Finally I found this song again, holy fuck.

Techno/House/Minimal

Foremost international techno outlet Drumcode is delighted to announce the release of its next full-length album, ‘Satellite’, by enduring Italian techno talent Sam Paganini.

Though he has been active since the mid nineties, recent years have been hugely successful for Sam, with searing techno EPs coming on revered labels such as Riche Hawtin’s Plus8, Sven Vath’s Cocoon and of course, Adam Beyer’s Drumcode. In his time he has been responsible for underground hits like ‘Zoe’, ‘Polyester’ and ‘Fire In My Arms’, all of which demonstrate his dynamic understanding of sexy, dark and hypnotic techno grooves and at the same time have earned him plenty of great Beatport chart positions as well as respect from the best in the game.

Incredibly, ‘Satellite’ is Sam’s first full-length album. Informed by his DJ gigs at legendary places like Berghain in Berlin and Cielo in New York, the album starts with a dystopian bit of sonic scene setting, as if a space ship is charging up ready to take off.

From there it’s a case of getting straight down to business. ‘Another Chance’ is a spacey bit of cantering techno and ‘White’ is rooted in devastating kick drums and is riddled with serrated synth lines that build lots of great techno pressure. ‘Down’ is an undulating bit of funky techno complete with choice vocal flourishes and tracks like ‘Lotus’ are prime offerings from the deeper end of the scale.

No two tracks sound the same on Satellite: Sam is always teasing out a new bit of texture, nailing a slightly different vibe or exploring different amounts of light and dark throughout the course of this most excellent album. This is evidenced by diverse cuts like ‘Dusty’, ‘Toxic’ and ‘Rave’.

Despite ‘Satellite’ being Sam’s debut album, it showcases his seductive style in all its glory across 12 fantastic tracks that will leave you begging for more.

Sam Paganini - Rave - Drumcode - DCCD10

We are happy to welcome Maceo Plex to Drumcode with the fourth instalment of his Conjure series, ‘Conjure Infinity’. Featuring two tracks ‘Conjure Dreams’ and ‘Conjure Floyd’, both are peak time monsters that introduce two very different elements. ‘Conjure Dreams’ utilises a groovy, melodic bass that is reinforced using tight thumping drums to shatter any dance floor into the universe. ‘Conjure Floyd’ builds into a more ‘heads down’ techno vibe with a very interesting breakdown. Two sure fire tracks to ignite the floor.

Maceo Plex - Conjure Dreams - Drumcode - DC136

Carte Blanche - Gare Du Nord

Artist(s): Peryl
Label: Augmented Research
Catalog: [ar_005]
Release Date: 20.01.2026
Format: Digital + Vinyl
Genre: Electronic
Style: Techno, Minimal, Experimental
Mastering: MaSpaventi
Artwork: Anton Braun

Artist links: 
Soundcloud: https://soundcloud.com/peryl_music
Bandcamp: https://peryl.bandcamp.com/
Instagram: https://www.instagram.com/peryl_/?hl=de


Label links:
Soundcloud: https://soundcloud.com/augmented_research
Bandcamp: https://augmentedresearch.bandcamp.com/
Instagram: https://www.instagram.com/augmented.research/

Pre-Order Link: https://augmentedresearch.bandcamp.com/album/peryl-phase-alternations-ar-005

GTG Premiere | Peryl - 1001 [ar_005]

Pleasurekraft share a dark techno revision of their seminal hit, "Tarantula." The "7 Year Itch Rework" will be released via Kraftek May 5.

Read our review, and enter for a chance to win a signed, limited edition vinyl of the track here: dncgastrnt.co/4rbz

Preorder the digital track here: http://www.beatport.com/track/tarantula-7-year-itch-rework/9243625

Premiere: Pleasurekraft - Tarantula (Pleasurekraft's '7 Year Itch Rework')

Beatstreet 03 

get it here: http://www.beatport.com/track/plain-original-mix/716873

Marcel Dettmann - Plain

Pan-Pot - Funke

'Reinier Zonneveld is back with his first solo-ep since 1 year...'

Read More: http://whenwedip.com/2018/10/premiere-reinier-zonneveld-filth-on-acid/

Follow: @reinier-zonneveld // @filthonacid

Connect: When We Dip on Spotify - open.spotify.com/user/whenwedip

www.whenwedip.com
YT >>> youtube.com/user/whenwedip
FB >>> facebook.com/wwdofficial
IN >>> instagram.com/whenwedip/
TW >>> twitter.com/WhenWeDip

Premiere: Reinier Zonneveld - Move Your Body To The Beat [Filth On Acid]

DUSTIN ZAHN - STRANGER (TO STABILITY) (LEN FAKI PODIUM MIX)

Beatport:
https://www.beatport.com/track/take-it-easy-original-mix/11419930

Beatport

Anfisa Letyago - Take It Easy (Original Mix)

Two contrasting remixes of ‘Space Date’ come courtesy of Pleasurekraft and John Monkman, as the three-way collaboration between Adam Beyer, Layton Giordani and Green Velvet continues to thrill. Joining the strong reworks is an unexpected treat for fans; a last-minute inclusion of a fresh new original track from the trio.

