Set ting

With the sound of Drumcode’s 15 Year anniversary still ringing in the ears of those who attended one of the labels special tour events or bought the commemorative compilation, Adam Beyer’s seminal Techno label dusts down the bunting and rolls out the party banners once again this month to celebrate the labels landmark 100th release. With such longevity being a mark of the consistency that has come to define Drumcode’s output over the years, it is highly appropriate that this milestone occasion be marked by releasing two new Adam Beyer tracks, The Color Out Of Space and Lovecraft, a collaboration with Ida Engberg, that follows up her Blue Yonder EP from September 2011

Drumcode mark their landmark 100th release with a two-track EP that comes directly from the heart of the label’s operation. Just as with the label’s first release sixteen years ago, Adam Beyer positions himself at the controls, unleashing the shimmering ‘The Color Out Of Space’ with its euphoric melody riding on the back of nagging chords and booming kick. A product of Beyer’s studio collaboration with Ida Engberg, ‘Lovecraft’ takes its place on the b-side, cutting a trippy journey through distinctive chord patterns and undulating melodies that bounce around in the mix, underpinned by a heads-down groove. 

DC100 - Adam Beyer & Ida Engberg - Lovecraft - Drumcode

Devil Dance (Adam Beyer Remix)

Alan Fitzpatrick is back with a three-track EP that encapsulates what Alan’s Drumcode sound is all about. Hard-hitting drums that fire down onto the dance floor like cannon balls. Check! Intense key patterns that are as twisted as they are uplifting. Check! Beautiful melodies that seamlessly interlock with each element. Check! Big-sounding, infectious grooves and killer hooks generously sprinkled with the infamous Fitzpatrick magic over the top. CHECK! In short, this EP is everything we have come to expect from Alan over his long history with Drumcode (this is his 10th EP as a solo artist!), but still his sound remains fresh and super-charged for 2014.

Alan Fitzpatrick
Turn Down The Lights
Drumcode
Released: 27.10.14

(contains a sample from "The Revolution" by Superchumbo, courtesy of TWISTED Records Inc. (www.twistedrecords.com)

Alan Fitzpatrick - Turn Down The Lights - Drumcode - DC134

Pan-Pot - The Other Remixes [SNDST015]

VINYL: http://bit.ly/1OehZwS
DIGITAL: http://btprt.dj/1Rk9Lp2

As the dust finally begins to settle after the release of Pan-Pot's massive album 'The Other', it's time to unleash a collection of heavy hitting reworks from the best and brightest stars of todays techno elite. Through careful consideration and an acute attention to detail, we couldn't be more elated to confirm ten artists we know and love to contribute their unique vision to Second State's first ever remix package.

Kicking things off with a heavily twisted alteration of 'Attention' is Nicole Moudaber and it's a tangled, dark trek through dense acoustic layers of audible madness. Next up is the Hamburg duo

Extrawelt with their twist on 'Optimistic Grey' and they deliver a beautiful blend of emotion and groove they are synonymous for.

Following suit is another passionately romantic number from man of the hour, Stephan Bodzin, and his take feels like floating through a sea of clouds, resulting in a timeless classic to be a focal point in any set for years to come.

Next in line is Ray Kajioka's take on '808 Nirvana' and it's a cosmic ride, ripe with swirling atmospherics laid over big churning drums and rolling cymbals.

Following up on the second 12“ of this LP is a man who needs no introduction: Carl Cox. And in true Coxy fashion he turns 'Riot' into just that: a big room, tension building monster!

Broken Engine' is the next track to get worked over and Wigbert delivers a stunning mix of shimmering tones and growling bass resulting in a lush venture through a cosmic backdrop of flickering stars in deep space.

Joseph Capriati ensues with his vision of 'Fugitives' and he brilliantly keeps the vibe of the original yet adds his trademark big room flair to take it to another level of driving euphoria.

Enlisting the talents of Alan Fitzpatrick to remix one of the slower listening tracks on the album turned out to be magic. With his signature percussion, Fitzpatrick takes the parts and creates a dive deep into sultry smooth waters of seduction.

The first of our last two remixes, which are digital exclusives, come from Paul Ritch and he delivers a grinding rendition of 'Riot', expertly crafted for the more euphoric peak time occasions.

Last and certainly not least is a man on the rise, Kevin Knapp with his twist on his own collaboration with Pan-Pot: 'Get In'. An expertly crafted tech house jam exploding with energy and attitude perfect for any moment, day or night, indoors or out.

