Ambient

@kind_tree
@millia-rage
@raw_silk

Recorded at Podlasie Club on October 22, 2021

Purelink - Live in Chicago

For our 18th Reflexions podcast we are taken on a wonderful auditory journey by Demetrio Cecchitelli. 

Demetrio is a composer and multi-instrumentalist sound researcher from Italy. In this podcast he explores a delicate sonic world and assembled a  variety of pieces which come together to create an enticing story. 

As usual for best listening experience; get comfy, take a deep breath, close your eyes and let music transport you. 

Check out his work --> https://demetrio-cecchitelli.bandcamp.com/ https://soundcloud.com/cecchitellidemetrio
https://www.instagram.com/demetriocecchitelli/?hl=en

Tracklist:

1. Blanket Swimming - 05 Untitled (Attenuation Circuit)
2. DR - Minor (Singing Birds)
3. Taylor Deupree - August (vintage National resonator guitar) (12k) 
4. ASERET - Consciousness Of Undefined (Edit) (Midira Records) 
5. Yann Novak - Shortwaves to Longwaves (Dragon’s Eye Recordings) 
6. Nebel Lang - Nobody Else (Self-released)

Atrwork by Leslie Deboeur

Reflexions Podcast 18 - Demetrio Cecchitelli

Experimental sound artist KMRU(@kamarujoseph)is a master of quietness. His music is as much about empty space as it is the delicate field recordings that fill it in. The Kenyan artist has been perfecting this balancing act from his base in Berlin, most notably on 2020 full-length Peel. It's a record of slowly unfolding synth beauty and drawn-out drone mindfulness. Soft focus chords bleed and blend into one another like different shades of watercolour paint and the environmental nature of the sound sources lends it a gorgeously natural atmosphere.
For this week's most meditative mix, KMRU puts together an hour of soothing sound in a painterly fashion. It is unhurried but always going somewhere thanks to a gentle underlapping rhythm, expansive synth arc or little hiss of static. What sounds like distant vocal calls drift in and out of the mix which at times is like a recording from the furthest recess of the cosmos, at others the pleasant ambiance you might hear out of a Berlin window on a sunny afternoon.

Tracklist

Dekmantel Podcast 378 - KMRU

from @RefugeWorldwide for my dramatiq emo queens

𝙡𝙞𝙦𝙪𝙞𝙙𝙩𝙞𝙢𝙚 w CCL #8 ꜰʀᴏꜱᴛ [21.12.2022] Winter Solstice Edition

Purelink have been described more than once as an "ambient boy band." (They themselves say "jam band.") It's not meant dismissively—the American trio purposefully mean to function as a band, even if their main instruments are laptops. Ambient might not quite cut it as a descriptor, though. The group's music crosses eras and scenes, touching on the late '90s clicks & cuts boom as well as the billowy ambient techno put out by labels like 3XL, West Mineral Ltd. and NAFF. 

Their most recent LP, Signs, released on enigmatic imprint Peak Oil (and one of our favourite albums of 2023), is especially impressive, made of stuttering rhythms and glassy textures. In other words, it's ambient-not-ambient. While members Concave Reflection, kindtree and Millia have all made excellent music on their own, something special happens when they come together.

Purelink's RA Podcast is another stellar contribution to our post-New Year's tradition, where we highlight a more laid-back sound to soothe weary minds and frazzled brain cells after the heavy holiday celebrations. This is 90-plus minutes of intricately textured downtempo, dub techno and even UK garage, all cut through with a floaty, almost drowsy quality, with plenty of exclusives and unreleased cuts from the likes of Nick León, James K, Downstairs J and more. It highlights Purelink's position as a bridger of worlds, sounds and tempos.

Read more at https://ra.co/podcast/917

RA podcast

RA.917 Purelink

New York trio Purelink give us an exclusive peek of what they have planned for the upcoming summer live music season in this weekend’s Sunday Mix. As the creators of Signs, one of the best ambient and dub techno albums of last year, their 80-minute mix shows off their advanced ears for soundscapes and texture, while adding on head-nodding grooves and dubby four-to-the-floor beats.

It’s as dancefloor suitable as it is Sunday sofa ready. “This new year has mostly been spent in our studio prepping new music and live set ideas,” they say. “A lot of these songs reflect the dancier side we’ve been inspired by lately. Hope to see you on a dancefloor soon.”

Sunday Mix: Purelink

A special liquidtime set from one of my Favs @napmusick live and direct from liquidtime kwia :) 

𝙡𝙞𝙦𝙪𝙞𝙙𝙩𝙞𝙢𝙚 #13 ft NAP: lava mística @refugeworldwide (LIVE)

Week's end with pi pi pi curator and The Lot resident deep creep.

deep creep @ Kiosk Radio 04.05.2025

A clinic in minimal from the elusive Acting Press boss. 

Why do certain sounds cultivate a cult following? Simply put, it's often because they resist easy consumption. PLO Man and his imprint Acting Press lean into this. 

Searching for the Berlin-based DJ and producer, you won’t find much online presence, interviews or conventional PR. What you will find, if you look hard enough, is a catalogue of records and mixes with a kind of tape hiss charm (a spiritual successor to Basic Channel and Chain Reaction, but scuzzier and lighter on its feet).

