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The Mean Streets Show with Sukh Knight & Skee Mask - 20 October 2021

blue turtle

Today, we share with you Mandarín's perception of Far Blue. Besides being an artist who puts together beautiful selections, we got familiar with Mandarín as a pivotal part of the community in the first place. A name who always pops up everywhere, and someone who has a vast musical knowledge by being so invested in everything that is put out by other artists and platforms. It only made sense to ask her to create a mix that represents her feelings of Far Blue, as she has been part of the process for a long time now. An artist that truly understands where Far Blue comes from, which she showcases in a versatile one hour and thirty one minutes mix.

'Yet, in a stillness a flicker of hope,
a promise of solace, a way to cope.
For even as red skies fade and elope,
new dreams emerge, with boundless scope'

ᐁ ᐁ ᐁ ᐁ ᐁ ᐁ 
@manndarin

Instagram.com/farblue_ 
Facebook.com/farblueconcept

A Far Blue concept by Mandarín - 'Red Skies Disappear'

Ari Goldman (Beautiful Swimmers / World Building ) live at Bar Part Time April 5, 2024

Ari Goldman Live @ B.P.T. April 2024

62번째 vurt podcast는 네덜란드 로테르담을 중심으로 활동하고 있는 딥테크노 디제이 Rosillon의 90분 디제이 세트와 함께 합니다.

Rosillon (Embodiment / Rotterdam)
Rosillon은 로테르담 출신의 바이닐 DJ이자 Embodiment 이벤트의 공동 설립자이다. Rosillon은 다양한 음악에서 받은 영향과 영감을 결합하여 진정성 있고 개념적인 접근 방식을 개발, 청중에게 다가가고 있다. 그는 풍성한 앰비언트 패드와 추상적인 드론 텍스처, 다양한 리듬 등 딥테크노의 여러 요소를 매끄럽게 혼합하며, 바이닐을 사용한 DJ 세트를 통해 이러한 예술적 접근 방식을 아름답고 헌신적으로 전달하고 있다.

@rosillon
https://soundcloud.com/embdmnt

The 62nd vurt podcast features a 90-minute vinyl DJ set from Rosillon, a deep techno DJ artist based in Rotterdam, Netherlands.

Rosillon is a vinyl only DJ from Rotterdam, and co-founder of the event organization Embodiment. 
Combining influences and inspirations from a wide variety of music, Rosillon has developed an authentic and conceptual approach to reach his audience. He seamlessly blends elements varying from lush ambient pads, and abstract droning textures, to complex and more straightforward rhythms. 
 His choice to DJ using vinyl only fits this artistic approach and allows him to make people more aware of the beauty and the commitment it takes to play this audio format in a digital era.

vurt podcast 62 - Rosillon

Tracklist here: http://www.mixesdb.com/w/2015-01-02_-_Floating_Points_%26_Four_Tet_@_Plastic_People_Closing_Party,_London

Over the past 8 years or so we have had, along with Theo Parrish, the honour of playing the monthly residencies at a small basement club in Shoreditch, London with an impeccable sound system. After 20 years of operation, it was time to move on and close the doors on a place that has a lot to answer for in shaping modern club culture. To say this space along with the owner Ade’s singular vision was fundamental in our personal musical formation would be a complete understatement. 
 
On the day of their closing, manager Charlotte asked us if we’d put the system through its paces for the last time that the club would be open to the public. We set about packing the anthems from our respective residencies and on the night once the people were through the doors played 2 records in turn for the rest of the dance. We included tracks of our own and of friends that were made with that place in mind. Records like Daphni - Ye Ye and Four Tet - Pinnacles were made to first be played at Kieran’s nights there, and the Floating Points - Vacuum EP was born out of the CD-R night at the club, and its launch party was the trigger for Sam’s monthly residency.
 
We set this recording up just before the start of the night and unfortunately it distorts in places, but we make no apology for how joyfully noisy people get! The vibe in the room this night was typical of the club on any given night and we hope this recording captures just a fraction of the spirit of a Plastic People night.
 
