Crash course science

My take on Crash Course In Science track Flying Turns http://en.wikipedia.org/wiki/Crash_Course_in_Science

Crash Course In Science - Flying Turns (DJ Chadi Remix)

01. All These People Around Me by Wareika ( Taken from the album 'Wternal' out now via Visionquest)
02. Bang the Box (Bang the House Remix) by Matt Warren (Taken from the album 'Jerome Deradji presents Bang the Box! The (Lost) Story of AKA Dance Music. Chicago 1987-88' out now via Still Music.)
03. To Hell With You by Sleigh Bells (Taken from the album 'Bitter Rivals' out now via Lucky Number.)
04. Redlight ft. Nathaniel Pearn by Robinn (Taken from the album 'Multiphonia' out now via Compost.)
05. Jump Over Barrels by Crash Course in Science (Taken from the album 'Trevor Jackson Presents Metal Dance 2' out now via Strut.)
06. Me & U by Shine 2009 (Taken from the album 'Our Nation' out now via Modular.)
07. Postman by Melissa Laveaux (Taken from the album 'Dying is a Wild Night' out now via Naive.)

05. Jump Over Barrels by Crash Course in Science

A Number Of Names - Shari Vari (Original)

Crash Course Science vs Format 1

Severed Heads are one of the longest standing bands to have emerged from the Australian post-punk and experimental scene. They began in Sydney in 1979, and were an early outfit to incorporate elements of 'industrial' noise-generation, tape cutting & looping and electronic sound synthesis. As the project developed, song-structures and vocals were employed in a more-or-less recognizable mutant electro pop style. After many line-up changes featuring Gary Bradbury and psychedelic guitarist Simon Knuckey, Severed Heads became the solo vehicle for composer Tom Ellard. 
In 1983 they released a C-60 cassette called “Since The Accident” that grabbed the attention of Ink Records, a subsidiary of Virgin in the UK.  Ellard added a throwaway track at the last minute to fill out the cassette, not wanting to leave an unseemly gap on a C60 tape. This track, “Dead Eyes Opened” was catchy enough to get a lot of airplay on the main non-commercial radio station in Sydney. The band was asked to make this song into a 12” single. For this extended version, Tom Ellard and producer Patrick Gibson went to M Squared studio and passed the multitracked recordings through various EQ's and delays. “Dead Eyes Opened” features samples from a radio program narrated by Edgar Lustgarten, a crime journalist from England, referencing a double murder case that occurred in 1924. The rhythms are made by a TR-808 drum machine and an SH-1 synthesizer. A KORG PolySix was used for strings and additional atmospheric elements. The lead solo was a Casiotone run through an Octaver foot pedal. On the B-side are two solo compositions “Bullet” and “Mount” that Ellard recorded at Terse Tapes in 1982. 

All songs are remastered for vinyl by George Horn at Fantasy Studios in Berkeley. Housed in the original jacket featuring the iconic photograph of a girl with a painted face wrapped in some cloth by Juilee Pryor. Each copy includes a fold-out newsprint poster with a large photo of the band wearing Art Unit skull shirts on one side and liner notes and press clippings on the other. 30 years later Severed Heads are still paving the way for powerful, imaginative, and challenging music.

Severed Heads - Dead Eyes Opened extended 12" mix

UK electronic duo Paranoid London announces new album, Arseholes, Liars, and Electronic Pioneers out February 9th, 2024, featuring Joe Love (Fat Dog), Bobby Gillespie (Primal Scream), Josh Caffe, DJ Genesis, Jennifer Touch and Mutado Pintado. They share lead single ’Love One Self’ featuring Joe Love. (Pre-save the single here orcd.co/pdon013)

Paranoid London, the electronic band of Gerardo Delgado and Quinn Whalley, has become synonymous with stripping acid house back down to its basics, rescuing the sound from smiley faces, rave, and sugary excess while paying respects to its gay, black, American roots. Performing mainly live with hardware only, often with vocal guests, as well as unique hybrid DJ sets, the duo has established a tongue in cheek, grumpy punk sound and attitude without taking it too seriously.
Following 2019’s latest album PL and a bunch of 12” singles and edits, their new long-player Arseholes, Liars, and Electronic Pioneers refers to the cavalcade of c***s we find ourselves surrounded by. Our only respite being the joy that musical geniuses bring. The cover artwork and gatefold of the vinyl reflect this with a collage-like poster including personalities of all kinds, from politicians and royalty to music legends. When we asked them to highlight key music pioneers from their picks, they mentioned American electro don Aldo Marin, British producer Andrea Parker and Post Punk band WIRE.
Inspired by early ‘90s British prog house on the likes of Sabres Of Paradise Records and Guerilla Records, the album presents a step up on their production while the anarchic attitude remains unaltered, unadulterated and undiluted. In Quinn’s words: the album has a slightly more Hi-Fi sound than previous efforts, but retains the urgency and punk rock attitude that we're known for. It was tested over the summer, where it lit up festival stages at Glastonbury, Houghton, Love International, and many, many others.