No matter the time or place, there is something here for everyone and we are truly fulfilled and honored to present this package of cutting edge artists to celebrate this landmark moment. We know you will enjoy!

@pan-pot
@secondstateaudio
@carl-cox


Beatport

Pan-Pot - Riot (Carl Cox Remix)

Redo of the classic acid-house/trance anthem for Boxed Off 2016.

FREE DOWNLOAD - Hit 'Buy' link

Public Domain - Operation Blade (XCIV's Festival Edit) FREE DL

I reworked one of my all times faves for my sets... 

La Roux - In The Kill (Skream's Let's Get Ravey Remix) ((Hannah Wants Edit))

I had to take a little time out but now I'm back... New music's gonna be dropping in July and throughout the rest of the year. Excited for you all to hear! <3

La Roux - In For The Kill (Hannah Wants Edit)

Tale Of Us present a new collaboration with Vaal for the sixth release on their Afterlife label. Three years after they teamed up for ‘Concur’ and began to tour together, the trio return with their most anthemic offering yet. Vaal’s hauntingly-beautiful and instantly-recognisable vocals are the centre-piece on ‘Monument’, building on the style of her Wander To Hell EP (AL002). The drums and shimmering synth lines are moody and uplifting in the way Tale Of Us have made their own, arranged perfectly for the psychedelic breakthrough.

On the flip side, ‘The Hangar’ takes a different approach to equally devastating effect. It pumps with added urgency and a thunderous, steely bassline lunges out from the low-end. Designed for large soundsystems and big rooms, ‘The Hangar’ finds Tale Of Us and Vaal at their most direct and it’s something to behold.

Barnt and Stephan Bodzin, two artists whose stand-out performances at recent Afterlife events have made them firm favourites with the crowds, are tapped for the remixes (AL007). They both take on ‘Monument’, Barnt opting for a rolling, percussive direction and Bodzin more ethereal and transportive.

Movement

The Hangar

Get it here

Tale Of Us & Vaal - The Hangar

We Are The Brave front man Alan Fitzpatrick provides the labels next release with a typically incendiary two-tracker. Delving deep into his record collection for inspiration, the result is a brace of distinct, ear-catching cuts that tip a hat to by-gone times in rave culture and have returned big reactions from contemporary crowds all summer. 

The aptly titled “They All Called ‘Em Garys” combines droning hardcore hoovers and power piano with Fitzpatrick’s trademark heavy tech funk. While “Rhino” adopts a slung-back groove of resounding bass and tense pads overlaid with a knockout melody that bubbles away before unleashing its full chord progression through an unashamedly epic breakdown.

They All Called ‘Em Garys

BUY NOW

Alan Fitzpatrick - They All Called' Em Garys

fabric 97
http://smarturl.it/fabric97_preorder

Pre-Order

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Christian Cambas is back and celebrates his return with an original track on one of his favorite labels.&nbsp; 
Keeping things totally subliminal with a haunting melody and an apocryphal vocal snippet, we are kept locked in via the pulsating bass and commanding synths that seem to have been programmed in some kind of dismal future.&nbsp; 

A remix from label boss T78 was essential to this release, and the original has been completely flipped on its head, with a big surprise halfway through, as only he knows how. Another brother-in-arms from the other side of the pond is up next, and of course we are talking about Durtysoxxx who based his version on the synth progressions and provided the heads-down vibe of the package.&nbsp; 
UK duo Drumsauw seal the deal with a spacious mix, letting their rendition breathe effortlessly while keeping the production crystal clear.

Christian Cambas - The Outsiders (T78 Remix) [Autektone Records]

Michael Bibi, a name that resonates with many for quality, fresh flavours & a different take on todays modern electronic music.
The UK based newcomer, stamped his mark with a string of musical successes.  
Writing his own tracks & laying down his own vocals, Bibi carved out a sound unique to his own that is now recognised globally.

Action

Michael Bibi - Hanging Tree (Original Mix)

Posting stuff on my Spotify account appreciate everyone who follows me :)
https://open.spotify.com/artist/1HtXkZl9Huom6sH2Xof4cG?si=zwvZnh-0QtmmhGLOMD0o5g

Rebuke - The Pipe (Original Mix)

Two contrasting remixes of ‘Space Date’ come courtesy of Pleasurekraft and John Monkman, as the three-way collaboration between Adam Beyer, Layton Giordani and Green Velvet continues to thrill. Joining the strong reworks is an unexpected treat for fans; a last-minute inclusion of a fresh new original track from the trio.

