Name: RA.373 Helena Hauff by Resident Advisor in December Live Recordings , Radio Show's, Podcasts
Duration: 1 h 14 min 12 s
Description: Acid and electro from the docks of Hamburg.

Is always a good idea to listen back to this one

i wake up evrey night just to feel the beat

December Live Recordings , Radio Show's, Podcasts

Australian Kia very quickly rose up through the grimy after-hours rave scene of Melbourne to make her mark on the international stage. Now Berlin-based, her unique grasp of rhythm is rooted in a love of bass, IDM and deeper techno though she is adept at exploring a wide range of moods within those worlds. She has done so at places like ADE and our own festival and extends her good taste to the curation of her Animalia imprint and its ambient sub-label Cirrus as well as her own original tracks on Nous'klaer Audio.

In this week's mix, Kia showcases a colourful and kaleidoscopic take on techno which she says was awakened by an early trip to Japan's famously head Labyrinth festival. It's a hi-fidelity feast of supple rhythms, icy synths and deep space ambiance that unfolds in late-night fashion. The melodies are as delicate as silk, the drums rubbery yet punchy. It's high-paced future music that manages to be as delicate and beautiful as it is dynamic.

Dekmantel Podcast 440 - Kia

For Viscera 130, Yu Su joins the series with a live recording taken from our party on the 14th December at the one and only Love Inn.

"Kaifeng-born, now London-based Yu Su is a musician, DJ, sound artist and occasional chef. As one of the most prominent Chinese artists with a highly unique voice working across the globe in the last 5 years, her output covers all the ground you’d expect and more. Her multiple critically acclaimed records on UK’s Technicolor (Ninja Tune), Netherlands’s Music from Memory and China’s own Bie Records has seen her nominated for Canada’s Polaris Prize. She has co-produced music with John Carroll Kirby, Duval Timothy and is known for remix works for Parquet Courts, King Gizzard and The Lizard Wizard, and many more. As a DJ, she is unpredictable, idiosyncratic; just “casually having the dance floor transfixed” have put her on the spotlights at clubs and festivals internationally like Dekmantel, Glastonbury, Boiler Room, iii Points, Nuits Sonores, Rainbow Disco Club, Phonox and so on. She has also recently been featured on the cover of Mixmag magazine, marking the first Chinese cover star. She has composed for feature films and fashion brands like Sacai, Jimmy Choo and London/Shanghai based SAMUEL GUÌ YANG."

Enjoy!

@yu_su

Yu Su | 130

This DJ set by Mike Servito was recorded somewhere on the astral plane (a filthy Detroit basement) on February 1, 2025, at Ritual Rave, a party celebrating the pagan holiday Imbolc, which signals the start of Spring.

Buckle up and get ready to crank that shit ‘cause you’re in for a wild ride. This set is laced with only the rawest, bitchiest, nastiest, sweatiest, most classic Detroit-basementiest @mikeservito cuts. The rave reviews are in and the critics are hailing it as “A masterpiece of Servito '95. Mike in his highest and most enlightened form. A set so transformative that it effortlessly and masterfully bends the time-space continuum. It's an aural bitchslap like no other. It’s quintessentially pureDetroitmoods."

Ritual Rave is an annual part of Imbolc: https://imbolc.cargo.site/

Know what we're up to at purefastmoods HQ (even before we do): https://purefastmoods.com/get-on-the-list

Mike's set was mastered by @Otodojo.

Mike Servito at Ritual Rave, February 1, 2025, Detroit, MI

For this set I played on 4 CDJ 3000’s and a V10 mixer, using both of its internal effects processors. For every No Way Back set, and for most sets, I try to prepare new hardware remasters and edits of things that I think would be fascinating recontextualized in this setting. But for NWB, it is even more special, a peak moment, so I try to have new records I’m working on in the studio to test out. For this set that means the hardware mixes I’ve been working on for Torrvo and for Andy Toth can be tested, I’m working on this hardware mixing and remastering tone palate, so I spread that to some edits to give them a whole new power. Playing at No Way Back cannot be put into words, though we try every year, it really is inexplicable without experiencing it. It’s the environment you most want to be in, the space is totally transformed, the sound is dialed in, the audience is so ready, very giving and open, and the feedback you get is incredible. People are up for a ride – we start at the Tangent and end up going to the other side of the universe. Freedom within and without. There’s no place I’d rather be, so I thought I’d share this much sooner than we usually do. Enjoy the ride. 
– BMG @bbmmgg

