Dekmantel Festival 2023

TSVI at Dekmantel Festival 2023

As a producer and DJ, TSVI is in the form of his life—which you can't always say for an artist a decade in. He's been an enduring presence through several underground cycles for a reason: the man knows how to flow.

TSVI's RA Podcast features a solid number of new and forthcoming cuts from the current vanguard pushing club music forward, amongst them Verraco, Surusinghe, DJ Plead, Doctor Jeep, DJ JM, WOST and Dj Babatr—who just dropped a split 12" with TSVI on TraTraTrax last month.

Alongside the names you might expect, TSVI also leans into a streak of personal history. On RA.944 you'll hear fast, deep and percussive '90s and '00s cuts from Spain, Latin America and his native Italy, with a particular focus on the kind of playful progressive trance minted by the late, great Franchino. It makes for a truly dynamite mix.

@tsvisions @nervoushorizon

Read more at https://ra.co/podcast/944

RA Podcast

RA.944 TSVI

Speedy percussion meets screwface basslines: the Parisian club maestros are in session. 

Trying to find one word to describe the music of Amor Satyr and Siu Mata could run you into difficulty. But if we were to try, we'd reach for amphibian: slippery, nimble and evading borders with ease.

With solo and shared releases on labels like SSPB, HARDLINE, TraTraTrax and their own WAJANG, they have evident kinship with what moves contemporary dance floors. The pair are also linked to the rise of an alchemical style they like to call "speed dembow"—taking the looping rhythm of dembow before pitching it up to modern club tempos and adding muscle.

Combining tribal techno, baile funk, dubstep, jungle, dancehall and beyond, their RA Podcast makes for one hell of a ride, with over two hours of romping percussion, lysergic effects, high drama and plenty of wobble.

@amorsatyr @siumata

Read more at ra.co/podcast/948

RA.948 Amor Satyr & Siu Mata

Recording of Amor Satyr & Siu Mata's set at Dekmantel Ten

Pre-register for Dekmantel Festival 2025 here: bit.ly/4fyWKXc

Amor Satyr & Siu Mata at Dekmantel Ten

CASHU
@carol-schutzer
@mamba_negra
WHOLE 24

CASHU

Three hours of high-intensity heaters from the trio lighting up US club music.

"If the baby boomer generation had the three from Belleville, millennials can say…we have Black Rave Culture." Lofty praise from Spain's WOS Festival, and yet the undeniable buzz surrounding the Washington, D.C. trio of Amal, James Bangura and Nativesun makes it feel merited.

The Black Rave Culture experience is physical from start to finish. The trio's glide through the rich canon of Black dance music is, naturally, a huge chunk of the appeal. You can hear them slamming ghettotech into gqom, threading UK garage through East Coast club, stitching antic juke and swung techno, and landing the odd Mad Mike all-timer with flair.

Their productions mine a similar store of energy, and you'll find plenty of those on RA.974 too. Perhaps most importantly, their tangible chemistry and sincere, undimmed enthusiasm for tunes are what makes this group so magnetic. 

While their RA Podcast is split threeways, it could just as easily be a round-robin session behind the decks. RA.974 is an exhilarating exercise in creating serious dance floor pressure while having a ball in the process.

@black-rave-culture @jamesbangura @dj-nativesun @ama_l

Read more at ra.co/podcast/974

RA.974 Black Rave Culture

TYGAPAW LIVE at Nocturnal Emissions 01/11/25, in Brooklyn, New York. TYGAPAW unleashed a beautifully relentless peak hour set at Nocturnal Emissions on 01/11/25, seamlessly blending the percussive power of dancehall with their signature emotional, driving techno. Pulsing with urgency and defiance, this set is a kinetic journey through sound, resistance, and release. Listen to more on TYGAPAW's SoundCloud https://soundcloud.com/tygapaw

TYGAPAW grew up as Dion McKenzie in Mandeville, Jamaica. Today, the Artist, producer, DJ and label owner resides in Brooklyn, New York, where they have spent the better part of a decade uplifting frequencies representative of the Black electronic music diaspora. Their sonic palette—informed by the dancehall of their hometown as much as it is the techno emanating from the warehouses of Detroit—has made them an indispensable figure in Brooklyn's electronic music scene.

