Chill for S U M M E R :-)

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Nicolas Jarr soundcloud.com/nicolas-jaar

LaShun Pace x Nicolas Jarr - It's Me Oh Lord (Acapella Praise)

Something We All Love

Track 12 from the album *Prompted States* by Softwired.

A smooth vocal-driven groove with layered percussion, soft textures and loop-based flow.  
Sampled female vocals lead the track forward without forcing it – gently insistent and sonically grounded.  
Part memory, part movement.

#PromptedStates #Softwired

Fragmented Reels

South African producer @felix-laband's ethereal cut-n-paste collage 'Righteous Red Berets' gets a reworking from Cornish acid don @luke-vibert for @compost Records. It's an atypically chilled affair from Vibert, with just hints of his 303 motifs and mellow, slow-burning, organic feel.

https://www.gourangamusic.com
https://www.facebook.com/ilovegouranga
https://www.instagram.com/gouranga_music

PREMIERE: Felix Laband - Righteous Red Berets (Luke Vibert Remix) [Compost Records]

Between 2006 and 2008 i (Tonic) made a few edits on a label called 'Mindless Boogie' under a few different names (Tonic, Skinny Joey, Rubber Room). The label was vinyl only, so the tracks are pretty hard to find by now. It's a shame to let them go to waste, so here they are... Go and multiply!


MINDLESS 15 - A1 - Rubber Room - DARK DESIRE (Rerub)

Renart - Conte D'Eté {Cracki Records}

State Trooper (Trentemøller Mix)

Remixed By Mark Evetts
Written & Produced By Alexandre Mouracade
Vocals By Toby Ernest

Sonns - On My Mind (Mark E Remix)

Nicolas Jaar @ Batumi / Rendez-vous (Georgia)

Luca C & Brigante - Lucio (Nicolas Jaar & Dave Harrington Edit)

L'Amour et la Violence (The Starkiller's Ultraviolent Destruction)

Stavroz - The Ginning EP - out on Délicieuse Records.
Stream ☞ http://smarturl.it/TheGinning

@stavroz
@d-licieusemusique-records

Ijsbrand & Gert had always wanted to create balkan inspired music, and hence came the duo Stavroz. Beyond just sharing the same musical tastes, these two buddies bond over both being sound engineers (live for Ijs, studio for Gert), which makes them real "goldsmiths" behind each and every production (such can be seen in this short clip which presents their title 'The Ginning'). 
Their music is imprinted with original inspirations while keeping to a jazzy/burlesque influence, leaving little to be left displeased. The bridge, so it seems, borderlines between minimal and jazz-house.

The first title of the EP, 'The Ginning' is constructed around guitarist, Max Honckelinx. The track’s instrumental harmony is skilfully constructed by the duo as they borderline minimal and deep house.

The second original title of the EP, 'The Finishing' is merely a dialogue between a rhythmic stratospheric universe and the sax of Nathan Daems, well preserved from the first studio recording. The end result leaves us with 8 minutes of lyricism soaked in sophistication and technicality.

In regards to the remixes, Felkon, who has been presented several times before on the Délicieuse, takes on 'The Ginning' by including vocals which create a more dance-like ambiance. 
Britta Arnold, a legendary pioneer from Bar 25 and Katerholzig, worked on 'The Ginning' as well with Sascha Cawa. They delivered a version more obscure yet wickedly effective.

As for the remixes of 'The Finishing', Powel continues to captivate us while executing his deep and melancholic twists. He entirely redesigns the piece’s structure by retiring the "voice" of the sax. 
And then there’s our man, Viken Arman, who spins his version of 'The Finishing' by refiguring the rhythm pattern and adding a new dimension to the bass.

Renart - Conte D'Eté {Cracki Records}

Renarttt

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