Renowned NYC producer AVISION is set to unleash his signature blend of muscle-house and techno with the release of two raw new tracks on Rejected.

'Sunray' encapsulates the essence of a late-night New York City club experience, with its driving rhythms and atmospheric melodies evoking the feeling of sunrise on the dance floor. AVISION describes it as a track that transports listeners to the heart of the city, capturing the moment when the sun begins to peek through the club's windows at dawn.

On the flip, 'Can't Fake Dis Sh*t' delivers an unapologetically bold and in-your-face groove that is sure to resonate with those who refuse to compromise authenticity for quick success. AVISION notes that this track is a direct call-out to anyone who strives to be somebody they're not, serving as a reminder to stay true to oneself. All delivered with a healthy dose of NYC moxy!

Avision - Can't Fake This

Following his no-nonsense, Functional EP, Greek producer Stelios Vassiloudis makes a powerful return to Rejected with Untitled Folder - a fresh selection of relentless club weapons.

Leading the charge, 'Test Press' rolls with a high intensity, pushing the pace with its pulsing bassline and swirling chords. 'Drowned Out' is another heads-down, strobe-lit creeper, where throbbing drums, eerie FX, and metallic keys lock the dancer into a hypnotic groove.
'I've been working on and road-testing these tracks for the last few months, and I'm really pleased with how they sound in the club,' says Stelios.

Adding further firepower, Rejected boss Edwin Oosterwal steps in with his own ReShape of Drowned Out - 'I decided to create a more minimalistic version of the track, stripping away some of the layers to focus on the key elements that stood out to me in the original. By doing this, I was able to really hone in on the core aspects that grabbed my attention and gave the track its unique feel.'

A strong package of precision-engineered techno, Untitled Folder is the latest essential release from the Rejected camp.

Stelios Vassiloudis - Untitled Folder

Swiss producer Deetron makes a triumphant return to Rejected, marking his first release on the label since the seminal 2011 anthem Starblazer. A genre-spanning artist renowned for fluidly navigating the electronic spectrum, from muscular house via Nu Groove to pure techno on Laurent Garnier's COD3 QR and DJ Bone's Subject Detroit.

His new release, 'Discovery', is a rare excavation from the archives. Two long-lost tracks unearthed and reborn from the depths of his fathoms-deep projects folder. Reinvigorated with fresh production and perspective.

'The EP is called Discovery because it's based upon tracks that I rediscovered from a while back and re-worked for today,' explains Deetron. 'The title track was just a draft, created with the Alpha Juno 106. I added the bassline later on and put the finishing touches to it last year, so it has been a long process.'

On the B-side, 'Acid Scape' ventures into cosmic terrain. 'It speaks for itself,' he continues. 'I've long been making music that could be called Acid in some way, but I've never actually owned a 303. This piece in particular was made with an FM synth (Yamaha TX81Z) and reflects my fascination with space. A landscape on a distant planet if you will.'

A return. A rediscovery. A release that reminds us why Deetron remains one of electronic music's most enduring and forward-thinking voices.

Deetron - Discovery

After everything we've been through since 2020, we all deserve a little slice of the 'High Life'. Every single one of us deserve a moment of bougie bliss, a soul pampering, a night lost in the loops and lights. And this is the perfect soundtrack.

Back once again on Rejected, Franky Rizardo once again crafts a subtle but oh-so-powerful disco jam. Taking a short sweet piano/bass loop in the classic French touch style, hooking us in hypnotically then ripping open the full sample with dizzying glitterball effect, close your eyes and this could be swinging Paris in the 2001, or sexy New York in 1981. Now knee deep in 2021 and it's time for Amsterdam to take disco to its new dimension. And Franky is the perfect captain.

High Life

Franky Rizardo - High Life

Fresh out of lockdown with two powerful slabs of timeless dancefloor gold, Martin Landsky returns to Rejected!

Following his debut on Joris Voorn and Edwin Oosterwal's Rejected imprint last year, the revered German pioneer instantly reminds us of his skills and flexibility across both house and techno with 'Blue Bar'. Armed with dirty kicks, an infectiously hypnotic loopy vocal and a classic 90s rave inspired chord, this takes us all back to the dance floor motherland. Pure, honest and ridiculously addictive, 'Blue Bar' sets the bar.

It's backed by the equally enduring 'I Can't Dance'. Written during the frustrations and vexations of last year when dancing was effectively criminalised, here Landsky taps into his earliest Chicago influences with a booming, naggy bassline hook and that instant warehouse feel where time and space melt into irrelevance.. A little like they are now we are all able to work again.

