Signature barker sound 💘 so pretty i am melting

DJ Nobu's exclusive mix for RDC 2024 podcast:

A rare house/disco set recorded back at RDC "Sound Horizon" 2023 by one of the most highly acclaimed techno djs from Japan who travels across the globe.

RDC 072 - DJ Nobu (House set)

an excerpt from the middle of a four hour opening set. enjoy.

photo by willem mevis

Richard Akingbehin @ Draaimolen x Sustain Release, Tilburg - May '24

Enter the wormhole with one of the techno artists we're most excited about in 2025.

Born in Osaka and now based in Tokyo, DJ MARIA. joins a decorated lineage of Japan's psychedelic elite, cut from a similarly explorative cloth as Wata Igarashi, Haruka and esoteric icons ¥ØU$UK€ ¥UK1MAT$U and DJ Nobu. This nerdy sanctum of deep techno is a notoriously hard world to break into: only the very best make the grade. DJ MARIA.'s head-spinning sets emphasise why she's already part of the club firmament at home, and is now in the midst of a global breakthrough.

Her trademark is tapestries of acid, trance and techno that strike a perfect balance between vibrancy, impact and restraint. She bit the bug through a teenage discovery of DVDs showing legendary psytrance raves like Solstice and Vision Quest, yet it wasn't until 2014 that she started DJing, balancing gigs with shifts at Tokyo's Face Records and, as of late, motherhood.

Today, as well as producing and touring venues such as FOLD and Bassiani, she helps run two boutique forest festivals—Moment and Transcendence—both of which play a big part in upholding Japan's storied techno tradition. DJ MARIA. has reached these heights principally because of her exceptional talent as a DJ, which is on full display on this week's RA Podcast.

The two-hour mix is pure manna for psychedelic techno heads, though we're confident the depth of feeling, subtle pacing and seamless stitching will lure in fans from across the electronic spectrum. RA.971 is a total treasure—the latest wow moment from an artist destined to have a career littered with them.

@djmaria-jp

Read more at ra.co/podcast/971

RA.971 DJ MARIA.

Efdemin is a DJ, producer, multidisciplinary artist and a certified legend of electronic music. As a resident of Berghain his infamous sets attract a cult-like devotion and his releases on iconic labels like Dial, Curle and Ostgut Ton are equally as revered. He’s remixed superstar artists like Depeche Mode, Tiga and Moby and has even been remixed by the enigmatic maestro Traumprinz.

If you know Efdemin, you already know this mix is killer, if somehow you don't then you are in for a treat. Turn it up extra loud.

Follow:

https://soundcloud.com/efdemin
https://www.instagram.com/efdemin/
https://www.facebook.com/efdemin

MNMT 456 : Efdemin

Polygonia (House Set) | Blitz, Munich 2025

Another Barker masterclass.

Sam Barker asks more from techno. The artist known simply as Barker is one of electronic music's most consistently conscientious and curious producers, challenging listeners to question the norms we accept about our shared culture—whether it's the music that fills the room, the process behind it, or the purpose of the space itself.

British-born yet based in Berlin since 2007, Barker forged a connection to many of the city's leading institutions, including Ostgut Ton, and over the course of a long and fruitful relationship, he carved out one of the more singular paths on the club and label's roster.

Not one for orthodoxy, Barker challenged four-to-the-floor techno framework in favor of melodic experimentation. By decentering or completely stripping away the typical trappings of kick drums and claps, his productions are both light and immersive, buoyant in low-end presence and shimmering in weightless space.

Six years after Utility, his sophomore album Stochastic Drift arrives this month. Shaped by pandemic-driven reinvention, it burrows deeper into harmonic twists and freeform drift. "At some point I became conscious of the process," he wrote of his latest album. "The only thing you can do is embrace the uncertainty and see every change as a potential positive.”

Consider his RA Podcast another sequel. Like his much-beloved 2019 mix for FACT, it's a collage of live recordings and a fitting expression of the artist's own internal spring. RA.982 radiates wide-eyed optimism: percussion cloaked in foggy, swirling pads and trance-like chords, neatly synched in synthetic glimmers. 

All in all, it's an hour of music crafted for contemplation, collective euphoria, or heads-down epiphany—or for that matter, any moment, really, its emotive depth seemingly endless.

@voltek

Find the tracklist and Q&A at ra.co/podcast/982

RA.982 Barker

DJ MARIA. at Dekmantel Selectors 2025

@ogazon digs into the deepest corners of her record bag for a hypnotic contribution to the Recognise mix series, and speaks to Claire Francis about her elegant vinyl mixing style, her refusal to play the social media game, her plans to start a label, and staying true to herself above all else.

Interview:  https://djmag.com/features/recognise-096-ogazon

Recognise 096: Ogazón

Wata Igarashi at Draaimolen Festival 2025

~ sharing the closing set which I played for @parameter_sf Endzeit at Oakland/San Francisco 2025 ~

It was one of these trips where I felt that the crowd was open to anything that I would bring to the table - I felt free to play any style I wanted and to create a huge palette of dynamics. 
It was pure pleasure!! these kind of moments are the reason why I love my job. Thank you SF crowd for being so incredible 💗💗💗
And of course thank you Parameter and Endzeit for putting your full trust in my music over and over again 🙏🫂

Polygonia | Closing Set @ Parameter Endzeit Weekender 2025

Earlier this year I had the honour of being invited by DVS1 to play at Wall of Sound with my favourite Amsterdam crew, Ratherlost.
Wall of Sound is such a physical listening experience that I found myself thinking less about genres and more about sensation ~ what I wanted to feel moving through my body.
The mix journeys through UK bass, amapiano, garage, dub, jungle and drum & bass before coming to rest with one of my favourite jazz records.
Experiencing this music on that sound system, surrounded by such an open and curious dancefloor, was something truly special.
I'm so happy to finally share the recording with everyone who couldn't be there, and with those who were and want to relive that moment.
Thank you Zak for the trust, and thank you Ratherlost for another unforgettable night 🤍

RA.982 Barker

Resident Advisor

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