cosmic

Juan Atkins & Moritz von Oswald Present Borderland: Transport

Riod

The Remixes, Pt. 1

Thought Process

Lightyears

Rrose - Waterfall

Track: Essha
Artist(s): John Wick
Label: OUTCAST RECORDINGS
Catalog: OREP007
Release Date: 19 december 2025
Format: Digital
Genre: Electronic
Style: Techno
Mastering: STIPP
Artwork: Lunarplatz

Artist links: 
Soundcloud: https://soundcloud.com/john_wick93 
Instagram: https://www.instagram.com/john_wick_jp/

Label links:
Soundcloud: https://soundcloud.com/outcast-recordings-nl 
Bandcamp: https://outcastrec.bandcamp.com/
Instagram: https://www.instagram.com/outcast.recordings/

Pre-Order Link: https://outcastrec.bandcamp.com/track/john-wick-essha-orep007


GTG Premiere | John Wick - Essha [OREP007]

Archives Two

Planetary Assault Systems - The Return

Mdr 18

Calm Down

Art Mechanical
COG 002
Junq
Side A: Abacus

COG002 A1.Abacus

DJ Seinfeld presents an immersive EP exploring the balance between fragility and force. Sakura EP is out on Deep Sea Frequency in April. 
The four tracks draw from a multitude of inﬂuences. Breaks, electro, dub and trance elements band together with a familiar lo-ﬁ approach where distortion acts as an instrument of its own.
Title track "Sakura" is a subaquatic dose of old school electro with swollen bass and fuzzy harmonics. Sagrada brandishes swirling melodies with layers of detail whilst Belvedere uses looped breaks and a sub-driven bassline to build animated funk. Battery rounds out the EP playing with delicate melodic inﬂections over a cavernous low end.

Segrada EP

LISTEN ON YOUTUBE

PREMIERE : DJ Seinfeld - Sakura

The ‘Panorama Bar’ mix series strikes back in its 7th installment with club veteran and psych-house maestro @ndbaumecker. His composite identity as a selector, collector, club curator and musician feeds heavily into the diversity of nd_baumecker's 120-minute vinyl-only mix – including six exclusive tracks over two 12”s.

@FaltyDL kicks off ‘Panorama Bar 07 | Part I’ with the appropriately titled “Paradox Garage Part 1 (With Your Love)”, blending US garage, breakbeats and chopped vocals. The alternative rhythms continue with @Jinje-music (of Vessels fame) slowly building machine-funk anthem “Big Skies”, while the B-side is reserved for @General-Ludd’s dreamy, shutter-opener “Bloods Avalanche”.

Also available: Panorama Bar 07 | Part II with tracks by @RossFromFriends, @Dave-Aju and @Duplex-techno: https://soundcloud.com/ostgutton-official/sets/panorama-bar-07-part-ii-o-ton118

Panorama Bar 07 | Part I

Bloods Avalanche

Buy 12"

Gen Ludd | Bloods Avalanche

The jungle was a place not to be taken lightly or with little regard, it was dangerous and had the potential to swallow you up within the misty green vines at any moment. Wild things lurked in the dense, thick bush - things which man had no place in pretending to understand or own. They were free beasts of a different environment. Khan's mantra had always focussed on live and let live, it was not the place to disturb whatever they might find but to simply observe with wonder. 

Tunnelvisions release a new LP on Atomnation, a superb voyage through electronic obscurity with some big room elements thrown in for good measure along the way. Very good.

PREMIERE: Tunnelvisions - Khan's Mantra [Atomnation]

B1 off [BT30] Rings Around Saturn - S/T, double album coming out the 19th of November

[BT30] Rings Around Saturn - S/T

Rings Around Saturn - Event Strike

International Deejay Gigolo proudly presents the next remix release of label owner DJ Hell. Timo Maas & James Teej produce two new interpretations of “I Want My Future Back” taken from the album “Zukunftsmusik”. The remix productions have a unique vibe and gives the original a playful twist.

DJ Hell - I Want My Future Back - Timo Maas & James Teej Acid Remix

‘New Atlantis’, @Efdemin aka Phillip Sollmann's 4th album, oscillates between fast, kaleidoscopic techno, multilayered drones and acoustic instrumentation, fusing for the first time Sollmann’s deep dancefloor productions as Efdemin with his sound art and avant-garde music projects. The latter include 2017’s Harry Partch-inspired ‘Monophonie’ performance and 2018’s ‘Panama / Suez’ EP with Oren Ambarchi and Konrad Sprenger.

Sollmann took inspiration for ‘New Atlantis’ from Francis Bacon’s unfinished 17th century novel of the same name, which describes a fictional island devoted to social progress through the synthesis of art, science, technology and fashion. 

Out now: “New Atlantis”, the epic, psychedelic title track off of Efdemin’s upcoming album out February 15 via Ostgut Ton. Across 15 minutes, Efdemin’s experimental spirit is in full swing, with morphing drones/chords generated by a mix of Efdemin’s hurdy-gurdy and drum machines, Konrad Sprenger’s MIDI-controlled Stratocaster, Joachim Schütz’s electric guitar and Nika Son’s synthesizer – recorded live during the quartet’s Tony Conrad tribute concert in Hamburg.

Listen at
Apple Music: https://itunes.apple.com/album/new-atlantis/1446617084
Bandcamp: https://ostgut.bandcamp.com/album/new-atlantis
Deezer: https://www.deezer.com/album/84349402
Spotify: https://open.spotify.com/album/0DvULRThTYtegc9nMTxkTx?si=tmOYwipxTt-Coq7XJGyc5A
YouTube: https://www.youtube.com/watch?v=dIBQEH6TH1Y

Efdemin | New Atalntis [OSTGUTCD45/LP31], out February 15, 2019.
Buy ‘New Atlantis’ as 2xLP, digipak CD or in digital formats: http://ostgut.de/shop/music/efdemin-new-atlantis-ostgutlp31.html / http://ostgut.de/shop/music/efdemin-new-atlantis-ostgutcd45.html https://ostgut.bandcamp.com/album/new-atlantis

All info: http://ostgut.de/ton/record/234
Artwork: The Centers Of The World, Brussels, https://centersoftheworld.wordpress.com | Layout: Yusuf Etiman

Efdemin | Good Winds

‘Paul’s Horizon’ – @Ryan-Elliott’s first EP in six years – falls musically between Berlin and Detroit, between house and techno and between hypnotic repetition and unpredictability, revealing a subtle ear for groove and composition.

It’s the DJ’s perspective that has informed the Berghain / Panorama Bar resident's own analogue productions, with ‘Paul’s Horizon’ turning its focus toward deep and slick percussion. This is apparent from the get-go, with the title track’s triangle/clap interplay, funky 5-6 kicks per bar, and bleary-eyed atmosphere. From there “Martinsville Morning” slows down into an understated sunrise groover, led by bassline, strings and pads. EP closer “Grafton Road” turns up the pace again with gasps for hats, aggressive punctuating snares, and a modulating synth bubbling-up throughout.

Planetary Assault Systems - The Return

reshapingchannel

Recent comments

Uncle ClockWide

JayPilot

elusive passages

SIDI86

Related tracks