This track makes me BOUNCE 🙌🏻🙌🏻🙌🏻

This set was recorded in the National Park of Circeo on the 24.8.22 a few meters away from the Tyrrhenian Sea. There were 60 people audience lying on the sand, a few candles and a 4+1 Turbosound system.
I played my own productions including a few unreleased tunes.
Thanks to "Le Passeggiate Poetiche" and Exotique.it for making this possible.
Hope you enjoy the ride same as we did on that night.

visioni sonore dalla via lattea

@livwutang has really arrived on the world stage in the last year. The Seattle-raised, NYC-based artist came up through DIY raves and pirate radio and is now a regular at cult clubs and festivals across North America, as well as being booked in for next year's Dekmantel Selectors. Her sound freely moves between dub, Central and West Africa rhythms and a history of Black American music. All this comes out in her widescreen sets, her curation of the Eto Ano label and her hosting of their show on The Lot Radio.  

The confidence of her selections and ability to shift through moods from the serene to the deep, the energetic to the melodic is evident in this week's mix. It slowly works through the gears from dubbed-out depths to buoyant club rhythms via tribal techno. There is an ever-present mysticism and spirituality that adds an extra layer of intrigue to the body-popping rhythms and it's that which will keep you coming back for more.

Dekmantel Podcast

Dekmantel Podcast 413 - livwutang

recorded live on the 22/8/23 at the beach of Sabaudia for "Le Passeggiate Poetiche"

visioni sonore dalla via lattea session n.2

https://www.jinsynth.com/timnah

— Artist Intro —

Timnah signature approach to earthy dance music has been tried, tested and approved by swinging hips all over Europe. Developing her style from age 17 onwards, when she started playing in squats and industrial spaces around Basel, she’s continuously making her mark with warm, reverberating techno cuts from across the spectrum. During her residencies at Hinterhof Bar and Elysia, Timnah‘s sets fluently cover (and transcend) shades of techno, experimental and ambient music, establishing her as a firm favourite amongst dancers and peers. Smooth mixing skills, strong emotional narratives and an intuitive understanding of dancefloor dynamics continue to define her style, seamlessly cruising through the small hours of the night.

Artist Page: @timnah-sommerfeldt
Label Page: @amenthia-recordings

Illustration: @jinsynth

Sometimes things don't act like you think: TIMNAH

Live in the Valley.

https://solsticefestival.fi

Nosedrip & OKO DJ At Solstice 2024

Batu closing Outburst on Saturday night at Houghton 2024.

Recorded at Houghton - Batu (2024)

Sounds for the arrival of Spring with Sybil.

Sybil @ Kiosk Radio 24.03.2025

A wooden room, a stellar sound system, and one of those rare nights where everything aligns. Closing down the Midiluxmas at Dachstock felt like stepping into a dream – time dissolving into rhythm. This set was about surrender, tension and release, deep dives and gentle lifts – a psychedelic journey shaped by the room, the people, and the moment.

Endless thanks to everyone who danced, to my closest friends, to the amazing Midilux and Dachstock crew for making this night so special – and to all the wonderful producers out there creating such mind-blowing music. 




Closing Set || Midiluxmas 2024 || Dachstock Bern

A clinic in minimal from the elusive Acting Press boss. 

Why do certain sounds cultivate a cult following? Simply put, it's often because they resist easy consumption. PLO Man and his imprint Acting Press lean into this. 

Searching for the Berlin-based DJ and producer, you won’t find much online presence, interviews or conventional PR. What you will find, if you look hard enough, is a catalogue of records and mixes with a kind of tape hiss charm (a spiritual successor to Basic Channel and Chain Reaction, but scuzzier and lighter on its feet).

Founded in 2015, Acting Press once seemed to belong to the short-lived "outsider house" trend, but is now synonymous with a certain strain of modern minimal, one that is analogue, spacious and pointedly opaque. PLO Man's output is equally sparse by design: this week, he joins the RA Podcast with a characteristically elusive style, accompanying the near two-hour mix is a one-answer Q&A that gives almost nothing away.

Stripped-back, ever-so-slightly sleazy and coated in dust, PLO Man's RA Podcast continues that lineage in style. Opening with the featherlight microhouse of Margaret Dygas, RA.988 unfolds into a carefully curated spectrum of minimal, dub and deep techno. Among familiar names—look out for the blinding Rhythm & Sound and Moodymann blend—are deep cuts and left turns alongside the odd outlier, like lovers' rock pioneer Gregory Isaacs.

Like the best of his forebears, PLO Man wants RA.988 to take time for you to settle in. But once you do, you won’t want to leave. 

@p_el_oh

Find the tracklist and interview at ra.co/podcast/988

RA.988 PLO Man

My sister asked me to send a playlist to listen to while in labour, which i thought was a really fun task. I’m not sure if it helped, but here is a collection of the songs i sent. It ended up being a pretty self-indulgent exercise, but the idea was that i thought these songs would be nice to hear when you get born, depending on your taste in music as a baby. 

