s e s s i o n s  +  i n t e r v i e w s | b s v

[ f r e e / d o w n l o a d s ]

Support

r e m i x e s

o r i g i n a l s

p o d c a s t s / r e c o r d i n g s

Klaxil - Imagine (Resilient Remix) -> FULL WAV

Episode 021 & Belgrade based Mene (@menegoldenboy). Interview below:

BSV: Hello Golden Boy, nice to have you here! Your music style is very unique. Did you listen a lot of RAP music during your childhood?
MENE: Hello, thanks for having me. I have listened to hip hop whole my life, but it's not just a hip hop, I'm trying to spread my mind and listen to a lot of different genres. 

BSV: You are also a label owner and you thrilled us all with the quality of your first release (https://bit.ly/3zjhzkm). Is it hard to make these popular sounds?
MENE: Yes, I'm owner of label called TOZLA (@tozlasound). I am really glad that you like it. I'm not trying to make popular sound, I just make music and if people like it - I won! 😀

BSV: Very impressive groove in your tracks. How long have you been in (electronic) music production?
MENE: Thank you for that. 🙂
I don't count years but it's been a really long trip. 🙂

BSV: Are you a PIMP?
MENE: Yes of course! I'm a PIMP and my tracks are my bitches!!! 😂

BSV: How many beats per week?
MENE: It depends on how much inspiration I have. If I have, I can make 3 tracks in a day. 

BSV: Any festival schedules in the near future?
MENE: I'll play on Love Fest - Fire Stage in August w/ @locodiceofc, @sethtroxler, @bibi-87 and @enrico-sangiuliano. 

BSV: Your “dreams come true” record label?
MENE: No

Get some Golden Rims by Mene for FREE here: https://bit.ly/3iAR2JE

Free Download

BSV SESSION 021 I MENE

Der Dienstleister - Ambient Tidbit (Resilient Remix)

Dateless - Cuando Mueves (Resilient Remix) [FREE DOWNLOAD]

Inner City - Good Life (Resilient Edit) [FREE DOWNLOAD]

Episode 024 with Hamburg based Joyana (@joyanasounds), interview below:

BSV: Hello Joyana. You are the first lady visioner in our session series. How that feels like?
JOYANA: Hey Marko! Thanks for having me here, it's a great pleasure! To come to your first question... It´s fantastic on the one hand, but a bit of a shame on the other, because I think there's an incredible amount of female talent. I know enough girls who would like to make music but don't really dare. At this point I can only say: Just do it, girls! It would be a shame to have to say: What would have happened if I had...? Or?

BSV: What about your artist name? Are you always full of joy (like your music)? What’s your real name?
JOYANA: You had the right nose! My artist name was actually created when I really wanted to have a logo. And for a good logo I also wanted a good name - self-explanatory. My friend Pia, who knows me very well, was talking on the phone and she said: "Something with joy, for my fun-loving and open-minded nature." We brainstormed a bit and in the end joyana was born.

BSV: Music searching, is that your daily routine?
JOYANA: Definitely! A day without music does not exist for me. I listen to music every day, and also actively search for new tracks. Of course, you often find something great new, where you would not have expected it. But of course I also listen to non-electronic music... For example I like old school hip hop, R'n'B, Latin or something rockier, like the H-Blockx.

BSV: Favorite hometown DJ?
JOYANA: That's difficult... There are some actually: Kollektiv Turmstraße, Solomun, Oliver Huntemann and last but not least Magdalena.

BSV: How did you get into electronic music? 
JOYANA: My father. He did a lot of DJ-ing in the 90's, but still in the classic way with vinyls. And since I was little I listened electronic music. And last year at the first lockdown in Germany he said: "Why don't you just start to deal with software like that? I thought to myself, "Yeah, why not?! I played piano for thirteen years and music has always been the biggest part of my life." So I loaded up Traktor Pro and not a day went by that I wasn't totally in love. That was just under a year and a half ago now. I'm very glad that he gave me the right push there, kept asking for new sets and I had a certain incentive as a result - I also wanted to prove it to him somehow: Your daughter can do it too! At this point: Thanks, Dad! But also of course all my friends who supported me because they really celebrate what I do. Last but not least, I'm also incredibly proud of myself for what I've learned so far. But of course there is still a lot of room for improvement. You never stop learning.

