BICEP IM SORRY I WAS UNFAMILIAR WITH YOUR GAME

With their Wisdom Teeth label, British artists Facta and K-LONE are at the vanguard of a sound that mixes New Age-inspired ambient music with loopy tech house and the staggered swing of Bristol techno. Now split between the West Country hotspot and Brighton, the duo have perfected a balance of carefully considered long-players and wicked club EPs, making Wisdom Teeth one of the most essential labels anywhere in the UK right now.

As DJs, their sound leans more towards the clubbier end of Wisdom Teeth—and don't sleep on K-LONE's lovely other labels, Sweet 'n' Tasty (for garage) and Wych (dubstep-ish)—but they've got a slightly softer, slow-and-steady approach than many of their peers from their spiritual home of Bristol. It's clubby, but it's more hypnotic and loopy than loud and banging. The duo jump through a fair amount of sounds—and you'll still get some bass wobbles—touching on tracks from Genius Of Time, Martinez Brothers, Jan Driver, Polygonia and more, bridging not only genres but local scenes and continents. There's a measured and steady touch to the way they DJ, like musicians who know the instruments like the back of their hand, and as always, it's a pure pleasure to hear them put tracks together like only they can.

@facta @k-lone93 @wisdomteeth-uk

Read more at https://ra.co/podcast/908

RA podcast

RA.908 Facta & K-LONE

Recording of HAAi's set at Rainbow Disco Club 2024.

RDC 074 - HAAi at Rainbow Disco Club 2024

Focus mostly on Life and Death releases, a tribute to 90s rave music and acid house.

https://www.instagram.com/djtennis
https://soundcloud.com/djtennisdjtennis



DJ Tennis @ The Lot Radio 06-05-2025

Welcome to part 7 of the FMB DIsccord mix series. For this episode, we have Discotechnological gracing the decks: 

Hello everyone, I’m Nathan and I go by discotechnological online. By day, I’m a UX/UI designer based near London and I am happiest when I’m making things, whether that’s websites or apps, photography and design, Lego models, building things around my house, and more recently, music - which I release as Singer and the Instruments. 

Like many people I’m sure, I first got into Bicep around the time Glue came out and after picking up the debut album I was hooked and went digging through their back catalogue to find all those other gems. After that I watched a couple of the shows on YouTube and then the 6Music festival during lockdown when Isles came out, but it was the Glasto ’22 set that convinced me that I had get out and see them for real, so I got tickets for Ally Pally and loved every second of it. It was the best gig I’ve ever been to - until Chroma in the Park last year.

For my mix I wanted to showcase some of the great artists and tunes recommended by the community - and some made by them too - alongside some of my fave classics going back as far as the 90’s (yes, I’m that old!). I’m glad I was allowed to include my PULSAR remix as it was such an treat to be able to work with the amazing stems provided for the competition, but more importantly I felt that it was such a fantastic experience sharing our work with each other - getting incredible and valuable feedback and tips from the talented people in the Bicep discord community.  The mix itself is a bit different from previous entries in the series as I’m more of a blender. I like finding those intros and outros that work well with each other and just letting them roll. It takes in some techno, some breaks, a bit of house and trance, plus a surprising amount of acid, culminating in a visit to the chill out room (do they even exist any more?) and a sneaky discord-exclusive from the lads.

Hope you all enjoy it and maybe discover something nice that you’ve never heard before.

https://soundcloud.com/singer-instruments
https://singerandtheinstruments.bandcamp.com
https://www.instagram.com/discotechnological/

0:00:00 - Speedy J - Pepper [Warp]
0:04:11 - Reload - Soaring [Universal Language]
0:06:40 - Swoose - Breathe [Feel My Bicep]
0:10:20 - not even noticed - Feel [Eudemonia]
0:12:33 - Future Draft - Until [FD]
0:15:15 - Pascal Nuzzo - Hold On [R&S]
0:14:44 - Acke - The Way of Rave (303 Vocal Remix) [Acke]
0:19:20 - Slow Assembly - Paramount (Original Mix) [Circuit Grooves]
0:23:12 - Fathead - Skweeler [Humboldt County Records]
0:26:25 - Foamek - Swing [Youngbloods]
0:29:55 - Shit Robot - Chasm [DFA]
0:34:13 - Rhiordan & Stanton Warriors - Bring Me Down [Black Book Records]
0:35:56 - Singer and the Instruments - After 8 [bandcamp]
0:39:46 - Francois K - Time & Space [Wave Music / NRK]
0:43:49 - Voom Voom - Baby [Voom:Voom]
0:47:01 - Bicep x Singer and the Instruments - PULSAR (discotechnological 4x4) [unreleased]
0:51:27 - Bonobo x Totally Enormous Extinct Dinosaurs - Heartbreak [Outlier]
0:54:40 - Floating Points - Problems [Pluto / Ninja Tune]
0:57:33 - Daniel Avery - Knowing We’ll Be Here [Phantasy Sound]
1:01:34 - L.F.O. - Freak (discotechnological edit) [Warp]
1:04:08 - Om Unit and TM404 - Motorway Acid [Acid Test]
1:06:36 - Special Request - Morning Ritual [Houndstooth]
1:09:47 - London Hatred - Refuge [Videoclub]
1:13:03 - Humanoid - Sweet Acid Sound [De:tuned]
1:16:46 - Gerome Sportelli - Interstate [Motech Records]
1:19:24 - L.A. Synthesis - Levitating Machines (Nanodyne Corp Mix) [Vortexian Recordings]
1:22:18 - Sound Synthesis - Be Humble [Distant Worlds]
1:27:24 - Tin Man - Afters Acid [Acid Test]
1:32:26 - DOVE - Bi83 (Beatless) [discord exclusive]

