Oh heeeeelllll yea yah 💜🤘🏻🤘🏻💜🔥🔥🔥

haha this is twisted. Love it. Great lyrics too.

wow, this is crazy goood, You've got yourselves a new fan...

your soundscape is spectacular, thanks for sharing...

This is fire, dynamite, dope and a bunch of hyperactive superlatives!

Feel free to peruse my Bandcamp to discover more of my original poetry & music: https://mkandersson1982.bandcamp.com/

Kindle eBook

Marty Andersson: From the Archives - The Greatest Worst Song in the World

Fun At Night

Cast of Characters:
xian3-- @xian3 – Christian -- vocals and lyrics
Holger Engel—bass, seed idea
J.J. Terrell-- @j-j-terrell—JJ-- electric piano, synth
mistermark-- @user-432503709 -- Mark-- electric piano
Llanpsych-- @llanpsych -- mix, and production
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums
Entheogenic Psychonaught (Josh Clary)-- @josh-clary-1 – guitar and four-string fretless bass
 
This song began with Christian's friend Holger Engel coming up with a melodic bass line and sharing it with him to use as a seed stem for a project. Having collaborated successfully with him before, Christian thought of Josh and decided to pass it along to him to see what he could build with it. Josh was excited to work on another of Holger's creations. His bass line was in a high octave on the instrument, so Josh added a similar, complimentary bass line on the low octave to give it some heft. He invited Ken onto the project, and after doing their little rhythm section give and take, Ken laid down some powerful, yet tasteful drums. Mark was brought in next, and added some very fitting, wonderfully melodic electric piano, which he added in the choruses. Josh also asked JJ to add some electric piano to the verses and synth to the whole thing, which he did in a very mind-bending syncopated way. Josh then added some guitar to the high end to thicken things up a bit.
  We then sent the finished product back to Christian to add his thoughtful, inspired lyrics and signature vocals to his song. This is what Christian had to say about how the lyrics came about. 
  "[Being an avid reader], I came along the sentence, 'We write and make art to show our wounds to the world,' reading an interview with Paul Auster (1947-2024). He died earlier this year, yet his novels are legendary. There was talk about creativity, manifoldness and what the personality consists of. 
  "I can’t remember where that interview was and basically I wrote the lyrics around this sentence attributed to him. 
  "I quote another writer, Goethe (1749-1832), with a famous quotation from "Faust,“ 'Two souls, Alas, housed in my breast...' That points in the right thematic direction in my opinion.
For sure the lyrics also contain other layers of meanings, much more personal…
I am also happy about the title of the song 'We Are Many'. I think Tez came up with it. I was unsure for very long, what’s the name of that song… :)"
  After we had it in the bag, we asked mix-master Tez to produce and mix it, so what you hear is also his creative vision for the project. We hope you enjoy listening to this as much as we enjoyed creating it.
 
Original "We Are Many" lyrics by Xian:

1
To me it seems very obviously
That my I is not a unity
Rather a bunch of personalities
I got a problem with multiplicities

ref
We write and make „art“ 
To show our wounds to the world
We write and make „art“ …

2
I am no self-contained identity
Cut off by other possibilities
No border guards set up at the boundary
Enforce the claim to exclusivity

ref
We write and make „art“ 
To show our wounds to the world
We write and make „art“…
„I“ writes and makes „art“
To heal the wounds of the heart

3
„Two souls, alas, housed in my breast…“
We hope, that if we do confess
To get rid of this fallacy
And collect the splits of personality

ref
We write and make „art“ 
To show our wounds to the world
I write and make „art“
To heal the wounds of my heart

out
There is
A consolation in round things
There is
A consolation in round things 
A consolation in round things
Oh, ohh,
„I“, „I“,
Oh…

We Are Many (Eclectic Collective with Xian3 and Holger Engel)

Live Reflexion#011

Bill likes to send me songs and tell me to Rentt it up 
Ooooops 🤪
Single Use & Recycled guitars 

RENTT  vocals, bass

WTF
Warning this is now your brain on Single Use & RENTT’ed! Any lingering side effects are simply not my fucking problem ok thank you goodbye!! 😘


Welcome to the mind of 
the criminally insane 
Told me not to do it 
But I did it just the same 
Every time I see you
You tell me I’ve changed 
Every time I see you 
You still feel the same 

Boring, you’re boring me 
RAWR  boring, you’re boring me 

Think you’re king
Well I am kong 
Everywhere I go I know that 
I just don’t belong 
I am reactive 
I am a bomb 
Dare me to push the button 
I push it 
You’re gone 

Welcome to the mind of the deeply disturbed 
Really fucking bothers me when you act unperturbed 
Don’t ask me if I’m hurting 
Don’t ask if I’m in pain 
I swear I wanna strangle you 
When you act so urbane

Boring, you’re  boring me 
RAWR boring, you’re boring me 

WHAT THE FUCK

I’m tired of walking 
The wire 
Feels like I’m just crawling towards 
My own funeral pyre 
Look around 
Just fakes and liars 
What’s that god?
Be your cleansing fire 

I could burn, I could burn, I could burn you all!!

