what is this track I cant find it anywhere

Gemischtes

Physical Therapy has as many vibes as he does aliases. You never really know what you're going to get from his sets—you can probably count on a bit of UK garage and some breakbeats, but beyond that, it's a free-for-all. He's gone through phases ranging from DIY pop edits to grayscale Berlin techno to all the fantastic and unpredictable music on his label Allergy Season to his latest EP of vocal-heavy 2-step tracks, part of a recent move towards more emotional dance music that he says captures his "twee" side. If there's anyone that truly believes in the power of crying on the dance floor, it's him. 

He's an expert at themed mixes, pulling together loosely categorized sections of his vast and sometimes hilarious collection. (Other sets, like his revered Honcho Campout recording, are gloriously all over the place.) But for his RA Podcast he's gone straight for the dance floor, choosing the kind of thing he would play at a club rather than one of his NTS sets. It's typically era-spanning and adventurous, yet woven together with an expert touch, running from an underrated Texas dubstep label (Pushing Red) to old-school IDM to vintage Miss Kittin and even an obscure (or just forgotten) turn-of-the-millennium cover of "How Soon Is Now" that would only really sound right in his hands.  

Read more: http://ra.co/podcast/826

@physical-therapy

RA podcast

RA.826 Physical Therapy

Emma Blake is, musically, something of a nomad. She made her name—Solid Blake—that is, in Copenhagen, where she cofounded the influential Apeiron Crew alongside Mama Snake and Smokey. They were responsible in establishing the city's "fast techno" sound, which blended sleek techno and trance influences into something colourful and retro-futuristic. But Blake's side of things was always more rooted in electro, with a party-starting flair that you might be tempted to pin to her Glaswegian upbringing. (Her first release, <i>Mario</i>, came out on the label of the legendary Glasgow taps-aff basement nightclub La Cheetah.) And she's also spent time in Berlin, so she has those techno bona fides, too.

Another EP, released on Modeselektor's Seilscheibenpfeiler, further fleshed out her electro-techno hybrid sound, also explored in her Historical Repeater project with Danish artist Ctrls. DJing has been her major focus, though—she has an excellent Rinse FM show—and you'll hear a refined approach on her excellent RA Podcast, which is like a club set in miniature, starting out midtempo and rushing towards a heady climax with tracks like Pariah's "Squishy Windows." It's loaded with creative grooves, toothsome textures and the kind of sleek melodies that helped define her stint in Copenhagen since the beginning.

@solid_blake

Read more at https://ra.co/podcast/873

RA.873 Solid Blake

Rinse FM Podcast

Rest Your Brain with  Bruno Schmidt & Adi - 30 Januray 2024

Last year, when we wrote that "the best UK garage is coming out of Los Angeles," we were talking about Introspekt. The US DJ, who has since moved to New York, really understands the genre—its appeal, swing and unique, bassy whomp. Listen to any of her tracks, like last year's "Forlorn," and you'll hear someone who produces like she's been making UKG all her life. This is probably partly because she comes from a dubstep background, but either way, if you're looking for new UK garage beats, Introspekt is one of the best going right now.

Her DJing also hits a distinct sweet spot, zeroing in one of the proto-dubstep, dark UK garage days when producers like El-B were making the hottest shit around. Her sound is both retro and forward-looking, as you'll hear on her RA Podcast, which balances vintage Big Apple cuts from Skream & Benga with new-school tunes from Amaliah and Surusinghe. It's not so much a throwback as it is a rejuvenation of an old sound—a new way to look at it and a new way to make it. If hindsight is 20/20, then Introspekt has perfect vision, and mixes like this are the perfect way to educate listeners, make them move and innovate a little in the process.

@sageintrospekt

Read more at https://ra.co/podcast/929

RA.929 Introspekt

This past February, Tesfa Williams released his debut album—over 20 years into his career. Raves Of Future Past distilled decades of experience on London dance floors into a potent and powerful blend of grime, house, rave and techno. Made with an Elektron Digitakt to imitate the rough textures of early '00s UK dance music, the LP is an anachronistic history lesson that throws everything in a blender, imagining what gqom might sound like as an Eski track and giving new life to the short-lived "sublow" sound Williams helped invent with classic tracks like "Invasion," released under his earlier alias DJ Dread D.