Drumcode got its first taste of Pleasurekraft’s unique production touch in 2016 when ‘Dopefield’ dropped on ‘A-Sides Vol.5’. The Swedish/American duo’s exploration of cosmic techno realms made them the ideal candidates to re-work ‘Space Date’. Their contribution is as visceral as they come; defined by a hypnotic vocal arrangement, a stirring call and response melody and propulsive galloping beats fashioned for peak-time moments. No surprise it was a highlight of Adam Beyer’s Ultra Resistance sets and gobsmacked Maceo Plex who requested a promo to play at Time Warp a week later.

Meanwhile Drumcode debutant John Monkman steps up with a very different, but not less deadly reinterpretation of ‘Space Date’. The Brit has impressed in recent times with strong releases on Ellum, Kompakt and his own Beesemyer imprint, and takes this form into DC207. His is a twisted intergalactic re-rub drenched in warped electro, blistering modular sounds and touches of IDM that manages the difficult task of taking the original to darker, more leftfield realms without ever losing its powerful dancefloor pulse. 

A new collaborative work ‘Data Point’ joins the pack, only completed by the trio of Beyer, Giordani and Green Velvet in late May in time for the Drumcode boss to drop it at IMS Dalt Villa during the sunset slot with Ida Engberg.

A new collaborative work ‘Data Point’ joins the pack, only completed by the trio of Beyer, Giordani and Green Velvet in late May in time for the Drumcode boss to drop it at IMS Dalt Villa in his B2B with Ida Engberg. The track’s sleek melodic grooves and hypnotic vox complimenting the sunset slot perfectly.

Buy all

Adam Beyer, Layton Giordani & Green Velvet — Space Date (Pleasurekraft Remix) — Drumcode — DC207

BUY IT NOW : https://www.beatport.com/release/pleasurekraft-presents-monolith-series-volume-3/2629635
STREAM : https://open.spotify.com/album/7tDTxGJBqzHXIm0ZEhyaaU?si=_Owie9FuQ22u4soSP6HfUg
With the third installment of our annual VA compilation, it's now become tradition here at Kraftek to close out our summer release schedule with an ode to all the incredibly talented new faces making names for themselves in the techno world. As usual a mostly Cosmic Techno selection of cuts from artists we have worked with before - along with some new additions to the kraftek family.  We proudly present Monolith Series Volume 3.

Monolith Series Volume 3

BUY IT NOW

Pablo Say - Neutron Stars

KNTXT001
KNTXT is a boutique label curated by Charlotte de Witte. 
The Liquid Slow EP by Chris Liebing & Charlotte de Witte is its first release.

Liquid Slow EP

Liquid Slow

Chris Liebing & Charlotte de Witte - Liquid Slow (Original Mix)

Que Calor - Michael Bibi's 6am Dub

Drumcode starts 2020 with a sterling EP from genre hero Thomas Schumacher, his first on the label after a long association with Adam Beyer.

No ifs or buts, if you’re a techno fan, Thomas Schumacher holds a place in your heart. His 1997 classic ‘When I Rock’ still gets rinsed, he has a vast body of stellar work on his influential former label Spielzeug Schallplatten, including a release from Adam Beyer, and he continues to deliver pin-sharp productions via his Electric Ballroom imprint, including a scorching remix of ‘The House of House’, the 1994 classic from Cherry Moon Trax. The rework was first played by Beyer at Time Warp and has been a 2019 highlight.

He first contributed to Drumcode in 2018 with ‘The Unseen’, a stirring contribution to ‘A-Sides Vol.7’, setting up a maiden EP with ‘Crimson’. Beginning with the brilliant ‘Feist’, it’s a no-nonsense brain melter, as 303 arpeggios bloom and recede, creating a thrilling rhythmic intensity throughout. The title track ‘Crimson’ is crafted around two minutes of tension-building synths, before a beat finally appears and a rasping deep bassline commands the dancefloor. ‘Anker’ brings the rave with eagle-eye focus, unleashing a wall of fierce acid to round out the pack.
“Adam and I have both been producing and playing techno since the early ‘90s. I have deep respect for him as a person and artist. It’s an honour to have the opportunity to collaborate in this way.” – Thomas Schumacher

Crimson

Thomas Schumacher — Anker — Drumcode — DC217

Michael Bibi Returns for 2020 with his distinctive flavours on this highly anticipated remix

Set ting

Reiss York