I put my hand in the fire, but the fire don’t burn me 

WHAT THE FUCK

WTF Single Use & RENTT’ed

ANARS ! Le sentier obscur

CAST OF CHARACTERS:

Llanpsych-- @llanpsych -- Tez – Initial composition/seed idea, foundational acoustic and electric guitars, distorted electric guitar
Mistermark – @user-432503709 – Mark – vocals, lyrics, high organ, toy piano, percussion, sound effects, production, editing, mix
TexMex Shaman– @texmex-shaman –Stephen– 5-string banjo solo, electric rhythm guitar
J.J. Terrell-- @j-j-terrell—JJ-- low organ, piano, synth flute, sound effects
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, percussion 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 4-string fretless bass
Composition – The Eclectic Collective

This song began as a haunting guitar chord progression that Tez came up with and shared with the rest of us. He also did an additional accoustic accompaniment and that crunchy distorted guitar once some of us started adding parts. Ken was first up, adding his reggae-tinged drums, then later his pots and pans percussion. As he was doing that, Josh was coming up with his bass line, and they did their little dance of back and forth until the rhythm section was set. Mark then came up with some dark lyrics and added his unique, Tom Waitsian vocals. He also added the high organ during the banjo solo, followed by a toy piano which you can faintly hear right after the solo. Also for the solo he created a clanky percussion arrangement, blending in elements from Ken's percussion sound too. Stephen followed shortly after with the atmospheric reggae-style guitar chords, and also came up with the amazing banjo solo you hear around the middle. Last, but not least, JJ came in with his trademark organ sound and paired up a piano and flute track to seal the deal with some melodic ambience. Then he and Mark added the cool creaking door & rain storm effects that open and close the song, and in other spots. Mark filled the main production duties on this one. He has proved himself to be a masterful editor, producer, and mixer, and we are lucky to have him as part of the team. Both Ken & Stephen provided a choice of mastering options to choose from… a nice gesture to put a bow on this one. 
This song is an homage of sorts to the great Tom Waits - we're all big fans, and tried to do something in his unique style. We hope you enjoy listening to this as much as we enjoyed creating it.
 
ORIGINAL LYRICS BY MISTERMARK:

I got something hidden in my closet 
that I don’t want you to see 
a little like a shady deposit
and it’s bound to incriminate me

Well now some might call it a skeleton 
like a raincoat filled with bones
see I been hangin’ it there since I don’t know when
and I just can’t leave it alone

Me and Bill rolling bones in a gambling hall 
I threw snake eyes but Bill counted three
I took his accusation just a little too far 
then everybody went quiet as they stared at me

Now the finger bone’s connected to the trigger
and the hand bone’s connected to me
and every day my secret’s gettin’ bigger
soon enough I’ll be swinging from a tree

(swing it boys)

Coz I got something hidden in my closet 
that I don’t want you to see 
I done made a shady deposit
and it’s bound to incriminate me

Well now some might call it a skeleton 
like a raincoat filled with bones
see I been hiding it there since I don’t know when
and I just can’t leave it alone
(repeat)

Bones (The Eclectic Collective)

I really wanted to do a song with female vocals and found some of @Miscliqued on Looperman. One of the hardest parts was the mixing, please DM or comment your feedback and tips for improvement.

Fallin' in love (ft. Miscliqued)

SIBB – Caged Rage
Unleashing pure fury from within, Caged Rage is a brutal, riff-driven anthem that dives into the chaos of suppressed emotion and inner war. With relentless drums, roaring guitars, and vocals that cut through like a scream in the dark, SIBB captures the sound of a soul breaking its chains. If you've ever felt the fire build with nowhere to go—this song is that explosion.

🔊 Crank it loud. Rage with us.
🔥 Follow SIBB for more original metal.

WTF Single Use & RENTT’ed

RENTT

Recent comments

Ingo Bremenkamp

ZenGazer

nic

nic

Related tracks