Good master and mixing on your track 👍🏿

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Ælien 🛸

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no_apologies (explicit)

FREE YSL - YoungXOM

A inspiring track with hip hop emotional influences and dance vibes

Miss Thang 📯

“Bye Bye, Come Again” is the bittersweet curtain call to 06rara’s self-titled album — an alternative pop anthem that blends vulnerability with infectious energy. Opening with shimmering melodies and a hook that burrows deep into the heart — “Streetlights calling, it’s 20 past ten” — the track channels the emo-tinged spirit of early 2000s pop-punk, evoking the likes of Simple Plan while remaining unmistakably modern.

Melancholy meets melody as 06rara grapples with the tension between letting go and wanting it all back. The verses tread softly through late-night memories and emotional flashbacks, while the hooks burst open with raw, catchy resolve. Just before the final chorus, the song breaks into a monologue — reflective and stripped bare — offering a last intimate glimpse into the artist’s thoughts before the album fades to black.

Both a goodbye and an open invitation, “Bye Bye, Come Again” is a closing statement that lingers like a voicemail you keep replaying — personal, poetic, and powerful.

Bye Bye, Come Again

OBEY (prod. Dreen)

Leave a like and comment lmk what you think positive or negative

Unlimited Data SIM.

https://vm.tiktok.com/ZNdxwwRCQ/
Demo messing around 🤣 but no digging 
We are having a good time 🙏🏿

Poli$Dorliss (D-NG 🗝️remix) 🇲🇶


First time in harmonic minor. Begins with the classic theme and superimposed chords on the 3rd and 5th on your right speaker. I had to give the mixer (unlimited revisions) some degree of freedom. I would have done it 1 sweep to the left  and 1 right. For each section some theory use. So 1st verse, the violins are playing lydian b3 cos’ the vocals sounded empty on it’s own and I wanted some ‘out of the box’ stuff. The chorus ends on D7 which is an outside chord. That was a chord I accidentally hit on guitar and when it returns to Eminmaj7 it’s a deceptive cadence. Double harmonic minor and whole tone on 3rd degree for the trumpets. The ‘through the gaps part’ I did on 5th improv. Wasn’t happy with the chorus I had written and just improvised over the chorus on Logic. That’ s some of my best flow. 2nd verse I did counterpoint for Bond motif. 2nd chorus, the first line you hear was taken from my original improv. It sounded more fitting as the start of a chorus. I had to write an extra violin line for the chorus to keep it aligned with my ‘every chorus line has different orchestration’ philosophy. The bridge has the drums in mostly half time as well as beginning in the key of G. First time I placed a secondary dominant in the middle of a phase cos’ usually I put it at the end. Then, a chromatic chord sequence. Last chorus I complete my strings cos’ I had violins 1/ 2 and I thought I’d finish it off with violas and cellos. It is polyphonic cos I prefer it when composers write lines that don’t match vocal melody.

I take each part of me apart
Like you didn’t feel me
Like the air was distilled by our heart and I don’t
Show a tell because my mind is withered down
Break a sweat because pieces don’t make a sound
The lies we keep lie razor deep like stains on last nights bed sheets
Could we ever leave this life behind my eyes don’t deceive me but my heart is blind

Every bullet has our nations name on it.
In the name of the crown, with the sound of it. ( to keep it accurate cos’ the queen is dead)
I have loved you for who you are and even if you didn’t know I’d always love you. (Kind of a letter to Vesper)
I have always been so sure of this, from the moment I saw you, I knew that I would kiss you.
And even though we fell through the gaps and everything 
Always made me sure that I would be amiss.  

Somebody won’t do it if I wouldn’t do it for your lies 

Every little bit of malice that we detest
Every little bit of sadness in our breath 
Shakes the foundations of what we build to its chest
Am I not a reader of obituaries  (Skyfall reference)
Am I not the protector of sanctuaries 
I’ll lift this orphaned past into a future of service to war (accurate to Bond’s orphan upbringing)

I’d drain the rivers dry just to taste something clean
I know that you will love me.  (Yes a proper Bond pick up line)

Yes, the most accurate Bond lyrics to date. Even pays homage to the bad old Bond films misogyny by saying ‘bitch.’ 
I really like Skyfall/Casino Royale.  I did ‘meet’ Daniel on Broadway when I was at NYU. Walk passed him and should have asked  ‘what was M16 doing on Broadway?’ but in NY the cool tradition is ‘leave celebrities alone’. I think he was good and some people point out the blonde hair but he looks more like a thug than previous Bonds which is closer to Fleming’s idea. People criticise Dr. Christmas Jones for not looking like a nuclear scientist but Pierce looks more like a model than a spy. Not that I know what spies look like. I wanted to criticise the writers for sticking Vesper in every Craig film.  I was watching No Time To Die with my sister in the cinema I was thinking, “Vesper…again?”.  I finally found out she sacrificed her life for him so to mope for all of his films is fine. I did not like the ending which I thought ripped off ‘Hero’ with Jet Li except they replaced  arrows with missiles. I noticed Daniel does swim well. Then, he did the Belvedere commercial and that kind of ruined a little of his Bond image for me. 


Vesper Lynd

Tales Of F-Note 2 is the 5th mixtape by F-Note The Visionary, and boy has it been a journey. I have been working on this project since 2018 and it really feels good to be able to release this. This is the first project that I completely produced my self. This album has went through so many stages, it's ridiculous. However that's what really makes it so special to me. Songs like Nothing Explained and What it take to be a legend have been rerecorded so many times, man I can't even tell you how bad I wanted to give up and just drop them how they were. But when I started recording with the Engineer of this project Josh Van Hoorebeke, I knew Tales Of F-Note 2 could be more than what I imagined it could be. The cover art's picture was taken August 9th, 2020. The building in the background was my first apartment in St. Louis, Missouri, and I was in my first car. Around that time is when I first thought I was done with this album too! Shoutout to my boy Trevon for taking that picture too! Anyways, I put my heart, my blood, my sweat, and my tears into this project so I just really hope you enjoy this. This is my first album That is fully mixed and mastered properly, and every beat is fully produced by me.
So without further ado,
here is TALES OF F-NOTE 2!

Performed By
F-Note The Visionary
Written By
Fidel Muhammad
Produced by
Fidel Muhammad
MIxed by
Josh Van Hoorebeke
Mastered by
Josh Van Hoorebeke

Energy

I know I can be a bit of an acquired taste, so let me set the stage upfront.
If you’re reaching out about a collaboration—whether it’s mixing, production, features, or other creative services—please take a moment to review the policy on my website before we move forward.
Because of my background in OSINT, law, and project management, I like to work with structure. This helps keep things fair, transparent, and ensures every project is delivered on time, within scope, and within budget  ensuring I provide the highest quality.

Here’s what to expect:
I don’t accept unpaid collaborations “for exposure" if I don't already know you.
A $75 non-refundable deposit is required to begin.
A signed contract is needed before any work starts which I will provide.
I’m excited to work with people who value clear communication, defined scope, and professionalism. If we’re on the same page with these terms, we’ll be in a great position to create something worthwhile together.
________

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All tracks, mixes, and content posted on this page are the original creations of Remy Horizon and are protected under U.S. and international copyright laws. Unauthorized use, reproduction, distribution, or sampling without explicit written consent is strictly prohibited.

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no_apologies (explicit)

Remy Horizon

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