Création publique : Festival Futura 2023 CREST DROME

Ici, « les objets sonores », ne sont plus des objets inertes mais bien des individualités avec toutes leurs singularités et leurs multiples facettes plus ou moins accessibles. Ils sont posés, mobiles et ambivalents.
La pièce est composée autour de quelques sons pivots où le sens s'efface, choisis essentiellement sur des critères de grains et de profil dynamique.
L’origine des sons enregistrés manipulés ou bruts ne compte plus, ils se retrouvent entrelacés, en interaction et déconnectés de leur signification première. Le projet musical reste toujours l’interrogation sur « l’écoute profonde personnelle » pour échapper à la pesanteur de l'image. La superposition et l’enchainement des sons et des signes ne conduit pas une écoute seulement horizontale et linéaire.
Il y a un monde entre la parole, le son et l’écrit. Cette évidence devient une préoccupation constante. Parcourir ce monde est un vertige bruyant, chaotique. Dès que les sons enregistrés se trouvent engagés dans l’écriture de la composition ils ne sont plus passifs mais se débattent comme les éphémères pour émerger, s’élever et exister dans le flux en perdant leur sens. Ainsi s’écrit une « narration musicale abstraite » où les images fugaces sont toutes personnelles mais pas sans silence.
Composée au studio AMIRA - version stéréophonique
Version octophonique disponible

Sons enregistrés entre 1992 et 2023 (les sons n' ont pas d"age ni de lieu de naissance)
Premier pas dans un marrais glacé au pays de Rabelais ("paroles gelées").
Les derniers sons sont issus d'une résidence non surveillée et joyeuse à Strasbourg (merci à Carpaccio-Cathédrale et l'Hotel Graffalgar).
Les paysages sonores n'existent pas, nous les composons. 
credits
from NUIT et JOUR, released July 6, 2022

PAS SANS SILENCE

notre dame de Rodez   Rodez, Aveyron, Occitanie, France métropolitaine, 12000, France
latitude	44.350811312574  longitude	2.5738844388406

notre dame de Rodez

Situé au fond de la nef, face à l’autel, le labyrinthe de Chartres a généré de nombreuses interprétations depuis son tracé à la fin du XIIe siècle. Quand certains se réfèrent à un pèlerinage symbolique vers la Jérusalem céleste ou à un rituel pascal, d’autres évoquent encore un symbole alchimique. « Il est comme un escalier qui nous fait monter dans l’esprit. Il nous invite à un cheminement dans notre propre conscience », explique Patrick Burensteinas. Dans cette quête, le labyrinthe représente les multiples difficultés que l’on rencontre sur le chemin. Certains racontent même que celui de Chartres serait capable d’agir sur la matière et, qui sait, peut-être de modifier notre perception du réel... Pour Louis Charpentier, celui-ci n’est pas à proprement parler un labyrinthe, en ce sens qu’il est impossible de s’y égarer, car il n’existe qu’un chemin qui mène au centre. Toujours est-il que depuis des millénaires, des milliers de pèlerins s’y aventurent, tantôt pour trouver la pierre philosophale, tantôt pour s’ouvrir progressivement au Christ, ou tout simplement pour trouver harmonie et équilibre, dans une quête de transformation intérieure.

Chartres Le Labyrinthe 002

Basilica of Saint-Sernin, Toulouse
latitude	43.608404000296    longitude	1.4419401252353

The abbey of Saint-Sernin was an ancient foundation. St. Sylvius, bishop of Toulouse, began construction of the basilica towards the end of the 4th century.

Its importance increased enormously after Charlemagne (r. 768-800) donated a quantity of relics to it, as a result of which it became an important stop for pilgrims on their way to Santiago de Compostela, and a pilgrimage location in its own right. The size of the current building and the existence of an ambulatory may reflect the need to accommodate increasing numbers of pilgrims.

Basilica of Saint-Sernin, Toulouse

February 11 is a sacred date for visitors to the Sanctuary of Our Lady of Lourdes. On this day, many pilgrims walk to the banks of the Gave de Pau, to the very place where the Virgin Mary first appeared to Bernadette Soubirous: the Grotto of Massabielle.

