I think I've listen to this about once a week since it was released, and I can't see it ever getting old. Thank you Barker for sharing this. This hour of audio has brought me so much joy.

for some reason cant repost 8000 times but really want to

Set is honestly ridiculous. The sound, the flow, the atmosphere 🤯

A sunset set at Waking Life, Portugal, in June 2023. I DJed after Vlada and before Anthony Naples, in front of a beautiful lake with the sun setting behind me and an incredibly wholesome, engaged, positive, locked-in crowd in front of me. Kept this one pretty measured in pace, and went for expansive, moody, euphoric, maybe also a little psychedelic in vibe, sorta imagining gazing into the deep starry abyss.

Tracklist:

Marlui Miranda – Tchori Tchori (feat. Uakti)
ISOR29 – Mi Vida
TB Arthur – Acid Artifacts 1B
Powder – Alien
Petra & Co – Just Let Go (Dub)
D'Marc Cantu – 1Lb Of Flesh
Hodge – Lanes
Supereal – Body Medusa (Leftfield Mix)
Delkom – Maskulin Feminin (Es Muy Facil)
Marcel Dettmann – Renewal Theory
D.O.P. – Get Out On This Dancefloor
Lockgroove – Feel The Joy
D.Yaroslav – Real to Real
Brain Pilot – Serotonin Flow
Fraxinus – Pass One
Bassrace – Futurama (Aqua Space Mix)
Unknown Artist – W.L.W.A.S.I.O.H. (K Lost Acid Dub)
Bassrace – Futurama (Aqua Space Mix)
Jasen Loveland – F--K 6-6 (Trip Report Mix)
Griffit Vigo – Yasizwa Les'gubhu (Vigo Music Original mix)
Data Theft – Dr. Rhythm Tec Beat
Zone – Eternal #2
Shunji Moriwaki – Shirushi-O-Chodai
3 Play – Get On Up
Frankie Bones – Mandolay Break
R-Zac – Untitled
Andreas Gehm – I Don't Care
Factory Floor – Relay (Charles Manier Remix)
DHS – # 9 Bad Acid
Peter Van Hoesen – Voodoo Benny's Wishbone
Wishmountain – Tap
Thomas Brinkmann – NRT
Stanislav Tolkachev – No matter what they've told you
Nilotika Cultural Ensemble – Ejokawulida
DJ Zinc – Dirty
Ambien Baby – Aventura ft. Priori
Tricky Disco – Cosmic Tones
Gilles Renneson – Yara
Bamao Yendé – Begoona
Tati Quebra Barraco & DJ Marlboro – Boladona
Groove Connektion 2 – Club Lonely (Serious Danger Mix)
Oliver Ho – Anaesthetic - Veil - Transform
Cari Lekebusch – Output 2 - A1
Reeko & Surgeon – Gangster in Disguise
2 Bad Mice – Waremouse
Paradise 3001 – Temazepan
Lighter Thief – Zippo King Two
Temudo – Ashamed
Tikiman, Stereotyp – Jahman
Nicolò – All Night Heat
Atrice – Levels
DJ Sliink – Emergency
Leo Anibaldi – Acid Pervertion
Ruff Da Menace – Dub Rush
Sansibar – Sunshine In Gomorrah
Minimal Compact – Statik Dancin'(Mad Professor Extended Dub Mix)
Xes Noiz – A1
Donato Dozzy – messy kafka world
Metasplice – Buoyant Slight
TV on the Radio – Staring at the Sun

Photo by Sara Herrlander

DJ set at Waking Life 2023

Londoner Josey Rebelle is 'just' a DJ. She doesn't make records, she plays them, but she plays them like no one else. Her impeccable taste and ability to join the dots between disparate genres in the club, on the radio and with the compilations she puts out has won her countless awards. She is known for drawing on her Caribbean roots as much as she is for the passion she pays with and the authenticity of her selections. Whether old or new, jungle or soul, a Josey Rebelle set is a thing of joy.

And she proves that for us this week with an almost two-hour mix that traverses a dizzying amount of terrain. It's a club-focussed trip that fizzes with apocalyptic energy before taking off into worlds of cosmic techno, twitchy club music and supple jungle. The drama comes as much from the mixing as the tunes but one thing is for sure, there is no real way of knowing whether you're listening to sounds from the past, present or future.

Dekmantel Podcast 473 - Josey Rebelle

The Dekmantel favourite kicks off 2025 in an exploratory mood.

