RA New Tracks: March 2018

From Slowglide - Reigi/Haipa (ATN041)
Out April 2018 on Antinote

Pre-order it: https://bigwax.fr/fr/antinote/music/haipa-reigi
Digital: https://antinoterecordings.bandcamp.com/album/atn041-slowglide-reigi-haipa

Distributed by Rush Hour

SLOWGLIDE - HAIPA

Carlos Giffoni
VAIN
iDEAL170 LP
Edition of 500 copies (200 coloured, 300 black)
Distributed by Boomkat

VAIN is the soundtrack to a film in Carlos’ head of the same name. Both the film and the LP are about a young woman with mysterious psychokinetic powers, lost in the deserts and beaches of California trying to find answers to her mysterious past. The music score follows Vain in a fantastic journey that changes her world forever. 

Despite having release over 50 solo recordings and collaborations released, Vain is only Carlos’ 4th official full length LP release, following Welcome Home (Important Records), Arrogance (No Fun Productions), and Adult Life (No Fun Productions.) It is also his first release of any kind in 6 years. Carlos took off from New York in 2012 and moved to LA to take a break from everything and everyone and work on some secret projects. He continued to play music sporadically with collaborators, and finally started recording this new album on his home studio in Malibu during Summer of 2017 inspired by heartbreak and deceit, where all great art comes from.  

The 9 tracks on this record were created with a variety of analog equipment, with no computer effects or instrument overdubs. The final material was selected from dozens of hours of recordings, with final mastering touches by Al Carlson, who Carlos previously worked with on in his Software/Mexican Summer ‘Evidence’ EP.

The cover is an original painting by american artist Wiley Wallace, commissioned for this release.

TRACK LISTING
A:
1- Vain's Face
2- The Desert
3- Erase the World
4- Hands
5- We Pay the Price
B:
6- Stop Breathing
7- Faith and Pain
8- I Can Change
9- Sun Rain 

CREDITS
All instruments by Carlos Giffoni
Recorded and produced by Carlos at Colorful Skulls Studios in Malibu, CA. 2017 / 2018.
Mastered by Al Carlson 
Cover painting by Wiley Wallace 
Graphic Design by Maya Miller

CARLOS GIFFONI - VAIN'S FACE ("VAIN" iDEAL170 LP preview)

Irazu - Enduring Form (Pessimist Remix) [Stale ST182]

Patrice Bäumel returns to Afterlife with two instantly-recognizable, cosmic excursions arranged for big room impact. Building on the far-and-wide success of 'Glutes' last year, Bäumel delivers another singular take on the Afterlife sound.

'The Hatchet', which shone on the Tale Of Us fabric 97 CD, has Bäumel’s signature, tempered drums, slithering FX and masterfully-executed bursts of white noise. With a similar modus operandi, 'Serpent' glides through bright arpeggios, snowballing towards the brilliant climax. A journey through time and space, into the Afterlife.

AL013

Patrice Bäumel - The Hatchet

Dekmantel 10 Years 10.1 (DKMNTL-10YEARS10.1)

Tony Allen - Asiko (In A Silent Mix) (Ricardo Villalobos Remix)

Oli XL — "Stress Junkie / Mimetic" (2018)
Originally released on W - I, the precursor to Bloom.

http://x-l.love

Oli XL — Stress Junkie (W - I 09)

Samples of the whole release here: https://soundcloud.com/vakant/kenneth-scott-lets-go-program-thomas-clips

Bandcamp: https://goo.gl/cxa16f
Clone: https://goo.gl/ELTrVn
Decks: https://goo.gl/E6JoJr
Deejay: https://goo.gl/cxr3nD
Juno: https://goo.gl/D3imNJ

16.04.2018 (vinyl release date)
30.04.2018 (digital release date)

A1) 	Let's Go Program Thomas
A2)	Let's Go Program Thomas (The Exaltics Remix) - vinyl only
B1) 	Pranic Lift 777
B2) Pranic Lift 777 (Evigt Mörker Remix) - vinyl only

Let's Go Program Thomas (The Exaltics In This Twilight Mix) - digital only

Kenneth Scott finally making his debut on Vakant, long overdue, such a great DJ and repeated guest at Vakant parties. Phew.. Remixes by The Exaltics, co-owner of acclaimed electro imprint Solar One Music, and Evigt Mörker of Northern Electronics fame. The Exaltics & Evigt Mörker Remix will only appear on the vinyl.

https://soundcloud.com/the-exaltics
https://soundcloud.com/evigtmorker

Let's Go Program Thomas

Let's Go Program Thomas (The Exaltics In This Twilight Mix)

Kenneth Scott - Let's Go Program Thomas (The Exaltics In This Twillight Mix)

STREAM / BUY: https://houndstoothrecords.lnk.to/dna...

Aïsha Devi has announced the release of her second album ‘DNA Feelings’ out 11th May. In conjunction with the album announcement came first track ‘Inner State Of Alchemy.’

The second track to feature 'Dislocation Of The Alpha' shows Aïsha creating an almost dreamlike aural state as she calls for her listeners to “Unlearn, dislocate the Alpha.” It’s a significant statement that delves into both the political and the philisophical and yet is only something that could have been made by Devi.
 