Ideally enjoyed while being born, but suitable for other occasions. 

stars of the lid - the evil that never arrived
annie a - chaque plante, chaque personne
ishq - flowt
the necks - open (partial)
lawrence - dawn hiroshi yoshimura - wet land
seltene erden - hoidas lake
ulla - hope sonata (partial)
bill evans - peace piece
john abercrombie - timeless
miles davis - in a silent way 
japanes synchro system - pure finger in deep river
satoshi and makoto - crepuscule leger
morgan fisher - meeting and merging 
lonnie liston smith - colors of the rainbow
lifted - mirror in my room 
sue raney - stardust
frank harris & maria marquez - tanada de ordeno 
electronic system - skylab

a mixtape suitable for some occasions

Extracted from the archives, we have Lena's Bank Holiday set from last August for you. 
It was sadly Lena's only set at The Gun, but it was a wild night, sweaty and heaving in the extreme & certainly one of favourites. The crowd had been dancing from about 7pm (Casper Clark and I's warm up is also available here) so when Lena got on for the remaining 4.5 hours, the room went nuts. Its a brilliantly varied and balanced set that encapsulates so much of what we loved at The Gun, banging enough for a room full of seething heads. dancing into the early hours and considered and classy do that it suits playback at any time of the day.
The recorder died just before the end of the set, so it appears those very last tracks were just for us there on that night, the rest is ready now. (Thanks for this Lena x)


Lena Willikens Live at The Gun August Bank Holiday Sunday '24

The latest Off-Kilter audio submission is a dive into Or:la’s expansive vision of sound - a downtempo mix of slung drums, abstract electronics and heady vocals. As an artist, Or:la navigates effortlessly through many channels of electronic expression. Here, she revisits music from her influential past with a mix that is deep, meandering and rich with texture - nailing the brief with pin-point precision - and transporting us into a dream like state.

In her own words:
 "I kept to the ‘off-kilter' brief for this one and wanted to put together a mix you can just zone out to, with less of the twists and energy shifts I usually go for in my DJ sets. A lot of the tracks mean something personal to me like the Holger Czukay one at the very end, which I first heard at uni around 2012 while watching Morvern Callar in a film studies class - the whole soundtrack really stuck with me and ended up playing a big part in me drifting away from visual arts and getting into music."

//

Throughout Or:la's journey as an artist, the Derry-born producer and DJ has carved out her own niche and consistently strived to escape categorisation gaining her a BBC Radio 1 Residency, an Essential mix, and DJ Mag's ‘Best DJ’ award. From running DIY parties in abandoned shops whilst studying in Liverpool, to securing some of the best club residencies around the world, Or:la's story is organic and authentic.

Staying true to her explorative propensity, Or:la 's debut album arrived via Fabric Originals in 2024 and is a testament to her ability to fluidly traverse tempos and energies. Or:la takes a similarly chameleonic approach to her DJ sets - although there's an impalpable emphasis on melody, rhythm and texture, you never really know what you might get other than a preference to follow mood over genre. Orlagh Dooley's DIY mentality extends far beyond the DJ booth - as the boss of former Deep Sea Frequency and her current label, Céad, she nurtures a community of diverse artists who share her passion for less categorizable dance music including NIKS, Primrose, Blu Terra and FAFF. The label's releases emphasize quality and creativity across a wide sonic spectrum. Since her debut EP 'UK Lonely' on Hotflush Recordings in 2017, Dooley has collaborated on a broad range of remixes, from David Holmes/Killing Eve's "Unloved" to dance floor-focused labels like Spray and Woozy. Or:la continues to run her queer-focused event series ‘La Potion', which celebrates and shines a spotlight on queer creatives. Now based back in the UK, Orlagh Dooley remains integral to the clubbing scene as a promoter and community builder, pouring her heart and soul into the place where she found her musical voice.

@orla_cd

OK037 - Or:la

Presenting the ever-lovely and ever-inspiring @mikemidnight for #175 in the series. The Boorloo/ Perth based artist initially garnered attention through his output of insanely dreamy trip-hop productions... the perfect combination of emotional & uplifting, and immaculately produced. Mike plays live as a solo artist and now makes up 1/3 of the exciting new band Trickpony, made up of Roza Terenzi, Emkay & Mike himself. 

Beyond his knack for weaving tear-jerkingly beautiful trip hop infused songs - Mike is also a great DJ. Here, with a more club-oriented mix, he showcases his taste & talent, a BTS look into the genres & moods that make up the mind of the talented artist.

Very happy to have you in the series Mike! Thanks for the mix <3

Downloads enabled

Animix One Hundred & Seventy Five: Mike Midnight

༄.° twisted techhh for your listening pleasure 

https://www.instagram.com/deep_creep



pi pi pi with deep creep @ The Lot Radio 06-30-2025

info and track list : http://www.residentadvisor.net/podcast-episode.aspx?id=469
Dasha Rush is a Russian born artist who sees the genre as a starting place not a destination. She is a respected and well-travelled DJ and live performer, but her work is equally focussed away from the dance floor, and sometimes away from music itself. Her recent album for Raster-Noton, Sleepstep, could be a metaphor for her work: "These 16 pieces are transmissions from that state between sleep and wakefulness," said Tony Naylor, a reflection of the in-between zones her music often inhabits. Dubby but intense, brutal but tender, foggy yet clear—Sleepstep was a wonderful mass of contradictions. Not being one thing or the other is vitally important to Rush, which goes hand-in-hand with her strong independent streak. The majority of the music she's released since starting out in 2005 has come through her own Fullpanda label and, as she told us in 2013, she's resistant to playing the publicity game in the way many in the scene do. That's meant she's remained off the radar for some techno fans, but it's also given her the freedom to explore projects and sounds as she pleases. With all this mind, it was little surprise that our invitation to record a podcast was met with, "Yes, but it won't be a club mix." What we got instead was an absorbing 65 minutes of dense ambient soundscapes that shows Rush at her most reflective. The mix comes ahead of the North American premiere of Antarctic Takt, Rush's A/V show with Stanislav Glazov, at this week's Mutek festival in Montreal. 

RA.988 PLO Man

Resident Advisor

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