always pleasant to hear john eliot tunes in your mix!

@mnml-ssgs this mix still rips thanks for making it

i would so love this mix in high quality. there's a playlist on spotify but some of the tracks are missing, and it's not mixed. the mixing adds value

To guide us through the next simulated experience; Passing Notes Radio boss and 1/2 of the great new label ‘Companion', Pjenné [Melbourne, AUS], shows us what a utopian existence can sound, feel and look like.

Follow on as she glides through the stratosphere, looking down on the lush greenery and crystal water that our earth effortlessly inhabits... occasionally looking up into the vast display of distant stars and planets, glittering across the stillness of outer space.

Pjenné beautifully illustrates the phenomenology of nature through tracks which touch on each element, whether that be the ethereality of air, the intricacy of water, the depth of earth, or just the pure warmth flowing through this immaculately thought-out audible narrative.

We couldn’t help but think this would be the perfect soundtrack for the day peace on earth is declared, where humanity sits back and appreciates a new world— where collectively, we love what grows, exists and dies.

This small blue dot is our home… our balanced oasis in the desert of space. Perhaps we need the ability to fly to see a different perspective - and we’re sure this will help.

Close your eyes and drift into your own self.

Enjoy, and thankyou Pjenné 

“SAHASRARA” - The Thousand Petal Lotus

Virtual Utopia 03: Pjenné

@bambi-dj invite la DJ australienne @pjenne sur sa résidence d’Avril. Retrouvez Bambi & Pjenné ce vendredi 3 mai au Badaboum aux cotés de Jeacky Jeane, turbinaria (UKR), Nelly (PB), Avsluta (UK) et des lyonnais•es Jonnnah & Salma Rosa.

Bambi invite Pjenné - 30 Avril 2024

Ongoing explorations in beauty. Recorded at home in Tokyo, summer 2024. 一期一会。

Ichi-go ichi-e

It was my first Draaimolen and no one knew it which was great. 
It was also my first encounter with Addit Audio and their sound system installed for the first time in its full glory. I can't recall being brought to tears during one soundcheck.
So there were no news, no algorithms, no expectations to be disappointed. The pit was not announced. It felt like a curious manifestation of something paranormal.
Wonderful sound system, records and sweetest weather.  
Those who found us in the small pit in the middle of the forest most likely didn't know what was going on. 
For the most part of the first 5 hours I figured out that it would be great to play for and with the sound guy, playing right and wrong records and figuring out which one sound good. Research and development mission for Addit Audio.
After 5 hours ISAbella joined for a brief back to back session. Everything can happen in the realm of paranormal. Luckily she stayed and we played together for the next 3 hours until the last song, the one for the deceased. Probably as close as it gets to transcendence. 

Thank you all. You know who you are. 

Vladimir Ivkovic

Vladimir Ivkovic at Draaimolen Festival 2024

@syberkid creates a journey through the flames, leaving us with the burning embers of an eclectic mix of drone and ambient harmony. This was recorded live at the ‘Burning of The Clavie’ at MKII in London, on January 11th 2025.

This artwork is a collaboration between Sybil, Adam, and Mark, creating cymatics of sonic experimentation, and with each installment of the series, we will explore turning a fraction of sound into light. 🎨

episode IV ~ w/ Sybil

An episode that feels well overdue yet thoroughly worth the wait! A titan of the Naarm underground music scene, Pjenné has been a kindred spirit and longtime pal since the early days of MDC, and it's no surprise that her contribution is packed full of gloriously deep and immersive feels, bassy and driving in parts and light as a feather in others, speaking to a palette that has been meticulously explored and continues to evolve along with her incredible weekly radio show on PBS, Passing Notes. 

@pjenne

Q. What sounds of feelings did you draw upon when gathering inspiration for this mix, and what listening environments could you imagine it being best enjoyed in?

A. For this mix, I wanted to channel the energy and sounds that I associate with Melbourne Deepcast rather than drawing on the darker side of my sound palette that has been at the fore of my radio and club sets of late. MDC means so many things to me, but there’s definitely an energetic, grooviness that comes to mind and this is what inspired the mix. Although the mix does showcase parts of me (heavily atmospheric, emotive and a few downtempo tracks for good measure), I’d say this is more of a mix for you. :) I imagine this mix being listened to outside, on a sunny day, but when you might also need a little extra pep in your step. 

Q. Are there any songs in the mix that are especially close to your heart, and what is it about these tracks that resonate with you so much?

A. The first that came to mind is a track by Sean Cusick and Medway (Jesse Skeens) - It is an incredibly beautiful and emotive breakbeat track from 2002 on Saw recordings, there’s just something about how the vocals and the pads wash over you - although its upbeat there's also a sombreness to it and I just think its the whole package. 

Towards the end of the mix there’s also a very very classic ambient trance number, Lazer Worshippers by Damon Wild & Tim Taylor from 1993 - Not the most deeply dug track but it's a classic for a reason.

Q. You have been lovingly broadcasting your weekly radio show Passing Notes on PBS for six years running, which is a serious achievement! Tell us what you did for your sixth anniversary on International Women's Day, and what keeps you inspired to broadcast the show week in week out?

