after compiling the first two volumes of this mix series i got a full time job, which restricted my time greatly, and i had to prioritize on live jams and editing recorded output, but an opportunity presented itself the other weekend to record an ambient mix on two XDJs and a turntable.

i recorded this after having XDJs in the apartment for a week to record a dance mix. the morning of the day i had to return them i decided to load some things i had been listening to onto a USB drive and just play around. in keeping with my approach in my studio practice, this was recorded in one take <3 i'm really happy with how it turned out. enjoy :)

TRACKLIST:

ardor - untitled (forthcoming strategic tape reserve)
hazard - old lead mine
broshuda - airlite DMV
matt shoemaker - tropical amnesia three (excerpt)
perila - body 2 ocean
jake muir - fleeting touches
SW. - glint
austin cesear - 7HF9B.383348H.382753J
dale cornish - before encore
the hers - baby came out like good gear in the sun
rene hell - unpack, glue
arad acid - frontmxxd
selim x - IMG-9081
bee mask - hyperborean trenchtown side b (excerpt)
mukqs - attached to seabed
toshiya tsunoda & taku unami - the farthest land #1 (inzai, chiba)
jon collin & demdike stare - fragments of nothing side b (excerpt)
PDP III - calendar of days
forest management - rooftop by dusk i
residual energy boss - nirvana vi (unreleased)
perila - sound of a space between body and object to the left
slug pocket - untitled 2
siavash amini & saåad - disruptive emptiness
residual energy boss - deep spiral (forthcoming ???)
seijiro murayama & toshiya tsunoda - take 13
dettinger - intershop 6

residual imprints vol iii: flow pattern

angry spirit

💻  🎛️  🎧 🔮 🏀 

💌 perryrainemusic@gmail.com

the wicked witch and naughty children can't stand water and dissolve when they come into contact with it

☮☮☮

___________.ss§§§§§§§§§ss. 
____________і§§§§§§§§§§§§§§§§§§§§§§s. 
_____________§§§§§§§§§§§§§§§§§§§§§§§§s 
_____________§§§§§§§§§§§§§§§§§§O§§§§§s 
____________s§§§§§§§§§§§§§§§§§§§§§ s§§§§§§s 
___________s§§§§§§§§§§§§§§§§§§і§§§§§ііііі' 
__________s§§§§§§§§§§§§§§ііі' 
__________§§§§§§§§§§§§іі' 
_________s§§§§§§§§§іі' 
________s§§§§§§§§і 
________§§§§§§і' 
________§§§§§' 
________§§§§' 
________§§§' 
________§§§ 
________§§§§ssss 
______s§§§§§§§§§§§s, 
_____s§§§§§§§ііі' 
____§§§§ііі'


░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░
░░░█░░░░░█░░▐█░░░▄▄░░█░░░░███░░░▄███░░░░
░░░█▌░░░█░░░▐█░███████░░░▐█░██░██▀▀██░░░
░░▐█░░░██░░░████▀░░███░░░█▌░▐█▐█░░░░▀░░░
░░██▄░░█▌░░░█▌█▌░░█░░██░░██▄██▐█▄▄██▄░░░
░░████░█▌░░██░█▌░█░░░▌█░░█████░████▀██░░
░░░░░░░█████░░███░░░░▌░░░█▌░▐█░░░░░░░██░
░░░░░░░░▀▀▀░░░░██▄▄░░▌░█▄█▌░▐█░░▄░░░░▐█░
░░█▀▄▄░░░░░░░░░███████████░░▐█░████▄▄██░
░░▌░░░▀░░░░░░░░▌░░░░█▀▀░░░░░░░░░░▀████░░
░▐░░░░░░█░░░░░▐░░░░░▐░░░░░░░░░░░░░░░░░░░
░▐░░░░░░░▌░░░░▀░░░░░▐░░░░░░░░░░░░░░░░░░░
░░█░░░░░░░█░░░▌░░░░░▌░░░░░░░▄█▀█░░░░░░░░
░░░█░░░░░░░█░░▌░░░░█░░░░▄█▀░░░█░░░░░░░░░
░░░░█░░░░░░░░▐░░░░░▌▄▄█▀░░░░░█░░░░░░░░░░
░░░░░█░░░░░░░█░░░░█▀░░░░░░░░▐░░░░░░░░░░░
░░░░░░▀█░░░░░█░░░█░░░░░░░░░░▌░░░░░░░░░░░
░░░░░░░░█░░░░▐▌░▐▌░░░░░░░░█▀░░░░░░░░░░░░
░▄▀▀▀█▄▄░▀▄░░░█░█░░░░░░▄█▀░░░░░░░░░░░░░░
██▄▄▄░░░▀▀███▄███▀███▀▀█▄▄░░░░░░░░░░░░░░
░░░░░▀▀▀▀█▄░██████░░░░░░░░▀█▄░░░░░░░░░░░
░░░░░░░░░░░▀░░▐▀░▀▀█▄▄▄▄░░░░░███▀░░░░░░░
░░░░░░░░░░░░░░█░░░░░░░░░░▀▀▀░░░░░░░░░░░░
░░░░░░░░░░░░░█░░░░░░░░░░░░░░░░░░░░░░░░░░
░░░░░░░░░░░░▐░░░░░░░░░░░░░░░░░░░░░░░░░░░
░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░
░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░
░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░
░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░
░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░

📫 info [at] ryanpierre.com
♈️ https://woo.industries

Nastya Shakunova, poet, writes since 1999.

Works at the junction of phenomenology and impressionism.

Winner of the international poetry contest “Ruhavik 2015”, participant of the international literary festival “Tops on the Asphalt 2016”, laureate of the Robert Bosch Foundation's Contemporary Poetry Competition (2017).

residual imprints vol iii: flow pattern

residual//energy\\boss