Thank you for being part of our community, we hope you love the mix!
The FMB Discord crew.

Join the Bicep Discord community: www.levellr.com/bicep

FMB DISCORD MIXTAPE 007 | Discotechnological

The idea behind the mixtape was to treat dubby and percussive sounds as a kind of palette rather than anchoring myself to a specific genre. I’ve always had quite an eclectic taste, and my sets have naturally reflected that. After having been quite chaotically genre-fluid since I started DJing, I feel as though I am finally finding my own sound, where there’s plenty of room for fluidity but feels much more intentional and personal to me.

I wanted the mix to act almost like an ID or self-portrait, pulling together the styles I gravitate towards most at the moment. It’s an introspective recalibration of my sound and intent, merging deep sub-bass with forward-thinking, deconstructed styles that prompt both movement and reflection. There’s a strong emphasis on hypnotic, percussive, dubbed-out cuts, playing with tension and release, and navigating the line between moody and fun.

I felt brave enough to push myself out of my comfort zone and attempt a polyrhythmic transition where I blend a chuggy 3 bar loop at 110 BPM with a 4/4 dubstep track at 146 BPM. I also threw a 3 deck mix in there just for good measure :P It was a bit of a workout but worth the sweat!

I’ve also recently been quite fascinated in how dubstep is being reimagined, which allows a broader palette of sounds to feel at home within its framework. I tried to reflect that by including influences from outside traditional club genres that still feel very relevant to my sound.

In a nutshell, the mix is an appreciation of dubwise textures, UK soundsystem culture and global club and percussive sounds, tied together by a lot of introspection which should hopefully invite people to dance and also listen.

Feel My Bicep Mixtape 263: Zuri

The arena-conquering duo glide from gritty rave to skyscraping arpeggios on RA.1000, a mix many years in the making.

A new name undeniably entered the pantheon of major electronic live acts over the past decade: next to Faithless, The Prodigy and The Chemical Brothers, now sit @feelmybicep.

The Belfast duo's music doesn't half reach for the stars: a melodic blend of ambient, breakbeat, trance and tech house, able to turn the biggest arenas into intimate affairs.

If anything, mainstream success, BRIT Award nominations and mammoth dance crossovers like "Glue" have only hardened Andy Ferguson and Matt McBriar's resolve to keep innovating.

Their prized blog, running for nearly as long as the RA Podcast, regularly platforms upcoming artists. And you won't find many festival headliners releasing climate change-themed records with Indigenous artists, as they did recently on Takkuuk.

RA.1000 exists in that spirit. After many polite declines, and before a year off to usher in the next era, Bicep come through at the last: from dub techno and screwface breaks to São Paulo garage, before a tide of signature synths floods the zone. Stadium-sized intimacy at its finest.

@feelmybicep 

Find the tracklist and interview at ra.co/podcast/1015. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 Bicep

FITF Mix 005: Long Island Sound (Live from 'The Hollow')

We are really excited that for the fifth instalment of our mix series we have an hour long recording taken from Long Island Sound closing their 'Signs Of Space' take over on 'The Hollow' this year.

Looking forward to seeing you back in the forest next year x

RA Tickets: https://ra.co/events/2218564

https://soundcloud.com/longislandsoundeire
https://www.instagram.com/longislandsound_sos/

FITF Mix 005: Long Island Sound (Live from 'The Hollow')

HAAi will be mixing in new versions of tracks from her new album HUMANiSE as well as world premiering the screening of the film she created for the album. 

https://www.instagram.com/haaihaaihaai/?hl=en
https://soundcloud.com/haai-2



HAAi @ The Lot Radio 09-10-2025

Daniel Avery returns to the Essential Mix with a two-hour musical journey through euphoric shoegaze, ambient soundscapes and submerged techno. Featuring tracks from his latest album 'Tremor'

Radio 1 Essential Mix 2025-10-25 Daniel Avery

Sound Test

Boiler Room x Hotflush w/ Scuba, George Fitzgerald, Dense & Pika LIVE, Locked Groove & South London Ordnance.

[Broadcasted on 21st February 2013]

Tracklist & video at http://boilerroom.tv

RA.1000 Bicep

Resident Advisor

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