A massive thank you from us to everyone that has come down to the nights over the years and supported our music there. We are truly humbled to have shared the music we love with people at this place, and your energy in turn has influenced the way we make music on an unfathomable scale. We also thank the bosses Charlotte Kepel and Ade Fakile for inviting us to the club and having faith in us over  these years! All the best for the future!
 
 
See you in the dance
 
Much Love 
 
Sam &amp; Kieran

Floating Points & Four Tet - Final Plastic People 2 1 2015

Pure energy from one of electronic music's brightest lights: Sofia Kourtesis. Clamour had built around the Peruvian artist's poignant brand of house music following a string of EPs and 12"s, culminating in last year's Madres—a passionate, vulnerable and excellent album that resonated widely.

Madres packed in rare specificity for a dancefloor record, combining paeans to the power of sound with direct tributes to the neurosurgeon who saved the life of Kourtesis' mother. (Kourtesis even took him clubbing in Berlin as an additional thank you.) The album's earworm melodies and approachable aura helped launch Kourtesis from bubbling to breakthrough on the global stage. In both sound and impact, it mirrors another record: Swim, the 2010 classic made by Kourtesis' friend and mentor, Dan Snaith.

Speaking of @caribouband: RA.943 kicks off with a brand new Sofia Kourtesis & Daphni collaboration, before powering through summer-ready cuts from LUXE, Floating Points, IceMorph, DJ ADHD and an old Oliver Lieb classic. Even as her reputation as a recording artist swells, this power-hour mix is a sharp reminder of Kourtesis' DJing chops, teeing up a victory-lap summer ahead.

@sofia-kourtesis

Read more at ra.co/podcast/943

RA Podcast

RA.943 Sofia Kourtesis

The German minimal DJ returns to the spotlight with two hours of artfully subtle house and techno.

There's an old German proverb that goes "Der stete Tropfen höhlt den Stein." Literally, it means a constant dripping wears away the stone, but the point isn't about force but patience: slow, steady repetition can leave the deepest mark. It's an apt metaphor for the career of Kosta Athanassiadis, better known as XDB.

Active since the early '90s, first as a DJ and then producer by the decade's end, Athanassiadis has built a career less on hype than persistence. His catalogue spans labels like Dial, Metrolux and Echocord, alongside a steady trickle of EPs and remixes that have quietly cemented his reputation as one of minimal house and techno's undersung heroes.

That patience carries into his sound and production ethos. Where many of his peers embraced software upgrades and new workflows, Athanassiadis has long stuck to Cubase, a handful of trusty instruments and 30-year-old speakers he claims to have run "hundreds of thousands of tunes" through. He also still prefers to use inexpensive, straightforward gear—what matters, he insists, is not the tools but the feel. The result is a sound that’s stripped back, direct and enduring.

Lately, Athanassiadis has found himself back in focus. With minimal enjoying fresh attention, his calendar has filled, and with it a run of back-to-back sets—most often alongside PLO Man, a regular sparring partner this year. True to form, though, you won't find that his style has changed much. Over 30 years after his first gig, you can rest assured you'll still find him playing with patience, carving out long arcs rather than sharp peaks.

His RA Mix captures him in a reflective mood. Running just over two hours, RA.1003 is a hushed yet absorbing affair, moving seamlessly from the delicate atmospherics of Valentino Mora and Caldera to the machine funk of Robert Hood, Solid Gold Playaz and Marcellus Pittman. There are left turns folded into XDB's patient narrative arc, too: John Carpenter's brooding scores here, DJ Sprinkles' melancholic work with Will Long on "Acid Trax N (Acid Dog)" there.

It's the sound of a DJ who has been quietly chiseling away for three decades, and who understands the value of persistence as much as restraint.

@xdb

Find the tracklist and interview at ra.co/podcast/1021

RA.1003 XDB

Sultry low-end grooves from a rising house enchantress.