BSV: This mp.3 file has “Journey Through Space” title. Why?
JOYANA: When I start a set, I think about what story I want to tell. Since I have an extreme affinity for outer space and watch a lot of documentaries about it and am very enthusiastic about science - not to forget that I am also Marvel and Star Wars fan - this was an obvious choice for me. So I imagined a journey through space with different events and stages. Of course, it takes a little imagination, but I think if you close your eyes, dance and imagine it, you see it, you feel it.

BSV: How was this mix recorded? 
JOYANA: My dad and his partner had visited me the days before and drove that day. It was a bit rainy, gray and I then got a visit from very good friends. We played backgammon and it was just cozy. And at some point I just started. Had my story in my head and played one song after the next. Especially I wanted to make a new set as you gave me a great opportunity and hereby also want to thank you very much for your support and chance to get more attention from your audience!

BSV: Many thanks to Joanna, such professionalism!

BSV SESSION 024 I JOYANA

Episode 025 and Novi Sad, Serbia based Mass Digital (@mass-digital), interview below:

BSV: Hello Mass! Are you working as a digitalisation ambassador in government of Serbia? Your tracks are all around the web and always in high quality.
MASS DIGITAL: Hehehe, thanks for this kind words. Yeah, seems like people love my vibe and share around.

BSV: You published for All Day I Dream and other famous record labels and people in Serbia don’t know you very well. Are you focused more on the international market?
MASS DIGITAL: Over the last 10 years my music was released on some of the best electronic music labels like ADID, TRYBESof, Kindisch, Hoomidaas, Toolroom, Cr2, Sol Selectas, Akbal, Iboga...
Yes, I’m more focused on the international market at the moment.

BSV: Two remixes and one unpublished original shared with this mixtape. Music production is your primary goal or you want to travel the world as a DJ too?
MASS DIGITAL: From Monday to Friday I’m in my home studio working on original music and remixes. Yes, music production is my primary goal at the moment, but next year will be focused more on touring worldwide.

BSV: We found that your EQ-ing is just perfect. How long does it take to get these skills?
MASS DIGITAL: Heh, we, music producers, are in constant battle with the mixdown and sound, so every track is a story for itself. Advice for all producers is to learn and listen as much as they can.

BSV: There is a signature voice intro with all your mixes. Did you make this recordings while drinking coffee on Mondays?
MASS DIGITAL: Hah, yeah, when I’ve started accepting mix / podcast requests, wanted to make it special and to be closer to the listener. And yeah, people love my voice intros and I really enjoy making those.
You will hear a lot of these intros and personal messages as at the moment I have mix requests till October 2022.

BSV: Have you ever been on ADID showcase? Maybe @ Exit Festival in 2019?
MASS DIGITAL: No, but there will be an ADID Festival in May next year, so 🙂  ... 

BSV: Living in clouds vs realism? What’s your choice?
MASS DIGITAL: I’m a dreamer, aquarius. That says all.

BSV SESSION 025 I MASS DIGITAL

BSV16 - Mago - Deep (Resilient Remix) -> SNIPPET

Present Desire (Resilient Remix)

Jimi Jules - My City's On Fire (Resilient Remix) [FREE DOWNLOAD]

Neurons (SNIPPET)

Hedonist (SNIPPET)

Episode 033 & Mostar, Bosnia & Herzegovina based Dario Suerte (@dario-suerte), interview below:

