Finally I found this song again, holy fuck.

TECH

BUY ON BEATPORT: https://www.beatport.com/release/quiet-distortion-bart-skils-remix/3927531

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Gregor Tresher - Quiet Distortion [Bart Skils Remix]

In The Dark EP

In The Dark

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Balthazar & JackRock - In The Dark (Original Mix)

Discipline EP

The Techno Code

Enrico Sangiuliano - The Techno Code (Original Mix)



A great philosopher (Samuel Johnson, not Ebeneezer Goode) once wrote… “our brightest blazes of gladness are commonly kindled by unexpected sparks”. While it would be a stretch to suggest the Drumcode artist roster are closet philosophy fans, once one begins to unravel the tale that led to Jel Ford remixing the 2012 Alan Fitzpatrick hit ‘For An Endless Night’ and it is impossible to escape the unexpected enterprise and spirit of surprise that are at the heart of this exciting collaboration.

As fans of Adam Beyer’s label will testify, the two Drumcode names have more in common than just a label stable, they also share common ground with the peak-time melodic sound that has delivered many of the labels most memorable output. Ford being a much more recent addition than Fitzpatrick, whose history with the seminal Swedish imprint stretches back to 2009, however Ford’s history within techno goes back even further having released multiple EP’s through the early noughties on vintage UK techno labels including Dave Angel’s Rotation Records, Billy Nasty’s Tortured Records, Primate Recordings and Ford’s own Jericho imprint.

It is within this shared passion for uplifting synths and big room melodies that the ‘unexpected spark’ of creativity that led to Ford remixing Fitzpatrick can be found. An long-time admirer of Fitzpatrick’s work, Ford had developed an idea for his alternative version and secretly worked on the remix long before any discussion of the project had taken place. Once given the draft version, Fitzpatrick immediately endorsed the remix, excited to have an updated version to breath new life into what had become a familiar staple of his sets for the past two years. Parts were swapped and the end result being the barnstorming end-of-night monster presented here. A track that will be familiar with many having been the subject of much social-media furor since it first surfaced back in Autumn 2014.


For An Endless Night (Jel Ford Remix)

DC140 For An Endless Night (Jel Ford Remix)[Drumcode]

MAGIC - Dark Minimal Deep Tech Instrumental DJ (5)

Read more:
http://dancingastronaut.com/2016/11/da-premiere-moby-heart-feel-bad-enrico-sangiuliano-remix/

Premiere: Moby - Why Does My Heart Feel So Bad (Enrico Sangiuliano Remix)

Midfield EP

Luigi Madonna, Roberto Capuano - Midfield

Alan Fitzpatrick’s We Are The Brave label has been busy laying down foundations for the past twelve months. The run-away commercial success of their debut single “We Do What We Want” was just the start, and have since been setting the standards.

The label boss himself makes his welcome return to the label this October, with Magnetic Dog. The original comes laced with slicing hats, crispy yet superbly deep thundering kicks and a cheeky dose of acid thrown in for good measure.

Alan wrote the original back in 2016 and waited for that special remix to finalise the package. Always a supporter of Marcus Intalex and his productions, under his Trevino moniker he delivered a masterfully deep rework, taking down the tempo and achieving a euphoric cut of the original.

Magnetic Dog

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AlanFitzpatrick - Magnetic Dog

Joyenergizer

Joyenergizer (Phisical Mix)