Since the sublow days, however, Williams has become a torchbearer for UK house music and African diasporic sounds like Afro house and gqom in London. He's put out soulful hits like "Heartbeat"—recently reissued by Local Action—and released a steady stream of dance records for PMR and Strictly Rhythm. He's what you might call a jack of all trades, except for that he's actually a master of them all.

His RA Podcast charts his musical journey in reverse chronological order, starting with smooth, African-influenced sounds and winding through grime and dubstep, eventually landing at jungle. He threads a needle through diverse genres (and eras), and posits that the traditional UK hardcore continuum is a bigger spectrum than you might think, with gqom's heave and amapiano's log drum equally important in the musical equation. It's nearly two hours of UK dance music past and present, from a DJ who has lived it all.

@twilliamsmusic

Read more at https://ra.co/podcast/935

RA.935 T.Williams

Recorded live from @RefugeWorldwide - this show inspired by Mist, all things deep, atmospheric and spacious, with some warmth and soul -- dub techno, deep house, dub-wise tracks.

𝙡𝙞𝙦𝙪𝙞𝙙𝙩𝙞𝙢𝙚 w CCL #12 Mist @refugeworldwide

NYC Legend Hank Jackson (@@hjacksonnn) aka @ann0000 at the Effervesence night at iconic Bossanova Civic Club, NYC  June 23.
 
<3

ani/live Sixty Three: Hank Jackson @ Effervescence, Bossanova Civic Club, NYC

Tripped-out excursions through percussive club music with the Nowadays resident.

Ayesha Chugh, AKA Ayesha, makes club music that activates the body. The Brooklyn-based artist has spent the last few years carving out a distinct lane in modern club music. Her fusion of dubstep, techno and essential '90s rave elements into dynamite club tools that test and support dancers in equal measure. This time though, for her RA Podcast, Chugh purposefully tilts in a "more colorful wonky direction."

Since first turning heads with releases on labels like Fever AM and Kindergarten Records, she’s continued to refine a sound that feels both playful and punishing, marked by writhing basslines, rumbling drums and an innate ability to make bodies move. Her productions capture a kind of kinetic precision—tracks that are slippery yet forceful, balancing psychedelic textures with dubstep-like physicality and club-focused power. As Andrew Ryce wrote of her debut, Rhythm is Memory, her skill is "full of textures that wrap around the otherwise thudding, sub-heavy kick drums." After a serious accident in 2024 stopped her in her tracks, this year marks a full return to global touring with a new vantage point on life and the sound she seeks to push.

RA.983, clocking in at nearly two and a half hours, finds Chugh flexing that club muscle once again. Offering a tour through global club music both old and new, it's based around a set at her home base Nowadays this February. It's a patient but relentless ride: from deep, tunneling psytrance, progressive techno and slippery electro before really turning on the gas at the half mark, moving into slanted UK techno territory.

As she explains in the Q&A, it's a carefully curated selection of tracks that probes "what we perceive as tasteful." It's a mix that speaks to her deep knowledge of dance music’s lineage—and her intuitive ability to push it forward.

@aye5ha
Find the interview and tracklist at ra.co/podcast/983

RA.983 Ayesha

Ladiez Drink Free [@ladiezdrinkfree] presents you with our magnum opus… four hours recorded live from Nowadays Nonstop on June 14th, 2025 from 10pm-2am.

Join us as we warm your feet up with sultry, stripped-back downtempo, all the way to climax. 

Three people playing as one come comes with its challenges, but the reward is triple the energy, triple the music, and triple the fun ;)

Ladiez Drink Free Live @ Nowadays Nonstop 6.14.25

Recorded live from Weaving Weeds at Horst Arts & Music 2025, this is a mesmerising three and a half hours of Dutch artist Oceanic, deftly slipping and sliding through textural club sounds in a manner that's distinctly his.

