Name: Beyond by René Puschinger
Duration: 2 min 54 s
Description: Music composed in 2018 by Rene Puschinger.

Beautiful piece 😍 🙏 🍀 🎶 🎧 

Nice orchestration, excellent soundtrack!

🤫

Produced in the ARAPA Music Studio, Sydney - Australia
2021

Secret(Feat. Heidi - Marie)

piano and string orchestra

Natalia

IPG1's Taking It Back with a Llanpsych backing :))
IPG1's vocal track can be found here https://soundcloud.com/ipg1/taking-it-back-vocals-95-bpm
Beats are from Looperman - many thanks!!
Shook One Drums by Cashiotta
Underground Drums by eWhite

Taking It Back - IPG1 and Llanpsych

Image: pixabay.com (CC0 Creative Commons)

Hummingbird

Reflection on a Queensland, Australia sunset January 2020. 
Best enjoyed with a glass of wine.

Sunset Mood

Fast Mode (Radio edit)

Fast Mode Radio Edit Instrumental

Pleasure to dig up (and dig) some previously created ideas with Seven Churches Underground (guitar / electronics).
https://soundcloud.com/seven-churches

Image: Two Large Forms by Henry Moore (at Yorkshire Sculpture Park, Bretton, West Yorkshire)

Tone Pulsation  - Seven Churches Underground | WBE

Music composed in 2018 by Rene Puschinger.

Beyond

Rafael Serrano - Sinfonía No. 2 - MEDITERRÁNEO - III Mov. - Parte B - “Constantinopla”.

English
We are in Constantinople in the year 1453, when it still belonged to the Byzantine Empire and very close to its subsequent fall at the hands of the Ottomans.
The music begins with a western orchestral style that alternates and blends with different Arab modes as events unfold, until it ends in the conquest of the city by the Turks. The end is conceived as a transition between two cultures, where the spiccatos of the strings show the imminent entry of the enemy troops followed by an atmosphere of great sadness in its inhabitants for the loss of the city, which also marked the end of the Roman and Middle Ages, thus beginning the Modern age.

Español
Nos encontramos en Constantinopla en el año 1453, cuando aún pertenecía al imperio bizantino y muy cerca de su posterior caída a manos de los otomanos.
La música comienza con un estilo orquestal occidental que se va alternando y fundiendo con distintos modos árabes a medida que van sucediendo acontecimientos, hasta desembocar en la conquista de la ciudad por los turcos. El final, está concebido como una transición entre dos culturas, donde los spiccatos de la cuerda muestran la inminente entrada de la tropas enemigas seguidos de un ambiente de gran tristeza en sus habitantes por la pérdida de la ciudad, que también marcó el final del imperio romano y de la Edad Media, comenzando así la edad Moderna.

Beyond

René Puschinger

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