There are places that leave no one indifferent. The Sanctuary of Our Lady of Lourdes is naturally one of them. The atmosphere of benevolence, along with the pilgrims’ fervour, is always moving. The emotion is even more intense on February 11, the anniversary of the first apparition. On this date, large numbers of pilgrims from all over the world come to Lourdes to celebrate the anniversary. Making at least one visit to the Sanctuary on this occasion is really an exceptional experience.

Lourdes 11 February Ave Maria

sound recording at : 
Saint-Chamant, Tulle, Corrèze, Nouvelle-Aquitaine, France 
19.08.2023 by Capture .
 contributed field recordings to the Radio Aporee  sound mapping project

re worked 04/03/2024

alone

Originally, the Little Train of Artouste was created to transport the men and materials necessary for the construction of the Artouste lake dam (in 1920). It was only 12 years later that it began to be used for tourism purposes. It is almost 100 years old !To find out more about this great adventure, go to the museum which is to be found at the start of the train ride, in Fabrèges. 
.

This area has been named M3 (pronounced metres cubed) with reference to the millions of cubic meters of water stored behind the Artouste dam. With 24 million cubic meters and a depth of 120 meters, Artouste lake is the largest reservoir in the Pyrénées Atlantiques. This source of hydroelectricity constitutes part of the economy of the Ossau valley.

Artouste lake

Ajaccio Marina and Fishing Port /  Sanguinaires Island 

Captation by Capture 

Ajaccio Marina and Fishing Port and  Sanguinaires Island for Radio Aporee sound mapping project   28/07/2022

re worked  12/03/2024

Ajaccio Corse

The port of Sète-Frontignan is one of the most important players in French maritime transport. It is the second-largest decentralized port in France, owned by the Occitanie/Pyrénées-Méditerranée region, which has created the public establishment Port Sud de France to manage its 3 port concessions.

This regional public establishment employs 95 people in the commercial, fishing and yachting port activities, as well as in the Port Management Department, which groups together cross-functional services such as Quality/Safety/Environment, sales, engineering, human resources, legal, accounting, communications, etc.

Together, they manage human, material and financial resources in compliance with environmental and regulatory requirements.

The Port of Sète is also home to a very active and supportive port community, comprising pilotage, towage and mooring services, port and dock handlers, logistics specialists, fishermen, fishmongers, handling and port agents…
The port of Sète generates over 1,700 direct jobs.

Sete

During the 5th or 6th century a church was erected, decorated with golden mosaics; the current name derives from the antique name, “Deaurata”, (Latin: aura, gold). Linguistic evidence from inscriptions that accompanied the mosaics suggest that the church was in use by the Visigoths, who adhered to Arian Christianity, before coming into Catholic hands following the Battle of Vouillé in 507.[2] It became a Benedictine monastery during the 9th century. After a period of decline starting in the 15th century, the basilica was demolished in 1761 to make way for the construction of Toulouse's riverside quays. The buildings were restored and a new church built, but the monastery was closed during the French Revolution, becoming a tobacco factory.

The basilica had housed the shrine of a Black Madonna. The original icon was stolen in the fifteenth century, and its first replacement was burned by Revolutionaries in 1799 on the Place du Capitole. The icon presented today is an 1807 copy of the fifteenth century Madonna. Blackened by the hosts of candles, the second Madonna has been known since the sixteenth century as Notre Dame La Noire

The current edifice was built during the 19th century.

Black Madonna ( Notre Dame La Noire )

The Cathedral of the Good Shepherd (Basque: Artzain Onaren katedrala, Spanish: Catedral del Buen Pastor de San Sebastián) located in the city of San Sebastián, Gipuzkoa, Basque Country, Spain. It is the seat of the suffragan Diocese of San Sebastián and subordinated to the Archdiocese of Pamplona y Tudela. The most remarkable religious building of San Sebastián, it is endowed with a strong verticality and is the largest in Gipuzkoa. Its construction took place in the last years of the 19th century in a Historicist Neo-Gothic style. The church, dedicated to the Good Shepherd, has held the rank of cathedral since 1953.

The Cathedral of the Good Shepherd

Musique Acousmatique - concrète - Electroacoustique - Experimental - Art sonore - Hörspiel      https://carre-r.bandcamp.com




Pièces pour concert et diffusion Internet, Radio.

PAS SANS SILENCE

CARRE Rémy

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