Pink Floyd – Welcome to the Machine (BMG edit)
Refracted – Beneath The Surface
Torvvo – Carrier (BMG NWB Mix - forthcoming on Interdimensional Transmissions)
Pause – Exode X
Sciahri – Glow
Shed – EMCZ
Amotik – Peela
Erika – Wandering Mountain (Mike Parker Remix)
Translate – Shifted Communications
Dino Sabatini – Peuceus
Feral & Luigi Tozzi – Enigma
PALEMAN – Quarry
D-Leria – Voodoo Magic (Polygonia Remix)
Lory D – Mantrosax 2
Surgeon – Forgotten Gods
Peter Van Hoesen – Definition by Absence
Steve Bicknell – Easing Info Tomorrow
Resonance – Yellow Train (BMG Hardware Remaster edit)
The Fantasy – Soft Space (2025 Hardware version) forthcoming
DJ Funk – House The Groove
Ottagone – Ottagone 021
Andy Toth – Mind Lock (forthcoming on Interdimensional Transmissions)
AgainstMe – Into The Dome
Giordano – Electric Stardust
Alex R – z50
808 State – Flow Coma (BMG Hardware Remaster edit)
Wee Papa Girls – We Know It (KMS mix) (BMG Hardware Remaster edit)
Aphex Twin – Isopropophlex (BMG Hardware Remaster edit)

IT Podcast

IT.podcast.s14e04: BMG at No Way Back 2025

One of the enduring powerhouses of our era returns for RA.1000 with a riotous mix.

When Helena Hauff made her first RA Podcast appearance back in 2013, she was on the eve of releasing her debut production on Actress' Werkdiscs imprint. In the 12 years that have elapsed, she's become not just a household name within electronic music, but the kind of rare talent that lives in seclusion from industry tumultt.

(Hauff, enviously, has never even owned a smartphone.)

Her calling card continues to be her penchant for rough and ready EBM, electro and new wave. Her unique ability is creating a singular listening experience from disparate or out-of-favour tracks, with a raw immediacy that functions as a redress to over-choreographed modern DJing.

Her outsider approach is on show once again for RA.1000. Threaded together by strobe-lit DIY electronica, old-school acid house and corrosive machine funk that chews up the ear, the nearly two-hour set raises the bar once again.

In the sci-fi themed first half, Hauff drops two Cybotron tracks, nodding to Juan Atkins' blueprint for electro. You'll also hear "Riot" by Underground Resistance, the definitive mission statement for a world ablaze. This is musical anarchism, executed to the highest degree.

Find the tracklist and interview at ra.co/podcast/1017. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 Helena Hauff

Mike Servito's closing set from 10:30am until noon at No Way Back, May 25, 2025, Day 2 of Return to the Source at Tangent, Detroit. 

"Mike Servito is an artist intertwined with his Detroit origins. No matter how far he travels and how long he lives elsewhere, the essential imprint of this city remains in everything he does.

If you asked where this mix was recorded, I would say "Detroit" without hesitation and if I thought about it for a bit, I would guess that it was most likely one of Mike's legendary closing sets at No Way Back at Tangent Gallery. The level of care and reverence that go into these sets is very evident in this mix from start to finish. The track selection moves effortlessly from past to future playing with darkness and light, depth and joy, tension and release. It's a remarkable demonstration of taste and skill but also a paean to Mike's personal artistic history that calls to the creative power center that Detroit comprises. This mix provides a true glimpse into Mike's long-term dedication to the art of working in tandem with the dancefloor, creating a shared journey where the challenge is to let go and just trust the DJ." 
– Michelle Erfer, Beyond Booking / The Bunker


Buy Cassette

IT.podcast.s14e05: Mike Servito closing No Way Back 2025

Disco Machine (Long Play)

Buy on Bandcamp

The Urban Tribe leader flexes his turntable talents on this week's RA podcast.

RA.190 DJ Stingray

The London techno selector turns the genre inside out.

RA.237 Perc

Acid and electro from the docks of Hamburg.

RA.373 Helena Hauff

Ben Sims Boiler Room London DJ Set

Cover by ©FRANZ ZÜNKLER [franz.zuenkler@t-online.de]

┋ @kris_davis (Blueprint Artists - Portsmouth) presents 'Inertia'  Afterhour Sounds Podcast Nr.97┋

Unsere Nummer 97 kommt diese Woche von einem britischen Künstler, der mit seinem außergewöhnlichen Stil für Jubelstürme der Synapsen sorgt.

Die Rede ist von Kris Davis. Einem geheimnisvollen Wanderer, der mit seinen Sets und Produktionen schon seit mehreren Jahren die Orte auskundschaftet, die manch einem auf den ersten Blick nicht sofort bemerkbar werden.