"What kind of music do I actually want to play?" Every artist asks themselves this at some point in their career. What is a sound? And why do we personally identify with it? For Lea Lang, AKA dj sweet6teen, this question is the guiding force behind her RA Mix.

Born in Aachen, a German spa city close to the border with Belgium, Lang found her musical feet in the vibrant student hub of Cologne. It was while studying social work at the Technische Hochschule that she fell into the nightlife scene. 

Finding her sound wasn't an instant process. Lang cut her teeth on breaks-heavy house and prog (think Angel D'Lite), traces of which you can hear peppered across RA.1004. But as she explains in this week's Q&A, the pandemic years were, musically, a turning point. 

"High BPMs and short-lived trends became very dominant and I realised I couldn't stand the pace anymore," she writes. "That's when my sound naturally shifted into something more minimalist and timeless."

Nowadays, you'll find Lang in Berlin during the week, and on weekends… well, take your pick. A busy touring schedule means she's on the road almost constantly —this summer she's debuted at Horst Arts & Music, Butik, Dimensions and Panorama Bar (to name just a few). 

And her RA Mix? It oozes charm from the jump. Buoyant with gyrating low-end, it's hard to think her sound was ever anything else: vocals twirl around analogue basslines, material à la Eddie Richards and Terry Francis's historic Wiggle parties, as well as the kind of bongo action that wouldn't feel out of place in an Apollonia session. Call it waft, wiggle, smooch house—whatever it is, we like it.

@djsweet6teen 
Find the tracklist and interview at https://ra.co/podcast/1022

RA.1004 dj sweet6teen

The first-ever live recording from an elusive icon of dubby electronic music.

Lore is an underrated quality. Neuroscientists have mapped that music elicits similar feelings in the brain to when we satiate cravings, but what about the psychological impulse that drives listeners of a certain disposition toward everything they don't know?

It's tricky to put your finger on, but artists able to conjure intrigue without overhawking the backstory can really cut through—just ask SAULT, [ar:pi:ar] or Gerald Donald. Then there are those who don't try whatsoever. These are the ones who stay in mind the most.

In 2001, a striking 12" called Ship-Scope emerged through Chain Reaction, credited to Shinichi Atobe, with no other info available. Okay, mulled fans, this is probably a cat-and-mouse game dreamed up by someone on a label with a fine line in foggy obfuscation. Vainqueur on a wind-up? Another Moritz 'n Mark alias?

But no: Atobe was real, and really had posted a demo to Hard Wax. It was that simple. Then he went back to his day job—until, after 13 years of silence, an even better follow-up emerged.

From the near-perfect Butterfly Effect onwards, Atobe has built up one of the most revered catalogues in underground circles. A steady clip of elegant, transportive dub techno and deep electronics has arrived on Demdike Stare's DDS, complimented by the launch of his own label, plastic & sounds, earlier in summer 2025.

Atobe has also made strides into the public domain, DJing intermittently, as well as performing live for the first time in 2023, gracing WWW at the tender age of 52. It's that debut 2023 show heard on RA.1009: a hypnotic yet comparatively pumping set full of Atobe staples, as well as material you won't find anywhere else.

Contact with the big man, as you might anticipate, is glacial: since we first reached out, the RA Mix has changed name, look and rolled over into its second millennium. Still, patience pays off. This is a one-off we're stoked to run. – Gabriel Szatan

@shinichiatobe

Find the interview at https://ra.co/podcast/1028

RA.1009 Shinichi Atobe

Dubwise atmospherics flood Guy Brewer's third RA Mix.

Hear the word "Dionysus" and you picture the Greek god of ecstasy: overflowing tables, delirious revelry, chaos. Not the austere soundworld of Guy Brewer, AKA Carrier. On the surface, the UK artist's latest alias feels almost Spartan. But look closer and the Dionysian link starts to show:  it's about shedding fixed forms and identities, to allow something more true, more alive, to form. 

