reminds something like "the who" but totally new. I love it!

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Official links:
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Red Fang - Blood Like Cream

Planet of Zeus - Doteru

Red Fang - Hank Is Dead

"The universe is not required to be in perfect harmony with human ambition."

"O universo não é obrigado a estar em perfeita harmonia com as ambições humanas."

facebook.com/spaceguerrilla

http://youtu.be/B1wj_0_BknU

Recorded by Sebastian Carsin / Hurricane Studio 

Lift Off

Eight Live In Brussel

Verse 1:
We take these truths to be self-evident,
But now we're lost in this present tense.
All men are created equal, they say,
Yet we're torn apart, drifting away.

Equality in words, but where's the action?
Lost in the noise, divided factions.
Political games, they've turned to war,
But the truth remains, we're fighting for.

Chorus:
We’re all created equal, yet we fall,
In a world where justice is a distant call.
Life, liberty, pursuit of happiness,
Fighting through the darkness, we won’t rest.

Verse 2:
Founding principles lost in translation,
We're here to reclaim, no hesitation.
Understand the roots, where we came from,
Through the struggles, we become one.

Know your history, know your right,
Stand up tall, ready to fight.
Against the tyranny that holds us down,
Rise from the ashes, we’ll take this ground.

Chorus:
We’re all created equal, yet we fall,
In a world where justice is a distant call.
Life, liberty, pursuit of happiness,
Fighting through the darkness, we won’t rest.

Bridge:
We’re not gods, just men who seek,
The truth in a world where the strong and weak,
Stand together, united, we break the chains,
In the name of freedom, we’ll take the reins.

Chorus:
We’re all created equal, yet we fall,
In a world where justice is a distant call.
Life, liberty, pursuit of happiness,
Fighting through the darkness, we won’t rest.

Outro:
Life, liberty, property for all,
Inalienable rights, we heed the call.
Stand as one, let’s rise and see,
In this fight for our equality.

Self - Evident

Spelljammer
The Ancient of Days

“We like things on a grand scale,” says Spelljammer bassist/vocalist Niklas Olsson. That’s a bit of an understatement considering the Stockholm, Sweden trio’s penchant for massive, slow-burning sludge riffs intercut with dramatic melodic interludes. There’s the pummeling heft of detuned guitars rumbling across the rugged expanse of unwieldy drums counterbalanced with moments of Master of Reality-era Sabbath’s introspective acoustic breaks and Pink Floyd’s Meddle-era psychedelia. These extreme shifts in dynamic give the band’s third album a sense of epic depth unlike most of Spelljammer’s peers. 

“The vastness of everything is something that I seem to think about a lot,” Olsson says, “and I guess that shows in the lyrics.” Some of The Ancient of Days’ words were inspired by the epic poem Aniara by Swedish author and Nobel laureate Harry Martinson in which a spaceship leaving an uninhabitable Earth is hurtled off course, sending its thousands of passengers on a steady course in the wrong direction and there is nothing they can do about it. They will all slowly die as the ship continues from the solar system, forever into nothingness. This type of apocalyptic woe permeates throughout the 5-song, 40-minute album in perfect bond with the vastness of the music. 

The Ancient of Days is not just the band’s third release, but in many ways, a rebirth. It’s Spelljammer’s first recording as a trio — with Olsson taking over bass duties and new drummer Jonatan Rimsbo battering the skins — and the culmination of a progressive move toward a heavier, doom-laden sound, away from the desert rock leanings of their 2010 debut Inches From the Sun. Vol II saw the band spreading out into darker territories. After writing sessions fell apart in 2013 for a followup to Vol II (reissued in early 2015 by RidingEasy Records) Olsson and guitarist Robert Sorling scrapped nearly everything following the departure of half of the band. The two began to build from the ground up as a duo with new ideas that resulted in the invigorated The Ancient of Days. It’s the band’s most focused and deliberate in both its complexities and simplicities.  

“Having recorded the previous two albums in a more patchwork kind of way,” Olsson says, “we were very set on going into one studio and doing the entire thing.” In so doing, they banged it all out over a weekend in January 2015 at Ingrid Studio in Stockholm, engineered and, to some degree, produced by Christoffer Zakrisson. Here, syrupy guitars ooze from the speakers, the drums sound like they’re perched atop a giant barge and howling vocals float throughout the proceedings. The Ancient of Days very effectively embodies the boundless, otherworldly essence of its inspiration. 

The Ancient of Days will be available everywhere on LP, CD and download on September 29, 2015 via RidingEasy Records. 


Spelljammer - Borlung

RED FANG - "Why," taken from exclusive Volcom Vinyl Club 7" containing RED FANG's covers of "Why" from the Fraggle Rock soundtrack and Elvis's "Can't Help Falling in Love"!

Pre-Order at Relapse: http://www.relapse.com/red-fang-volcom-ep-red.html

Red Fang - Why (Fraggle Rock)

Orange Goblin - 01 - Scorpionica

Written and recorded by King Buffalo in Rochester, NY at the Main Street Armory in 2015. The fourth track from the upcoming album "Orion" to be released August 5th.

Mixed and Engineered by Sean McVay. 
Mastered for digital by Matt Ramerman. 

Kerosene

Uncle Acid & the Deadbeats "Valley of the Dolls" from the "Mind Control" album.

Uncle Acid & the Deadbeats "Valley of the Dolls"

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Red Fang - Why (Fraggle Rock)

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