Sì volaaaaaaa✈️✈️✈️✈️✈️✈️🔥🔥🔥❤️

10 anni che non sbagliano un DISCO!!!! Bicep❤️✈️💣

ID??? This track is putting its tongue in my ear holes

A track so nice they dropped it twice🔥

2509

Four Tet invited us to stream the second stage of the massive party he threw May 4th & 5th under the Kosciuszko Bridge in NYC.

The first day was curated by Incienso and the second one by 9000 Dreams.

Four Tet & Friends x 9000 Dreams with Avalon Emerson

A full four hours of the main man Caribou, recorded live at The Cause last summer. What more could you want to chase the blues away?

Dan Snaith is one of the most enduring figures in 21st century electronic music. From early records as Manitoba, to 2010's Swim (which RA called Album of the Year in a runaway vote), to Grammy-winning 2014 hit album Our Love, as well as ongoing collaborations with Four Tet and dance floor excursions under his Daphni alias, the Canadian DJ-producer is a fixture for a reason.

Ahead of a Caribou (Full Band) tour across the UK and Europe starting in February, we can now let loose the full four hour recording of his RA Live from 2024. 

In it, Snaith goes in hard, rolling out bassy, wobbly and fidgety heaters, running through everything from speed garage and UK funky to Afro house and anthemic deep house—and even a sprinkle of Stevie Wonder for good measure. It's what he truly does best: bangers on bangers (and more bangers).

Watch the video here: https://www.youtube.com/watch?v=eM38RA6dkMs

@caribouband

RA Live: Caribou – The Cause, 2024

Rhythm Section Radio was founded in 2009 and moved to NTS in 2012, and has since pulled out the stops breaking new music, promoting independent labels and paying homage to the greatest music from the past, through a perhaps unhealthy obsession with record digging. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/rhythmsection/episodes/rhythmsection-28th-may-2025

Rhythm Section Radio - Bradley Zero b2b Erol Alkan Live at Peckham Audio 280525

George Fitzgerald - 7 June 2025

Live From Lost Village - Facta & K-Lone

Welcome to part 7 of the FMB DIsccord mix series. For this episode, we have Discotechnological gracing the decks: 

Hello everyone, I’m Nathan and I go by discotechnological online. By day, I’m a UX/UI designer based near London and I am happiest when I’m making things, whether that’s websites or apps, photography and design, Lego models, building things around my house, and more recently, music - which I release as Singer and the Instruments. 

Like many people I’m sure, I first got into Bicep around the time Glue came out and after picking up the debut album I was hooked and went digging through their back catalogue to find all those other gems. After that I watched a couple of the shows on YouTube and then the 6Music festival during lockdown when Isles came out, but it was the Glasto ’22 set that convinced me that I had get out and see them for real, so I got tickets for Ally Pally and loved every second of it. It was the best gig I’ve ever been to - until Chroma in the Park last year.

For my mix I wanted to showcase some of the great artists and tunes recommended by the community - and some made by them too - alongside some of my fave classics going back as far as the 90’s (yes, I’m that old!). I’m glad I was allowed to include my PULSAR remix as it was such an treat to be able to work with the amazing stems provided for the competition, but more importantly I felt that it was such a fantastic experience sharing our work with each other - getting incredible and valuable feedback and tips from the talented people in the Bicep discord community.  The mix itself is a bit different from previous entries in the series as I’m more of a blender. I like finding those intros and outros that work well with each other and just letting them roll. It takes in some techno, some breaks, a bit of house and trance, plus a surprising amount of acid, culminating in a visit to the chill out room (do they even exist any more?) and a sneaky discord-exclusive from the lads.

Hope you all enjoy it and maybe discover something nice that you’ve never heard before.

https://soundcloud.com/singer-instruments
https://singerandtheinstruments.bandcamp.com
https://www.instagram.com/discotechnological/

0:00:00 - Speedy J - Pepper [Warp]
0:04:11 - Reload - Soaring [Universal Language]
0:06:40 - Swoose - Breathe [Feel My Bicep]
0:10:20 - not even noticed - Feel [Eudemonia]
0:12:33 - Future Draft - Until [FD]
0:15:15 - Pascal Nuzzo - Hold On [R&S]
0:14:44 - Acke - The Way of Rave (303 Vocal Remix) [Acke]
0:19:20 - Slow Assembly - Paramount (Original Mix) [Circuit Grooves]
0:23:12 - Fathead - Skweeler [Humboldt County Records]
0:26:25 - Foamek - Swing [Youngbloods]
0:29:55 - Shit Robot - Chasm [DFA]
0:34:13 - Rhiordan & Stanton Warriors - Bring Me Down [Black Book Records]
0:35:56 - Singer and the Instruments - After 8 [bandcamp]
0:39:46 - Francois K - Time & Space [Wave Music / NRK]
0:43:49 - Voom Voom - Baby [Voom:Voom]
0:47:01 - Bicep x Singer and the Instruments - PULSAR (discotechnological 4x4) [unreleased]
0:51:27 - Bonobo x Totally Enormous Extinct Dinosaurs - Heartbreak [Outlier]
0:54:40 - Floating Points - Problems [Pluto / Ninja Tune]
0:57:33 - Daniel Avery - Knowing We’ll Be Here [Phantasy Sound]
1:01:34 - L.F.O. - Freak (discotechnological edit) [Warp]
1:04:08 - Om Unit and TM404 - Motorway Acid [Acid Test]
1:06:36 - Special Request - Morning Ritual [Houndstooth]
1:09:47 - London Hatred - Refuge [Videoclub]
1:13:03 - Humanoid - Sweet Acid Sound [De:tuned]
1:16:46 - Gerome Sportelli - Interstate [Motech Records]
1:19:24 - L.A. Synthesis - Levitating Machines (Nanodyne Corp Mix) [Vortexian Recordings]
1:22:18 - Sound Synthesis - Be Humble [Distant Worlds]
1:27:24 - Tin Man - Afters Acid [Acid Test]
1:32:26 - DOVE - Bi83 (Beatless) [discord exclusive]