BSV: Hello Dario! The concept of these guest mixes is to alternate artists from native speaking area and artists across the planet in order to spread the common “worldwide” vibe. You've been on electronic music scene for a long time. Are you aware that hardly anyone in the Balkans knows about you?
DARIO SUERTE: Hi, and thanks for having me on your show. Yes, it’s been a while since I first started releasing music, but I haven’t really given much thought to the fact that I’m basically anonymous in the Balkans concerning the whole electronic music scene. I guess I’m kind of a quiet guy, not really active on social media so it’s quite easy to go under the radar that way, but I can’t really say that it’s a good thing because you really need to be pushy to leave your mark in this line of work. Perhaps my approach to music is different because I don’t consider this work at all. It’s all about your inner-self, your emotions, state of mind, hopes and dreams, it’s part of who you are and not what you do. I did a couple of ex-yu remixes recently and posted them on youtube and got a really positive feedback. So I guess my Balkan fanbase is just starting to grow.

BSV: Please describe the feeling when you rendered your first track and when was that?
DARIO SUERTE: Like I said, it’s been quite a while since I started experimenting with music, but my first official release was back in 2008 under the alias Effective Thief. Being accepted to your first label and having your track released to the world is a unique experience, like the first time when you score a goal as a kid, or graduate from high school. It’s definitely a milestone in a musicians life.

BSV: Favorite effect? Is that filter?
DARIO SUERTE: This is a tough question. It really depends on the mood and genre of the track, but if I were to pick something out of the effects bundle I’d definitely say reverb and delay. There’s just some mystical feeling to the synth or drum you play when you add some of these two effects to them.

BSV: You were quite productive in last few months. Inspiration comes from?
DARIO SUERTE: Yes, I’ve had maybe 5 or 6 releases in the last couple of months. I mostly draw my inspiration from introspection. I enjoy daydreaming, deep conversations over wine, losing myself in music, nature, and having a positive outlook on life, so I guess I can say that I’m content with myself and my life in general. I tend to see beauty in everything and everything is inspirational to me…

BSV: How was this mix recorded?
DARIO SUERTE: During my previous years of DJ-ing I’ve experimented with various genres and styles of electronic music, but honestly I’ve always been loyal to the deeper sides of house music. So, I usually spend some of my free time to search for underground deep tech house, minimal, and deep tech tunes and do a mix session at home.

BSV: So, emotions guide you in production and mixing?
DARIO SUERTE: Yes, it’s a way of expressing my inner-self and parts of my mind and soul I can’t express with words and actions. It’s like peeking through a window and having a look at the hidden side of me.

BSV: Upcoming “Bliss” release is scheduled for @beatsoundvisions. Why BSV and where did you find us?
DARIO SUERTE: I’ve ran across your music online and had the impression that “Bliss” might work for your label just right. This is the second time I’m having my music released for a Serbian label and I’m really excited about the fact that more people in the Balkans might hear it. Fingers crossed!

BSV SESSION 033 I DARIO SUERTE

Episode 034 & Pisa, Italy based Roberto Bartolini (@roberto-bartolini), interview below:

BSV: Hi Roberto! As listeners, we can assume that you are a very experienced DJ. Is that true?
ROBERTO BARTOLINI: Hi, thanks for hosting me in the BSV series, I am very happy! I don't know if I can say I have a great experience, for sure I have a solid base. I started mixing when I was sixteen, seventeen years old with Technics sl-1200 turntables and after a short time I started working as a DJ in clubs in the middle of the Adriatic coast having been born in San Benedetto del Tronto. I followed this path until I started my university studies (quite late). Two years ago during the lockdown period due to the Covid pandemia I bought a professional console, headphones, two speakers and USB sticks. And here I am!

BSV: Your transitions are just perfect. Tell us more about M series on SoundCloud.
ROBERTO BARTOLINI: Thanks so much for your appreciation on my transitions. The "M" in my series on Soundcloud stands for Master. When I was working in discos in the 80s/early 90s, it was common - and I did too - to duplicate a master magnetic tape with a Teac double cassette recorder for those who requested it. I used to call the matrix tapes "Master", as I do now keeping the initial... I have just passed 50 sets of my series, normally I release every two weeks on Thursday nights. I use the decks, mixer, equalizer and synchro (when it works) to mix without any other effect. I must say that technology today helps for many things. Seeing the track allows me to design an hour-long set in a very short time, I can pin down in some sort of language how the mixes should be done, this allows me to have myself an experience as a listener: the vinyl record is a black object, the possible attachment points are not actually visible, you have to know where they are and you have to count the beats of the musical turn which, depending on the genre, may not be too easy to remember; and finally also to know so much about the mixes to perform that once the master tape is produced I can no longer listen to it... and then the possibility of making some mistakes is always around the corner.