Founded in 2015, Acting Press once seemed to belong to the short-lived "outsider house" trend, but is now synonymous with a certain strain of modern minimal, one that is analogue, spacious and pointedly opaque. PLO Man's output is equally sparse by design: this week, he joins the RA Podcast with a characteristically elusive style, accompanying the near two-hour mix is a one-answer Q&A that gives almost nothing away.

Stripped-back, ever-so-slightly sleazy and coated in dust, PLO Man's RA Podcast continues that lineage in style. Opening with the featherlight microhouse of Margaret Dygas, RA.988 unfolds into a carefully curated spectrum of minimal, dub and deep techno. Among familiar names—look out for the blinding Rhythm & Sound and Moodymann blend—are deep cuts and left turns alongside the odd outlier, like lovers' rock pioneer Gregory Isaacs.

Like the best of his forebears, PLO Man wants RA.988 to take time for you to settle in. But once you do, you won’t want to leave. 

@p_el_oh

Find the tracklist and interview at ra.co/podcast/988

RA.988 PLO Man

twisted afternoon b2b, low & slow...

https://www.instagram.com/deep_creep
https://www.instagram.com/mikemidnight_



pi pi pi with deep creep b2b Mike Midnight @ The Lot Radio 05-19-2025

Presenting the ever-lovely and ever-inspiring @mikemidnight for #175 in the series. The Boorloo/ Perth based artist initially garnered attention through his output of insanely dreamy trip-hop productions... the perfect combination of emotional & uplifting, and immaculately produced. Mike plays live as a solo artist and now makes up 1/3 of the exciting new band Trickpony, made up of Roza Terenzi, Emkay & Mike himself. 

Beyond his knack for weaving tear-jerkingly beautiful trip hop infused songs - Mike is also a great DJ. Here, with a more club-oriented mix, he showcases his taste & talent, a BTS look into the genres & moods that make up the mind of the talented artist.

Very happy to have you in the series Mike! Thanks for the mix <3

Downloads enabled

Animix One Hundred & Seventy Five: Mike Midnight

Gave

Hailing from Wales but a resident of Japan for the past 25 years, Steve Good has, in various forms, been involved with music for his entire life. From classical violin through just about every genre imaginable, he finally found himself sucked into the vortex of London’s rave scene in the 90s. After moving to Tokyo in ’95, he started work at a recording studio, producing, mixing, mastering, remixing and programming music for artists, bands, games, and TV commercials, while simultaneously DJing for clubs and parties and producing via his own downtempo project, Puff Dragon. Involved in Labyrinth since its beginnings, Steve takes responsibility for that festival’s legendary sound quality.

After moving to the wild northern-Japanese island of Hokkaido in 2012 with his family, he found natural inspiration for what is now recognised as the Labyrinth sound. The epic beauty and remoteness of this icy, rock-covered isle on the north-west corner of the Pacific Ocean became the inspiration for Steve’s musical explorations of the interplay between the human and the natural, creating a huge and lasting effect on both his own musical output and the indelible artistic mark of Labyrinth Festival.

This present live set grew out of a phase of sadness and listlessness Steve experienced as the upheavals of 2020 ricocheted across the globe. In the absence of those usually unnoticed markers of the passage of time, anchor points drift and the moorings that ground opportunities for perspective and insight flit and vanish. Yet in this sea of disorientation, the plants continue to grow, rivers flow, waves crash, and the seasons keep on turning. In place of what appeared to be missing arises the possibility of experiencing each moment in its sublime evanescence. Steve Good’s Patterns of Perception 67 is forest music, mountain music, lake music. It holds chaos and beauty within it, transporting the listener to places both on the edge, and at the core, of the fleeting beauty of existence.

After witnessing his ethereal, truly moving opening set on day two of last year’s Labyrinth festival, this mix is a uniquely personal one for our collective. We’re delighted to welcome Steve onto our platform to share his inimitable musical vision.

Links:
https://www.facebook.com/stevegoodambient/
https://stevegood.bandcamp.com

https://soundcloud.com/mindgameslaby

Patterns of Perception 67 - Steve Good

A dream sequence of ambient and drone from the Nairobi DJ and producer.

Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=740

@kamarujoseph

Resident Advisor podcast

RA.740 KMRU

"I love functional (electronic) dance music, but given our current shipwrecked state, my attention is naturally drifting towards more abstract, meditational, experimental shores. This is a mix of some of my favourite records from outside of the box. It’s the music I think of when I try to describe our arch events to newcomers - expressive, sensitive, harmonic, swaying gently between ecstatic and melancholic. Complex synth arpeggios, sub bass and crystalline atmospheres. I’m so excited to embrace this side of electronic music more, and see where it takes us. " Inland

For more arch music visit:
http://archbln.bandcamp.com
https://www.youtube.com/playlist?list=PLBFrEtjKyoLbn86Cz1M43MQRGz32lOtIZ

instagram.com/arch.berlin
www.sweatlodgeagency.com

www.instagram.com/arch.berlin
www.sweatlodgeagency.com

RA.740 KMRU

Resident Advisor

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