RA.1011 marks Brewer's third entry in the RA Mix series, following editions as drum & bass outfit Commix (RA.269) and, later, the techno alias Shifted (RA.310). "I guess it's an effort to step away from purism," Brewer told <i>Resident Advisor</i> back in 2023. "Right now the thresholds between genres are where you find the most exciting music." 

Carrier's phenomenal debut album, <i>Rhythm Immortal</i>, delivers on that promise. Low-end pressure cloaks like foreboding shadows, punctured only by eerie, otherworldly percussion comparable only to Photek or T++. Listen to the LP in full and it feels like walking through a scene in a true-crime drama: a fog-drenched city street in the deep of night, ambushed by gusts of wind, whispers and strange noises—and it sounds totally, utterly original.

Tracing a line through dub pressure, fractured percussion and narcotic ambience, Brewer explores that same world on RA.1011. As with the album, there's a primal pulse that threads through the recording. Walls of negative space seem to hover before dissolving inexplicably, their tension intact; drums move more like the weather than rhythm. - Bella Aquilina

RA.1011 Carrier

57 minutes of sharp, fast, freaky techno from the underground pop star.

Long before SoundCloud made him famous, RJ Glasgow was already producing edits from his bedroom in Philadelphia. The artist now known as LSDXOXO spliced R&B classics with DMX Krew and Madonna, then graduated from bedroom producer to internet provocateur with his 2010 mix series Spit or Swallow, where La Roux met Ratatat and Rihanna collided with Crystal Castles.

A decade later, that same DIY energy has taken him far beyond the online underground. Now based in Berlin, Glasgow has opened for Beyoncé on her Renaissance tour, remixed Kelela, Lady Gaga and Björk, and taken his Floorgasm party worldwide.

His RA Mix captures that evolution in full flight. Across 57 minutes and 26 tracks, RA.1012 tears through shades of contemporary techno—from big-room precision (Adam Beyer) to looping hardgroove (Italia 90, River Moon) and razor-sharp edits (EsDeeKid & Fakemink).

“Maybe my music invokes that freaky feeling,” he told Resident Advisor in 2022. “A lot of people have that inner freak.” That spirit still drives him today—sensual, chaotic, unapologetic—and reminds us that wherever he plays, LSDXOXO will always be a club kid.

Find the tracklist and Q&A at https://ra.co/podcast/1031
@lsdxoxo

RA.1012 LSDXOXO

A lesson in "diva house and horniness" from a modern New York darling.  

Ask Kilopatrah Jones who their favourite DJ is, and they'll give you an unequivocal answer: Junior Vasquez. And the influence is telling. Both born and raised in Queens, the two share a sense of house as a life force. Not in a new-age, spiritual sense. For Jones, it means being "sweaty, panting and free." 

The NYC DJ can play anything from techno to drum & bass, but when playing house, there's a particular sense of clarity: they understand the genre in the same lineage as Vasquez, Larry Levan and his peers, as the sound of reinvention, transgression, glamour and joy. 

Across the following two hours, RA.1013 immerses you in that world. It feels like walking into the Sound Factory at peak-time, bodies in glorious motion, fog thick in the air. The Lot Radio resident runs through familiar classics, bringing it home with a gag-inducing sweep of Donna Summer, Celine Dion, CeCe Peniston—and fittingly ends with Madonna, a wink to Jones's hero and his defining moment, "If Madonna Calls." 

Jones' RA Mix also reasserts the idea that clubs should be a place of joy. Not only for our individual needs and fulfillment, but as a political act—especially for marginalised folk. Arriving at a time when systemic regression and cultural decay feels increasingly pervasive, they is a model for what DJs and dance floors can, and arguably should be. As they put it, "I'm just so happy and grateful to be alive and in this body."

Find the tracklist and Q&A at ra.co/podcast/1032

RA.1013 Kilopatrah Jones

A sun-soaked broadcast from two of Naarm's most loved selectors.