BSV: Lyrics come through your tapes. You are a VOX superfan?
ROBERTO BARTOLINI: Well yes, I like the voice as an instrument, not all, but for example the penultimate track in this session is sung by Lauren L'aimant, who has a very nice voice, I am amazed how such an emotional track can be produced with just a few notes and a single voice.

BSV: It’s not hard to notice that your covers are quite interesting. Are you a graphic designer?
ROBERTO BARTOLINI: No, I am not a graphic designer. Initially I was looking for the cover images simply by association, starting from the favorite track of the set, I searched images using google by continuing to follow links in a sort of situationist drift until I found the right image for me at that moment. From a certain point onwards, in order to give a stylistic continuity to the images, I started to choose the covers from an modern art site, choosing emerging authors in general but also some established ones.

BSV: Have you ever thought about going into music production?
ROBERTO BARTOLINI: No, I do not think I have the ability. In my opinion to make music, although electronic music, you must have a minimal musical background.

BSV: In situation where you have to choose, would you rather pick progressive or deep house sound?
ROBERTO BARTOLINI: I prefer [Melodic] Deep House, especially with very low sounds and slightly disturbing low frequencies, the third to last track (@bakkalive) is an example of this type of sound.

BSV: Where can we hear your mixes in live. Are you a resident of a club?
ROBERTO BARTOLINI: No, I am not. Hopefully one day, I am only 56, it's never too late.... <3

BSV SESSION 034 I ROBERTO BARTOLINI

Arke Noe with episode 035, interview below:

BSV: Hello Vojislav! Piano dominates in intro section of the tape. Did you take some piano lessons? 
ARKE NOE: Hi Marko! Piano is the instrument which can perfectly catch and express one's true feeling. To answer your question, I started to get more deep into it and will try to bring it more present in my sets and experiment more with it.

BSV: Lots of ‘’edits’’ lately. From Michael Bibi to Paul Kalkbrenner... Tell us something about that.
ARKE NOE: True that Marko. I think that there are many many great productions out there. How I approach to a certain track and decide to edit it? Only if it fits into ''little cherry on top'' approach. Not changing the art itself, just putting an extra cheese 😛 [example: http://bitly.ws/wqII]

BSV: You moved a little further from Serbia, all the way to Netherlands. Inspired @ ADE?
ARKE NOE: My road to NL is a very funny story itself, but maybe for the next time. All in all yes, I was always inspired by Netherland music electronic scene and I knew they do it the best. Also with Germany and also other countries are not forgotten. I wanted to get closer to the scene, and beside doing 2 jobs, I will always find time for music. ADE was the best experience in my life.

BSV: We noticed your switch to twitch for live shows. Would you recommend that platform for bedroom DJs?
ARKE NOE: It's true, Youtube blocked many many of my live streams due to strict copyright issues, but twitch is really friendly towards me about that. I decided to keep doing there. Now working on a first video DJ mix at unique location.. soon 🙂

BSV: Do you consider yourself as a adrenaline junkie and if you do, is there any connection between that and your tendency to music or art. 
ARKE NOE: I definitely consider myself as adrenaline junkie. I was into the parkour and freerunning before and the real adrenaline can be felt there. I sincerely think that adrenaline is good for humans and can be fuel for amazing things. I see huge connection also with the music, for example with bpm / heartbeats. It's known that while pumped with adrenaline our heart beats faster, and we know that if we put a pitch to + music will sound more intense and have a faster rhythm.
 
BSV: Period of the day / night where your creation spirit is in the peak?
ARKE NOE: I am a night owl, as the night goes quieter my creativity becomes more louder. 