A. It’s been a wild ride that’s for sure! I really appreciate that International Women’s Day marks each yearly anniversary of Passing Notes - it reminds me to stop and reflect on each year as an achievement that I would probably otherwise forget in the chaos of life. This year I enlisted the help of Syrian DJ and Harmony Rec affiliate Zeynep, who provided an excellent, playful and sassy celebratory guest mix. 

As for my inspiration to keep going, I’d say that I draw from the collective power of electronic artists locally as well as internationally. There’s just so much good music to share, and Passing Notes enables me to provide a crucial connection between ‘underground’ electronic music and the wider music community. I'm also inspired by live radio as a format - it provides a sanctuary for me from the highly curated nature of music today and allows me to be more playful in the way that I explore different sounds. To me it is a place free of judgement.

MDC.308 Pjenné

The world COSMO creates is reminiscent of the nostalgic deep house of the 90's, yet somehow futuristic, and you lose yourself in the groove, you feel as if you have boarded a time machine from the future to the past. Enjoy this light minimalist set, which straddles the line between melancholy and exhilaration, delivered by one of Korea's leading DJs of the new generation.

COSMOが創り出す世界は90年代のノスタルジックなディープハウスを彷彿とさせながらもどこか未来的で、そのグルーヴに身を委ねていると、まるで未来から過去へ向かうタイムマシーンに搭乗しているような気分になる。韓国の新世代を代表するDJによって届けられた憂鬱と爽快感の狭間を往く、軽快なミニマルセットをお楽しみください。

rural Podcast 015 Cosmo

GHUNGHRU welcomes a guest mix by the Thailand based producer and founder of Siamese Twins Records, Sunju Hargun, who puts his non dance music records to a test, calling it a bit of therapy after the earthquake, recent spirals and rollercoasters. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/ghunghru/episodes/ghunghru-23rd-april-2025

Ghunghru w/ Sunju Hargun 230425

For this episode we welcome the extraordinary talents of Aaron J, Brooklyn's Sure Thing record label and podcast founder, known for hosting an immense list of explorative modern techno artists from around the globe. Altering our consciousness for the first time in 2023 with a particularly awe inspiring set at Sustain-Release, Aaron's deeply considered and intricate approach is something of sheer beauty, and coupled with masterful technical ability, his inspiring DJ sets allow for fully immersive dancefloor experiences. 

Here Aaron explores the softer edges of his expansive sound palette, meditative soundscapes and tranquil IDM converging in total harmony for what he describes as a 'recalibration of the senses'. 

@arn_j
@sure_thing

Q. What sounds or feelings did you draw upon when gathering inspiration for this mix, and what listening environments could you imagine it being best enjoyed in?

A. Of all the mixes I’ve put together over the years, this one definitely feels the most vulnerable. The months I spent thinking about and working on this mix accompanied an intensely busy time in my life, and the process helped me stay in touch with the simple joy of listening as a way of stepping back and letting things go. There is a direct connection here between the music within and the emotions that live inside me. At the same time, I’ve tried my best to mix this as transparently as possible, so that the act of DJing takes a back seat and allows the music to take center stage.

The inspiration behind the tracks I chose and the story of the mix is one of finding balance, so I hope listening to it feels like a casting off of the present day and a recalibration of the senses. I’d love for people to listen to the mix in a setting where they feel most protected from the changes and stressors of the outside world, whether that be sitting outside in nature or laying on a couch surrounded by the comforts of home.

Q. Are there any songs in the mix that you were especially excited to share, and what is it about these tracks that resonate with you so much?

A. There is a track in the mix by Autumn of Communion called “Goodbye PK” dedicated to the late Peter Kuhlmann, who many of your listeners will know as the legendary Pete Namlook of FAX +49-69/450464. It’s an immensely moving track that manages to convey both the tragedy of his loss and the depth of the beauty he left with the world, and I feel we’re so fortunate to have music and influences like this in our recent history. I included it early to set the tone of the rest of the mix, which is quite different than any I’ve done before, and to pay my respects to those who’ve inspired our scene from the very beginning.

Q. I was lucky enough to witness your set at Sustain-Release in 2023 and was in awe of your ability to practice restraint while steadily building up tension and energy in the set with such clinical and seamless execution. Is this part of the DJ craft something you spend a lot of time planning and refining?

A. That was such a life-changing moment for me, so I’m really glad you were there! You really nailed what I hoped to accomplish with that set, and I definitely spend a lot of time thinking about where my sets will begin, where I would like them to end up, and what sort of path I might take to get there. Understanding the minutiae of how a transition will affect someone’s state of mind and how to propel someone forward without jarring them back to reality is something I’m always working to improve on. That said, the upward trajectory is not always the most interesting one, and there are so many other ways of charting a course through a set that I hope to be able to explore. For the mix I’ve made for you, it’s not so much a set that builds energy as it is one that expands and contracts, hopefully in a gentle and purposeful way.

MDC.311 Aaron J

A Partida (Intro)

Ambient.

Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=605

@mnml-ssgs

RA.605 Chris SSG

Resident Advisor

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