As expected, PL has recruited a bunch of special guests on vocals including Primal Scream’s Bobby Gillespie, US house veteran Monica “DJ Genesis” Lockett, the novo-New Romantic/gothic, Jennifer Touch, and Joe Love, from Fat Dog, Brixton’s current ones-to-watch. As well, previous collaborators Josh Caffe and Mutado Pintado return for new recordings. All bring something unique to the party, while integrating perfectly with PL’s Fuck you! circuitry.
‘Love One Self’ is the lead single with Joe Love, from South London band Fat Dog, who have recently released their debut single ‘King Of The Slugs’ on Domino. His skill at flamboyant, unpredictable live shows, fusing rock`n`roll and rave, makes Joe a perfect fit with PL.
The song’s title, on paper, might suggest something religious. However, rather than biting Biblical prose, Joe’s lyrics instead liken beating himself “red and raw” to a William Blake-ian vision. The southpaw boasts that his “Left arm looks like Popeye’s.”
The tune’s ruff, rude jack, sits somewhere between Front 242’s Let Your Body Learn, and Adonis’ Chicago house classic, ‘No Way Back.’ Synths scream and shriek, their knobs sharply twisted and tweaked, emitting strobed energy flashes. The acid takes hold as things come to a climax while Joe’s own wailing, growling, and wild, echoed exclamations add to the mad, mounting intensity.

Single released 17th November on DSPs pre-save
orcd.co/pdon013
Album released 9th February 2024
pre-save orcd.co/pdonlp003
paranoid.london/

Released by:
Paranoid London Records

Love One Self

Love One Self with Joe Love (Album)

Negative Fascination (Expanded)

Invocation Of Lust

Drexciya - Sighting In The Abyss (Kiti808 Extended Edit)

order Vinyl / Cd digipak / Digital:
hyperurl.co/BlackDevilPreorders 
2015 re-issue

« H » Friend

Minimal Wave is thrilled to present a long-awaited LP showcasing previously unreleased gems from the influential UK duo, Vicious Pink. Originating from a serendipitous encounter in a smoky Leeds nightclub back in 1979, Josephine Warden and Brian Moss embarked on a musical journey that would redefine the synth-pop landscape. Initially known as Vicious Pink Phenomena, they made their mark by providing distinctively off-kilter backing vocals for their friends in Soft Cell a collaboration that unfolded organically and without rehearsal.
Transitioning to the simplified moniker Vicious Pink, the duo continued to captivate audiences with their avant-garde sound, releasing a string of singles that defied conventional expectations and climbed the UK dance charts between 1982 and 1986. Despite their modest intentions, their music proved to be both artful and provocative, leaving an enduring legacy in the annals of electronic music history.
‘Unexpected’ offers listeners a glimpse into the duo’s creative process, compiling pop experiments recorded spontaneously, some in collaboration with Dave Ball. Each LP is housed in a deluxe glossy heavyweight sleeve, featuring captivating artwork that reflects the essence of Vicious Pink’s sonic universe. Limited to 999 copies, pressed on high-quality 160-gram Coke bottle clear vinyl, this release promises to be a collector’s dream.
Included with every LP, is a 5” x 7” postcard adorned with an exclusive, unpublished photograph of Brian, Jose, and Dave, providing fans with a personal memento of this remarkable musical journey. Release date: May 21st, 2024. Get ready to discover the magic of Vicious Pink in ‘Unexpected.’

https://minimalwave.com/releases/release/unexpected/

Unexpected

Vicious Pink 'So You Want To Love Me?' from the Unexpected LP

Flying Turns for the "Signals From Pier Thirteen" EP

Flying Turns

About the whole world war futile conflicts

Who´ll Stop This Apocalypse?

Speedy J - De-Orbit - Rise EP 1992 (EDLXB003)

Crash Course in Science – Flying Turns

B2: Villalobos Mac Hawking Rmx

In 2012 Frost and Einzelkind joined forces to release the Pressure. 
No tricks, no gimmicks. Just raw beats and basslines from the depths
 of Frankfurt and Offenbach. 
No bandwagon blues, no sounds-alike songs. Pressure Traxx does
 exactly what it says on the tin. 
More Pressure, more Traxx. 

If it takes only 7 days for the first two releases to completely sell out, It comes as little surprise that the label is causing a stir with all the usual suspects. Heavy club rotation from many A-list DJ's has only thrown more fuel on this blazing fire.

It all started one day in Heiko MSO's studio, where Frost and Einzelkind were casually listening to some old records. When the first few notes of "Flying Turns" came through the speakers, their ears pricked up. With the track still pumping from Heiko's speakers, the boys sent an SMS to the Chilean sound wizard, Ricardo Villalobos, letting him know they found something special. Inspiration set in, and riding a wave of creativity sparked by this hidden gem of a track, the boys turned out a revamped version for 2013. Villalobos never forgot that SMS and seemed equally inspired by the track which encouraged an approach to ask him for a remix. Well, he delivered not one, but two reworks. Could there have been a better way to complete this into a 4 track dream of an E.P.? We think not, and we're quite sure you'll agree.

Release in June 2013

Via :
www.dbh-music.com

Info:
www.facebook.com/pages/Crash-Cour…85586892?fref=ts
www.facebook.com/ricardovillaloboscocoon?fref=ts
www.facebook.com/pressuretraxx
www.facebook.com/einzelkind
www.einzelkind.info

PTX005 - B2 - Flying Turns (Villalobos  Mac Hawking  Rmx) - Preview

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05. Jump Over Barrels by Crash Course in Science

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