Drumcode got its first taste of Pleasurekraft’s unique production touch in 2016 when ‘Dopefield’ dropped on ‘A-Sides Vol.5’. The Swedish/American duo’s exploration of cosmic techno realms made them the ideal candidates to re-work ‘Space Date’. Their contribution is as visceral as they come; defined by a hypnotic vocal arrangement, a stirring call and response melody and propulsive galloping beats fashioned for peak-time moments. No surprise it was a highlight of Adam Beyer’s Ultra Resistance sets and gobsmacked Maceo Plex who requested a promo to play at Time Warp a week later.

Meanwhile Drumcode debutant John Monkman steps up with a very different, but not less deadly reinterpretation of ‘Space Date’. The Brit has impressed in recent times with strong releases on Ellum, Kompakt and his own Beesemyer imprint, and takes this form into DC207. His is a twisted intergalactic re-rub drenched in warped electro, blistering modular sounds and touches of IDM that manages the difficult task of taking the original to darker, more leftfield realms without ever losing its powerful dancefloor pulse. 

A new collaborative work ‘Data Point’ joins the pack, only completed by the trio of Beyer, Giordani and Green Velvet in late May in time for the Drumcode boss to drop it at IMS Dalt Villa during the sunset slot with Ida Engberg.

A new collaborative work ‘Data Point’ joins the pack, only completed by the trio of Beyer, Giordani and Green Velvet in late May in time for the Drumcode boss to drop it at IMS Dalt Villa in his B2B with Ida Engberg. The track’s sleek melodic grooves and hypnotic vox complimenting the sunset slot perfectly.

Buy all

Adam Beyer, Layton Giordani & Green Velvet — Space Date (Pleasurekraft Remix) — Drumcode — DC207

BUY IT NOW: https://www.beatport.com/track/space-date-pleasurekraft-remix/12153522
STREAM IT NOW (Spotify): https://open.spotify.com/track/1lbUtnuS8AYvKd0lziKpJ4?si=gasYXChQSSeRezMAL9tiug

Pleasurekraft return to Drumcode on remix duties after a 2 year hiatus with all engines on the Cosmic Techno ship firing.  Big-room atmospheric drums and an infectious call and response hook intertwine with Green Velvet's otherworldly vocals to produce a new highly visceral and steroid injected version of the original.  The "Space Date" remix marks the sixth collaboration between the seminal purveyors of the Cosmic Techno sub-genre, Pleasurekraft, and Chicago's iconic dance music pioneer Green Velvet. 

The remix initially came about after Drumcode head Adam Beyer heard Pleasurekraft's "Welcome to the Universe" EP [Kraftek] at the end of 2018.  A huge supporter of the Swedish/American production duo, Adam felt so inspired by the whole EP, especially "Main Sequence" that the opportunity for Pleasurekraft to take their love of all things space related lent itself naturally to the thematic elements in Green Velvet's vocals. 

The track's spine is built around a hypnotic groove that is anchored to a single word from the original's vocals : "ecstasy" and slowly builds to the first climax of the record where the listener finally hears Green Velvet's vocals in full for the first time.  However it isn't until the second break of the track that the power of the remix is finally unsheathed, resetting the groove and building up to a second swell featuring a duo of call and response melodies between the lead hook and a lower end bass that takes the intensity of the track up another notch - ultimately culminating in complete silence that gives way to the remix's original heartbeat and repeating mantra: "ecstasy". 

Taking over a month of studio time to complete, it was road tested for the first time at Pleasurekraft's Fabric London gig, where there was no shortage of inquiries as to the ID of the record.  This soon became a repeating theme after Adam Beyer first included it on DCR446 and played it during both of his Ultra Miami (Resistance) sets, including his closing b2b set with Maceo Plex who loved the track so much he proceeded to get his own copy and play it during his own solo set one week later at Time Warp in Germany.  