Enjoy a wonderful summer. Each and every one of us deserves one.

Blue Bar

Martin Landsky - I Can't Dance

A dynamic duo returns to Joris Voorn and Edwin Oosterwal's Rejected: Steve Bug and Cle. Two old friends who get together with no other motive than to have fun on their machines and dig deep into the art of groove creation.

Their collaborative fusion is a tried and tested combination that goes back almost 20 years with tracks like 'Behind TheCurtain' and 'Monkey Shoulder'. It continues to this day, with much of their collaborative output landing on Rejected, including huge heaters like 'Together', 'Tweaky Blinders', 'Flying Keys'. And now these two wonderful late night monsters: 'The Rave' and 'Butterflies Speak Poetry'.

'The Rave' is the sound of Bug and Cle flexing back over their old Berlin stomping grounds like Planet and E-Werk. Armed with swinging percussive beats and classic ravey detuned synth tones, it's that perfect sweet spot between heritage and futurism, rooted in the foundation but still with its head in tomorrow.

For added sweetness, dig deeper for the profound sounds of 'Butterflies Speak Poetry'. An intense exploration of 303 funk, this one is all about the acid lines and how they intertwine and flutter between each other to create another timeless slab of deep, dark matter funk. Every bit as free spirited as both butterflies and poetry, it's another precision combination from the long-standing Rejected duo. Long may this dynamism continue.

Raving Butterflies

Steve Bug & Cle - Butterflies Speak Poetry

Long time Rejected ally Michel de Hey returns to the fold with one of his most personal productions to date. A musical dedication to an old friend and fellow Dutch club legend.

'Last year 3 people who were very close to me all passed away within just a few months. I had a different, but equally tight bond with each of them. I made several tracks over that period but the one where everything came together was 'When I Think of You'.

I made it after the death of Cliff de L'isle . With his personality in mind the track came together much faster then usual. When I think of Cliff it always puts a smile on my face. He was such a happy guy and always full of joy. He left us too soon. The track reminds me of him as a person and his musical spirit, always staying true to what he loved.

I played for Cliff many times at different parties, but foremost he was the original promoter of the famous Free Your Mind festival here in holland. When I played there this summer 'When I Think Of You' was my final track, as a tribute to him. It was one the most special moments of the year for me. The nicest thing about the record is that when I play it, I always think of him.'

Remixing such a personal project can be daunting, but UK producer Jansons shows the ultimate respect. Staying true to the sound and spirit he smoothes at out the original's floor-moving 'bump' and lets the keys shine, to create a flawless rerub.

When I Think Of You

Michel De Hey - When I Think Of You (Jansons Remix)

Joris Voorn’s alter ego ‘Dark Science’ has been hiding away in the depths of Voorn’s inspiring musical mind, waiting years for the perfect moment to unleash fresh ammunition.

Eager fans wait no longer, for he now returns with “Rain”. A 2-piece package on Rejected, kicking off the labels 2014 Debut. "Rain” fronts that retrospective robust sound with a finely refined tip, laden dubby bass & atmospheric sax whilst "Rust" delivers an upbeat number structured with a moody brisk rhythm and tightly layered patterns.

Dark Science – Rust

Out Monday June 30!

Ian Pooley stormed the techno scene back in 1996 when his classic Chord Memory was first released on Force Inc. This powerful number left both Joris Voorn and Edwin Oosterwal awe inspired and they are proud to finally re-release it on their label Rejected. 

For this release Ian has created a stellar new mix alongside the re-mastered original. Renowned producer Reggy Van Oers' remix goes even further in this dynamic advance. A classic, revamped tune that will send every fist to the air, this EP package demands attention.

Supported by Laurent Garnier, Rolando, DVS1, Breach, Dusky and many more!

Ian Pooley - Chord Memory (Remastered) (preview)

Rejected announce the return of UK producer Josh Butler with a tantalizing double header - 'Pros & Cons' / 'Misfits'. Marking Butler's first collaboration with the label since his acclaimed 'Shipwreck' EP from 2022.

'Pros & Cons' is a versatile deep house jam, featuring a warm bassline, crisp snares, and pulsing synths. Its smooth and subtle energy make it an essential go-to track at any point of the night.

On the flip, 'Misfits' caters to the late-night crowd and aficionados of quirky techno grooves. Sending ripples of energy into the darkest and most eccentric corners of dancefloor.

A welcome return to the label for Butler, and one that is all pros and zero cons.

Pros & Cons

Josh Butler - Pros & Cons

Steve Bug has been back in the bunker, tweaking the dials and flirting with the faders on two new cuts for Rejected.

