Name: To Daniel by Reptile Tile
Duration: 7 min 30 s
Description: closing track on 2019's "Reptile Tile vs Human Man" album

The piece has commissioned as a result of Ö1 Talentebörse Kompositionspreis 2024 provided by the Oesterreichische Nationalbank (OeNB)

Helena Sorokina, Alt;
Samuel Toro Perez, E-Gitarre;
Raffael Dolezal, Violoncello;
Georg Hasibeder, Schlagwerk;
Severin Neubauer, Saxofon

Conductor: Clemens Flieder 
Recording: Fridolin Stolz

Definition of Oneself

Check out my boutique at https://nouchu.wordpress.com/

"The Phantom of Studio 9"

Feat: Emilia -Vocals/Blair Purdy-Guitars
https://soundcloud.com/blair-purdy-music-bpm
Track is available at: https://burythejar.bandcamp.com/

Talk To Me

Control

PROSE    POEMS    ---     ARTHUR    RIMBAUT
VOICE  AND  PERFORMANCE   ---    FLORENCE   FISH
ELECTRONICS   ---    DROR   ELIMELECH

SEASON IN HELL  2  -   UNE  SAISON  EN  ENFER

Reaching My Star

closing track on 2019's "Reptile Tile vs Human Man" album

To Daniel

First there was a common funky beat for 2 minutes or so. Then there was a bass played during those 2 minutes in a complete improv mood. Then a nylon guitar came breaking time. Then a steel guitar came bending time. Then some djembes, shakers and seeds came defying the beat and eliminating it.

In the spirit of mixing traditional instruments with free jazz approach, a simple though "we are lost in time" emerges.



Lost in time

Electric guitar, voice, effect pedals, unsynchronized loops, two tube amps. All sounds, voice, mixing and production: Velvet Something Superdark. 
Part of https://soundcloud.com/velvetsomethingsuperdark/sets/tempest

Flying

Disquiet Junto 0722 asked us to create a spooky pairing of a spy and horror movie soundtrack. I had a lot of fun going back and listening to some classic spy movie music, taking notes on some of the tropes that I wanted to incorporate in my response. 

The brass was a huge stretch for me. I generally try to stay away from synthetic versions of a lot of acoustic instruments because of how impossible it is to accurately simulate their performance, so I don't have any experience with writing for horns. I found some helpful advice on various music composition threads, and I'm happy enough with the arrangement for a fun Halloween piece. 

But you know what's really scary about this piece? I spelled "exsanguination" correctly on the first try.

More on the 722nd weekly Disquiet Junto project, Spook Street — The Assignment: Make music for a haunted spy film — at https://disquiet.com/0722/.

The Exsanguination of Agent 99 (disquiet0722)

Their heads changed shape in the moonlight

Omni Pop 🌐🐉

RTT is 
Terry Cloth
Ken Shiro
Max Methane
Gerry Gemstone

To Daniel

Reptile Tile

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