available now on brownswood bubblers three and also forthcoming on emanative// time which drops on april the 5th 2010

Turn Your Lights On

Tiombe Lockhart - Mr Johnnie Walker

Jordan Rakei x Street Rat - The 4th Element

Last Night

NOW AVAILABLE ON VINYL:
https://www.stonesthrow.com/store/album/various/sofie-s-sos-tape

Follow them here: 

@CharlotteDosSantos
@Fredfades

Charlotte Dos Santos - Watching You (prod. Fredfades)

About “The Egyptian Second Line” 

In the spirit of reclaiming that which colonization sought to destroy, I'm releasing the first single from my upcoming album Afro-Caribbean Mixtape at the top of Columbus Day weekend. Like a piece of African patchwork, this track is comprised of a lot of different elements — some old, some new. The main body of this record was constructed from the end vamp of a tune I wrote for Dr. Greg Carr (chair of African-American studies at Howard University) called, “Kimathi.” In fact, throughout the piece, you can hear my turntablist, DJ Lady Fingaz, scratching a sample I chopped from one of his interviews. I constructed a new work by cutting and pasting the best moments of Kevin Hays and I playing keyboards on top of the extended jam, and superimposed that over the groove laid down by bassist Vicente Archer, drummer Joe Dyson, and percussionist Daniel Sadownick. I did this with the help of my mix engineer, Blake Leyh (The Wire, Treme). 

Towards the beginning of the piece, you'll hear a chant from vocalists Yolanda Robinson, Jolynda Phillips, and Christina Machado. It's from a thing my father made up while walking through his childhood neighborhood of 13th Ward New Orleans back in the 1940s, “Na-na ni-ta ho-ho. Left, right. Left, right.” Thirty years later, as an elementary school band teacher at McDonogh #15, he had us chant this whenever we marched in second line parades. It recalls the syllabic prayers of ancient languages used in modern dance songs like Mani Dibango's “Soul Makossa,” of which Michael Jackson borrowed for “Wanna Be Startin' Something.”  


The centerpiece of the single is my recitation of a poem I wrote back in 2006 in the aftermath of the flood commonly referred to as “Katrina.” It's called “The Egyptian Second Line.” The gist of the poem toys with the theory that somehow Africans submitted to slavery in an attempt to become better versions of themselves. After the ladies chirp the hook, I step away from the keyboards and embrace the instrument I'm most known for — the trumpet — and blow a few before we take it out. With this song, I am channeling the energy of the ancestors to help give Africa back to herself in the best way I know how, through the power of music. 


In New Orleans, a “second line” is the procession where we dance in the streets to music played by a brass band to celebrate either life or death. When I think about what an Egyptian second line looks like, I think of the imagery of that photo of Louis Armstrong serenading his wife, Lucille in front of the Sphinx — again Africans giving Africa back to herself.
credits
released October 7, 2016 

Nicholas Payton: trumpet, spoken word, Fender Rhodes, Hammond B-3, Clavinet 

Kevin Hays: Fender Rhodes 

Vicente Archer: acoustic bass 

Joe Dyson: drums 

Daniel Sadownick: percussion 

DJ Lady Fingaz: turntable, sampler 

Yolanda Robinson: background vocals 

Jolynda Phillips: background vocals 

Composed by Nicholas Payton (BMI) 

Produced by Nicholas Payton 

Recorded, mixed, mastered, and designed using the PAYTONEsonic™ programming process 

Recording Engineer: David Stoller 

Assistant Engineer: Emily Eck 

Mixing Engineer: Blake Leyh 

Recorded at The Shed, New Orleans, LA 

Mastering: Michael Fossenkemper, Turtletone Studios, NYC 
turtletonestudio.com 

Art Direction: Nicholas Payton 

Cover Painting: Ayanna Bassiouni 

Cover Design: Ayanna Bassiouni

The Egyptian Second Line

'The Idea' (Feat. @nubya-garcia, @sheldon-agwu & Dylan Jones)
Buy or stream now: https://bluelabbeats.lnk.to/TheIdea

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The Idea (Feat. Nubya Garcia, Sheldon Agwu & Dylan Jones)

The first taste of the musical delights that comprise the bonus replay disc that will accompany the vinyl reissue of our Static Methods EP later this year. Our friends 30/70 laid down a live reinterpretation of our joint 'Divide,' Skomes on the boards, Cazeaux O.S.L.O on the vocal chords. Dig it. 
Love

Static Methods Reissue

Divide (30/70 Replay)

Dwilt Sharpp ft Lorett Fleur • I Need You Close

Those following beat culture in the last years might have heard about Swiss producer @melodiesinfonie already. From his tracks on the early Soulection compilations, releases on Melting Pot Music and Sichtexot to countless live sets in Europe and even South Africa. We are very happy to now announce his first release on Jakarta Records. In comparison to previous output the most apparent difference is the extend to which Melodiesinfone incorporated live elements to his productions, achieving a more eclectic and organic sound. Get a first taste with the upcoming single „Longo Do Rio“ before the full length album „A Journey To You“ will drop 26th of April.

A Journey To You

PREORDER

melodiesinfonie - AO Longo Do Rio (taken from A Journey To You LP; April 26th)

with --- 

Eyal Talmudi (Saxophone) // Avi Tukman (Guitar + Vox) // Beno Hendler (Kik + Snare)

Karriem Riggins - Summer Madness (Rejoicer X KerenDun Remix)

Re·joi-cer(ri-joi-ser)
v. re·joiced, re·joic·ing, re·joic·es
v.intr.
To feel joyful; be delighted: rejoiced at the news; rejoiced in her friend's good fortune.
v.tr.
To fill with joy; gladden.

Karriem Riggins - Summer Madness (Rejoicer X KerenDun Remix)

Rejoicer

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Allya Yuchalern

The Hollygrove Cafe, New Orleans

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tante edith

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