Tracklist / Kryptic Minds - Burnt To Ashes - Exit Records dBridge - Beg, Steal & Borrow - Exit Records Dub Phizix - Yukon - Exit Records Loxy & Resound - Residual Move - Exit Records Ruffhouse - Greyscale - Exit Records Consequence & Fis - Untitled - Exit Records CMX ft dBridge - Tesserae - Exit Records Instra:mental & dBridge - White Snares - Nonplus Records Dan HarbarNam - The Rendering Of Garlic Boy (Loxy & Resound Remix) - Cylon Recordings dBridge - I Know - Exit Records Skeptical - Another World VIP - Exit Records Abstract Element - Acid Coke - Dub dBridge - OnO - Exit Records Loxy & Resound - Thin Ice (Skeptical Remix) - Exit Records Joe Seven - Juiced - Exit Records Ruffhouse - Untitled - Dub dBridge - Without Sound - Exit Records Wraetlic - Better The Devil (dBridge Advocate Mix) - Convex Industries dBridge, Indigo & Synkro - Untitled - Exit Records Clarity - Constant - Exit Records Loxy & Resound - Black Hole VIP - Exit Records

ExitVs005 A dBridge vs Synkro & Indigo- Pathways

chill dnb

This DJ set by Mike Servito was recorded somewhere on the astral plane (a filthy Detroit basement) on February 1, 2025, at Ritual Rave, a party celebrating the pagan holiday Imbolc, which signals the start of Spring.

Buckle up and get ready to crank that shit ‘cause you’re in for a wild ride. This set is laced with only the rawest, bitchiest, nastiest, sweatiest, most classic Detroit-basementiest @mikeservito cuts. The rave reviews are in and the critics are hailing it as “A masterpiece of Servito '95. Mike in his highest and most enlightened form. A set so transformative that it effortlessly and masterfully bends the time-space continuum. It's an aural bitchslap like no other. It’s quintessentially pureDetroitmoods."

Ritual Rave is an annual part of Imbolc: https://imbolc.cargo.site/

Know what we're up to at purefastmoods HQ (even before we do): https://purefastmoods.com/get-on-the-list

Mike's set was mastered by @Otodojo.

Mike Servito at Ritual Rave, February 1, 2025, Detroit, MI

.Freq with Mike Servito @ The Lot Radio 05-06-2025

Intergalactic Gary has been one of our favorite DJs for many years, as his genre transcendence aligns perfectly with IT’s vision. This set was recorded in a very special circumstance, at Tresor 313, May 25, 2024 at the Tangent Gallery on Day 1 of Return to the Source. Originally scheduled for 2 hours, it naturally extended to almost 4 hours, which is the kind of thing that is possible at this party when just the right chemistry happens.

We had Intergalactic Gary on directly after the Model 500 live show in the Gallery, the room was already on fire. When he came on he totally captivated the room, the energy was palpable as he effortlessly went from all sorts of variants of techno and house and the raw essence of what makes them – from Italo disco to early Chicago and forms of electro, culminating in his effortless presentation of the timeless sublime jam “Amenity” by Link, a peak experience for everyone present. This kind of perspective on music is really elucidating and liberating, and made for one of the most memorable sets of the weekend – delivered by a true cult hero. 


IT Podcast

IT.podcast.s14e03: Intergalactic Gary

Hessle Audio feat. Dave Huismans (ex-libris, A Made Up Sound) - 30 June 2025

Emancipate Elaborate

AlegzCuai- BdB

The Punch Drunk boss digs into his box of dubplates for this week's RA podcast.

RA.218 Peverelist

The Bristol producer explores a range of tempos and textures.

RA.247 Pinch

RA.358 D-Bridge

RA.399 STL

** Part 1 now available from here - http://soundcloud.com/alexchase/ohm-dedication-series-2-jd **

For my ears, Adrian Sherwood is the most sonically innovative producer the UK has ever given birth to. If you don't know anything about Mr. Sherwood or his ON U Sound label, either do a bit of Googling, have a listen to this mix or read this interview I was fortunate enough to conduct a couple of months ago (when he was in Glasgow) that is on the Racket Racket website - http://racketracket.co.uk/music/jd-twitch-meets-adrian-sherwood/

This mix covers music from the years 1979 - 88 and focuses on Adrian Sherwood's dubwise productions, most of which were released on his ON U Sound label (a great overview of the label can be found here - http://www.skysaw.org/onu/)

The mix is DUB in the widest (and wildest) sense of that word and veers from beautiful, heart-melting songs to cavernously deep, hard bass pulsations to the odd bit of brain melting sonic radicalism. To this day I don't think any other producer has pushed the envelope so hard which is partly down to a general lack of balls on the part of other producers and partly due to the fact that these productions were all recorded to tape and mixed on a desk with 100% outboard gear, so that pushing the tape way beyond its intended limits forms a large part of the character of the sound. His totally deranged dub techniques are perhaps a little more prevalent on part 1 (see below) of this podcast while this part is in the main more of a continuous heart throb with odd moments of sonic destruction, offering a masterclass in dub mixing techniques many of which Adrian Sherwood pioneered.

In my late teens and early 20s, Adrian Sherwood's work impacted on me more than anything I had previously heard and made me think about sonic possibilities in a completely new way. I would buy any record he had been involved with unheard and got into a lot of other artists purely because he had been involved with making their records. Indeed, my nom de plume "Twitch" came from a record he produced and our Optimo slogan "We Love Your Ears" came from the sleeve of a record he remixed. I hadn't listened to a lot of these records for many, many years and fell in love with them all over again while putting this together. It was a complete labour of love to do and a revelation to hear how fresh and wild this music still sounds.

The tracks are mostly mixed together but this podcast really isn't about my mixing at all - it's all about the 25 sonic missives included on it (several of the tracks are different versions of the same rhythm edited together). All the tracks were taken from vinyl so any unintended sonic imperfections are a result of the source records having been played countless times in the past.

This is part 2 of this podcast. Part 1 which focuses on his more electronic wild side (Tackhead, Fats Comet, Keith LeBlanc etc.) is now available here - http://soundcloud.com/alexchase/ohm-dedication-series-2-jd
Should you so desire, the 2 podcasts can be synced together to provide one continuous mix of around 3 and a half hours.

As usual we aren't making a track listing available for the podcast, simply because we feel that knowing the contents often precludes actually listening to it. But, if you want to know what anything is, feel free to get in touch and I will let you know. The mix is a 320kbps mp3 (230mb) and is 101 minutes long.

RA.358 D-Bridge

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