Asked once how the name for their joint project started, Simon TK and Edd Fisher responded casually: "We were asked to produce a record fair many moons ago, Wax'o Paradiso was the name of that event," they recounted in an interview. 

Happy accident or not, the name rings true more than a decade later. What started as a record fair has since evolved into an event series and now a record label, with Fisher and TK becoming true pillars of Naarm's local scene in doing so, crafting paradisiacal musical worlds wherever they go.

Wax'o Paradiso is a live act first and foremost. Rarely relying on conventional venues, their parties have become the stuff of urban lore, held everywhere from Fairfield Amphitheatre to an old convent and even a children's farm. Often outdoors, these gatherings carry a breezy, open-hearted feeling, and that flows directly into their sets. Think of it as Australian Balearic: eclectic explorations through warm and rolling shades of dance music, laced with licks of '90s prog and tech house, the spiritual foundation of any good bush doof.

Their RA Mix captures the essence of why the pair have become stalwarts of their local circuit. It isn't a recreation of those beloved open-air sessions, but at nearly three hours long, it settles around you like a summer night—and, for listeners in colder climates, perhaps a bittersweet reminder of one. Most tellingly, RA.1014 is bookended by tracks from two Australian artists across two generations.

Ten years in, TK and Fisher's  focus remains steady: build community, elevate local voices and share the eclectic, joyful sound that has made them a cornerstone of Naarm's scene. Their RA Mix is a clear extension of that mission: warm, generous and rooted in the place they call home. 

Find the tracklist and interview at ra.co/podcast/10333
@waxo-paradiso

RA.1014 Wax'o Paradiso

A rare mix from the Dutch artist also known as A Made Up Sound, 2562 and ex_libris. 

What makes something sound like Dave Huismans? His music carries a signature you can't quite name, a tension which has defined every chapter of his career. And unlike most producers, he really does operate in phases. 

A man of many monikers, Huismans resurfaced this year after nearly a decade away with two new aliases, ex_libris and In Transit. His latest ventures, though sonically a world away from the work under his most recognised projects, share the same slipperiness, intricacy and disregard for tidy genre borders. 

"Naiveté and a lack of prejudice… a really wide-eyed type of open-mindedness," Huismans once told RBMA, recalling his youthful forays into dance music and that ethos is alive and well on RA.1015.

Huismans's second RA Mix is as equally thrilling as his first one 15 years ago, traversing a map of influences from Madlib and Gyrofield to Prince and Autechre.  There's no shortage of atmosphere (Losoul's "Sunbeams and the Rain" is one particular highlight), but the throughline is groove: soulful, vocal deep house into driving techy depths, walls of glitchy drums and frantic percussion into guitar funk. 

"I got carried away a bit," Huismans says of RA.1015 below. And that's no bad thing. It sounds like someone enjoying himself again, and perhaps, after letting a few old skins fall away, Huismans is ready to shift shape once more. And if it's anything like the last time, a lot of good music awaits. 

Find the tracklist and interview at ra.co/podcast/1034 
@2562amadeupsound

RA.1015 Dave Huismans

The sun is shining (occasionally) and the countdown to SUNANDBASS 2016 is now well and truly underway. Podcast #50 is also upon us, and so it seemed like a good moment to bring in yet another ray of sunshine to all our lives – and what better ray, than a Brasilian ray of sunshine in the form of the legend that is DJ Marky!

Since his introduction to the international world of Drum & Bass in the early 2000’s in the shape of his ‘The Brazilian Job’ mix CD and his contributions on ‘The Brasil EP’, DJ Marky has become one of the top DJs in Drum & Bass and has spread his infectious love for music and party vibe worldwide. 

SUNANDBASS Podcast #50 shines a light on his tremendous skills on the decks – check it out now and get in the mood for SUNANDBASS 2016!

