Carl Cox' track IDs

They EP

Shift

There’s no room to argue, Joseph Capriati has enjoyed his finest year to date and his escalation as one the principle profiles in techno knows no boundaries. 

The Napoli-born firebrand has just completed a stunning season in Ibiza as a resident of Marco Carola’s Music On at Amnesia. Anyone who caught him play the main room this season will agree – his special ability to combine an infectious stage presence, with razor sharp DJ skills draws techno fans to dancefloor like bees to a honey pot. No wonder island legend Carola’s handpicked him to perform on 8 separate occasions, more than any other artist this season. 

Combine this momentum with an outstanding 2013 that already saw him headline his first coast-to-coast tour of the US, play a historic 12 hour set at the Metropolis in Napoli, plus headline every major techno festival on the planet, the time couldn’t be better for Capriati to unleash ‘Self Portrait’, his sophomore LP. 

Already ingrained in the consciousness of techno lovers this year thanks to ‘Fratello’ and ‘Awake’ the pair of searing dancefloor slayers that were released in June as the album’s first singles, ‘Self Portrait’ goes deeper than the club stormers the Italian is famed for. Over 11 future-facing tracks, Capriati displays his deft production skill to supersede his reputation for bodyslamming dancefloors. 

Tracks such as ‘Electrolytic’, the album’s atmospheric opener evokes mood with a barrage of steely synths, gritty drums and industrial beats, while ‘Self Portrait’, the typically reflective album title track is an understated ambient gem led by warm trickles of melody that pairs nicely with ‘Naked’ which exhibits the producer’s deft skills for moulding sparse stripped back minimal that kicks along with cheeky vox and shuffling percussion. 

He further reinforces his ability to create addictive club rollers with the quirky, squiggly groover ‘Easy Come Easy Go’, while the masterful ‘Basic Elements’, chugs along with rattling industrial percussion before giving way to a sublime wall of melody that’s just the kind of genius fare that gets his diehard fans raising Italian flags inscribed with ‘JOSEPH CAPRIATI KING OF TECHNO’ regularly at this gig. And with an album this good, who are we to argue?

Joseph Capriati - Easy Come Easy Go - Drumcode

La Bomba (Demo)

Milkshake meets the wolf - Erik the DJ edit (sample file 2). full tracks soon

SOUNDSIZE [PROD. SXARRO]

Joey Bada$$ - Save The Children

contact us : https://www.facebook.com/index401oupstryagainamouwatenelpassehnaugetthemesg 

Maceo Plex - Mirror Me Feat car dark Mastered By DeeJay Lwess Tn

Paride Saraceni - Burning EP [Truesoul]
buy here: https://pro.beatport.com/release/burning/1685127

more info / music
subscribe here: http://www.paride-saraceni.com

Paride Saraceni - Burning (feat. Monce) [Truesoul]

Out on beatport: btprt.dj/1SFMfhJ
Out on iTunes: apple.co/1TXXIdd
Out on CD from Amazon: amzn.to/1TYUsBb
Out on vinyl 12"d: bit.ly/1jMjo1B
Out on spotify: spoti.fi/1TN1dHL

Played by Laurent Garnier, Maceo Plex, Davide Squillace, Matador, Mano Le Tough, Alan Fitzpatrick, Stephan Bodzin, Nick Curly, Sam Paganini and many many more....

Gregor Tresher - Quiet Distortion (Break New Soil)

BUY & STREAM - https://fanlink.to/VIJAYANDSOFIATHEONLYONE

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Vijay & Sofia - The Only One (Including Alex Hook Remix)

Vijay & Sofia - The Only One (Including Alex Hook

Vijay & Sofia - The Only One

Vijay & Sofia 

Alex Hook

SSR116

SSR

Spirit Soul Records

Deep 

Disco

Tropical

Deep House

Promo

Exclusive

Traxsource

Beatport

Spotify

Miami

Ibiza

Download

Free

Vijay & Sofia - The Only One Including Alex Hook Remix Free Exclusive Download

BUY & STREAM

Vijay & Sofia Zlatko - The Only One (Alex Hook Remix)

Megacity Servant

Spacedge

Captain My Captain

Captain My Captain (feat. Cari Golden)