Since 2014, McKenzie has been carving spaces in New York for queer people of color through their queer club night, and now label, Fake Accent. The platform is part of their broader mission to forge liberating spaces for marginalized people, particularly Black, queer and trans people, an agenda embedded in the various layers of the artist's work. Early records like the breakthrough EP Handle With Care (2019), Ode To Black Trans Lives (2020) and their debut album, Get Free (2020) established McKenzie not only as a skillful producer, but further as an emotive storyteller. Through their production, they are known to weave together stories of queer immigrant life, radical self-preservation and Black communal joy.

Their music, much like New York, is a cultural stew made vibrant by influences as local as New York's ballroom community and as distant as Berlin's hard techno circuit. In 2021, one of techno's most vital institutions, the Berlin venue and record label Tresor, enlisted MacKkenzie to contribute to their 30th anniversary compilation, where the musician was in the company of techno luminaries like fellow contributors Juan Atkins, K-HAND and Robert Hood. In 2022, McKenzie brought their visionary take on techno to life with a three-part techno opera, Devil Woman (Obeah Woman)—the first iteration of which premiered at New York's The Chocolate Factory Theater, and Queens Museum before the project traveled to Berlin.

2023, TYGAPAW's second album love has never been a popular movement, was released on fabric Originals in the spring. This album is a special one for several reasons: It's the first album the musician produced with hardware rather than Ableton, their first record that features their vocals prominently and it also sees McKenzie try their hand at songwriting. In eight tracks that hopscotch across atmospheric techno and East Coast club, love has never been a popular movement addresses, with unshakable confidence, fierce self-love and TYGAPAW's journey as a Jamaican reckoning with their trans identity.

NOCTURNAL EMISSIONS is a trippy mix-mash of house, techno and trance with Latin / tribal influence; a distorted, sound-bending, mind-fuck that will leave you suspended with the vibrations of the night. bit.ly/nocturnalnyc for next events and more info. Live set mastered by @djjohnnyi

Nocturnal Sessions 027: TYGAPAW (LIVE)

Lisa More invite Bitter Babe - 24 Mars 2025

Club futurism and a stack of new material from one of São Paulo's boldest shapeshifters.

BADSISTA doesn't do stasis. In fact, he prefers to be in a constant state of motion. It was immediately obvious when the São Paulo artist broke out with his 2016 self-titled EP, in which a bass-heavy melange of baile funk, dembow and trap demonstrated an ability to satiate almost any dance floor.

But BADSISTA continued to evolve through the different moods and textures of the club: from experimental compositions with Brazilian trans icon Linn Da Quebrada to ballroom bass and heads-down funk shellers for TraTraTrax.

This RA Podcast finds BADSISTA in a fluid place once more. The mood starts out slow and moody—one of a slew of unreleased BADSISTA tracks—before seamlessly morphing into the soul-stirring synthwork of Al Lover Meets Cairo Liberation Front. Then he gets playful: tasteful, techy house morphs into smutty baile funk. (And as for the guests, look out for Sully's "XT" and a spicy Batu rework.)

BADSISTA's style is connected by a uniquely Latin sense of rhythm and groove. Here, dramatic synths build up to even more dramatic funk crescendos. Perreo rattles appear in and out of the mix, as if acting as a reminder for people to move. But really, above all, this mix radiates with aliveness.

When you whittle it down to the bare essentials, all that matters is the joy and connectivity you feel within yourself and the world around you. BADSISTA is an excellent facilitator, and you'll hear as much on RA.991.

@badsista

Find the tracklist and interview at ra.co/podcast/986

RA.991 BADSISTA

Red Occultus Records presents a driving techno EP by Boom Merchant, which has raw sounds and undertones of funk.
This three-track release showcases Boom Merchant's innovative production style, which takes intense techno grooves, and fuses them with elements from other genres. His tracks have swirling drums and thickset basslines combined with striking melody hooks and infectious vocals.
Living in Mexico, Boom Merchant is originally from Ireland, but has travelled the world as a headline DJ. His music has been released by record labels such as T78's Autektone Dark, and he also frequents his own imprint Tribal Pulse. This is his second time working with Red Occultus Records, he has also featured on their sister imprints Occultus Records and Black Square Recordings.
The release's title track, "Bad Trip" opens proceedings with fizzing hi-hats and a hammering kick drum, forming a framework for soulful vocal tones and tense pads. Next up, "Solo" has juddering drums and a throbbing bassline cut by dramatic stabs and vocal bursts. "Top Boy" closes the release with a pumping bassline and euphoric melody underpinned by robust percussion.
Release Date: 15-08-2025
Artist: @boom-merchant
Label: Red Occultus
Follow us: @sweetspace

RA.944 TSVI

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