Since her breakout in 2017, Thessa Thorsing has built an enviable CV: a debut release on Nous'klaer Audio, an album on Dekmantel and a residency at former Amsterdam clubbing institution De School. Over these years, she's honed a singular sound, navigating wild variations in tempo and mood that dance along the edges of techno, IDM and drum & bass (we could list many more, but you know the drill).

Her creative arc has seen her delve into ever more abstract concepts, such as 2024's ambient-leaning album, Strange Meridians, exploring the interplay between synthetic and natural textures through drumless experimentations. As she explained in her 2018 RA Breaking Through profile, "I just want to hear the weirdness in the music."

Thorsing's RA Podcast showcases exactly why she's one of the most  consistently adventurous names in dance music. Describing it as "a mix with a narrative," the former landscape architecture student flexes her ability to build sonic environments, beginning in a landscape more akin to a swamp than a club.

Across 90 minutes, she moves through numerous layered terrains, exploring everything from Skee Mask's lucid, beatless techno to the piercing acid of Mike Parker. Unfolding with a restless sense of curiosity, RA.970 captures an artist challenging the boundaries of electronic music, ever upward.

@upsammy

Read more at ra.co/podcast/970

RA.970 upsammy

Kaleidoscopic psychedelia from one of Australia's finest.

While it might feel early to call bets on DJs of the decade, Kia Sydney, best known as Kia, is undoubtedly one of them. The Animalia founder began in Naarm's (Melbourne) underground scene in the mid-2010s, crediting a trip to the influential deep techno Japanese festival, Labyrinth, as the inspiration behind her sound.

Deep techno might not cut it as a descriptor for Sydney's sound, though. Hypnotic ribbons of steely techno mix with atmospherics and nimble grooves, drawing from IDM, dub and tech house, sharing as much with DJ Nobu and Donato Dozzy (try to find the track that overlaps with Dozzy's own RA Podcast) as well as modern practitioners like Priori and Beatrice M.

This distinctly Australian scuttling psychedelia has made Kia one of the most sought-after underground DJs globally. Her brainchild, Animalia, showcases a plurality of sounds and scenes, serving as living proof of the fruitful shift of the 2020s: less serious, perhaps, but with a sense of open-minded worldliness that offers a far more promising vision of what dance music can be and achieve.

Sydney's rare talent lies in forging connections, bringing people, sounds and ideas together with a distinct playfulness. Her RA Podcast showcases this alchemy in abundance, weaving classics like Monolake and Enya with peers such as OK EG, Cousin and Command D.

As she told us in her 2023 Breaking Through profile, "people tell me I have quite a distinctive sound but I can't tell so much because I hear so many different versions of it." RA.973 serves as confirmation that Kia's style is, to say the least, the mark of a generational talent.
 
@kia-sydney @animalia-label  @cirruslabel

Read more at ra.co/podcast/973

RA.973 Kia

@priori-ties mix begins and ends with a gentle embrace, prowling seductively with dub-driven grooves before retreating into the ether like dusk yielding to dawn. Consistently in motion, but never in haste. Don’t miss the lion’s roar. 

The jewelry released with this mix is inspired by Priori’s fascination with labyrinths. Priori feels like mazes and labyrinths were omnipresent in youth literature and movies but hey rarely encounter them in culture these days.

Explore more on www.forge.fm 🔥

Priori

Yamour has quickly gained a reputation for her versatility as a DJ, serving both House and Techno music with equal passion and finesse in her vinyl-only sets. Besides touring around the world, she is a regular guest at Giegling events and at Blitz Club in Munich. Enjoy!

ITPS113 YAMOUR

Another Barker masterclass.

Sam Barker asks more from techno. The artist known simply as Barker is one of electronic music's most consistently conscientious and curious producers, challenging listeners to question the norms we accept about our shared culture—whether it's the music that fills the room, the process behind it, or the purpose of the space itself.

British-born yet based in Berlin since 2007, Barker forged a connection to many of the city's leading institutions, including Ostgut Ton, and over the course of a long and fruitful relationship, he carved out one of the more singular paths on the club and label's roster.

Not one for orthodoxy, Barker challenged four-to-the-floor techno framework in favor of melodic experimentation. By decentering or completely stripping away the typical trappings of kick drums and claps, his productions are both light and immersive, buoyant in low-end presence and shimmering in weightless space.

Six years after Utility, his sophomore album Stochastic Drift arrives this month. Shaped by pandemic-driven reinvention, it burrows deeper into harmonic twists and freeform drift. "At some point I became conscious of the process," he wrote of his latest album. "The only thing you can do is embrace the uncertainty and see every change as a potential positive.”

