order)
Monika Kruse: does reiner ever sleep? nice track again! 
Victor Ruiz: Reinier is on fire!!!!!!! 
Karotte: original and 4AM mix are great. love it.
Gabriel Ananda: Nice one! I am not exactly an vocal fan, but its really well made and a nice track. thanks
Sasha Carassi: good stuff!
Umek: top work 
Oliver Koletzki: 4AM mix is amazing!!
Coyu: 4AM mix sounds good
Noir: Nice tracks guys ;)
Chus & Ceballos: Beautiful vocal, great production! thanks 
Franky Rizardo: Supporting

Get it here

PREMIERE: Reinier Zonneveld & Cari Golden - Bending The End (Original Mix)

Pan-Pot - Confronted

Gógó (Lulu Rouge Remix)

Mixed & Mastered by Whologram
 https://www.instagram.com/whologram1/
-
@Studio Parking, Tehran, Iran
 https://www.instagram.com/studioparking
-
Cover Art & Video by Arya Alborzi Pour
 https://www.instagram.com/voiddaddie
-
Video available here :
https://youtu.be/7iPbDhW7qBQ

Seraph

Foals - Late Night (Solomun Remix)

Reinier Zonneveld's upcoming tour dates: http://gigs.gigatools.com/user/Reinier

Bookings: WASSERMANN
Reinier Zonneveld's label: @filthonacid

As one of the most heavily supported and best-sold techno producers of the moment, notorious for his powerful live performances at renowned festivals and clubs, Reinier Zonneveld is currently taking over the contemporary scene with his unique view on techno. In spite of his young age, Zonneveld already managed to score several charting hits, including Beatport overall no.1 “Things We Might Have Said”, which was included on his well-received artist album “Megacity Servant” and later on landed in a Hollywood production. 
Born in the Netherlands on the 30 January 1991, Zonneveld’s introduction to music was through classical piano lessons from the tender age of three. In his youth, Reinier started to compose classical music pieces and performed piano concerts by himself. But it was only when he started his university studies in econometrics and finance and after attending his first illegal raves, that Reinier Zonneveld began exploring music production by way of electronic means. Spending all of his student’s allowance on his first synthesizers during his university time, Zonneveld managed to teach himself his outstanding production skills in his student dorm. 
At the end of 2015, after he completed his two master’s degrees, Zonneveld decided to dedicate all of his time and effort to his ever-growing passion: producing and performing techno music. Soon after, his tracks got picked up by some of the biggest names in the scene, followed by releases on Oliver Koletzki’s Stil vor Talent, Carl Cox’s Intec, Richie Hawtin’s Minus and two official remixes for Moby. 
With his productions and live-sets influenced by both, Zonneveld’s classical background and his own rave experiences, it’s no surprise that his sound contains an incredible breadth, ranging from deep melodic tracks to pounding warehouse acid techno. 
Zonneveld’s musical talent truly shines through in his live performances as he manages to craft hits, both old and new, live on stage. This extraordinary talent enables Reinier to perform a unique all-night live-set on the spot, while creating explosive moments on the dance floor. 
Only just starting his career, Zonneveld has already performed on all continents, from main stages to underground clubs, leaving a thrilled crowd on each dance-floor. If not on the road, Zonneveld tries to find time in his fully-booked tour schedule to create tracks and further hone his skills in the studio, with the experiences and influences gained from his performances and travels as a constant source of inspiration. 

Next to performing and producing music, Reinier runs his own well-received label Filth on Acid, which was founded in early 2017. Filth on Acid will fully enable Zonneveld’s creativity and serves as a platform for his wide view on techno music. All being said, it’s apparent that Reinier Zonneveld will further influence today’s global techno scene with his unique productions and dance floor-shaking live-sets for years to come. It’s just the beginning...

PREMIERE: Reinier Zonneveld & Cari Golden - Bending The End (Original Mix)

Reinier Zonneveld

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