BSV: Sky & sea fusion is in the lyrics of this session. Horizons as your fetish?
ARKE NOE: Hahaha, good catch. I would say nature is my fetish. I guess we are all more live while in nature. Beauty is in it.

BSV SESSION 035 I ARKE NOE

Black Box - Ride On Time (Resilient Edit) [FREE DOWNLOAD]

Eduardo Drumn (@eduardodrumn) from Caxias do Sul, Brazil with episode 036. Interview below: 

BSV: Olá Eduardo! This is your 2nd mixtape here. Do you feel privileged? 
EDUARDO DRUMN: Hello, thank you for the second invitation, yes I feel privileged for this second mixtape, and to bring my music to you.

BSV: Any big changes in your artist life in this period of 20 episodes?
EDUARDO DRUMN: Recognition in some countries where the label has a lot of impact, it served the country of origin, I had a lot of listeners from there.

BSV: You are the owner of a record label @demonotthx. Do these operational tasks take up a lot of your time?
EDUARDO DRUMN: At the moment I'm managing to reconcile production, study, mixing and mastering and management of the label.

BSV: With this session you shared your upcoming track that is scheduled for March. Are you ready for the spring?
EDUARDO DRUMN: Ah yes, this track is really cool, just like me, I hope all listeners on the label enjoy it.

BSV: Material have already been tested and it seems that people love the vibe. Does it mean a lot to you when you hear something like this when it comes to your further creative work?
EDUARDO DRUMN: Yes, I love it when people message me about it, sending videos of the tracks, and I reply to everyone 🙂

BSV: Are you considering the possibility of expanding the base of artists who would publish for your label?
EDUARDO DRUMN: I'm always listening to what they send, some things I listen to a lot to see if it fits the label.

BSV: Big thanks for taking active role in our story! After “Mariposa” and BSV15 your next release is even better & that is hard to imagine.
EDUARDO DRUMN: Thanks for another vote of confidence, and we don't stop there, soon you'll see more news lol, thanks for taking my sound to Serbia!

BSV SESSION 036 I EDUARDO DRUMN

Dance & Night Club · Kapucínské náměstí 6, Brno, Czech Republic

Resilient @ pul.pit Brno 2023 - 01 - 28

Episode 037 & Belgrade, Serbia based Mina Poznanović (@minapoznanovic), interview below:

BSV: Hello Mina! Thanks for this outstanding mixtape! How are you today? 
MINA POZNANOVIC: Hi, thank you for inviting me, I’m glad you like the podcast, I really had fun playing it! I’m great today, good vibes only!

BSV: We are very happy to have you here as a first domestic female visionary. Can we call you Cinthie from Serbia?
MINA POZNANOVIC: I’m happy that I’m a first female visionary and I hope there will be more mixtapes by female artists in the future. I am very honored to be compared to an artist like @cinthie, as I can easily say that she is one of my favorite DJs, both in terms of her musical selection and her personality. Thanks for this observation, because I have been following her work for a long time. I love her musical taste and her attitude towards music. I think she is also an excellent producer and a complete artist, and I think these are the main reasons why she has been on stage for so long. I especially love her because she is a passionate record collector. So, I would be happy if one day I could be as influential as she is in the music industry.

BSV: Audience is curious about the way that you got into electronic music. Let us know here.
MINA POZNANOVIC: I fell in love with electronic music as a teenager, when I started going out in Belgrade clubs. The energy in the club is something that immediately mesmerized me. That sound of electronic music has kept me on the dance floor until this day. I started researching various genres of electronic music and collecting tracks that I liked. A long time later, I decided to start playing, because I wanted to transfer to others the energy that I’m getting from the DJs I like to listen to.

BSV: Piano chords and organ synths. Are you in love with 90’s music?
MINA POZNANOVIC: Excellent question! As a child of the 90’s, it is natural that the sound of that era had an influence on my musical taste. When I was a child, I saw a music video on TV of Orbital, Halcyon And On and On song, and the video and the melody somehow got stuck in my memory. It is interesting to me that, many years later, I found that tune and had some kind of a flashback of my childhood. Also, I think the years of playing the piano affected the piano chords being somewhat naturally present in my sets.

