Focus mostly on Life and Death releases, a tribute to 90s rave music and acid house.

https://www.instagram.com/djtennis
https://soundcloud.com/djtennisdjtennis



DJ Tennis @ The Lot Radio 06-05-2025

The idea behind the mixtape was to treat dubby and percussive sounds as a kind of palette rather than anchoring myself to a specific genre. I’ve always had quite an eclectic taste, and my sets have naturally reflected that. After having been quite chaotically genre-fluid since I started DJing, I feel as though I am finally finding my own sound, where there’s plenty of room for fluidity but feels much more intentional and personal to me.

I wanted the mix to act almost like an ID or self-portrait, pulling together the styles I gravitate towards most at the moment. It’s an introspective recalibration of my sound and intent, merging deep sub-bass with forward-thinking, deconstructed styles that prompt both movement and reflection. There’s a strong emphasis on hypnotic, percussive, dubbed-out cuts, playing with tension and release, and navigating the line between moody and fun.

I felt brave enough to push myself out of my comfort zone and attempt a polyrhythmic transition where I blend a chuggy 3 bar loop at 110 BPM with a 4/4 dubstep track at 146 BPM. I also threw a 3 deck mix in there just for good measure :P It was a bit of a workout but worth the sweat!

I’ve also recently been quite fascinated in how dubstep is being reimagined, which allows a broader palette of sounds to feel at home within its framework. I tried to reflect that by including influences from outside traditional club genres that still feel very relevant to my sound.

In a nutshell, the mix is an appreciation of dubwise textures, UK soundsystem culture and global club and percussive sounds, tied together by a lot of introspection which should hopefully invite people to dance and also listen.

Feel My Bicep Mixtape 263: Zuri

Four Tet at Dark Skies, Horst Arts & Music 2025

George FitzGerald B2B Fold - 17 July 2025

Jasper James B2B Tom Trago - 23 July 2025

Cinthie - 26 July 2025

"We're trying to show more of who we are." The Belgian brothers unpack their decades-long career and first album in more than seven years.

There are some songs that have become pervasive, nearly universally recognisable features of pop culture. And my guess is that even if you don't know the Belgian duo Soulwax (AKA 2Manydjs) by name, you'll know their biggest hits, like early 2000s indie electronic anthems "E Talking" or "NY Excuse."

In this interview with Resident Advisor editor Gabriel Szatan, the brothers David and Stephen Dewaele talk about their decades-long career and writing their first album in more than seven years, All Systems Are Lying, which they road tested for ages before deciding to put it out. They also unpack bigger thematic arcs in their work and lives: the abiding influence of New Order's Power, Corruption and Lies LP; their creative philosophy ("If it sounds too simple, leave it alone);" and the nature of musical trends and revivals, which have fluctuated intensely since they began performing and releasing records. Listen to the episode in full. -Chloe Lula


EX.776 Soulwax

RA.1000 continues with the pride of Palestine's techno scene, Sama' Abdulhadi.

What makes the sound of resistance? For Palestinian DJ and producer Sama' Abdulhadi, it's the freedom to explore her artistic expression in all its authenticity and complexity. What stands out in her mix for our 1000th celebration is defiant energy, the kind that galvanises more than just dance floors.

Born in Ramallah but a student of Beirut's underground scene, Abdulhadi plays charging, self-assured techno, as calibrated for basement parties as for conquering festival main stages.

Her sets are powerful journeys through moods, tempos and stimuli, connected by a deep sense of love. A love for the music, the craft, the soil from which Abdulhadi grew. It's a love we've explored in a cover story, a film and now one of our ten RA.1000 mixes.

As Abdulhadi notes in her accompanying interview, her entry to the series forms a link back to another "pride and joy of Palestine," with Bethlehem-descending Nicolás Jaar's entry on RA.500. Yet ten years on, the landscape is altered beyond all recognition.

As we all watch the ongoing destruction of Palestinian land, this mix is an unequivocal reminder that we cannot look away. It continues techno's decades-old lineage as vital resistance music.

@sama_abdulhadi
Find the tracklist and interview at ra.co/podcast/1010. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at 1000.ra.co.

RA.1000 Sama' Abdulhadi

The arena-conquering duo glide from gritty rave to skyscraping arpeggios on RA.1000, a mix many years in the making.

A new name undeniably entered the pantheon of major electronic live acts over the past decade: next to Faithless, The Prodigy and The Chemical Brothers, now sit @feelmybicep.

The Belfast duo's music doesn't half reach for the stars: a melodic blend of ambient, breakbeat, trance and tech house, able to turn the biggest arenas into intimate affairs.

If anything, mainstream success, BRIT Award nominations and mammoth dance crossovers like "Glue" have only hardened Andy Ferguson and Matt McBriar's resolve to keep innovating.

Their prized blog, running for nearly as long as the RA Podcast, regularly platforms upcoming artists. And you won't find many festival headliners releasing climate change-themed records with Indigenous artists, as they did recently on Takkuuk.

RA.1000 exists in that spirit. After many polite declines, and before a year off to usher in the next era, Bicep come through at the last: from dub techno and screwface breaks to São Paulo garage, before a tide of signature synths floods the zone. Stadium-sized intimacy at its finest.

@feelmybicep 
Find the tracklist and interview at ra.co/podcast/1015. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at 1000.ra.co.

RA.1000 Bicep

Resident Advisor

Recent comments

Eber H.

Marco Di Carlo/Benz & MD

Eber H.

diamonddizz

Related tracks