@oceanicocean
@horstartsmusicfestival

RA Live - Oceanic - Horst Arts & Music 2025, Belgium

"It is not easy to find Saphira, and it is even harder to leave. Saphira is caught between a low-lying sun to the west and a glowing moon to the east, Saphira’s longing grows dense and time thickens within its walls. Perhaps this is why Saphira’s radios and televisions stutter with phrases and images so ghostly yet so intimately familiar, why its dusty buildings seem always to crumble so gloriously yet never collapse. It is a city inside of want and outside of time." 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/ccl/episodes/ccl-30th-july-2025

Invisible Cities w/ CCL - Saphira 300725

@aele___
@como-se-dj

Our description ahead of the party below, and it was everything we hoped it would be: sexy, romantic, sweaty, intimate, but we know they could've played for another three hours.  Let's call it part one...to be continued...
"We were so impressed by the b2b set that aka-Sol and como se DJ  played at the last Dripping club night at Nowadays – dubby, mysterious, sexy, full of a patient tension as if they could do this all night – that we wanted to hear it again, on the intimate scale of Fiber, in this space with our favorite freaks."

como se DJ & aka-Sol live at Fiber vol. 10

Mike Servito's closing set from 10:30am until noon at No Way Back, May 25, 2025, Day 2 of Return to the Source at Tangent, Detroit. 

"Mike Servito is an artist intertwined with his Detroit origins. No matter how far he travels and how long he lives elsewhere, the essential imprint of this city remains in everything he does.

If you asked where this mix was recorded, I would say "Detroit" without hesitation and if I thought about it for a bit, I would guess that it was most likely one of Mike's legendary closing sets at No Way Back at Tangent Gallery. The level of care and reverence that go into these sets is very evident in this mix from start to finish. The track selection moves effortlessly from past to future playing with darkness and light, depth and joy, tension and release. It's a remarkable demonstration of taste and skill but also a paean to Mike's personal artistic history that calls to the creative power center that Detroit comprises. This mix provides a true glimpse into Mike's long-term dedication to the art of working in tandem with the dancefloor, creating a shared journey where the challenge is to let go and just trust the DJ." 
– Michelle Erfer, Beyond Booking / The Bunker


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IT.podcast.s14e05: Mike Servito closing No Way Back 2025

@camillemandoki de la Ciudad de México nos preparó para Septiembre un mix introspectivo e íntimo acompañado de una cita que lo identifica ⋆⭒˚｡⋆

“Como mujer y como amante, sin embargo, me conmuevo al ver a mi Amado. Donde Él está, quiero estar. Lo que Él padece quiero compartirlo. Lo que Él es quiero ser: crucificada por el amor.”

- Santa Teresa de Avila

Portada de Jackie Valadez aka Dollstar.

Camille Mandoki - Lapi + Filia Music Series 029

FR33 DL: https://hypeddit.com/clubsp33d/friendlyneighbourtheultimatebounce-gate

https://soundcloud.com/friendlyneighbourmusiccc

"The Bounce refers to the simplicity of a rolling bassline. Merging a more psy influenced bass with the harmonies of modern trance."

Friendly Neighbour - The Ultimate Bounce

Everyone at fabric is devastated about Andrew Weatherall’s passing, and our thoughts and condolences are with his family and friends at this difficult time. When the news broke on Monday, we spent most of the day thinking of the best way to commemorate Weatherall’s chapter in our story, but as soon as we put fabric 19 on our office speakers, we felt like sharing it with our community made the most sense. 

For the next week, the full mix will be available to stream here. Back when we were working on releasing this album, Weatherall left us with the following words, which sum up his approach as an artist better than we ever could. We are proud to be able to share one piece of his enduring legacy. He will forever shine like a star. 

“It's only in the last five years that I've considered myself a DJ, ‘cos when I first started, I just played records. I thought of it as a job, but I never thought of it as a career. When you start thinking career, you start thinking ‘Game plans’, and ‘I've gotta be at a certain stage’, and ‘Oh, why am I still doing this’ if, you know, ‘My career should be here’. Call me an underachiever. I think if you start thinking of it as a career, you start thinking you've gotta be here at a certain time, then you start taking shortcuts and start making the wrong kind of decisions. For a long time I put myself down and said it wasn't a proper job. But it is.” – Andrew Weatherall

Read our full tribute via our blog: fabricldn.co/remembering-andrew-weatherall

RA.826 Physical Therapy

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