1- Calibre - Roga Funk
2- Bachelors Of Science Feat. Collette Warren - Down The Line (Random Movement Remix)
3- DJ Marky - Ready 2 Go
4- Pola & Bryson - The Things I Do (Ownglow Remix)
5- SpectraSoul  & dBridge - Glimpse (Ivy Lab Remix)
6- Decon & Paul SG - The Jam
7- DJ Marky - Silly V.I.P.
8- Marcus Intalex - Poledance
9- Spirit - From Creation
10- Big Bud - Emotionography (Satl Remix)
11- Potential Bad Boy - Revolution (Tyke Remix)
12- Konichi - Together
13- TC Feat. Metrik - The Light
14- Digital, Spirit & NFM - Infinity
15- Alibi - Hornet V.I.P.
16- Fierce & Vicious Circle - Section
17- The Invaderz - Pavements
18- DJ Marky - Electrified
19- Total Science - Respect Due
20- DJ Marky & Tyke Feat. Cat Knight - Untitled
21- Serum & Voltage - Save This World 
22- Marcus Intalex - The Guilotine
23- Calibre & DJ Marky - The Amen Track

Mixed With Love by DJ Marky

SUNANDBASS Podcast #50 - DJ Marky

planet lonely
- - - -- --- -----*
autodestruction. 
whereever u are. 
sublimation. 
i got to hit the streets. 
the blue. 
ta reine. 
familiar light. 
hiphop experiments. 
daemmerung. 
everything is everything. 
done. 
base sweep. 
run from. 
head in the clouds. 
sweet bye and bye. 
piano poem. 
a view from above. 
time goes by. 
geminiden regen. 
rem. 
wonderland. 
dreamland. 
sofarawai. 
end of the world. 
interior renovations. 
where the place for me was. 
meaningless space. 
come closer. 
love.
a lot of freedom. 
loosing touch. 
i'm alright. 
departure. 
find me peace. 
back home.

dj healer - planet lonely

Our final podcast this year from the one and only Skee. Enjoy the holidays and have a good start into the new year!

Tracklist

The Dirty Criminals - Existance
GM Cole - Peacmaker
Sphere - Soulscape
DJ Zank - Officer (Short)
Gaetek ‎- The Advanced Series Vol. I (A2)
Ian Lehman - Veemente Effeto
Exium - Unit 1
Stave & Grebenstein - Alfa
Terrence Dixon - Live in Detroit 2 (A2)
Pandora's Box - Eskibongo
User - 18 (B2)
Joel Mull & Adam Beyer - Remainings II (A1)
Infiniti - Skyway
Mr. James Barth - One Side Each (B1)
Projekt 69 - Wagons One
Driven By Attraction - Bubbleon
Doctor Y.S. & The Cosmic Drunkards - Secret Samba
Reducer - Inside Information (B1)
DJ Nehpets - Pop-U-Late (Edit)
Hedgehog Affair - Mystic
Autechre - 90101-5l-l
Tektrax - Tektrax Volume 1 (B1)
Feadz - Hawaiian Smut
Curve #136 - Monoton. 146
DJ Bake - BC Basketball Anthem (feat. OMG Addy & DJ Jayhood)

ITPS046 SKEE MASK

Bolshy beats from one of Ilian Tape's finest.

Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=717

RA Podcast: @stennyyy

Resident Advisor podcast

RA.717 Stenny

One-Hundred-Seventy-Seventh Hate Podcast with nthng. The whole podcast consists of works produced by nthng, mostly unreleased. 

Download available.

nthng - unreleased
nthng - unreleased
nthng - unreleased
nthng - I Just Am
nthng - unreleased
nthng - Embryo
nthng - unreleased
nthng - Heitt
nthng - Hypnotherapy 
nthng - unreleased
nthng - unreleased

Follow nthng here:
https://soundcloud.com/nthngnthng
https://www.instagram.com/nthng_0000/
https://www.facebook.com/nthngnthngn

Follow #HATE here:
https://www.instagram.com/hate_collective/
https://www.facebook.com/hatecollective/