Merry XMAS y'alll 🏴‍☠️😈 NEW EP recorded with the full machines setup ! Korg esx er1 , Crave & TD3

Available on all streaming platforms !

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SYSTEM INITIALIZATION

B̴̺͝ŭ̵̦̜̭y̴̯̝̞͐͝

Praying to the Wrong God

SOFTWARE TEST. First track with software.
Tribe Old School Hardtek with Mental and Acid reminiscences.

No Hardware.
2014

Written and Composed by Dari
Uzumaki23 SoundSystem.

Dari - Open Source

2 ème extrait du jam Tribe
SYNTAKT/FL
158BPM

2xtrackLIVE TRIBE

DARK NIGHT

wach YouTube 

https://youtu.be/zClN3WVCL20?si=zvgpTXg3I9aR1Gf8

HALLOWEEN SPECIAL KORKENZIEHER 53 MIX 2025

🎵 Dextc – House of Rampage
Get ready to storm the dancefloor — House of Rampage is pure energy in motion. Dextc drops a relentless fusion of bouncy kicks, electrifying synth stabs, and high-octane rave vibes that hit like a tidal wave.

Dextc - House of Rampage

The Bells · Jeff Mills T.A.M.F. remix

Schranz and Its Connection to Jeff Mills’ “The Bells”

Connection to Jeff Mills’ “The Bells”: Jeff Mills’ The Bells (1997, Purpose Maker, PM-002) isn’t pure Schranz but heavily influenced its development. Its raw, hypnotic loop and pounding 4/4 kick resonated with the harder, minimal techno sound that Schranz built upon. Here’s how it ties in:
* Influence on Schranz Producers: Mills’ use of repetitive, functional loops in The Bells inspired Schranz’s stripped-down aesthetic. Its 140 BPM tempo and relentless drive aligned with Schranz’s ethos, making it a proto-Schranz track for DJs like Liebing or Boris S.
* Club Play: The Bells was a staple in late ’90s hard techno sets, bridging Detroit techno’s soul with Schranz’s aggression. Its iconic bell riff added a melodic hook that Schranz often avoided but still absorbed as a reference for tension-building.
* Remixes and Legacy: Later Schranz DJs (e.g., Eric Sneo, DJ Amok) remixed or drew from The Bells’ energy. For example, the 2006 10th Anniversary The Bells 12” (PM-020) had a louder, Schranz-friendly master that fit harder sets.

Original Pressing Context: As mentioned earlier, The Bells appeared on the Kat Moda EP (1997, Purpose Maker, PM-002, 12” vinyl). Its raw production—gritty kicks, unpolished mastering—mirrors Schranz’s unrefined edge. Schranz DJs likely gravitated to originals or early represses for their analog warmth, though the track’s quieter mix (compared to 2000s Schranz cuts) required DJs to crank the gain.

Where to Find Schranz-Inspired The Bells:
* Original 1997 Vinyl: Hunt on Discogs/Reverb for PM-002 ($20–$50). Check matrix: PM 002-A/B (RE I) NSC.
* Streaming: The 1997 version (on Spotify/Beatport) retains the raw vibe Schranz fans love.
* Modern Schranz Comps: Look for The Bells in hard techno mixes or CLR/Tresor compilations. Check X posts or SoundCloud for recent Schranz sets featuring it.

Schranz Today (Oct 2025): Schranz remains a niche but vibrant scene. Recent X posts highlight new releases on labels like Schranz Total or Hard Drive, with DJs like Fernanda Martins and Luciid pushing 150+ BPM bangers. The Bells still gets play in retro sets or as a remixed bootleg in Schranz raves.
Want me to dig into a specific Schranz artist, label, or a The Bells remix in this style? Or maybe check X for recent Schranz chatter? Let me know! 🔔

Deep Dive: Schranz – The Hard Techno Beast 🦖
Since you’re doubling down on Schranz, let’s go full throttle. This is the raw, pounding heart of German hard techno—no fluff, just facts, history, essentials, and where to score it today (Oct 16, 2025). The Bells connection? It’s the proto-Schranz blueprint—hypnotic loops + brutal kick = Schranz DNA. Ready? Gas it up!

Schranz 101: What the Hell Is It?
* Born: Late 1990s, Frankfurt/Germany. Evolved from Jeff Mills/Rene Pawlowitz-style minimal techno into a weaponized sound.
* Tempo: 140–160+ BPM (faster = harder life).
* Sound: Distorted 909 kicks that hurt, razor-sharp hi-hats, zero melody (unless it’s a stab), industrial noise loops. Think: a jackhammer in a warehouse.
* Name Origin: Chris Liebing (2001) called it “Schranz” to mock haters saying hard techno was just “schrammel” (grating noise). DJs flipped it into pride.
* Ethos: Anti-EDM, sweat-soaked, 6AM warehouse raves. No peaks—just relentless drive.

Schranz vs. Regular Techno:
Feature	Schranz	Standard Techno
BPM	145–160	120–140
Kick	Distorted, punchy AF	Clean, groovy
Melodies	Minimal/none	Hooks & synth

Vibe	Dark, aggressive	Hypnotic, soulful
Clubs	Berghain, Tresor	Fabric, Output
Timeline: Schranz Evolution
Year	Milestone	Key Track/Artist
1997	The Bells drops (Mills). Proto-Schranz loop energy.	Jeff Mills – The Bells
1999	Frankfurt explosion. Liebing coins term.	Chris Liebing – American Madness


SCHRANZ ON! 🦖🔔 Drop the needle—let’s destroy some speakers.

Recording 16-10-25, 11.36.42 am

B1 Edf (Playmobeat01)

PREVIEW NO MASTER // COMING SOON PSYCHOQUAKE RECORDS

Tekos Lab - Le Marchè De La Teuf(PREVIEW NO MASTER)COMING SOON PSYCHOQUAKE RECORDS 10

Non ci fermiamo! In attesa del 12", fuori ora FreeKout 6 "Tiger Mask" ispirato all'omonimo anime da cui sono stati campionati vocali ed effetti.
SUPPORT HERE:
PHENOX: https://soundcloud.com/phenox98

We don't stop! Waiting for the 12", out now FreeKout 6 "Tiger Mask" inspiride by the same anime, where vocal and FX were sampled

Phenox - Kill Them

[ Indipendent Underground Label ]

The passion for music and the monotony of the Milano's suburbs led to a desire to act that overcame the flatness of society. This is how Repartee was born as a crew, soundsystem, and independent label. After the first productions on SoundCloud with various artists available for free download (FreeKout) and single EPs exploring the most distinctive electronic sounds (DGTL), the focus shifted from digital to physical. Three records have been released by Repartee Rec and two by the sub-label People from Other Planets (by Fiero). Throughout its evolution in parties, music and art; collaboration between artists remains the core of this reality.

VINYL RELEASE >>
.FREEDOME EP
.UNDERGAME 00
.REPARTEE 01
.PFOP 01
.PFOP 02

DIGITAL RELEASE>>
.UNITE 
.FREEKOUT
.DGTL

Phenox - Kill Them

Repartee Recordz

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