Having previously brought us Together with his Flying Keys and Raving Butterflies, the Poker flat mastermind serves up a double dose of House magic, with both cuts exhibiting the signature warmth and analogue depth that define Bug's productions.

Lead track, 'Tweak It (Like This)', pulsates with a solid groove that is driven by its fidgety acid line and lively piano punctuation. Whereas 'The Red Panda,' on the flip, charts amore uplifting course, propelled by emotive basslines and shimmering keys. Both tracks, whilst distinctly different, exhibit Steve's infectious rhythms and timeless grooves. Making them essentials for the dancefloor.

Steve Bug - The Red Panda

Steve Bug - Tweak It (Like This)

Can't Fake This

Avision - Sunray

Avision - Can't Fake Dis Sh*t

Crafted amidst the crisp air of Denver, Colorado, 'Lessons' emerged from the creative fusion of Denney and House hero, Hipp-E. Having jumped into the studio, the pair effortlessly locked in an ice-cold groove before their imaginations soared to warmer climates. Which of course, beckoned the saxophone.

A quintessential soundtrack for the summer season, 'Lessons' encapsulates the spirit of House, with its deep, groovy essence never reaching a peak, but instead delivering nostalgic '90s vibes with a modern '24 flair. True to form, a Hipp-E release wouldn't be complete without a touch of acid. 'Lessons' takes a dip and trip, stripping down to its core elements of percussion, strings, and smooth Rhodes piano to create a fresh bubbling take on the original.

Lessons

Denney & Hipp-E - Lessons

FUNCTIONAL : 'of or having a special activity, purpose, or task. Designed to be practical and useful, rather than attractive.'

While attractiveness is subjective, functionality is often essential. This principle is evident in our latest offering from our good friend Stelios Vassiloudis. His two new tracks combine effectiveness and simplicity with a grace and purpose, making them both essential for the DJ.

'I've been touring quite extensively the last 7-8 months and, as a result, my sound has started to evolve and shift into new directions. Both tracks on the EP are somewhat reflective of the aesthetic I try to infuse into my sets these days - stripped back, raw and emphasising dynamics' says Stelios. 

'How To Do Nothing' and 'No, Thanks', two beautifully crafted grooves that sit sweetly at the percussive-dub-techno intersection, to deliver all that is great in, FUNCTIONAL.

Functional

Stelios Vassiloudis - No, Thanks

Stelios Vassiloudis - How To Do Nothing

Dutch house maestro Michel de Hey returns to Rejected , following the success of his 2022 hit, 'When I Think Of You.' Backed by a strong run of releases on labels including Future Feel, Nervous, Cecille, MircoHertz, and Snatch, Michel delivers a new and timeless winter warmer with 'Take My Hand.'
 
Inspired by the golden era of 90's Strictly Rhythm House, 'Take My Hand' is a masterclass in groove-driven energy and vocal-led nostalgia - 'The first version had a more rolling bassline,' Michel explains, 'but after playing it live, I realized a house bassline would work even better. Since the summer, it's been a staple in my sets, blowing up every time. I knew it was the perfect follow-up to 'When I Think Of You'.'

Michel de Hey - Take My Hand

Inspired by the golden era of 90's Strictly Rhythm House, Michel de Hey's 'Take My Hand' is a masterclass in groove-driven energy and vocal-led nostalgia.
 
Adding to the release's impact, Michel enlisted fellow Dutch talent Anil Aras for remix duties. Known for standout releases on No Art, Madhouse, and PIV, Anil brings his signature sophistication and rolling style to the project.
 
'For the remixer, I wanted someone who could let it roll a little more,' says Michel. 'Anil had already delivered an incredible remix for Orlando Voorn on my Future Feel label, so I knew he could bring the vibe I was looking for. His remix is a party-ready nod to the Marco Carola Question series - an absolute rocker.'

Michel de Hey - Take My Hand (Anil Aras Hand Taken Remix)

Stelios Vassiloudis - Drowned Out

Stelios Vassiloudis - Test Press

Stelios Vassiloudis - Drowned Out (Edwin Oosterwal Reshape)

Discovery

Deetron - Acid Scape

Respected house producer Josh Butler is back, armed with his brand new ‘Link’ EP on Edwin Oosterwal and Joris Voorn’s legendary Rejected imprint. The EP once again proves Josh’s ability to continuously deliver the kind of high quality tech-house that has entrenched him as an integral figure in the underground UK house scene.

The title track ‘Link’ stays true to Butler’s less-is-more philosophy while also showcasing his incredible sound-design and production know-how. The percussion takes centre stage as Josh brings in conga rolls, a soulful vocal refrain and lush, atmospheric pads to contribute to an inimitable groove. Two distinct mixes of the track, a melodic mix and a dub mix, are generously provided on the EP and both demonstrate the intricacies inherent in Josh’s production.