BSV: Do you have some other passions besides getting loose to the repetitive music?
MINA POZNANOVIC: I think that passion, if it is in us, is all around us. I can be inspired by different situations, people, emotions, life itself. I often find pleasure in simplicity. Apart from music, I also like to express myself through words and drawings.

BSV: People in Serbia know you from Let’s Mix It competition, but you actually started way before with small underground parties. Was this path challenging enough?
MINA POZNANOVIC: Interesting question, because not a lot of people know that my beginnings were related to the underground. When I started to play music, I loved the rebellion vibes of the underground, which I think is less and less present today. I love it when I see the courage to experiment with music and be authentic. I believe that the electronic music that exists today owes it to the underground, which is a symbol of sincere love for music, change, movement and passion. In my opinion, without that, progress would be impossible.

BSV: Can you please describe your connection with Gramophonedzie and the way that he influenced your sound style?
MINA POZNANOVIC: After the competition, @gramophonedzie was my mentor, and I learned a lot from him, for example the basics of music production. I think that he is a passionate music lover and someone that you can learn a lot from. He is a wonderful teacher who, thanks to his huge knowledge and passion, can offer a lot to others. He also influenced me to love music even more.

BSV SESSION 037 I MINA POZNANOVIĆ

Episode 038 & Balneário Camboriú, Brazil based Biassus (@biassus), interview below:

BSV: Hello bro! Thanks for this groovy mixtape! It’s been a while, but we are happy to have you here alongside other visionaries.
BIASSUS: Hellooo! Thanks so much for the invitation, it's nice to share music with you! 🙏

BSV: Did you schedule your “indoor” South America season?
BIASSUS: I spent 4 months in my region of birth producing events, festivals, charitable activities, giving courses and classes in dj and production. Today I just arrived on the Brazilian coast of Balneário Camboriú for a schedule and in May I’m going for an international tour in Peru.

BSV: Tell us something about your connection with @alezmusic and your upcoming @beatsoundvisions release. 
BIASSUS: I met Alez the first time I went to Lima. There we met, produced songs and played at some parties. Last year we produced collabs and I went to Peru again where we toured together. After that he came to Brazil with me and we activated the electronic music scene here.

BSV: If we dig deeper into your press kit, we can assume that you are an graduated IT expert. Is that true?
BIASSUS: Yes! It’s true, I graduated in that area but the passion for music took over everything and at the moment I’m taking another degree to have contact with university students and publicize my events to a younger audience, educate us musically...

BSV: Are you a traveler? Where is your home studio?
BIASSUS: Yes, I don’t stay more than months in the same place. I have a studio set up in my hometown, another one on the beach, but I usually travel and produce with headphones.

BSV: How was this mix recorded?
BIASSUS: I recorded this mixtape in my hometown studio. I played the audio from the mixer on the computer while playing the cdj's. I wanted to present in a very dancing line of sound, deep tech, minimal and progressive.

BSV: No doubt about the vibes with “Life Journey”. Fingers crossed! 🤞
BIASSUS: I have a good feeling about this release!

BSV SESSION 038 I BIASSUS

Almost 3 hours of music recorded live @ Corleone Kunst Musik Bar in Munich (Eingang, Sendlinger Tor Platz, Pettenkoferstraße 7, 80336 München, Germany).

