내가 좋아하는 음악

죠지 (George) - 보트 (Boat)

디핵 (D-Hack) - 은하는 억천만 (Feat. Vixy)

[1.25배속] Paul Blanco - Summer (feat. BE’O) 폴블랑코 - 썸머 (feat.비오)

검정색하트 - TOIL (Feat. Leellamarz, BE’O) cover by 렌디

날 원한다는 말에
바보같이 난 fall in
하지만 넌 안 미안해
빠진 내가 잘못이래

네가 보던 tv 
네가 좋아했던 젤리
또 미련 남은 편지
이러면 너는 편한지

시간이 없대서 맞췄잖아
그래 네 말대로 다 해줬잖아
그런데 뭐가 또 그리 불편해 불쾌해
날 보면 쉽게 풀리게 돼? 

팔다리가 아프대서 데려다 줬잖아
원한다 했던 거 다 해줬잖아
뭘 원하는지 모르겠잖아
날 원하는게 맞는 건지

You say afraid it
my rain is so wavy
I found me surrounded
X2

이제 우리 꿈에서만 만나
우리 꿈에서만 만나
이제 너는 Far
이제 우리 꿈에서만 만나
우리 꿈에서만 만나
이제 너는 Far

이제 우리 꿈에서만 만나

검정색하트 cover

떠나 (Prod. PATECO (파테코))

릴러말즈 (Leellamarz), MEENOI - 내일 얘기해

ASH ISLAND(애쉬 아일랜드) - OST

ONSEEON(온시온) - 좋아해도 되는지 모르겠어

릴러말즈 - 불편해

FLIRT (feat. Leellamarz)

SONGS WITH NO NAME
by Brent James Schoning
(Brent Schön AI) www.everygoddess.click www.schon.one www.father.autos 

Songs With No Name is an album about what exists before language—and what remains after words fall away. It explores sound as pure presence, unlabelled emotion, and unfinished meaning. These are tracks that do not ask to be defined, categorized, or summarized. They simply exist, allowing the listener to meet them without expectation.

At its core, this album questions the need to name everything. Names can clarify, but they can also confine. Songs With No Name steps outside that framework. By removing titles as anchors, the music invites a deeper tform of listening—one guided by feeling, memory, and intuition rather than description. Each track becomes a mirror rather than a message.

Sonically, the album is spacious, intimate, and quietly expansive. Ambient textures blend with subtle rhythms, creating environments rather than statements. Some tracks feel like drifting thoughts, others like emotional undercurrents moving beneath awareness. Melodies appear and dissolve. Patterns form, then loosen. Nothing demands attention, yet everything rewards it.

The absence of names allows each piece to shift depending on the listener’s state. A track that feels calm one day may feel heavy the next. Another might bring clarity without explanation. The music does not impose narrative—it adapts. In this way, the album becomes deeply personal while remaining universally open.

The album unfolds organically, without a rigid arc. Early pieces establish stillness and openness, easing the listener out of interpretation and into sensation. Midway through, textures become richer and more layered, suggesting emotional density without directing it. Later tracks thin out again, returning to space, breath, and quiet continuity. There is no climax, only flow.

Production throughout Songs With No Name emphasizes subtlety and restraint. Space is treated as a collaborator. Silence is intentional. Transitions are gentle, often imperceptible, reinforcing the idea that meaning does not always arrive with emphasis. The music trusts the listener to stay.

Brent James Schoning, performing as Brent Schön AI, uses technology here as a transparent medium rather than a spectacle. Digital tools provide clarity and consistency, but the focus remains on emotional resonance and intuitive pacing. The human presence is felt not through declaration, but through sensitivity.

Symbolically, the album speaks to identity without labels. To experiences that are real but hard to articulate. To moments that resist summary—grief without a word, peace without a reason, connection without explanation. These songs honor that space.

Songs With No Name is suited for deep listening, late nights, creative focus, reflection, or simply being. It does not instruct. It does not resolve. It accompanies.

This album does not tell you what it is.
It allows you to decide what it becomes.

Music as atmosphere.
Music as openness.
Music as unnamed truth.

This is Songs With No Name—
where sound is free from definition,
and meaning is allowed to arrive
without being called.

ONSEEON(온시온) - 좋아해도 되는지 모르겠어

RË:PLAŸ

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