Consider his RA Podcast another sequel. Like his much-beloved 2019 mix for FACT, it's a collage of live recordings and a fitting expression of the artist's own internal spring. RA.982 radiates wide-eyed optimism: percussion cloaked in foggy, swirling pads and trance-like chords, neatly synched in synthetic glimmers. 

All in all, it's an hour of music crafted for contemplation, collective euphoria, or heads-down epiphany—or for that matter, any moment, really, its emotive depth seemingly endless.

@voltek

Find the tracklist and Q&A at ra.co/podcast/982

RA.982 Barker

Tresor Resident LNS started out organizing warehouse parties in Vancouver, Canada. Since residing in Berlin her style of classic techno, house, electro and braindance can easily be identified in her studio productions and DJ sets. Her collaborations with DJ Sotofett are regularly released on Tresor Records and WANIA, while her solo productions and remixes have been released by Counter 99, Emotional Response, Freakout Cult, Sex Tags Ufo and DFA. Enjoy!

ITPS115 LNS

Full tracklist: https://bleep.com/bleep-mix-300-barker

Fresh from Stochastic Drift, Barker’s buzzing second album named Bleep Record of the Month alongside an exclusive 12”, Barker sends a mix that really digs deep into the unique sonic methodology he has constructed across his solo career width a suitable breadth for what is also a milestone in the series, Bleep Mix #300.

From Debiasing to Utility to Stochastic Drift, Barker has been reimagining club music without its definitive thump, instead driven by melody and tactile synthesis, and this selection of tracks expands Barker’s soundworld with a host of artists walking a similar path. “For this mix, I picked out some of my favourite uptempo ambient tracks, recorded at home with two decks and a mixer. It’s music I've used in a lot of different contexts, as a DJ and listener, and I hope you enjoy it.”

Though the occasional dancefloor thump makes itself known, such as on Adriana Lopez’ ‘What Lies Behind’, it’s mostly in quaking subs rather than actual four to the floor, providing some ground for this mix’s airy freeform variety to fly over. We have the wooden plunks and seaspray of Afefe Iku’s Kenyan island sound, the wonky gamelan of Tyler Friedman’s maze of bells and chimes, the dense atmosphere of shaker-produced rain and electrical chirps forged deep in the ruins of The Future Sound Of London.

The midsection of this mix contains some magic in particular: the maestro of drumless trance Lorenzo Senni creates motion from pure jagged synth energy on ‘The Power of Failing’, dissolving into the aether of an unreleased Barker track, which further discharges into the kaleidoscopic stutters of Caribou’s ‘Never Come Back’ with jubilant piano chords and vocal clips wrought into a glitchy, swirling maelstrom of Koreless' prickly warmth. Digital Justice’s ‘Theme From It’s All Gone Pearshaped’ follows, a timeless staple for anyone wishing to dabble in melodic motion and synthsmithery, or any DJ set seeking to add some lift without losing momentum, of which this mix is in no short supply.

Bleep Mix #300 - Barker

A clinic in minimal from the elusive Acting Press boss. 

Why do certain sounds cultivate a cult following? Simply put, it's often because they resist easy consumption. PLO Man and his imprint Acting Press lean into this. 

Searching for the Berlin-based DJ and producer, you won’t find much online presence, interviews or conventional PR. What you will find, if you look hard enough, is a catalogue of records and mixes with a kind of tape hiss charm (a spiritual successor to Basic Channel and Chain Reaction, but scuzzier and lighter on its feet).

Founded in 2015, Acting Press once seemed to belong to the short-lived "outsider house" trend, but is now synonymous with a certain strain of modern minimal, one that is analogue, spacious and pointedly opaque. PLO Man's output is equally sparse by design: this week, he joins the RA Podcast with a characteristically elusive style, accompanying the near two-hour mix is a one-answer Q&A that gives almost nothing away.

Stripped-back, ever-so-slightly sleazy and coated in dust, PLO Man's RA Podcast continues that lineage in style. Opening with the featherlight microhouse of Margaret Dygas, RA.988 unfolds into a carefully curated spectrum of minimal, dub and deep techno. Among familiar names—look out for the blinding Rhythm & Sound and Moodymann blend—are deep cuts and left turns alongside the odd outlier, like lovers' rock pioneer Gregory Isaacs.

Like the best of his forebears, PLO Man wants RA.988 to take time for you to settle in. But once you do, you won’t want to leave. 

@p_el_oh

Find the tracklist and interview at ra.co/podcast/988

RA.982 Barker

Resident Advisor

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