Ultimate Techno

March the 25th meet Pablo Say to come back with his next techno release titled "Replication" to CODEX Recordings!

Replication is a very groovy track where a powerful synth bass predominates with a question, 
followed by another higher synth, 
all accompanied by a cool base and familiar vocals.

Don't stop is a very daring track, with a base that has a lot of style where the double bass drum predominates, 
accompanied by a very powerful underground voices and a surprising punch.

Replication

Pablo Say - Dont Stop (Original Mix)

Remixes Cinco

Ologram (Balthazar & JackRock Remix)

Paco Osuna ritorna sulla sula label "Mindshake" con un pezzo energico, ricco di voci soul potenti e dirette, arricchito dal remix di Iglesias che dona energia e ritmo alla traccia originale

Paco Osuna & DJ Oliver - Groove Bass ( Iglesias Remix)-MINDShake [PREMIERE]

TomWax & Concious - Misanthropia (Original Mix) 160Kbps

Several Definitions is back on Parquet with three amazing tracks called "Hydrogéne", "Hélium" and "Carbone". All peak time bangers in their own right, each with powerful elements and a lot of sophistication to take you on a beautiful journey. 
Early DJ support by Innellea, Pig & Dan, Sasha, Fideles, Hidden Empire, James Zabiela, Jos & Eli, Raphael Mader, Alfa Romero, Edu Imbernon, Magdalena, Marc DePulse, Markus Kavka, Be Svendsen and many more.

Several Definitions - Hydrogene

Big news at Fckng Serious! The founding father of our beloved label, Boris Brejcha, returns to his roots after his time at Ultra Music and releases on his own label Fckng Serious.
On June 10, after a 4-year hiatus, his first original single will be released on the label he founded in 2015. In the meantime, he still contributed remixes for his label colleagues Moritz Hofbauer and Theydream. For the new single, he picked two songs that many fans have been waiting for a very long time.
"Up Down Jumper" and "Keep Rollin" are two of the tracks Boris currently plays at every gig. Tomorrowland (Belgium), EDC Las Vegas (United States), Kappa Futur (France), Ushuaia (Spain) at his own shows around the world and currently on his tour through Colombia, Peru, Brazil and the USA, these tracks are an important part of his show. Of course, the two tracks were also part of his latest livestream for Cercle live from the arena in Nimes.
Musically, we can expect a lot from this release. The title track "Up Down Jumper" is a classic Boris track and has 100% Joker sound. "Keep Rollin" also stamps its mark on every electro fan with its exciting break and driving sequences.
Fckng Serious is very happy about his return and solemnly welcomes (back) the Master of High-Tech-Minimal.

Up Down Jumper

Listen & Buy

Boris Brejcha - Up Down Jumper

A bonafide masterclass in minimalist club aesthetics, these two meteoric tracks show off Risa Taniguchi & Yigitoglu untouchable skill for making some of the most infectious grooves around.

Risa Taniguchi, Yigitoglu - Not Even Close (Original Mix)

Vodka (Evâa Pearl Jungle )

Buy On Bandcamp

Matt Waro & Xero - Vodka (Evâa Pearl Jungle )

KINGDOM

Weska - Reach [Subvision]

Feuerfalter Part 02

Purple Noise

Timmo returns to Terminal M to release his highly anticipated debut album ‘Starlight’ this September. 
 
Since making his debut in 2008, Bulgarian talent Valeri Ivanov, aka Timmo, has swiftly become a name of note within the current techno landscape following with a string of releases via some of the biggest labels in the scene, from Adam Beyer’s Drumcode and of course Monika Kruse’s Terminal M imprint. Having emerged as a core figure for the label following his collaboration ‘Violet’ with Kruse back in May, and leading straight on from his ‘Starlight’ EP which featured three tracks from the extensive body of work in early June, the imprint will now welcome the arrival of his eleven-track LP ‘Starlight’, featuring a combination of club-focused tracks alongside more emotive soundscapes. 
 
“’Starlight’ is my debut album, and I’m very happy it’s going to be out on Monika Kruse’s Terminal M. It took me more than a year to finish and create it as an experience, the way I felt it should be. Starting with more melodic tracks, going through more energetic and electric ones and finishing off with some acid. 
 
All 11 songs have been recorded in my home studio in Sofia, using a variety of synths and modules, some dating back to the early 80s like the Roland Juno 60, and some being brand new or improved versions of classic synthesizers such as the Sequential Prophet 6.” - Timmo 
 
Opening via the ominous ‘Leaving Earth’ and flowing straight into the action via the acid laced ‘New Beginning’, the eleven-track project swiftly takes its form as a balance of driving, uncompromising productions accented by subtle interludes and moments  of  space.  Take  for  example  the  bubbling  ‘Solar’  and  the  warping  ‘Belle  Epoque’,  which  keep  the  focus  on oscillating synths and regimented percussion, whilst title cut ‘Starlight’ takes control and ups the energy via soaring lead synths and frenzied electrics. 
 
