if it sounds this good in my headphones, I can't imagine the brain melt of hearing this on a proper system

Buzzing to have a Josey Rebelle tape out there! Big thanks to Josey! : )
Catch Josey at TTT @ Strange Brew Bristol 3th December!!!

TTT MIX

TTT CLOTHING

Josey Rebelle – TTT Mixtape

Command D summons the gods of the deep to have us completely submerged in a world of interdimensional dub techno, traversing us through an hour and a half of infinitely looped reflections and subaquatic soundscapes. 

@commandd

Q. This certainly feels like one of your most immersive mixes to date, deeply contemplative and full of dreamy dub techno atmospherics. What inspiration did you draw upon, and what type of setting or situation could you imagine it being enjoyed in? 

A. I started to get into this sound when I was putting together my mix for the Moonshoe mix series. I didn’t know what to call it at the time but I found all of those tunes and tied them together with a certain feeling that was really inspiring me then, it was very organic and that is still one of my favourite mixes. You can hear dub elements scattered throughout that whole mix.

As I started incorporating more dub elements into my productions I discovered artists like Stephen Hitchell and Rhythm & Sound that had created a kind of music that was really extremely satisfying for me to listen to, especially considering my developing love for hi-fi and larger sound systems. I incorporated those artists into my FHUO mix which was a much more considered exploration of the style. Looking back on the process of making the mixes and how much I enjoyed them really assures me that the deep and contemplative sound is a big part of who I am.

For this mix I’ve taken inspiration from the MDC series itself which I’ve been listening to for years. I wanted to add little hints of deep house sounds as a nod to the mixes of the past. I personally think mixes like this are the best to listen to when you’re travelling and looking out a window, otherwise maybe sitting at a desk on a rainy day doing some work. I’d like people to listen to this in a time where they won't be distracted by something else or feel the need to skip forward, I’d want people to just throw it on and let it play, drifting in and out of the tracks and their own thoughts.

Q. Are there any songs in the mix that are especially close to your heart, and what is it about these tracks that resonate with you so much?

A. My favourite tracks in the mix are Saftig Komposition by Rasmus Hedlund and Sedlec Ossuary by Persuasion. At a base level I love these tracks because they take a more modern approach to a dub techno track with tight production. Going deeper, the thing that really resonates with me is hard to put into words and best left unsaid. I think this kind of music (along with many other kinds) allows the listener to feel emotions that aren't able to be put into words, part of why I love it so much. I find that dub techno specifically can feel sad and happy at the same time like lots of jazz ballads. That to me is a really beautiful sound that kind of encapsulates life in general.

Q. Tell us about the development of your live set, and where things are currently at with it? Do you feel like you’re able to explore different shades of your sound when playing in a live setting?

A. Putting together my first live set was an awesome experience. I got to play it all around Australia from clubs to rainforests. I’ve put the current live set to bed for now and am starting to work on a new one with a slightly different setup. Although it was a challenging experience, I loved making a live set because often when I would dig for tunes to play out I’d think ‘I wish I had a song like this’ and writing a live set meant that I could bring those ideas to life and curate a set exactly how I wanted. I think I’m really starting to settle into ‘my sound’ in production and DJing, but there are creative limitations in both like finding new music or learning new skills. Overcoming technical barriers in production allows me to get closer to my most true form of expression when it comes to what’s coming out the speakers so I’ve been really working on that recently. Hoping the next live set will be bigger and better : )

MDC.302 Command D

The People In The Fog is a moniker of DJ Sodeyama. He has been a stalwart of the Tokyo underground for nearly three decades, cutting his teeth in the 90's and retaining a key presence at the forefront of Japan's house music scene.

Over the years he has released a sprawling array of music under a few monikers on the likes of Zenit, Rekids, Quartz and трип. However most recently he has been operating under the guise of The People In The Fog which has afforded him the chance to dig deeper into his sound channeling elements of funk, downtempo and the dubbier undertones of house.

He has released this material on Japanese record label Sound Of Vast and for dj's in the know those records have become a 'buy on sight' scenario.

This mix showcases versatility and class. Tight blends, excellent, deep thoughtful selections.

The People In The Fog: The Altered Currents Ransom Note Mix

Justin Carter from the moment he starts to coax the first dancers onto the floor until he brings it to boil. Live from the Mister Sunday booth in the back yard of Nowadays on Sunday, July 20, 2025, from around 4pm until 6pm.

How I Build A Floor / Justin Carter at Mister Sunday, July 20, 2025

Trushmix 243 presents Soos, out Mexico City! The Sunday Sunday resident DJ steps to make a two and two minutes mix. A session filled with balearic, street soul and house. 
Concentration on the mid late eighties to early nineties. A great summer breeze selection to enjoy on the beach at while home, or on a way to a late night of joy!

As always music from the top!

Enjoy!



Trushmix 243 - Soos

Expansive dub vibrations from the On-U Sound maestro.

Adrian Sherwood has spent nearly five decades reshaping how dub is heard and felt. From absorbing reggae and funk as a teenager at the Newlands Club in High Wycombe to cofounding On-U Sound in 1979, he’s been a restless force in British sound system culture. His debut production, Dub From Creation, signalled his instinct to twist the Jamaican form into bold, experimental directions.

That spirit defined On-U Sound, where reggae collided with post-punk, industrial and synth pop to forge a catalogue still unlike anything else. Sherwood became a crucial bridge, producing for legends like Prince Far I, Bim Sherman and Lee “Scratch” Perry, while also working with Depeche Mode, Nine Inch Nails and Sinéad O’Connor.

His  RA Mix (yes, you read that right) arrives at a moment of renewal—RA.1001 is the first in a new era for the series. (After 1,000 editions of the RA Podcast, we're updating the name to better reflect what it's become.) 

Recorded at his Ramsgate studio, the 76-minute mix folds in cuts from <i>The Collapse Of Everything<i> alongside material from across the On-U Sound universe, plus collaborations with Panda Bear, Sonic Boom, Coldcut and Spoon. It's Sherwood doing what he's always done: stretching dub into endless new shapes.

Find the interview and tracklist at ra.co/podcast/1019

RA.1001 Adrian Sherwood

Un viaggio musicale pieno di sorprese : downtempo, bass music, techno in uno dei back to back più belli di sempre. 
 
Incantati, 24 maggio 2025 Cascina Cappuccina

Donato Dozzy b2b Hugo Sanchez b2b Foresta _ Incantati _ Muovo Musica _ Nique

Another live recording from NACHTI 25 comes from Lux. A longtime Nachti companion, Ria has shaped countless unforgettable moments with her fine sense for selection. Blending techno and house with effortless precision, she delivered that legendary Sunday morning wake-up set – and now it’s here to stay. On repeat, whenever you need it. @lux-io

RA.1001 Adrian Sherwood

Resident Advisor

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