Eden001

GEEKIN - NyMulan X Zay Breesh🔥

'Suontaka Sword' Dub originally released on O.G. Jigg's now sold out tape https://memotone.bandcamp.com/album/o-g-jigg-friends-part-ii

'Unearthed' Mix previously unreleased variant

"The Suontaka sword was found in what was previously interpreted as a high-status woman's grave at Suontaka Vesitorninmäki, Tyrväntö, Finland. The grave dates from the late Nordic Iron Age, c. 1040–1174 AD, and it also included another hiltless sword with silver-inlays that was placed directly on the buried corpse. Ancient DNA analysis found that the individual likely had Klinefelter syndrome, indicated through the presence of XXY chromosomes. The individual had been buried in a female dress with three brooches. According to the authors of the 2021 study, "The overall context of the grave indicates that it was a respected person whose gender identity may well have been nonbinary." 

https://www.theguardian.com/world/2021/aug/09/1000-year-old-remains-in-finland-may-be-non-binary-viking-researchers-say

O.G. Jigg - The Fool (Luke Lund 'Suontaka Sword' Dub)

DSO Remix Antonín Dvořák's 9. Symphonie, 3.Satz

Sumpfonie

boy we push up in them 2 doors
yea that z car it got 2 doors
i'm with yo bitch and she brought 2 mo'
my money stacking all up like 2 floors
i can not fuck with yo bitch cse she 2 flawed
i hop in that jet lil nigga i flew off
boy yo racks tumbling over like sumo
boy yo bread lil asf like pluto
hadda step out the way hit em' with a euro
bitch i fly on these niggas like thug 2 neuro

boy dem dracos, and them fn's
nigga talking down on my gang we make his head spin
push up on em' 4 deep now that boy a dead man
if he try to jump through that glock by my bedstand
yea that nigga nervous knock some sweat off his headband
hit my plug like wya? yea i need my fuckin' meds twin
i know they mad asf cse every month a young nigga progressing
in this bitch rocking all white like flo from progressive
and them opps give me props cse my aim so impressive
pro mag in this bitch yea this glock got extensions
me and my niggas we ain't stopping til we in a fuckin' mansion
savage mode in this bitch, damn them diamonds on me dancing

yea, dancing, dancing, dancing
yea, dancing, dancing, dancing

boy we push up in them 2 doors
yea that z car it got 2 doors
i'm with yo bitch and she brought 2 mo'
my racks stacking up like 2 floors
i can not fuck with yo bitch cse she 2 flawed
i hop in that jet lil nigga i flew off
boy yo racks tumbling over like sumo
yea yo bread lil asf like pluto
hadda step out the way hit em' with a euro
bitch i fly on these niggas like thug 2 neuro

boy dem dracos, and them fn's
nigga talking down on my gang we make his head spin
push up on em' 4 deep now that boy a dead man
push up on em' 4 deep now that boy a dead man

gtfo (drevenci)

"RUOSKA" - SAATANA SAAPUU PARATIISIIN

https://alterkrankermann.bandcamp.com/album/ppaf-vol4-ektarse

Ça y est, c'est trop tard
Son décibel
C'est l'inverse

pPaF vol4; eKTARSE

01 EAEKRST

Sélection Art  Sonore

Miri Berlin
Requiem - Sound of Transience: An Acoustic Experience
15’, autoproduction (Allemagne)

Cette composition mélange des field recordings et des sons électroniques, capturant différentes atmosphères spatiales. Tout d’abord, nous sommes dans l’unité de soins intensifs d’un hôpital, où nous entendons les sons rythmés et sonores des appareils médicaux. Dans une cour berlinoise, un chariot en métal transporte le cercueil jusqu’à la salle de veillée, où les bruits ambiants se mêlent aux bols chantants résonnants. Enfin, au crématorium, où le cercueil entre dans le four.

Miri Berlin produit des longs métrages radiophoniques depuis 2018 et  travaille également comme field recordist. Cette année, elle s’est aussi aventurée dans la composition sonore.

Miri Berlin_Requiem Sound of Transience An Acoustic Experience

Probing the creative potential of false positives

Hallucinations and artifacts of CNN-based speech recognition models amplified — detecting speech in where there is none

Speech Delusion Study 19

Life. You fumble towards something, get into a trot and then crumble away...
Note: Tracks 61-120 of this project are here: 
https://archive.org/details/ReneKitaTenThousandWays002 
and tracks 1-60 here: 
https://archive.org/details/ReneKitaTenThousandWays001

Rene Kita Ten Thousand Ways - 00121 - Life

Guy Evans - drums 
Jair-Rohm Parker Wells - bass
Taneli Viitahuhta - sax

Ben Watson - xenochronic concepts and digital scissors

To start with, saxophonist Taneli Viitahuhta - ex-Heteroskeleton, Rab-Rab member in Helsinki - improvised a response to "Flap" by Ben Moran Healy (guitar) and Jessica Harper (violin). His saxophone stylings were peeled off their tangy Yorkshire sticker and applied to "Okay You Sort It Out", a drum solo by Guy Evans, and "Bank Holiday Time Again", a bass excursion by Jair-Rohm Parker Wells - itself originally a response to a duet by Ben Moran Healy and Rob Jones of the Psychedelic Bolsheviks, unacknowledged legislators of many thoughts in your head. But hold on! With "Unassuming Genius", Taneli was suddenly exposed - Lou Christie-like - as a Nordic sax nouveau to challenge Jan Garbarek, ECM, Steve Lake and all who sail thereupon ... Wowie Zowie, as Pamela Zarubica was wont to say ...

Rene Kita Ten Thousand Ways - 00121 - Life

Rene Kita

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