Download/Stream

Eli Brown & Green Velvet - Unapologetic Raver

Bookings Worldwide: bookings@filthonacid.nl
Reinier Zonneveld's label: @filthonacid

Reinier Zonneveld Bio
When it comes to stadium-sized techno, Dutch tastemaker Reinier Zonneveld reigns supreme. Over the past 13 years, he’s emerged as one of the Netherlands’ most prolific producers, DJs, event organisers, and label founders. He’s become a beacon for a new generation of ravers, drawn to his fast-paced, bruising beats that fuse the sensibility of techno’s past with the cutting-edge sound design of its future.
But there’s more to Reinier Zonneveld than just a leading producer of acid techno. He’s the founder of the acclaimed Filth On Acid record label, who’s ranked #22 in DJ Mag’s Top 100 DJs and previously the highest new entry of the year, a Guinness World Record holder, an Edison Pop Award winner, and one of the most in-demand live acts in electronic music. Regularly performing in venues with over 25,000 visitors, his live shows have become a benchmark for the modern techno experience, powered by classic machines like the Roland 909, 101, and other synthesizers, which he manipulates in real time to create his signature soundscapes.
Reinier’s reputation as a visionary and pioneer extends far beyond his production. He’s the creative force behind the technologically forward-thinking R² Festival, where he became the first artist in the world to perform back-to-back with his own AI, just trained on his own music, enabling him to experiment with wild new technics on stage while he performs on his synths and drum machines. In 2025, he’ll take this groundbreaking concept even further with a 10-hour AI B2B live performance, featuring a holographic version of himself with real-time audio-visual manipulation — redefining what it means to perform live in the age of AI.
Classically trained on piano from the age of three, Reinier studied econometrics and earned two master’s degrees at Erasmus University in Rotterdam, where his devotion to electronic music first took shape. He began releasing minimal, experimental club cuts in the early 2010s — including ‘Vuur’, ‘Flashers’, ‘Find Muck’, and ‘Remember’ before unveiling his debut album, Reverse Psychology (2013).
By 2015, his sound evolved toward the darker, faster side of techno, showcased on Make Me A Promise and Final Judgement, and cemented with his 2016 album Megacity Servant on Stil vor Talent, featuring the hit ‘Things We Might Have Said’ with Cari Golden. His monumental fourth album Heaven Is Mad (For You) pushed him to new heights, featuring some of his biggest tracks to date — including ‘Dance With The Devil (The 6th Gate)’ (16M+ streams) and ‘Move Your Body To The Beat’ (29M+ streams).
Since founding Filth On Acid in 2017, Reinier has continued to shape the global techno scene, consistently holding the #1 position on Beatport’s techno charts and collaborating with artists ranging from Carl Cox, Speedy J, and Angerfist to Armin van Buuren and Oliver Heldens. Now approaching its 200th release, the label remains synonymous with innovation and quality, balancing underground credibility with global reach.
Recognised as one of the most productive producers in the scene, Reinier has amassed over 83 days’ worth of his own released music, a staggering testament to his creative drive and output. He has also played a pivotal role in shaping the sound and tempo of modern techno, being one of the first artists in the scene since to push BPMs beyond 140 to 145 in the second decade of the year 2000, setting a trend that has defined the genre’s energy since 2018.
In a live setting, Zonneveld is renowned for his marathon performances from a 12-hour set at ADE 2019 to the record-breaking 11-hour, 11-minute show at his own Karren Maar Festival in 2023. His technical mastery, fearless experimentation, and relentless energy continue to redefine the limits of what’s possible in live electronic music.
Reinier Zonneveld stands as one of the most forward-thinking and influential figures in contemporary techno — an artist who continually pushes boundaries, challenges convention, and leads the evolution of the global electronic scene.

I arrived in Los Angeles in 1989 where I become bi-costal traveling between Los Angeles, New York and San Francisco working in the Film and Music Industry. Dancing in the Sound Factory, End-Up, Ice Factory, Mayan, Orbit, the Cat Club and the underground of LA. I threw undergrounds in downtown Los Angeles and ran a legal warehouse for four years. This is my beginning. It will never end.

Spacedge

Reinier Zonneveld

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