Rounding off the release is ‘Need Me’, the EP’s deeper venture that combines minimalist instrumentation centred around a grooving bassline, subtly making itself known above the driving percussion. Throughout the EP, Josh succeeds in delivering vast symphonic landscapes within the pretext of measured and characteristic instrumental restraint. Partygoers can expect to hear both sides of the EP receive serious airtime across the club circuit as the Ibiza season kicks into full swing this month.

Josh Butler - Link (preview)

Joris Voorn - Sweep The Floor (REJ007.1)

Joris Voorn - Chase The Mouse (REJ007.2)

Joris Voorn - We're All Clean (REJ007.2)

Nic Fanciulli - Feed The Freezer (REJ007.3)

What a year it’s been for Franky Rizardo. With a strong presence on Defected (including a highly coveted In TheHouse curation session) and massive EPs on the likes of Circus and Abode, he’s now set to sign the year out in style on Rejected. 

One of the most successful and heavily ID’d tracks in label boss Joris Voorn’s sets since the summer, ‘Call Upon Me’ is all about subtle senses and stages of elevation. Strutting with a classic house jack, there’s an ageless Chi-town swing to the walking bassline as we roll deeper and deeper into the groove. 

Suddenly a springy key riff pops up on the vibe horizon and becomes the foremost focus of the track rising and rising and rising some more with a delicious build-up that keeps on giving for longer than usual deep house conventions would have you believe. Paying off with a simple but crucial staccato twist on the keys, and even more juice in the rolling bassline bedrock, it’s one of those tracks that total disarms and dancefloor and blindsides them with a whole new sense of energy. 

Playful, powerful and positive; the perfect way to end a perfect year for Franky.

Franky Rizardo - Call Upon Me (preview)

Nic Fanciulli's first appearance on Rejected came back in 2009, when he took over "Room 3" of the labels famous Dusty House. This was followed by last years "Together", his co-production with label boss Joris Voorn and today he returns to Dutch shores again with his latest brace, "Movin' On" and "Round & Round."

With "Movin' On" featuring in his brand new and ready to roll 'Balance' compilation, our timing couldn't be better. Perfect for the summer floors, it rolls heavy with Fanciulli's trademark drive and funk. Breaking out the harmonica and letting the divas holla, he drops the bass in the synth-lead breaks before slamming it back for, dare we say it, those real hands in the air moments. The terraces eagerly await.

Pulling no punches on the flip, we have "Round & Round." In typical heads down fashion and with a dizzying display of hats and snare, Nic turns in a floor burning tool that could easily demand its very own room in Rejected's dusty abode. Two strong cuts from one of the most consistent producers of today.


Nic Fanciulli – Movin’ On (Original) (REJ022)

Franky returns to Rejected to complete an impressive trio of releases, following 2017’s ‘Call Upon Me’ and last year’s club hit ‘Revoke’ with his latest smash... ‘Rave Machine.’

Inspired by old school warehouse parties, Rave Machine pays homage to the retro rave sounds of the 90’s whilst keeping his signature groove locked throughout. Already hammered by Rejected boss Joris Voorn at the legendary Awakenings, ‘Rave Machine’ is now ready for the next generation of warehouse parties.

Rave Machine

Franky Rizardo - Rave Machine (preview)

We all love to get lost in the music but with Josh Butler's return to Rejected, hes about to bring a whole new level to the concept

'Hydra' was written on Lost Beach, an Ecuadorian idyllic resort based around the cult TV show Lost where Josh found himself stranded as he waited for his US Visa to process (We say stranded More like getting lost in the after hours of Kami's infamous Lost Beach club cave where Josh regularly plays extended sets). The poignancy wasnt lost on Josh who would religiously watch the series during the early 2000s, so he soaked up the inspirations and named the track after the show's water station. Just like the show, theres a natural sense of unknown coded deep into every element. It also takes us back to Joshs earliest influences as a producer as subtle shades of trance can be found in the sweeping synths and barbed but hopeful melodic twists. Inviting us to get lost inside Josh's own musical make-up just as much as the track. 

'Never Leave' plays the consummate foil; much more direct and driving, there are touches of progression and techno in the momentum while Emilie Marie breathes her requests over the ever developing juggernaut rolling groove. Not only the perfect track to accompany a homage to a tropical paradise but if you 'Never Leave' you can't ever be lost, right?

