Techno

DJ Isaac - Nobody Listens To Technoo.mp3

WINTER V.A
Dani Sbert, Daniel Sbert, Roger Lavelle, Procopis Gkouklias, Matias YaaN, Tony Romanello, Joyce Mercedes

Roger Lavelle Back To Nightmare(Orginal Mix)

Cobb Nolan - Space Traveler (Original Mix) 160Kbps

Premiere: VNTM & The Reason Y - Metaphysics

Get 'Out Of Bounds' here: https://homeapparel.bandcamp.com/track/out-of-bounds

Buy on Bandcamp

Out Of Bounds (Original Mix)

Bang The Box - R4C Club Edit

Fragments of Light

Disgo Opo - NUKTE Y

ANNA - Suzi in Transe
Clash Lion 004

Suzi in Transe EP out April 13th - http://bit.do/suziintranse

Suzi in Transe EP

ANNA - Suzi in Transe

Catarse

Wehbba - Catarse

In December 2015 VICTOR RUIZ and I released our first collaboration -  APOLLO EP. It was the beginning of a wondrous, passionate and inspiring journey. A journey of growth, friendship and artistic exchange. Victor and I are proud to present you APOLLO II - a testament to our love and dedication to TECHNO MUSIC (Thomas Schumacher)

Victor Ruiz & Thomas Schumacher - Prophecy

beatport/spotify/vinyl

Wehbba collaborates with ghetto tech legend DJ Deeon, to deliver another superlative EP on Drumcode.

Since his debut on Drumcode in 2017, Brazil’s Wehbba has become one of the most dependable and impressive artists on the roster. Last year saw two standout EP’s ‘Eclipse’ and ‘Catarse’ drop on the imprint, alongside ‘Just’, his strong contribution to A-Sides Vol.7. He also made his mark playing Drumcode events at OFF Week, Resistance Ibiza and the much talked about double header in Manchester and Bristol when DC took over Warehouse Project and Motion respectively.

A true master craftsman in the studio, his first contribution for 2019 is typically impressive. A huge inspiration to Wehbba since his nascent raver days, ghetto tech icon DJ Deeon contributes a fierce vocal to ‘We Have Bass’, after a serendipitous hook up in São Paulo. A peak career moment collaborating with one of his original heroes and the artist responsible for the classic ‘Freak Like Me’, the resulting percussive-heavy cut kicks like a rodeo bull. ‘Third Wave’ is coffee geek Wehbba’s homage to his favourite brew, constructing the production to mirror the experience of a caffeine fix, as a loopy trance-inducing groove leads to powerful synth stabs that are heavy on impact. ‘Steamroller’ is a stripped back slice of techno driven by the Brazilian’s Korg MS-20 and found form after it initially begun as a studio jam inspired by Richie Hawtin’s ‘Minus Orange’. 

A Jean-Michel Jarre fan stretching back to his childhood, ‘Another Mistake’ was conceived after Wehbba saw the French legend in concert last year and was subsequently able to meet him backstage through a mutual friend. While creating the track, the producer imagined Jarre playing the main layers of the hook on his famous Laser-harp, eliciting an almost celestial quality with the melody. This is a stirring slice of techno fit for stadiums. The EP ends with ‘Purge’, the artist’s stream-of-consciousness expression recorded in one-take and a beautiful beat-less way to conclude the work.

Buy all

Wehbba - Third Wave - Drumcode - DC202

999999999 - 000000006 [NTN002]

BUY IT NOW: https://www.beatport.com/release/reapers-theme/2600010
Los Angeles based Brennen Grey returns to the Cosmic Techno family here at Kraftek for his follow-up to last year's blistering "H is for Hercules" EP.  The new "Reaper's Theme" EP features 4 tracks showcasing Brennen's range in production style, from the big room and ethereal Cosmic soundscape of the title track, to the much more stripped down but still highly visceral "In a Dream".  A relentless selection of tracks from a producer who has been turning heads of late with his unwavering work ethic and vision.

Reaper's Theme EP

BUY IT NOW

Brennen Grey - Civilized Violence

Transcode is back on Terminal 4 with a rocking 3 track ep! I love his way of producing, deep but powerful. Hard to decide which is my favourite track, I love them all.

Transcode - Ascension

Stream FULL album: fanlink.to/LitAoM
Picking up where 2018's debut album left off, Pleasurekraft continue their foray into the Cosmic Techno sub-genre they ushered into the dance music lexicon, with their new LP "Love in the Age of Machines."
Arriving exclusively on Spotify initially on April 10, with other streaming platforms to follow a week later, Pleasurekraft had one of the biggest tracks last year on Drumcode with their remix for Adam Beyer's 'Space Date,' always bring forward thinking grooves embellished with astral melodies and spaced out synths that make for emotional as well as physical experiences.
"Love in the Age of Machines" is in no short supply of the sonic signatures the production duo have become known for, and there is a clear maturation at work here. The album's non-techno tracks showcase an artistry rarely seen in conventional dance music and techno in particular. From the gritty dystopian future that establishes the album's themes at the onset in "Last Sapien", to the dark, rainy, urban-lit textures that form the spine of "Nostalgic for the Future", there is a sense of impending self-wrought catastrophe, tempered with a sense of wonder of all that is, and all that could be if humanity somehow overcomes its hubris.
Things get more intense and turbulent on "Panopticon (The Patron Saint of Global Surveillance)" [ft. Thomas Gandey] before the voyage to the edges of our galaxy continues on "I Sing the Body Electric" & "Main Sequence" which keep up the enthralling techno atmospheres with increasing pressure, before the tension is released with the cinematic grandeur of "Novacene." Two more hard hitting bangers in "At the Mountains of Madness" and "Primordial" then rebuild the all consuming techno mood before you're left adrift in the cosmos with the album's swan song "Requiem For the American Dream."
As Kaveh Soroush of Pleasurekraft puts it, "Without sounding too reductionist, humans are simply a bundle of biochemical algorithms with a few holes at either end, who mistake their sensory experiences as objective, and their sense of self as something concrete, when in fact science reveals to us with each new finding that our basic intuitions about reality and the world around us have not evolved much from our first ancestors, who just wanted to make sure not to get eaten for long enough to feed and procreate on the African savannah. While there are certainly wonders about the Cosmos we have discovered given our enlarged frontal lobes, and technologies that we've invented dating back to when the first tool was built thanks to an opposable thumb, we haven't been the best custodians of the only planet that can sustain us, and history makes it abundantly clear that our wisdom lags far behind the technological advancements we develop with each new day."

Despite the overtly pessimistic tone, ultimately there is a sense of potential change on the horizon. That perhaps a species which has come up with abstract ideas of love, justice, liberty, and created works of immense artistic and scientific beauty, might just find a way to correct course before it's too late. This sense of wonder is on full display on "The Occupant" and the potential seed for our enlightenment is planted in "Corpse Reviver Number 3", a track brimming with homages to the love of philosophy and its place in navigating a more examined life.
Ultimately "Love in the Age of Machines" feels like a dystopian sci-fi soundtrack written for optimists who want to change humanity's looming fate. While still firmly rooted in the techno genre, the album evokes themes and ideas that are universal to the human experience and our place in the Cosmos, and it is this aspect of the album that makes "Love in the Age of Machines" such a rewarding musical experience. It's techno that is at once accessible and intelligent, a combination rarely heard in today's endless sea of dance music.

03 - Hush [ft. Amal Gama]

Reload Records / Reload Black Label,
are an exclusive techno labels founded by The YellowHeads

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Cobb Nolan - Space Traveler (Original Mix) 160Kbps

Reload Records (Official)

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