Name: RA.306 Matthew Dear by Resident Advisor in RA
Duration: 52 min
Description: One of electronic music's best-loved artists brings the heat.

.....master at work.....😁💊💊💊💊💊🤩💪👍

<b>Retrouvez chaque samedi soir le rendez-vous cosmic-disco de Tim Sweeney en exclusivité sur les Radio Campus</b>

BIS Radio Show #723
From WNYU 89.1 FM (NYC)

http://www.jamiexx.com/
https://soundcloud.com/john-talabot
http://theyoungturks.co.uk/

Beats In Space #723 (Pt.1) w/ Jamie XX and John Talabot

John Talabot live from the Patio at #GALA24.

_

Signup for lineup and ticket updates on #GALA25 > https://presale.thisisgala.co.uk/

Live from the Patio – John Talabot

Myles Mac

An Australian DJ and co-founder of the legendary Melbourne Deepcast, Myles Mac has been a cornerstone of Naarm's underground music scene for over 15 years. A tastemaker and curator, he’s known for hosting iconic house music events through his MDC, Lost Weekend, and Made in the Shade parties, consistently bringing some of the genre’s biggest names to the Australian dancefloors. His deep, eclectic selections have earned him a reputation not only in Australia but also internationally, regularly performing in cities like Berlin, New York, London, and Tokyo.

Whether solo or with long-time collaborators DJ Possum and DJ Camov (as Project 95), Myles’ dynamic, ever-expanding sound has made its mark on mixes for platforms like Truants, Trushmix, For Home Use Only, c-, and, of course, his home base, Melbourne Deepcast.

來自澳洲的 DJ 及 Melbourne Deepcast 的共同創辦人，Myles Mac 在 Naarm（墨爾本）的地下音樂圈已活躍超過 15 年。他以策劃和舉辦 MDC、Lost Weekend 以及 Made in the Shade 派對聞名，這些活動為眾多經典 house 音樂藝術家提供了舞台，並多次引領澳洲及國際舞池的風潮。他的深邃選曲不僅在澳洲受到熱烈推崇，也在 柏林、紐約、倫敦 和 東京 等城市的音樂場景中頻繁亮相。

無論是獨自演出，還是與長期合作夥伴 DJ Possum 和 DJ Camov（作為 Project 95）組合合作，Myles 不斷擴展的音樂語彙為他在 Truants、Trushmix、For Home Use Only、c- 等平台上帶來了極具價值的混音，也讓他在 Melbourne Deepcast 中擁有穩固的立足點。

Myles Mac @TOHA Radio 2025.04.29

Buy on Bandcamp

Issa Sacha - Chrysalis (Long play)

I Want To Believe Part 2 (Red Richards Rework)

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Red Richards & Maximilian Beck - I Want To Believe Part 2 (Red Richards Rework)

ICH LIEBE

Macro's techno-rockers go live on this week's RA podcast.

RA.212 Elektro Guzzi

The London-based duo mix up influences and fresh material on this week's podcast.

RA.216 Mount Kimbie

The Canadian producer offers up his live set from Labyrinth festival 2010.

RA.240 Mathew Jonson

Vive le Smagghe! The French DJ/producer/label boss turns in a selection of dance floor treats for the RA podcast.

RA.228 Ivan Smagghe

The veteran Italian techno jock records his first podcast.

RA.252 Marco Carola

RA.272 Kassem Mosse

One of electronic music's best-loved artists brings the heat.

RA.306 Matthew Dear

House music for the end of summer.

Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=535

@kornel


Resident Advisor podcast

RA.535 Kornél Kovács

20 years later...

In recent times there has been a lot of looking back to the early 1990s in house music which made me curious about what my dj sets actually sounded like back then. As it's 20 years on I thought it might be fun to put one up as an Optimo podcast, but sadly I had no recordings of that time as I had long given away or lost any tapes i had from then (everything was on cheap C90 cassette tapes in those days). Then, last week a local producer sent me his album to peruse and mentioned that he had a couple of mix tapes of mine, both from 1991.

So, here is a genuine 1991 mix recorded in that year when I was co-resident at Pure in Edinburgh (which ran from 1990 - 2000) when i was known simply as Twitch rather than JD Twitch (the JD was added many years later to stop people billing me as DJ Twitch, which I loathed).

Although I started djing in 1987, I didn't start mixing records together until 1990 and couldn't afford turntables until the end of that year, so initially when i was djing at Pure I was literally learning on the job. Thankfully the euphoria of those times coupled with the fact it was all so new and exciting to so many meant that I got away with it as audiences were a lot more forgiving than they are today. Requests were fairly rare and usually a lot more oblique, often along the lines of "Can you play some "E" music?" Heckling or shouting "come on!', "harder!", "techno!" was non existent. it wasn't a better time, just different, but audiences in general were a bit politer and more patient.

This mix is two sides of two different C90 cassettes stuck together. The first half is from late 1991. It has a lot of that "E" music people were asking for on it. The mixing ranges from pretty good to the odd "ouch" moment but overall is not bad for a beginner. The second half is from earlier in 1991 and the mixing is a lot more, uh, "freeform" and gets through a high number of tracks in a short time. I think this section may have been recorded live at Pure although I can't be sure as despite running for ten years we only ever made a tiny number of live recordings. There are a couple of massively cheesy and seriously dated rave anthems on here and a couple of tracks I have absolutely no recollection of ever having heard in my life, but there is also a lot of music that I still play to this day and indeed have never stopped playing since, and some, such as MK's "Burning", Mike Perras and CLS that are enduring classics. To use the parlance of back in the day, the mix gets a little "mental" towards the end. The tape begins with a live recording of a bit of chat from the Ragga Twins live at Pure in early 1991 and ends with a particularly twisted take on David Lynch's "Lady In The Radiator Song" followed by a blast of Throbbing Gristle. Sometimes I'd drop in things like that at Pure which maybe helps explain why a few regulars ended up with mental health issues! Pure had a reputation for being a techno club and in the early days a temple to all things rave but it was always a lot more than that (as well as those things too of course) as this podcast demonstrates. Despite the sound (and mixing) limitations I think it's an interesting document of what was going on in my world 20 years ago. 


The audio fidelity of this podcast is not high, particularly in the second half. The original cassette tape was probably copied multiple times as it was passed around from person to person. Richard Chisolm who excavated the tapes has done some remastering to improve the sound but old multi generation tapes rarely sound good and it was probably quite lo fi to begin with. It was mixed live using a cheap mixer through a cheap amp. Back then the vast majority of dj mixers were very basic - no eq, no gain and no gizmos whatsoever; just a volume fader, a crossfader and phono / line switches which I used to flick to cut tracks in and out. The mix is 85 minutes long and is a 192kbps mp3 (118mb). 

Thanks to Richard aka Restless Native.
 

RA.306 Matthew Dear

Resident Advisor

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