TWO SERPENTS OF FREQUENCIES CIRCLING AND ELEVATING, HEALING ATOMIC AND ENERGETIC FORM 

Follow Aïsha:

https://www.aishadevi.com
https://www.facebook.com/aishadeviaura/
https://www.instagram.com/aishadevi5d/
https://twitter.com/aisha_devi
https://soundcloud.com/aisha-devi

DNA Feelings

Dislocation Of The Alpha

Aïsha Devi - Dislocation Of The Alpha

new tracks resident advisor — a1. zendid - space [discobar 08]

Poise - The Remixes

Forest Coloss (Kablam Remix)

with »redsuperstructure«, robert lippok created a new foundation for his musical endeavors. now – 7 years later – this system properly comes to life on »applied autonomy«. the title of the new album is a clear indicator as to what the berlin-based producer has been up to during the last couple of years, both on a conceptual level as well as how he molds his ideas into tracks.

»applied autonomy« orchestrates a certain state of frantic standstill, which occurs once a structure is set. has this state been reached, the artist is free to focus on other equally important aspects, balancing the various shades, pushing ideas even further to really make them shine and blossom in their self-declared autonomy. the more light one lets in, the more layers become visible.

layers are key when it comes to understanding »applied autonomy«. big chunks of the material with which the album has been produced derive from sketches specifically made for a club performance.

rather than meticulously devising each and every detail, lippok focussed instead on recording as many fragments as possible in a short period of time, elements which he could later combine and layer on stage. based on this material and his experience experimenting with it in a live environment, the album slowly began to shape. an album culminating in a collaboration with klara lewis, with whom lippok spent 2 days at the EMS studios in stockholm, approaching the idea of autonomy from yet another angle. during the session, both musicians played and performed simultaneously, yet not explicitly together, lost in their own thoughts and ideas, only subconsciously taking in what the other one was coming up with. the result is »samtal«, 14 minutes of a constantly evolving state of poise, magically connecting all the dots lippok had already defined as »applied autonomy«.

the artwork for »applied autonomy« has been created by the berlin-based argentinian artist luca gutierrez. over the last couple of years, he has made a name for himself with his spectacular AV performances.

Applied Autonomy

robert lippok »all objects are moving« taken from »applied autonomy«

Taken from FS012 - Steven Rutter - Brain Fog - Album - FireScope Records

FS012 - Brain Fog (Master)

Steven Rutter - Infinity Engine

ZULI’s new offering Trigger Finger is a game of shadowy atmospheres and unquiet spirits. It functions as a spacial and temporal compactor, using sampling and field recordings to reconstruct reality’s dissonance, while at the same time reverse its own introspective character into bass weight and outworked tension. A kind of extremization of ZULI’s own roots as a beatmaker for the Cairo rap scene, tinged with the clandestine and delirious urbanism of grime and jungle, and fronted by the necessity to face its own dark side. But the dark and crusty sonic palette does not limit the possibility for the tracks to display various layers of emotional content.

Produced, Mixed & Recorded by ZULI. Mastered By Rashad Becker at Dubplates & Mastering. Artwork by Federico Scudeler.

Digital DL and Vinyl 12" Mini LP out May 5th.
Distributed by SRD.
Pre- order: https://haunterrecords.bandcamp.com/album/zuli-trigger-finger

ZULI - X3

Premiere of Sundance kid from Generation Next's latest EP titled 'Phoenix'. Released April 2018

Sundance Kid

Generation Next - Sundance Kid

Miki The Dolphin - Apple (L.O.M. Edit)

Format

Andrejko & Subjected - DOS

produced by: @si_ku_ri
mastered by: @imaabs
Cover: Mauro Agustin Cruz & Jusomor

https://i-d.vice.com/it/article/gym5d7/sikuri-flor-de-piel-esquirlas-sound-cloud-traccia-anteprima

Sikuri - Flor De Piel - ESQUIRLAS [H_H001]

"MG's Groove", produced with master Laurent Garnier uncovers Madben's house moves, percussive beats and distorted synths. Produced after a four hands' work between them, it will be released on "Fréquence(s)" on April 6th!

Fréquence(s)

KOMPAKT SHOP

Madben & Laurent Garnier - MG's groove

D62-04
DISK15

B1 Uwalmassa - Untitled 06

of

12" EP ANIMISME
MARSESURA/UWALMASSA/WAHONO

a

DIVISI62/DISK corelease
due April '18 through Honest Jons

Animisme

Untitled06

UWALMASSA 06

A year on from Luigi Tozzi and label head Dino Sabatini’s collaborative Manticora EP Outis return with a striking, singular solo work from Tozzi. Ecate EP sees the Roman producer bringing three distinct slices of techno, each with its own set of subtleties and the crystal, adept sound design that defines Tozzi’s work. Spanning the A-side is Ecate. This title track is rolling and hypnotic with muscular, percussive bass. Throughout the track, angelic chords come and go, washing the listener in euphoria. Alongside, we hear a disorienting melody, grounded by the lightly swung four to the floor kick that gives this track an infectious groove. The flip opens with Leto, which immediately defines itself as a club trackwith an unbroken but evolving set of percussion and a weighty kick. It’s around this kick that other elements build. We hear long, ringing, resonant string sounds and a bell like melody morph and unfold as other percussive components come and go. The track falls away into atmospheric eeriness, which perfectly sets the stage for the EP’s finale. Esperede’s swung, panning drums give it a disorienting feeling of otherworldliness from the get go. This is before you’re greeted by an alien, slightly dubbed out melody and a hanting backing drone that feels like a reference (perhaps in opposition) to the angelic chords of the EP’s first track. It’s on this closing track that Tozzi’s delicate, expert sound design best shines through.

RA New Tracks: March 2018

Resident Advisor