ROOM 2 - SATURDAY 20 til 22 🐊🐊🐊

Thanks to Suzybee & Steevio, the volunteers, the dancers, the musicians, Théo & Ugo, the Friends of Fictions, Alex & very special thanks to @iambruce for mastering the recording :)

Hug to @r4r_luz who sadly couldn't make it this year and was supposed to play before me.

Shorter context: https://www.instagram.com/p/C9NI2bwMVcu/

Longer context: https://fictionsandreflections.com/a-fluid-togetherness-that-manages/

Freerotation 2024 : The House Of Crocodiles Part 2 (Live Recording)

The supremely talented DJ Plead launches us into a mind warping world of percussive pleasures and dexterous genre bending, with his trademark agile club rhythms and pacy low end palpitations on full display in episode 303!

@1djplead

Q. What inspiration did you draw upon when planning this mix, and what type of listening environment could you imagine it being easily enjoyed in? 

A. I actually looked through my rekordbox history from a recent Animalia night I played in Naarm and drew some inspiration from that. When listening back to the mix I can imagine it being played for a semi-casual game of Futsal or something like that. I feel like there are some light-footed tracks in there that would be useful to some nimble futsal players. 

Q. Are there any songs in the mix that are especially close to your heart, and what is it about these cuts that resonate with you so much?

A. Mata by Nidia & Valentina

It's taken off  a truly sublime Album that I draw lots of inspiration from. It's simultaneously organic and loose and club-playable, which is a tough one to get right. It's something I’m constantly trying to achieve but they seem to have done it effortlessly. 

Dotted by Cliques

I actually tried to google to see if I’ve ever put this tune in another guest mix before. I probably have, so I’ll apologise for that now. Cliques has always had a big influence on me since I started producing music. They’ve since stopped producing themselves which is a shame but I always play their old tunes out if I can. RIP Cliques..

Q. One of the things I’ve been fascinated with in your DJ sets (the Sustain-Release set for example) is your mixing of polyrhythms to seamlessly bridge tempos throughout a set. How did you first get inspired to experiment with this style and what are some of otherwise conflicting genres/sounds that have blended nicely?

A. My DJing style is at times an extension of my music production. I think this might be a good example of that. The sustain release transition from 150 to 100 is using a tune that I produced years ago in a 3/4 time signature. I’ve produced a few tunes over the past few years that are able to do that. It just allows me at times to bounce around to different worlds and stops me from feeling stuck in a tempo-range. I haven’t done it so much recently but I’d like to get back into doing it. It can create a really strange feeling for the audience. At Sustain-Release, a lot of the audience were on hallucinogens so it felt appropriate to get trippy in that way. It's harder to pull off in a nightclub environment.

I’m no longer sure what the original inspiration for experimenting with this style was. Playing a lot of tunes that have a polyrhythm in them can often make you feel like you have the option to dance at two different tempos.

MDC.303 DJ Plead

The in-demand US DJ unfurls dubby, dance floor poetry.

Where does sentimentality fit on the dance floor? For Liv Klutse, AKA livwutang, the answer is everywhere. The New York-based DJ is guided by a deep desire to stir connection, finding themes and points of correspondence across an impressively broad range of sounds, tempos and eras. 

This emotional intuition lends Klutse's sets a depth few others can match. Her selections can seem unpredictable, rooted in an appreciation for feeling over genre—hard and soft sounds are carefully balanced with surrealism and bursts of nostalgia (for instance, the Lazy Dog bootleg edit of Everything But The Girl's "Tracey In My Room"). But as versatile as she is, a few signature traits colour her style, such as a love for dubwise music and rhythms from across the Black diaspora, alongside a refreshingly introspective energy that invites dancers to find moments of meditation—even during peak time. 

A former staffer at our New York office, Klutse has long merited an RA Podcast. Her slow-burning blends and mystical selections have graced near-enough every major festival and club out there, from Dekmantel and Sustain-Release to Nowadays, where she's been a resident since 2022. Despite this cross-continental touring schedule, she still plays plenty of grassroots venues—testament to her days with TUF collective and Orphan Radio in Seattle, as well as her enduring belief in the power of DIY, community-orientated dance music. 

"How did you come down off life?" James Massiah asks at the beginning of RA.975. Across nearly 90 minutes, Klutse's downright beautiful mix seeks answers to this question, reflecting on hedonism in times of political decay. She's in full-on dub mode, moving through meditative bassweight, glitchy house and flat-out weirdo techno with a deftness we've come to expect from one of the most promising, singular voices in dance music right now. She's got there all on her own terms—and we couldn't be prouder.

@livwutang

Read more and find the tracklist ra.co/podcast/975

RA.975 livwutang

My set (with crowd noise) from the Grove Saturday Night 1-3am, after Djrum, before Identified Patient. 

Out to all the sexy witches of the forest, thank you to everytone there + entire crew @sustain-release-nyc :)

<3 Mastered by the best @wordcolour

CCL @ Sustain-Release Year Ten

The Berlin-based party starter wafts her energy our way for an hour a month. Colourful house & techno, vintage breaks, decontextualised bargain-bin club tracks & more in the mix... 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/dj-fart-in-the-club/episodes/dj-fart-in-the-club-23rd-may-2025

DJ FART IN THE CLUB - LIVE FROM NOWADAYS NYC 230525

recorded live at good work in a backyard on a lovely saturday in brooklyn

Loidis @ Good Work - 12 July 2025

For the newest instalment, i'm really happy to welcome the incredible Brussels-based AliA (@aliamusicc). The local mainstay is a regular on Kiosk radio and runs her own label - @artisjokrecords. Alyah, better known as AliA,  has an exciting & unique approach to dj'ing. She is known for her blend of contemporary club music with jazz, classical and experimental sounds. 

I find AliA's musical outputs incredibly refreshing - the kind of artist who reminds you what a really good DJ can do - they can present genres & sounds to you that you'd otherwise maybe not typically explore, in a new and exciting way. For her Animix, Alyah has gone for an intensely chill blend of ambient & immersive music, with minimal, glitchy, dub techno, jazz, classical sounds and more.

Thank you so much for the mix Alyah <3 

Downloads enabled

Animix One Hundred & Seventy Seven: AliA

Al Wootton brings his signature blend of experimental dub and percussive rhythms to this spacious, slow-burning mix built for the early hours.

If you’re a fan, become a Supporter: crackm.ag/subscriptions

Crack Mix 607: Al Wootton

https://www.instagram.com/kiasvs
https://www.soundcloud.com/kia-sydney



Kia @ The Lot Radio 07-20-2025

Tracks including samples from or emulating whatsapp, phone calls, facetimes, voicemails... 

https://www.instagram.com/livwutang
https://www.soundcloud.com/livwutang



livwutang - Phone Call : Voicemail Special @ The Lot Radio 07-26-2025

Après une longue pause, un single avant gardiste porteur d'un message personnel...

RA.975 livwutang

Resident Advisor

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