Give a little light, give a little hope...people hold on. CLASSIC!!!

that intro is amazing!! tullio de piscopo from Naples!! incredible drummer who played his whole life alongside legendary Pino Daniele

Frankie intro's with Stop Bajon. Beautiful start to his sonic story reading the crowd! ❤️

For someone who wasn't born there, Kenny Dixon Jr. aka Moodymann might be the most Detroit guy to ever exist.  Moving to the motor city from LA at only three weeks old, he has never "truly" left since. His music channels the musical legacy of Black Detroit – transplanted Delta blues, gospel, Motown and Fortune, Stevie Wonder, the Electrifying Mojo and the Belleville Three – with an unassailable verve. His dust-spackled opus "Silentintroduction" has hummed continously in the background of house music since its release in 1997, inspiring generations of producers. 

Two hours of Kenny Dixon Jr. aka Moodymann, selected and mixed by [LDLDN. ](https://www.nts.live/shows/spacebass)

Photo: Donavan Glover 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/in-focus/episodes/in-focus-moodymann-5th-july-2024

In Focus: Moodymann 050724

HUNEE live from Giant Steps at GALA'22. 

A precious recording lifted from our archives ahead of Ten Years of GALA.

HUNEE live from GALA '22

Dee Diggs joins us for Phonica mix 132, a 90-minute session that traces a fluid line through U.S, deep house and disco. Based in Brooklyn, Diggs is a DJ, producer and curator whose work foregrounds the Black and queer roots of dance music. Her sets balance emotional depth and rhythmic precision, drawing from a wide palette while maintaining a strong sense of narrative. First emerging through New York’s queer party circuit, she’s since built an international profile through thoughtful mixes for platforms like Honcho and Dekmantel, as well as her own event series, House of Diggs. With each project, Diggs makes clear that dance music is both personal archive and political practice. 

Phonica Mix Series 132: Dee Diggs

Antal b2b Danilo Plessow performing live at Peti Kupe in November 2024

Antal b2b Danilo Plessow live at Peti Kupe - 10 juin 2025

Studio Barnhus - 20 June 2025

Part two of RA.996 comes from a modern-day house luminary. 

As part of our countdown to RA.1000, a milestone in the 24-year history of RA's weekly mix series, we're switching up the usual format. The next few editions will pair two acts who compliment each other's strengths, offering a fresh take on a particular community, scene or style.

This week, we're zeroing in on two names who fly the flag high for old-school, US  house—a foundational pillar of the electronic underground. The first half comes from Ron Trent, which you can read more about here. 

On the B-side is Ash Lauryn. Hailing from Detroit, she's a modern-day house savant. Her comprehensive understanding of the genre's history—knowledge gained from the Detroit greats who that inspired her—and her own inimitable blend of old-world soul meets new-school grooves make her a force to be reckoned with. 

A former RA contributor, Lauryn keeps it <i>real</i>, whether in the booth or beyond. A role model to a new generation of DJs, she can just as easily be found teaching workshops at Underground Music Academy in Detroit or sharing tricks of the trade in the green room at some of the best clubs in the world.

An unwavering champion of Black dance music, the Atlanta resident makes it a point to play as much Black American music as possible, as she told us in her 2019 podcast. Not much has changed since then. Her contribution to RA.996 spans favourites like Larry Heard, Mood II Swing, Byron The Aquarius, Moodymann, Ron Trent and plenty of Detroit heavy-hitters.

Listened to together, both mixes are a powerful snapshot of house's timeless elegance and, most importantly, understated yet innately euphoric joy.

Find the tracklist and interview at ra.co/podcast/998

RA.996 Ash Lauryn

120 minutes of pooled music.  

https://www.instagram.com/ianpooley.ofc
https://soundcloud.com/ianpooley



Ian Pooley @ The Lot Radio 07-21-2025

For RA.1000, we take it back to the source with two never-before-heard tapes from Frankie Knuckles's private collection

There is no house music without Frankie Knuckles, literally or figuratively. The queer icon's luxurious DJ sets at Chicago's Warehouse gave a rising movement its name. From there, countless offshoots splintered and travelled the globe. But what did the genesis and growth of the sound really feel like?

The Godfather of House left behind not only timeless records, but personalised cassettes with hand-drawn liner notes handed out to friends and family. Two of those, dated to 1989 and 1996, have been digitised especially for RA.1000. (Thank you to the Frankie Knuckles Foundation.)

To put that in context: the first tape predates not only many of today's active clubbers, but the entire existence of jungle, drum & bass, UK garage, French touch, Jersey club, Afrobeats, IDM, baile funk, hardcore, footwork, dubstep, dub techno, tech house, breaks, minimal, maximal, gqom, gabber, grime and hyperpop.

In short… that's a very, very long time ago. The world of dance music was much smaller. DJ culture was functionally unrecognisable from the one we see in 2025. 

And yet, to some degree, what you'll hear on RA.1000 hasn't changed at all. It's a capture of not only what made Frankie Knuckles one of the beloved pioneers of first-generation dance music, but what draws people to club culture in the first place.

The mood on these Frankie Knuckles sets outlasts even its creator: a spirit of optimism that floods the world's best dance floors and keeps dance music pulsing on into the future, nearly 40 years later, in spite of it all. We end our 1000th mix celebrations here because it all starts there.

Find the tracklist at ra.co/podcast/1018. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 Frankie Knuckles

Resident Advisor

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