Thank you for being part of our community, we hope you love the mix!
The FMB Discord crew.

Join the Bicep Discord community: www.levellr.com/bicep

FMB DISCORD MIXTAPE 007 | Discotechnological

Hagop Tchaparian at Dark Skies, Horst Arts & Music 2025

Read the cover feature: https://bit.ly/introspektmixmag

@sageintrospekt headed to the Mixmag Lab for a live recording of her Cover Mix, showcasing her off-the-cuff ability to blend rousing club sounds.

"Super stoked to share this Cover Mix set at the Mixmag Lab — leading up to this appearance I tried to keep my selection of music pretty open-ended, not sticking to a strict script. Moving between bass fwd electro, clave club rhythms and classic early ‘00s dubstep heaters; I feel this is a very good display of my improvisational approach to selecting and mixing."

The Cover Mix: Introspekt

Wrapping up the ADCP annual island escapade with a sun-drenched selection!  Thx for the listen

Flying Mojito Bros - Catch Me ft. Will Worden
Tigerbalm - Vem Cá ft. João Selva (Yuksek Remix)
Blair French - Aint No Stoppin (Lofi Rework Edit)
Pleasure Voyage - Archipelagos
Luxxury - ...At Any Moment (DoctorSoul Need To Survive DUB Re-Therapy)
Mogwaa - Blue Line 11:30PM
Midnight Riot - Ziggy Phunk - Groovin
Jacques Renault - Jambo
Medlar - Midnight Cicadas Ft. Rebekah Reid (Medlar Sunset Dub)
Intrallazzi & Piana - SP15
A-Sirr - Windsong
Medlar - Delizia
Poolside – I Feel High (Vibes4YourSoul Remix)
East Coast Love Affair - I Can't Wait (feat. Philomenah)
Flying Mojito Bros - Slow Train Fuego
Yuksek – Do Beijo (Extended Version)
Kraak & Smaak - Hotel Sorriso
Chaos In The CBD - The Eternal Checkout feat. Cenk Esen

Head to the Isles IX (Part 3 - The Beach)

RA.1000 continues with the pride of Palestine's techno scene, Sama' Abdulhadi.

What makes the sound of resistance? For Palestinian DJ and producer Sama' Abdulhadi, it's the freedom to explore her artistic expression in all its authenticity and complexity. What stands out in her mix for our 1000th celebration is defiant energy, the kind that galvanises more than just dance floors.

Born in Ramallah but a student of Beirut's underground scene, Abdulhadi plays charging, self-assured techno, as calibrated for basement parties as for conquering festival main stages.

Her sets are powerful journeys through moods, tempos and stimuli, connected by a deep sense of love. A love for the music, the craft, the soil from which Abdulhadi grew. It's a love we've explored in a cover story, a film and now one of our ten RA.1000 mixes.

As Abdulhadi notes in her accompanying interview, her entry to the series forms a link back to another "pride and joy of Palestine," with Bethlehem-descending Nicolás Jaar's entry on RA.500. Yet ten years on, the landscape is altered beyond all recognition.

As we all watch the ongoing destruction of Palestinian land, this mix is an unequivocal reminder that we cannot look away. It continues techno's decades-old lineage as vital resistance music.

@sama_abdulhadi

Find the tracklist and interview at ra.co/podcast/1010. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 Sama' Abdulhadi

The arena-conquering duo glide from gritty rave to skyscraping arpeggios on RA.1000, a mix many years in the making.

A new name undeniably entered the pantheon of major electronic live acts over the past decade: next to Faithless, The Prodigy and The Chemical Brothers, now sit @feelmybicep.

The Belfast duo's music doesn't half reach for the stars: a melodic blend of ambient, breakbeat, trance and tech house, able to turn the biggest arenas into intimate affairs.

If anything, mainstream success, BRIT Award nominations and mammoth dance crossovers like "Glue" have only hardened Andy Ferguson and Matt McBriar's resolve to keep innovating.

Their prized blog, running for nearly as long as the RA Podcast, regularly platforms upcoming artists. And you won't find many festival headliners releasing climate change-themed records with Indigenous artists, as they did recently on Takkuuk.

