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(me & LOVE US) pffefxefefefef'H'é,e Eaéfpfe p fe'aé'é pfefef'He e

cceeelliieee - We'll End Up At The Stars

- excerpt of 261022.1437 released on WHY KEITH DROPPED THE S -
https://whykeithdroppedthes.bandcamp.com/album/2610221437

::
  𝘙𝘢𝘸 𝘳𝘦𝘤𝘰𝘳𝘥𝘪𝘯𝘨 𝘰𝘧 𝘢𝘯 𝘪𝘮𝘱𝘳𝘰𝘷𝘪𝘴𝘢𝘵𝘪𝘰𝘯 𝘸𝘪𝘵𝘩 𝘥𝘰𝘶𝘣𝘭𝘦 𝘣𝘢𝘴𝘴 𝘢𝘯𝘥 𝘢 𝘭𝘪𝘷𝘦 𝘦𝘭𝘦𝘤𝘵𝘳𝘰𝘯𝘪𝘤𝘴 𝘴𝘦𝘵𝘶𝘱 𝘪𝘯 𝘸𝘩𝘪𝘤𝘩 𝘯𝘰𝘪𝘴𝘦-𝘣𝘢𝘴𝘦𝘥 𝘢𝘭𝘨𝘰𝘳𝘪𝘵𝘩𝘮𝘴 𝘭𝘦𝘵 𝘵𝘩𝘦 𝘪𝘯𝘱𝘶𝘵 𝘰𝘧 𝘵𝘩𝘦 𝘢𝘤𝘰𝘶𝘴𝘵𝘪𝘤 𝘣𝘢𝘴𝘴 𝘵𝘳𝘪𝘨𝘨𝘦𝘳 𝘢𝘯𝘥 𝘪𝘯𝘵𝘦𝘳𝘢𝘤𝘵 𝘸𝘪𝘵𝘩 𝘵𝘩𝘦 𝘩𝘢𝘳𝘥𝘸𝘢𝘳𝘦, 𝘴𝘢𝘮𝘱𝘭𝘦𝘴 𝘢𝘯𝘥 𝘦𝘧𝘧𝘦𝘤𝘵𝘴.
::

artwork by @isabarb

261022.1437 *EXCERPT-WKDTS46*

Buffer (@datalifecycle) and Andrea des (@user-347777026) at legendary tune4tune

andreades; buffer

buffer/andrea des -  tune for tune radio

buffer/andrea des -  tune4tune radio

Footsteps

Footsteps (feat. Laucan)

[surf038]

https://soundcloud.com/boylucid
https://linktr.ee/boylucid
https://boylucid.bandcamp.com/

"‘Dreams on Foothill’ is a collection of compositions made over the last year. I envisioned the project as location-music involving meditation and field recording in a certain environment. I would find a quiet place to sit or walk, listening and feeling the space. Afterwards I compose above the recording. Simple melodies move around the space. Awareness, projection, prayer, reflection. I am exploring how melody can represent consciousness and emotion in their materiality, affected in movement and weight by the space around them. Melody as the harmony of mind that tries to gather chaotic data."

artwork by Tommy Brentnall:
https://www.instagram.com/piggybankshoe

mastered by https://soundcloud.com/usofusofusofusof
linktr.ee/usofusofusofusof

🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️
ⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶ

Boy Lucid ~ Setting Sun

composition, mix & master by @bademjan

cover by chaman.voguing 
instagram.com/chaman.voguing/

Between the Spectral Moons

Bandcamp

Bademjan - Ne pas sombrer

Archive du set d'Elouan Zebla @elouan_zebla lors de la carte Blanche *Duuu Radio.

Mixage : Emilien Gros

Elouan Zebla - Carte Blanche *Duuu Radio

Shifty 6.1 a1 34 bpm take 1 81825

Malaise

NASA's "sonification" of the Sun can be found here: https://soundcloud.com/nasa/sun-sonification.  However, NASA's own information about how they created this recording (http://soi.stanford.edu/results/sounds.html) includes this statement:
"Then Kosovichev filtered the data at about 3 mHz to select clean sound waves (and not supergranulation and instrumental noise). Finally, he interpolated over the missing data and scaled the data (speeded it up a factor 42,000 to bring it into the audible human-hearing range (kHz))"
There is an issue with 42,000: it's not a multiple of 2 - so it  doesn't just bring the frequency down in "octaves" until we can hear it, it actually changes the note.  
So, how do we restore the frequency to its original and then bring it into the audible range without changing the note? 
The nearest multiple of 2 is 32,768.  So, we can:
1. Detect the published frequency, using a tuner or spectrum analyzer: 72 or 144 Hz.
2. Multiply this by 42,000 to restore it to the original frequency above human hearing before NASA changed it:  72 Hz x 42,000 = 3,024,000 Hz , or 3.024 mHz
3. Now divide this original frequency by a proper multiple of 2 so humans can hear it: 3,024,000 Hz / 32,768 = 92.28515625 Hz

92.3 Hz is a harmonic of the Earth's electro-magnetic resonance - which we might call "F-sharp"
So, here is that original NASA recording, slowed down to 92.3 Hz, perhaps it's original and correct audible experience of what the Sun actually sounds like!
Go here for details: https://harmonicsofnature.com/the-sun-is-d/ 

cceeelliieee - We'll End Up At The Stars

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