Next up, ‘Sonic Voyage’ reveals yet another twisting journey as Timmo merges ever-evolving leads with restrained vocal snippets, whilst ‘Vortex’ and ‘Spacefreaks’ add further energy via a medley of hefty kicks and menacing bass patterns throughout. Entering into the final three cuts, ‘Rhythm X’ brings forth further infectious 303-lines, tripped out vocal hooks and slick hats to head further into the peak time, whilst the darker ‘Connect’ throws its hat into the mix via a combination of commanding female vocals and choppy bass licks, before arriving at closing track ‘Interspace’ which lowers the tempo and switches the emphasis towards bright synth melodies and calming breaks featuring rich soundscapes to punctuate the project in emphatic fashion. 
 
Channeling main room sonics whilst intertwining rich melodies and softer tones throughout, ‘Starlight’ sees the unveiling of Timmo’s most complete body of work as he continues his ascent as one of his genres leading talents via the ever-impressing Terminal M.

beatport/spotify/vinyl

Timmo - New Beginning

Stream FULL album: https://fanlink.to/LitAoM
Picking up where 2018's debut album left off, Pleasurekraft continue their foray into the Cosmic Techno sub-genre they ushered into the dance music lexicon, with their new LP "Love in the Age of Machines."
Arriving exclusively on Spotify initially on April 10, with other streaming platforms to follow a week later, Pleasurekraft had one of  the biggest tracks last year on Drumcode with their remix for Adam Beyer's 'Space Date,' always bring forward thinking grooves embellished with astral melodies and spaced out synths that make for emotional as well as physical experiences. 
"Love in the Age of Machines" is in no short supply of the sonic signatures the production duo have become known for, and there is a clear maturation at work here.  The album's non-techno tracks showcase an artistry rarely seen in conventional dance music and techno in particular. From the gritty dystopian future that establishes the album's themes at the onset in "Last Sapien", to the dark, rainy, urban-lit textures that form the spine of "Nostalgic for the Future", there is a sense of impending self-wrought catastrophe, tempered with a sense of wonder of all that is, and all that could be if humanity somehow overcomes its hubris. 
Things get more intense and turbulent on "Panopticon (The Patron Saint of Global Surveillance)" [ft. Thomas Gandey] before the voyage to the edges of our galaxy continues on "I Sing the Body Electric" & "Main Sequence" which keep up the enthralling techno atmospheres with increasing pressure, before the tension is released with the cinematic grandeur of "Novacene." Two more hard hitting bangers in "At the Mountains of Madness" and "Primordial" then rebuild the all consuming techno mood before you're left adrift in the cosmos with the album's swan song "Requiem For the American Dream."
As Kaveh Soroush of Pleasurekraft puts it, "Without sounding too reductionist, humans are simply a bundle of biochemical algorithms with a few holes at either end, who mistake their sensory experiences as objective, and their sense of self as something concrete, when in fact science reveals to us with each new finding that our basic intuitions about reality and the world around us have not evolved much from our first ancestors, who just wanted to make sure not to get eaten for long enough to feed and procreate on the African savannah. While there are certainly wonders about the Cosmos we have discovered given our enlarged frontal lobes, and technologies that we've invented dating back to when the first tool was built thanks to an opposable thumb, we haven't been the best custodians of the only planet that can sustain us, and history makes it abundantly clear that our wisdom lags far behind the technological advancements we develop with each new day."

Despite the overtly pessimistic tone, ultimately there is a sense of potential change on the horizon. That perhaps a species which has come up with abstract ideas of love, justice, liberty, and created works of immense artistic and scientific beauty, might just find a way to correct course before it's too late. This sense of wonder is on full display on "The Occupant" and the potential seed for our enlightenment is planted in "Corpse Reviver Number 3", a track brimming with homages to the love of philosophy and its place in navigating a more examined life.  
Ultimately "Love in the Age of Machines" feels like a dystopian sci-fi soundtrack written for optimists who want to change humanity's looming fate.  While still firmly rooted in the techno genre, the album evokes themes and ideas that are universal to the human experience and our place in the Cosmos, and it is this aspect of the album that makes "Love in the Age of Machines" such a rewarding musical experience.  It's techno that is at once accessible and intelligent, a combination rarely heard in today's endless sea of dance music.

Love in the Age of Machines

Pleasurekraft - Last Sapien

Bienvenue à la saleté sur l'acide, Filth on Acid's upcoming release comes from French based techno producteur Space 92. Enjoy your croissant on acid. This is Filth on Acid NOW!

Delivered by <a href='http://www.label-worx.com'>Label Worx</a> on behalf of <a href='http://www.filthonacid.com'>Filth on Acid</a>

Space 92 - Drone

Reload Records / Reload Black Label,
are an exclusive techno labels founded by The YellowHeads

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Please send your demo links to:
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TomWax & Concious - Misanthropia (Original Mix) 160Kbps

Reload Records (Official)

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