Name: RA.087 JD Twitch (Optimo) by Resident Advisor
Duration: 1 h 10 min 39 s
Description: This week’s podcast is a trip through the record collection of JD Twitch, one half of Glasgow institution Optimo.

Introducing Quinn & Del from Paranoid London.

Paranoid London - 23 June 2025

Tracks including samples from or emulating whatsapp, phone calls, facetimes, voicemails... 

https://www.instagram.com/livwutang
https://www.soundcloud.com/livwutang



livwutang - Phone Call : Voicemail Special @ The Lot Radio 07-26-2025

Trushmix 242 is back again! This time another round with London´s finest. Brian not Brian, teaming up with good mate and partner in crime Piers Harrison. 
Brian not Brian and Piers Harrison live at Giant Steps in London, on Easter Sunday. 
A 6 hour musical extravaganza! Balearic in the extended field, musical style bending for listening and dancing.

Enjoy music from the top!


Trushmix 242 - Brian Not Brian and  Piers Harrison

Expansive dub vibrations from the On-U Sound maestro.

Adrian Sherwood has spent nearly five decades reshaping how dub is heard and felt. From absorbing reggae and funk as a teenager at the Newlands Club in High Wycombe to cofounding On-U Sound in 1979, he’s been a restless force in British sound system culture. His debut production, Dub From Creation, signalled his instinct to twist the Jamaican form into bold, experimental directions.

That spirit defined On-U Sound, where reggae collided with post-punk, industrial and synth pop to forge a catalogue still unlike anything else. Sherwood became a crucial bridge, producing for legends like Prince Far I, Bim Sherman and Lee “Scratch” Perry, while also working with Depeche Mode, Nine Inch Nails and Sinéad O’Connor.

His  RA Mix (yes, you read that right) arrives at a moment of renewal—RA.1001 is the first in a new era for the series. (After 1,000 editions of the RA Podcast, we're updating the name to better reflect what it's become.) 

Recorded at his Ramsgate studio, the 76-minute mix folds in cuts from <i>The Collapse Of Everything<i> alongside material from across the On-U Sound universe, plus collaborations with Panda Bear, Sonic Boom, Coldcut and Spoon. It's Sherwood doing what he's always done: stretching dub into endless new shapes.

Find the interview and tracklist at ra.co/podcast/1019

RA.1001 Adrian Sherwood

A section from my set at Magic Waves Summer Festival, Berlin, July 2015,  featuring the more accessible synth end of the kind of stuff I play at my occasional So Low night in Glasgow. So Low 2 x LP compilation in hand screen printed sleeve coming February 2016 via Vinyl Factory.

JD Twitch Live at Magic Waves Summer Festival, Berlin 2015 (Part 1 - So Low Synth NRG set)

Full tracklist & Video Mix: bleep.com/bleep-mix-309-dj-food

To celebrate the release of the Telepathic Fish compilation, we have a special ‘O Is For Orange 2025’ Bleep Mix from DJ Food.

"A version of this mix first appeared in 2013 at a night to celebrate the release of Boards of Canada’s ‘Tomorrow’s Harvest’ LP release. It then morphed into an Audio Video DJ set that I toured around the UK in 2019, playing the Bluedot festival to a packed tent that year. The idea was to thread Boards of Canada’s music with original sample sources, tracks they’d remixed, fan remixes or songs that fitted their sonic blueprint.

I recently resurrected and refined the mix for a gig booking, updating it into a new version. This happened to be a week before I was due to deliver my guest mix to Bleep and it seemed to be too good an opportunity to pass up. I abandoned the mix I was going to deliver and put down the first hour of the ‘Orange’ set including a video mix to go with it. I used stem splitting apps to deconstruct some of the tracks into unique versions before video mixing it all on turntables using Serato then editing the footage in Premiere." - @strictly

Bleep Mix #308 - DJ Food

🛒 Buy / Download the track  
►https://bodypartsrecs.bandcamp.com/album/funny-thing-is-ep

🎧 Artist: Glitch Molecule 
📅 Release Date: 2025.08.28
🎵 Label / Series: Body Parts

👤 Follow the Artist:
• https://www.instagram.com/glitchmolecule/
• https://soundcloud.com/glitchmolecule

🏷️ Follow the Label:
• https://soundcloud.com/bprecs
• https://bodypartsrecs.bandcamp.com/
• https://www.facebook.com/bprecs

💬 Let us know what you think in the comments!  
📩 Submissions / Contact: afteerrave@gmail.com  
👇 Subscribe for more original tracks, DJ mixes, and underground sounds.

