Name: RA Live: 20.05.17 - Jonny Nash, Salon Des Amateurs, Dusseldorf by Resident Advisor in chill
Duration: 46 min 54 s
Description: Beautiful, complex ambient, performed live at our fundraiser for Salon Des Amateurs. Recorded on May 20th, just before the release of Passive Aggressive, his collaborative album with Suzanne Kraft. Check out the RA Review here: https://www.residentadvisor.net/reviews/20642

sublime, great to meditate, pray, chill too

chill

Full feature, interview and tracklist coming soon!

Off The Record Mix Series 23: Suzanne Kraft

Thanks!
https://frue.jp/


【DJ MIX】
先日の「FESTIVAL de FRUE 2021」でのDJ録音をアップしました！

催しが徐々に始まる昼下がり、気持ちよく聴いてもらうイメージで(多少逸脱)、催しのカラーを鑑みた選曲(のつもり)です。

何かのBGMにでも是非！！！

前半アンビエント的リスニングから色々かけつつ、後半は踊る人に引っ張られてリズム多めで、リスニング・セットと通常のDJの中間な感じです！

かけている音楽ジャンルはバラバラな選曲ですが、事前に何も決めず即興的に、テンポではなく、質感つなぎ、楽器繋ぎ、また全く関係ないものを突然入れたり。

8〜9割くらい初めてかけた曲、自分でも新鮮で楽しかったです！

なんでこうなるんだろうと自分も分からない感じの連想ゲーム的放浪系！

Taro Nohara - Freeform Afternoon Mix (Live Mix＠FRUE - Nov/06/2021)

Delighted to host @melodyastruth influence mix on Oddity Radio.

@jonnynash : It is a selection of music I've been enjoying over the last year, with a loose focus on "guitar music".

Turn on, tune in and don't drop out!

For regular updates please follow : www.instagram.com/oddityradio.fm/

Jonny Nash - Oddity Influence Mix

It's that time again! A new 2-hour mix from Mori-Ra! This time, Mori goes cosmic! This is a good one to sit back, relax and expand one's mind to.

Thank you for your continued support!

-C, RSR

Japanese Breeze Mix 14 - Mori Ra

Mix of the Week #460 is "A Spirit From Beyond"  by Timéo
Follow and include @timeodj in your track ID requests

Mix of the Week: https://www.dreamchimney.com/motw/subscribe
the Dream Chimney Mobile Apps: https://www.dreamchimney.com/mobile/
Dream Chimney Radio: https://www.dreamchimney.com/radio

Subscribe

Mix of the Week #460: Timéo - A Spirit From Beyond

Chee Shimizu - Guest Mix

(for eyescream - Mix)
http://eyescream.jp/tyo/feature/ema49-shhhhh/

2083 may bluemoon

Hello! 

It's been a while since i uploaded a mix and when Rob from Be With Records asked me if i wanted to put together a mix for the AIR reissue he was working on, i immediately liked the idea of using some songs from the album and constructing a mix around them. Took me a bit longer than planned (the reissue is out now), but these songs should give you lots of pleasure wherever your are on your timeline. 

Don't be lonely, be together.



Hunee - In Our Time (Mix for Air / Be With Records) [DJ Mix]

Beautiful, complex ambient, performed live at our fundraiser for Salon Des Amateurs. Recorded on May 20th, just before the release of Passive Aggressive, his collaborative album with Suzanne Kraft. Check out the RA Review here: https://www.residentadvisor.net/reviews/20642

RA Live: 20.05.17 - Jonny Nash, Salon Des Amateurs, Dusseldorf

Suzanne Kraft & Jonny Nash playing records at the Dublab.de studio in Cologne, July 2017.

Melody As Truth w/ Suzanne Kraft x Jonny Nash  @ Dublab.de

New month new mix.
Ryan Bishop is behind one of the most creative and consistent multi-modal musical platforms out there. Dream Chimney (which hardly needs introducing), was certainly a big inspiration for 5918mins. and we are very happy to have him onboard. 

