Jason2


Am 13. Oktober ist es endlich soweit: Zum Geburtstag von Gabriel erscheint mein neues Projekt – „Geburtstagskind
 Gabriel – Geburtstagsgrabalbum 30“.
Ein Doppelalbum, das größer, bunter und emotionaler wird, als ich es mir jemals erträumt hätte.

Darauf könnt ihr euch freuen:

🎂 Alte Songs in neuem Glanz – meine bisherigen Tracks komplett remastered, alle im einzigartigen Geburtstagsmusik-Style.

🎉 Viele brandneue Songs – frisch geschrieben, voller Energie, Farben und Gefühl.

🥳 Geburtstags-Hymnen ohne Ende – eine ganze Sammlung an Liedern, die den Moment feiern.

🚗 Spielzeugauto-Songs – verspielt, verrückt, kreativ und mit ganz eigener Dynamik.

 Bubble-Tea-Beats – leicht, süß und mit diesem besonderen Vibe.

🥠 Glückskeks-Momente – mit Überraschungen und Botschaften, die mitten ins Herz gehen.

🌈 Alles, was Gabriel war – bunt, vielfältig, unvergesslich.

Dieses Album ist für ihn – meinen besten Freund Gabriel. Er hätte am 13. Oktober seinen 19. Geburtstag gefeiert, und auch wenn er nicht mehr hier ist, bleibt er für immer Teil meiner Musik und meines Lebens.

Mit „Geburtstagsgrabalbum 30“ schenke ich ihm etwas, das bleibt: Songs, die Freude verbreiten, Erinnerungen festhalten und trotzdem in die Zukunft schauen.

📀 Release: 13. Oktober – Geburtstagsgrabalbum 30
Alles Gute, Gabriel. Dieses Album gehört dir.

Gabriel Schaukelt Mit Mir

Lyrics 

Revolution in St. Petersburg
Bullets rain down on a peasant herd
Spilled like holy water on the winter snow
Children die before they know
The Father
Son
And Holy Ghost
Even Heaven doesn't want them now

I'm the last Czar
Heir to the throne
Ruling from a cold
Cold castle of stone
I've got a kingdom to lose and an empire to fall
It's Bloody Sunday after all
It's Bloody Sunday after all

Dressed in red from head to toe
Crimson flowing like a river below
Through the churchyards of the frozen east
And the sound of silence through the city streets
This is a prayer for the weak
The sins of the father will follow me

I'm the last Czar
Heir to the throne
Ruling from a cold
Cold castle of stone
I've got a kingdom to lose and an empire to fall
It's Bloody Sunday after all
It's Bloody Sunday after all

I'll be home for Christmas
When I'm back from the dead
Hallelujah
I mean it
I've got a gun to my head

I'm the last Czar
Heir to the throne
Ruling from a cold
Cold castle of stone
I've got a kingdom to lose and an empire to fall
It's Bloody Sunday after all
It's Bloody Sunday after all

Bloody Sunday

WOW Hits 2018

Glorious Day (Radio Version)

Wonder

So Will I (100 Billion X)

Rescuer (Good News)

Shelter

Made for This

Pat Barrett

The Way (New Horizon)

To understand what makes Rend Collective so unique and special among worship artists, you have to go back—way back. Some 1500 years ago, the Irish missionary St. Brendan sailed from the Irish coast without maps or any clue where he was headed. “The only thing he knew was that God had called him,” says bandleader and drummer Gareth Gilkeson. And so Brendan chose to “go”: a bold act of faith that not only echoes the album title As Family We Go, but also speaks volumes about the songs.

It also tells you a lot about Rend Collective, a Northern Irish band that has ventured from its native land at the beckoning of an invisible hand. And they’re doing it differently than most other artists before them, living and working—singing and sharing the laundry duties—as a tight-knit family. It’s just the foundation to foster faith and community through music, and forms the heart and strength behind their latest effort.

And my, how this musical family has grown. This young, freewheeling band has seen so much recent success: from opening for the likes of Chris Tomlin, Matt Redman and Kari Jobe, to landing Christian radio hits such as the revival hymn, “Build Your Kingdom Here.”

The next logical step, then, was to hunker down in their private studio and work at a brisk, breathtaking pace—cutting the eleven tracks on As Family We Go in two weeks. As Gilkeson puts it: “There wasn’t much time for sleep—just going for it.”

In this case, sleep deprivation yielded divine inspiration. Then again, how many bands brave a family pilgrimage the way Rend Collective does? Or proudly present themselves as examples of a self-styled genre, “celebration music”?

Though that describes the sound on the new disc—a joyful mélange of foot-stomping acoustic grooves and full-on pop pockets worthy of U2—it only hints at the spiritual thread that pulls everything together.

“We want to make music that is journey music,” says singer Chris Llewellyn. “We notice that sometimes music is seen as the end goal, that a worship encounter is having a music experience. But that’s not really it; it should be the soundtrack to mission: community living, the soundtrack to a meaningful worship experience.”

Rescuer (Good News)

Rend Collective

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