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Instagram – https://www.instagram.com/afteerrave/
SoundCloud – https://soundcloud.com/afterravee

PREMIERE: Glitch Molecule - Something Was Missing [BP104]

7 Horizons - Open Your Mind

Fluid

FLUID

This week’s podcast is a trip through the record collection of JD Twitch, one half of Glasgow institution Optimo.

RA.087 JD Twitch (Optimo)

20 years later...

In recent times there has been a lot of looking back to the early 1990s in house music which made me curious about what my dj sets actually sounded like back then. As it's 20 years on I thought it might be fun to put one up as an Optimo podcast, but sadly I had no recordings of that time as I had long given away or lost any tapes i had from then (everything was on cheap C90 cassette tapes in those days). Then, last week a local producer sent me his album to peruse and mentioned that he had a couple of mix tapes of mine, both from 1991.

So, here is a genuine 1991 mix recorded in that year when I was co-resident at Pure in Edinburgh (which ran from 1990 - 2000) when i was known simply as Twitch rather than JD Twitch (the JD was added many years later to stop people billing me as DJ Twitch, which I loathed).

Although I started djing in 1987, I didn't start mixing records together until 1990 and couldn't afford turntables until the end of that year, so initially when i was djing at Pure I was literally learning on the job. Thankfully the euphoria of those times coupled with the fact it was all so new and exciting to so many meant that I got away with it as audiences were a lot more forgiving than they are today. Requests were fairly rare and usually a lot more oblique, often along the lines of "Can you play some "E" music?" Heckling or shouting "come on!', "harder!", "techno!" was non existent. it wasn't a better time, just different, but audiences in general were a bit politer and more patient.

This mix is two sides of two different C90 cassettes stuck together. The first half is from late 1991. It has a lot of that "E" music people were asking for on it. The mixing ranges from pretty good to the odd "ouch" moment but overall is not bad for a beginner. The second half is from earlier in 1991 and the mixing is a lot more, uh, "freeform" and gets through a high number of tracks in a short time. I think this section may have been recorded live at Pure although I can't be sure as despite running for ten years we only ever made a tiny number of live recordings. There are a couple of massively cheesy and seriously dated rave anthems on here and a couple of tracks I have absolutely no recollection of ever having heard in my life, but there is also a lot of music that I still play to this day and indeed have never stopped playing since, and some, such as MK's "Burning", Mike Perras and CLS that are enduring classics. To use the parlance of back in the day, the mix gets a little "mental" towards the end. The tape begins with a live recording of a bit of chat from the Ragga Twins live at Pure in early 1991 and ends with a particularly twisted take on David Lynch's "Lady In The Radiator Song" followed by a blast of Throbbing Gristle. Sometimes I'd drop in things like that at Pure which maybe helps explain why a few regulars ended up with mental health issues! Pure had a reputation for being a techno club and in the early days a temple to all things rave but it was always a lot more than that (as well as those things too of course) as this podcast demonstrates. Despite the sound (and mixing) limitations I think it's an interesting document of what was going on in my world 20 years ago. 


The audio fidelity of this podcast is not high, particularly in the second half. The original cassette tape was probably copied multiple times as it was passed around from person to person. Richard Chisolm who excavated the tapes has done some remastering to improve the sound but old multi generation tapes rarely sound good and it was probably quite lo fi to begin with. It was mixed live using a cheap mixer through a cheap amp. Back then the vast majority of dj mixers were very basic - no eq, no gain and no gizmos whatsoever; just a volume fader, a crossfader and phono / line switches which I used to flick to cut tracks in and out. The mix is 85 minutes long and is a 192kbps mp3 (118mb). 

Thanks to Richard aka Restless Native.
 

RA.087 JD Twitch (Optimo)

Resident Advisor

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