Josh Butler - Never Leave feat. Emilie Marie

OUT NOW on REJECTED RECORDS

Get Your Copy on Beatport: http://www.beatport.com/release/mulder-natural-high/967667
Get Your Copy on Vinyl: http://www.juno.co.uk/products/466541-01.htm

----

Following off from Rejected’s successful summer they have hooked yet again some fresh new talent, Dutch DJ & Producer Mulder who steps up to take his place on the labels stellar stand of releases.

Hitting off with the A Side we have Rejected’s Head Honcho Voorn stamping his style on the muscular dance floor groover “Natural high”. Accompanying the punchy kick and groovy bass we have a driving melodic rhythmic lead, which will tear down a treat for any dance floor! With its underlying percussive ride and trademark groove it has all the ingredients for a 4x4 floor filler classic.

Meanwhile on side B of the EP we have “Varta”, with its rolling warm bass partnered with a canorous layout of percussion it’sguaranteed a jive. From start to finish this gem has a progressive edge that builds throughout, which makes it a versatile musical tool for any party, at any time! Ooooo yeah

FEEDBACK :      

Steve Bug - “That Joris Voorn Edit of Natural High is very nice… great for me!”

Marc Romboy - “Another high quality Rejected release!!! Varta definitely gets my support here!”

Riva Starr - “Quality release as you’d expect from Rejected, Joris is a boss when it comes to tight edits!”

Lauhaus - “Here we go with the next dope ep!! Both of these sound good for me, thanx!”

Thomas Schumacher - “Excellent stuff of course from Rejected. I am really feeling Varta. Will keep an eye on Mulder.”
 
ONNO - “Dope to see my buddy Mulder on Rejected! Loving the more steady Varta on this ep, will be played!”

Kabale und Liebe - “Nice tech house groovers here from Rejected. Will definitely play Joris’ edit.”

Laurent Garnier - “Yes yesss yessssssssss. The Joris edit is really good!!”

Mathias Kaden - “Now that is a supa-groovy edit from Mr Voorn...Looing forward to trying this out. Thanks!!!!!”

Matthias Tanzmann - “That is some super nice organ in Natural High!! Love it!”

Karotte - “Another great edit from Mr Voorn and a great original... all eyes on Mulder ☺!”

Anja Schneider - “Already soooo in love with Natural High! ☺”

Mulder - Natural High (Joris Voorn Edit) (REJ025)

He’s back! Franky Rizardo returns to Joris Voorn & Edwin Oosterwal’s Rejected for another short, sharp shot of absolute party pleasure. His second bomb on the label this year, it comes hot on the heels of ‘Rave Machine’... Literally.

‘I’m Hot’ is pure jacking disco abandonment. An addictive rolling jam with a lolloping slap-bass lick, hypnotising vocals and warm filter action, it’s another signature Rizardo lesson in timelessness, simplicity and the beauty of samplecraft. Guaranteed uplift thanks to its precision arrangement and constant sense of rising throughout, this has festival weapon stamped all over it. Perfect timing: the summer’s only just warming up.

I'm Hot

Franky Rizardo - I'm Hot (preview)

Dennis Quin has been forging his own blistering path with a string of heaters for labels including Madhouse, Circus, Snatch! and of course his regular home Rejected. This Spring he returns with two fresh House cuts, both overflowing with infectious grooves, classy vocals and timeless 909 vibes.

'Feel So Good' is a strong dance floor number, that thumps from the speakers like an early Kevin Saunderson jam. 'Your Need in Me' touches on more of a UK groove, bringing warm chords that add extra dimensions and strengthen the swing and overall feeling.

Dennis Quin - Feel So Good (preview)

Last time Steve Bug and Cle were spotted on Rejected it was the innocent summer of 2019 with 'Strange As It Ever Was'. Boy were they mistaken.

16 weird months, one pandemic, two lockdowns and a whole string of collaborations on Steve's Poker Flat later and the two old friends collide on Joris Voorn and Edwin Oosterwal's imprint once again. And things have never been stranger. The one consistency we have right now is music and thankfully it's sounding better than it ever was. Especially crisp, feel-heavy cuts like these.

'Flying Keys' taps into some of the holiest of house ingredients; shivering keys, hooky momentum, fly-by-night breaks and a sub bass that hums from here to Berlin. Simple in its make-up, overwhelming in its vibe, Steve and Cle tap direct from the source right here.

It's backed by 'Silver Star Stallone'. The rasping acid yin to the stunning euphoric yang of 'Flying Keys', it's a moody heads-down acid groover laced with more insistency than a 3am sesh hound on pay day. Once you're locked in, you ain't going anywhere. Rambo business.

REJECTED

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