Multiple clips of the remix have already gone viral on various social media and blog outlets, with no shortage of fans waiting anxiously for the June 24 release date on Adam Beyer's own Drumcode Records. In Adam Beyer's own words, Pleasurekraft are "setting new standards" with their continued foray into the Cosmic Techno sub-genre they continue to define.

www.instagram.com/pleasurekraftofficial
https://www.youtube.com/user/pleasurekraftREAL
www.facebook.com/pkmusic
www.twitter.com/pleasurekraft

Space Date Remixes

BUY IT NOW

Adam Beyer, Layton Giordani, ft Green Velvet - Space Date (Pleasurekraft Remix)

Get it here: https://bit.ly/DC210BPES

‘Camargue’ gets a fresh treatment on Drumcode, as a handful of techno’s finest give new life to an R&S classic.
Coming from the studio of CJ Bolland and Portuguese journeyman The Advent, the track was born out of a golden age of Belgium dance music and first released in 1992.

Enrico Sangiuliano delivers a trademark cosmic rework underlined by tribal bass stabs and twisted synth lines to accompany the famous riff. It’s an outstanding remake that’s already a big summer favourite for the Drumcode crew. 

“Camargue is one of my favourite tracks of all-time and has been part of my life for 25 years. To put it out on Drumcode with fresh remixes is a dream come true.” – Adam Beyer

CJ Bolland and The Advent - Camargue 2019 (Enrico Sangiuliano Remix)

Out now on Rekids: https://lnk.to/RSPX15

Originally appearing on Rekids subsidiary REK’D as a limited release a decade ago, Rekids rereleases Dustin Zahn ‘Stranger (To Stability)’ on Special Projects with two outstanding mixes by Len Faki.

A massive techno record, ‘Stranger (To Stability)’ has stood the test of time since its release in 2009. Featuring two remixes by Len Faki, the record was a limited release on wax and has since become sought after by vinyl buyers. With its saw-like synths and ominous atmospherics, the original by Enemy Records boss Dustin Zahn is menacing and comes complete with a compelling groove and dubby stabs - the result is mesmerizing.

Len Faki’s Podium Mix follows a similar aesthetic with its reverbed kicks and metallic effects whilst distorted vocal samples and twisted melodies up the energy forming a colossal anthem. Built on syncopated percussion, the Figure founder’s X-Break Mix meanders forward with an infectious rhythm before a tremendous build up rises and rises, only to diminish to embers before doing it all again.

Dustin Zahn - Stranger (To Stability) (Len Faki Podium Mix)

Techno don Reinier Zonneveld looks set for a massive hit with his latest track, which reworks the stunning melody made famous by PPK’s 1998 smash ‘Resurrection’. 

Zonneveld made his remix of the trance classic to play in his live sets, and it proved to be so popular that he felt it simply had to be released. He and his team set about trying to find the rightsholder of the original melody so that they could license it. 

This journey led them not to PPK, but to the original composer: the now 82 year old Russian electronic music pioneer, Edward Artemiev. He wrote the melody for the soundtrack of a 1979 movie called ‘Siberiade’. Zonneveld wrote him a letter asking if he could grant him permission to release his take on the melody. Listening to Reinier’s new interpretation of ‘Resurrection’, Artemiev was immediately sold and approved it to release. 

One of the earliest composers to adopt the synthesiser, Artemiev has a pioneering legacy that lives on through this new version that has been so skilfully crafted by Zonneveld. 

Moving on to the track itself. Pummeling old skool hardcore techno kicks thump under filtered layers of bubbling synths as an ominous tone is set early on. The melodic elements tease in tense fashion as layers of hissing percussion build on top. Flashes of the distinctive riff are sparingly deployed. Then suddenly the swell comes, rising pads and dramatic synth riffs fuelling the fire as cymbal rides urge us forward. Snare rolls and acidic textures build the tension further before the rug is pulled from under us and we’re thrust into the dream-like sounds of that famous riff. 

Sounding as enchanting and otherworldly as ever, these cute interweaving melodic lines soon transport you to another dimension. Filtered kick drums and heavily reverbed pad sounds interplay with percussive builds and rising acid tones, suggesting an explosive drop. Instead, the minimal approach is chosen, stripping the track down to its bare melodic basics and letting the famous hook shine. Further glorious melodic subtleties lift the track again and snare rolls push higher, but the track never reaches for excess and continues to tease throughout.

Resurrection is out now on Filth On Acid.

Resurrection

Get it NOW

PREMIERE: Edward Artemiev - Resurrection (Reinier Zonneveld 2020 Remix)

Avrosse - Disco Shit (Original Mix)

No messages please.
https://linkin.bio/rekids

Dino Lenny 'Not About The Volume':
https://orcd.co/REKIDS277

Azo 'Aries Constellation' EP: 
https://orcd.co/RSPX82

DUSTIN ZAHN - STRANGER (TO STABILITY) (LEN FAKI PODIUM MIX)

REKIDS

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