Seine Musik ist immer durchzogen mit der typisch afterhourresken Spannung. Die Geheimformel lautet  Spannung und Entspannung. Und der Engländer weiß absolut was er tut, denn sein Sound bewegt sich irgendwo zwischen Hypnose, Experimental, Melancholie und Deep House. Allerdings reiht er alles so geschickt aneinander, dass daraus stets ein roter Faden entsteht. Durch die homogene Mischung teils verschiedener Stillrichtungen überstrapaziert er den Zuhörer niemals. Ganz im Gegenteil. In Zeiten melodisch eingängiger und teils einschläfernder Deep House Arrangements ohne Esprit und Wagnis, sorgt Kris Davis mit seinem frischen, andersartigen und dennoch eingängigen Sound für eine mehr als nur willkommene Abwechslung in Zeiten der elektronischen Weltmusik. 

Sein selbst geschaffener Ambient Techno ist aber nicht nur für die ganz späten bzw. frühen Stunden im Club und/oder Festival geeignet. Durch seinen behutsamen Aufbau und der sorgfältigen Auswahl geeigneter Lieder, schafft er auch Platz zum Träumen und Entspannen.

Uns freut es sehr diesen talentierten Künstler für unsere Reihe gewonnen zu haben, der es trotz seiner vielen Zeit im Studio geschafft hat, ein wundervolles Set aufzunehmen. Wir danken dir Kris.

Jetzt aber genug der Worte. 
 Musik ein, Welt aus.

[Text: arkadiusz.]

__LINKS___________
 Facebook: https://www.facebook.com/krisdavis99/?fref=ts
 Soundcloud: https://soundcloud.com/kris_davis

┋InfoBox Afterhour Sounds┋
https://soundcloud.com/afterhour-sounds
www.facebook.com/afterhoursounds.official

Afterhour Sounds Podcast

Kris Davis presents 'Inertia' Afterhour Sounds Podcast Nr.97

The first 3 hours of my set at WEITER Paradiso - One Night a Year

The last 2 hours included lots of unreleased tracks combined with some favourte classics, which I've played especially for everyone who where there at that certain moment - so thats why I decided not to upload part 2 from my set.

I want to thank everyone for their massive good vibes -  I really couldn't wish for a better night.  A crazy, hot 'n steamy sold-out WEITER party at the iconic pop-temple Paradiso. We've made some unique memories that night...

See u soon on the dancefloor, 

One love,

Weiter

Olivier Weiter @ WEITER Paradiso (first 3 hours) (26.11.2016)

I recorded this mix in 2018 for the Her Damit festival and titled it the Mystery of the Motherbeat. I was hungry to tour Europe for the first time and agreed to do a mix and play the festival on a shoestring budget. Her Damit went into bankruptcy later that year, failing to pay artists and others for their work.  They also let their Soundcloud account expire, losing all the mixes they commissioned for the series. 

I am re-releasing this mix under its original name. Its real name. It is one of my deepest mixes. It is filled with the love and hope for the future that I put into it. It was recorded a week before I went to visit Maya and Brooke for the first time in March of 2018, exactly two years ago. That visit would change my life.  

Metronome - Voyage to the Bottom of the Bass (WBR Records 1991) 
Visions of Rhythm - Power of Purchase (Klasse Wrecks 2017)
Christian Tiger School - If You Want To (Original Version) (Lissoms 2018)
DJ Python - Cuál (Incienso 2017) 
Pseudopolis - Tracer (Redstone Press 2017)
Bassbin Twins III - untitled (Bassbin Records 1995)
Nitro Delux feat Silk - Hypno House (Deep Dub) (Cutting Records 1990)
Christian Tiger School - If You Want To (Edmondson Version) (Lissoms 2018)
Friends of Mathew - Out There (Raw mix) (Pulse-8 Records 1991)
DJ bwin - Mit Bonus... (First Second Label 2017)
Glas Rm - Fully Dipped (Wells Street  2017)
Ben Cohen - Entrance (from “Lesser Mysteries”) (Brokntoys 2018)
DJ Psychiatre - Trust Issues (Gasp 2017)
Hawke - 3 Moods in a Gurple Parden (Hardkiss Music 1993)
Dream Cycle - Paradise State (Sneaker Social Club 2017)
Human Movement - I Need (12 inch mix) (Of Leisure 2017)
Waterpark - Data Orb (Deep Blue 2016)
Environments - Ultimate Thunderstorm (Syntonic Research, Inc. 1979)

Eris Drew’s Mystery of the Motherbeat Part 1 (formerly Her Damit)

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RA.373 Helena Hauff

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