Out now on Beatport
https://www.beatport.com/release/call-it-techno-ep/2147914

The new Intec release is from Frank Mitchell aka Frankie Bones who is an American based DJ and producer whose played a large role in New Yorks Techno scene. Having been involved in music since the mid 80s, Frankie Bones was one of the first DJs from New Yorks Brooklyn region to gain global success. By the late 80s Frankie Bones was getting regular European bookings following the success of his Bonesbreaks EP series, which released on Underworld Records received global recognition and critical acclaim. During his three decade spanning career Frankie Bones has even released an EP on the iconic Trax Records, which released many of the early records that defined the House and Techno genre. One of his most popular releases was his 1989 release titled Call It Techno which originally came out on Breaking Bones Records, and a firm Carl Cox favourite has now been remastered and rereleased for this special Intec package, which also features one of his new and previously unreleased tracks. Also featuring on the release are two new remix versions provided by Carlo Lio and Raito who each put their individual stamp on things. Carlo Lio is an artist who in between global DJ bookings, has released music on labels including Octopus, SCI+TEC, Turbo, Mood, and Saved Records. French artist Raito is fast rising through the ranks following regular releases Boysnoize Records, along with having also featured on Mako, Origami Sound, Main Course and BNR TRAX. "Call It Techno" has a timeless bass line taken straight from the glory days of Acid House. Filled with retro charm and warehouse party vibes, the vocal tells the story of Technos history, and the pads plus melody are rich in analogue joy. Carlo Lio's remix of "Call It Techno" uses choice snippets of the originals vocal to refine the story it into a powerful chant. This remix is fast and furious with added tension and suspense. Carlo adds his own toughened backing track thats filled with dark atmosphere plus an explosive drop after the main break. Raito's remix of has a bumping groove and stomping kick drum. Thick and chunky, it takes no prisoners with its hard hitting percussion and stabbing sounds. Jacking in every sense of the word, it's summed up nicely by the vocal lyrics "hits you in the face like a hammer! Second of the two original track is "Light It Up" which takes its title from the lyrics of the vocal sample. With spin backs and filter sweeps, the tracks forward momentum is accentuated by a series of bass drops. Lead by the building intensity of a bubbling acid line, the tracks rolling groove is a sure fire party starter. The fifth and final track is a dub mix of Light it up, which with the main vocal removed, focuses on the music only.

ID140 3. Frankie Bones - Call It Techno - Raito Remix

>>> PLEASE <<<
---> LISTEN <---
---> COMENT <---
---> ENJOY <---
 >>> 10x <<< 

FREE DOWNLOAD Asi & Fartech, Manu Sami - Pastet (Original Mix)

DUSTIN ZAHN - STRANGER (TO STABILITY) (LEN FAKI PODIUM MIX)

Get it here: https://bit.ly/DC210BPES

‘Camargue’ gets a fresh treatment on Drumcode, as a handful of techno’s finest give new life to an R&S classic.
Coming from the studio of CJ Bolland and Portuguese journeyman The Advent, the track was born out of a golden age of Belgium dance music and first released in 1992.

Enrico Sangiuliano delivers a trademark cosmic rework underlined by tribal bass stabs and twisted synth lines to accompany the famous riff. It’s an outstanding remake that’s already a big summer favourite for the Drumcode crew. 

“Camargue is one of my favourite tracks of all-time and has been part of my life for 25 years. To put it out on Drumcode with fresh remixes is a dream come true.” – Adam Beyer

CJ Bolland and The Advent - Camargue 2019 (Enrico Sangiuliano Remix)

ANNA drops a triple dose of heat to mark her first EP on Drumcode.

ANNA first debuted on Drumcode with the irresistible groover ‘Portable Paradise’, which highlighted last year’s A-Sides Vol.7 and set up a busy year playing DC events in 2019. There was the memorable morning set at Space during WMC, two fiery gigs at Drumcode Festival and typically strong performances at the DC takeover at Resistance in Ibiza and Sonar. Fresh from her gargantuan collaboration with Kittin ‘Forever Ravers’, she steps up for a maiden EP on Adam Beyer’s flagship label.

‘Galactic Highways’ is propelled by an arresting peak-time riff and bombastic drums and was a storming addition to Beyer’s set at Drumcode Halloween recently. ‘Dimensions’ is the powerful brain scrambler, as a blistering wall of acid rubs shoulders with undulating bass notes for a dramatic finish. ‘Phase Two’ is a stirring, pad-laden beauty, driven by lustrous melody lines that cascade over the Brazilian’s punchy percussion.

Buy all

ANNA — Dimensions — Drumcode — DC215

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Bob Moses & Zhu - Desire (Charlotte de Witte Remix)

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Frankey & Sandrino - Please EP: https://orcd.co/REKIDS273

DUSTIN ZAHN - STRANGER (TO STABILITY) (LEN FAKI PODIUM MIX)

REKIDS

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