DJing himself under the name "The Beat Broker", Ryan developed a propensity towards Balearic sounds, which seemed to fit perfectly with the current time of the year. We are also very impressed by Ryan's consistency in digging and playing high-quality newer releases (which only makes sense if one one is interested in the musical, rather than the collectable worth of records). 
                             ----> to be enjoyed on a lush summer evening

Dream Chimney

bajo el árbol grande

It's with great pleasure to welcome long time dear friend Jonny Nash (@jonnynash) who in 2019 released 'Make A Wilderness' with us (MFM037). Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hey Jonny, welcome to the series. So, it's already been over a year ago since Make A Wilderness came out. How do you look back on that now? 

JN: In many ways Make A Wilderness marked the start of a new chapter for me, the first steps into new territory - a wilderness you could say! That record was really about exploring a simple question - what kind of sounds resonate with me, and why. I think the record was primarily an exercise in sound, and not necessarily in arrangements or songwriting. I felt it was necessary to open the doors to new sounds in this record, and I feel like I got pretty close to creating the album that I wanted to make. 

MFM: You went to different places to record specific instruments and in certain environments. Why? 

JN: It took me a long time to make the record, not in terms of actually writing the music, but determining what the instrumentation should be. I wanted a finely balanced mix of alien, unfamiliar sounds and organic human sounds, to somehow express a feeling of “ancient future”, the sense of floating in some timeless space that could be millions of years in the past or in the future. I found that the Cristal Baschet, was perfect for expressing this feeling of “deep time”. Capable of beautiful harmonics and also wonderful atonal textures, it was a central part of the album. I contrasted these sounds with familiar instruments such as piano, vibraphone and voice. It was very important to have some sparse elements of voice in the record to somehow keep it grounded on earth. 

MFM: Have you always been that interested in sound and sound sculpturing?

JN: Well, I’m a naturally curious person and I think my brain and also my ears are always developing and learning new things. I think that I am able to hear sound in a different way than I did a few years ago. A big switch from focussing on melody as the dominant element that catches my attention. Of course, melody is still a central element for me but I now spend alot of time thinking about timbre, the colour of the sound and how the distinctive character of a sound sits in context with other sounds in a given composition. New ways of hearing influenced the record and took me to a place where “sound sculpting” was of equal importance as deciding what chords and melodies to choose. 

MFM: You mentioned earlier that the past couple of months your label Melody As Truth got a lot support through digital sales. Does that have effect on your label vision and strategy?

JN: The switch towards digital and especially streaming does undoubtedly have an effect on how I think as a label owner. It is pretty clear that this is an important area of growth and although there are lots of issues with certain platforms and revenue models, I find it important to keep on top of what is going on and try to adapt. In the future I can see the label experimenting more with digital only releases, I think there are interesting areas to explore here. Quiet dynamic music cut on vinyl in 2020 often sounds worse than a WAV file to my ears. I also buy hardly any vinyl myself these days, it is expensive, taxing on the environment and often a form of object fetishism. The other side is that a physical object looks amazing, can sound great, gives full importance to the artwork and design, can be treasured and won’t be lost. So a physical object is almost like an insurance policy for not losing the music too. I guess I’m sitting somewhere in the middle.

MFM: Thanks for contributing your mix. Can you tell us a bit about it?
 
JN: The mix is pretty much a selection of music I have been enjoying or discovered this year. A few older favourites too. I had no idea except to make something that I would enjoy listening to whilst having a walk or reading in the morning.

MFM Mix 020: Jonny Nash

For our second installment of the Musik Mix series we are joined by 5ive from japan and Samo from Sweden in a remote joint effort.
Tupplur simply means - to take a nap in swedish. 
Taking an afternoon nap is happiness!

artwork by Tobias Centerwall

RA Live: 20.05.17 - Jonny Nash, Salon Des Amateurs, Dusseldorf

Resident Advisor

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