RA.1000 exists in that spirit. After many polite declines, and before a year off to usher in the next era, Bicep come through at the last: from dub techno and screwface breaks to São Paulo garage, before a tide of signature synths floods the zone. Stadium-sized intimacy at its finest.

@feelmybicep 

Find the tracklist and interview at ra.co/podcast/1015. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 Bicep

Andrew Weatherall's first official posthumous mix. The only b2b DJ Harvey ever agreed to. Six hours at Trouw. This one's special.

When mulling which direction to go in for RA's 1000th mix celebrations, many options came to mind. Some shadowy character 2-stepping around the fringe of our collective consciousness? An impossible-level IDM icon?

All tempting. But, ultimately, we are a DJ-forward publication and this is a DJ mix series. It felt truer to the history of the RA Podcast to release deep vault material from a time when the world of niche records felt different, tighter, more discrete.

The fourth-longest mix in the series' history is an unrepeatable marathon set recorded in 2012 at a superclub that no longer exists. 2012, incidentally, is farther away from 2025 than 2012 was from 2000... if we have to clock it, so do you.

It's the coming together of one British icon who passed away in 2020, and another whose time on the road has scaled back considerably as of late. DJ Harvey agreed to exactly one b2b set in his life: this one, with Andrew Weatherall.

The night took place at Trouw, an Amsterdam club already considered legendary before it shuttered its doors in the opening hours of 2015, as part of an RA series anchored around start-to-close combinations. Harvey was at the peak of an irresistible career second act, which dovetailed with a disco revival that dominated clubs for years. Weatherall, with infinite brownie points stockpiled from the '90s, remained everyone's favourite debonair psychonaut. 

What follows is 385 scintillating minutes of arpeggiated chug and slow-cresting climaxes: a moment when the resting heart rate of dance floors plunged lower than any comparable point in the 21st century. A masterclass, entirely self-contained in audio form.

If you've got time to spare, a fun side game is sussing out who plays what. A disco-dub cover of Echo & the Bunnymen? Smart money's on Weatherall. Exuberant EQ'ing of The Isley Brothers? Gotta be Harvey. As for the low 'n slow, lightly spangled house that was all the rage in the early 2010s (think Maxxi Soundsystem, Disco Bloodbath, Rub & Tug, C.O.M.B.I. and Full Pupp), it's anyone's guess. 127 BPM feels practically like an F1 car.

When we kicked off our RA.1000 campaign, we outlined a few goals: tick off a handful of long-awaited dream guests, honour architects who shaped the world around us and deliver recordings you truly can't hear anywhere else. Full send.

DJing and the mythmaking around it has undergone a quantum leap since 2012, let alone 2006, 1996 or 1989. For those of us who were kicking around in the former, there's a creeping melancholy that our prime is fast becoming a matter of historical record. The killing moon really did come too soon. 

Where will electronic music, DJ sets or any of this be in 2044? Hard to say. Best not to overthink that one. Instead, we want to say thanks to all contributors on the series so far. Now enjoy luxuriating in the company of two of the greatest to ever do it, together, for the first and last time.⁠ – Gabriel Szatan (Editor, RA)

@andrew-weatherall

Read the interview with DJ Harvey and Andrew Weatherall's family at https://ra.co/podcast/1016. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 DJ Harvey & Andrew Weatherall

For RA.1000, we take it back to the source with two never-before-heard tapes from Frankie Knuckles's private collection

There is no house music without Frankie Knuckles, literally or figuratively. The queer icon's luxurious DJ sets at Chicago's Warehouse gave a rising movement its name. From there, countless offshoots splintered and travelled the globe. But what did the genesis and growth of the sound really feel like?

The Godfather of House left behind not only timeless records, but personalised cassettes with hand-drawn liner notes handed out to friends and family. Two of those, dated to 1989 and 1996, have been digitised especially for RA.1000. (Thank you to the Frankie Knuckles Foundation.)

To put that in context: the first tape predates not only many of today's active clubbers, but the entire existence of jungle, drum & bass, UK garage, French touch, Jersey club, Afrobeats, IDM, baile funk, hardcore, footwork, dubstep, dub techno, tech house, breaks, minimal, maximal, gqom, gabber, grime and hyperpop.

In short… that's a very, very long time ago. The world of dance music was much smaller. DJ culture was functionally unrecognisable from the one we see in 2025. 

And yet, to some degree, what you'll hear on RA.1000 hasn't changed at all. It's a capture of not only what made Frankie Knuckles one of the beloved pioneers of first-generation dance music, but what draws people to club culture in the first place.

The mood on these Frankie Knuckles sets outlasts even its creator: a spirit of optimism that floods the world's best dance floors and keeps dance music pulsing on into the future, nearly 40 years later, in spite of it all. We end our 1000th mix celebrations here because it all starts there.

Find the tracklist at ra.co/podcast/1018. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 Frankie Knuckles

Here is my latest project - Trance tribal vibes

u c@n say u h8 me

Optimo - House Party! (3/4/20)

Lost in Music

@festie
@skelethan

Bookings & inquiries : adcp.music at gmail.com

RA.1000 Bicep

Resident Advisor

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