Resilient @ Corleone Bar Munich 2023 - 04 - 26

Resilient @ Passengers Bar Belgrade 2023 - 04 - 29

Beatport: https://www.beatport.com/release/digital-nomad/4142077
Juno: https://vk.cc/cow07H
Traxsource: https://vk.cc/cow08t
Yandex Music: https://vk.cc/cow09k
VK music: https://vk.cc/cow0at
Deezer: https://vk.cc/cow0bk
Spotify: https://vk.cc/cow0g8
Apple Music: https://vk.cc/cow0cc

Resilient - I Belong Here

Resilient - Digital Nomad

Punktario - Emse Demse (Resilient ''Excuse Me For Delay'' Remix) [FREE DOWNLOAD]

Resilient @ SPOT Brno 2023 - 07 - 01

Episode 039 & Serbia born worldwide rising star Lanna (@lannamusic_ofc), interview below:

BSV: Hello Lanna! First of all, we want to thank you for this mixtape. It is a privilege to interview and host such a talented young person / artist. Welcome to the team of visionaries!
LANNA: Thanks for having me! And big thanks for the kind words. Hope you enjoy the mix! 😊

BSV: It’s hard to believe that you are a teenager while we listen to your music. Really? How is that possible?
LANNA: Haha, I get that a lot! Electronic music has been playing in my house since I was little. I joined a DJ-ing school at the age of twelve and instantly fell in love with vinyls. But honestly, back then, I didn’t have a clue that “Lanna“ would become an artistic project on this level so fast. I’m loving every moment of it!

BSV: You started with music production recently and if we listen to ’’My Journey’’ track we notice influences of different genres. How would you describe the sound that you are playing?
LANNA: I approach music production with a clear idea of how I want the track to sound. I draw inspiration from various sources, such as my emotions, experiences, the artists I look up to and the mood I want to convey. This serves as a guiding force throughout the creative process. 

BSV: After this year's EXIT Festival performance at Dance Arena you stand out as a rising star of the global electronic music scene. What can you say about this experience from 3 weeks ago?
LANNA: The thing I enjoy the most is watching and feeling the crowd as they feel me and the music I play, and that exchange of the energy at EXIT Festival was next level. I deeply believe that you can communicate so much more through music than with words or any other medium. This was my third performance at EXIT Festival, and the first at the iconic Dance Arena. It was absolutely awe-inspiring, no words can describe it! 

BSV: We saw some news about another competition that you won and that you are going to Las Vegas to play some music there. Tell us something about that.
LANNA: Yes, that’s right! It all started when the LMF festival announced a DJ competition at the beginning of April. Little did I know that out of over 120 talented young DJs from all over the world, my mix would be selected! And to make things even more exciting, it opened doors to an incredible trip to Las Vegas! I can't believe I'll have the chance to play at one of the clubs there. It's yet another dream come true! 😊 

BSV: Being in the Beatport top 100 chart is a huge success for a first release. How did you connect with the famous British producer?
LANNA: Yes, it's been an incredible achievement, especially since this EP made me the youngest producer to reach the Beatport Top 100 list! My collaboration with Sebastian Haas began in 2021 after I played one of his tracks at EXIT festival’s NSNS Stage. He took notice of my work and reached out to me with the idea to create a track together. I shared several project ideas with him, and we settled on two that we developed together. Working with him was amazing, and it resulted in a progressive-house EP I’m very proud of. We’ve just finished two more tracks, but in a slightly different genre, and you’ll get to hear them very soon! 

BSV: Favorite artists / producers at the moment?
LANNA: Oh, that's a tough one! I have so much respect for all my DJ colleagues, and it's hard to pick just one favorite artist or producer. There are so many talented individuals out there, and I love exploring and discovering new music from various artists. It's an exciting time in the electronic music scene, and I'm constantly inspired by the creativity and talent of my peers.

BSV SESSION 039 I LANNA

tř. Kpt. Jaroše 39, 602 00 Brno-střed-Černá Pole

Resilient @ anoda + 2023 - 07 - 08

Live recorded. Part 2: https://www.mixcloud.com/resilientmusik/resilient-passengers-bar-belgrade-2023-08-26-part-2/

Resilient @ Passengers Bar Belgrade 2023 - 08 - 26 [Part 1]

Episode 040 & Czechia based (@petr_stancl), interview below:

BSV: Hello Petr! Thank you very much for your original music and for participating in our one-hour sessions. Nice to have you here!
PETR STANCL: Hi Marko, thank you for being here!

BSV: How did you find us and what was the breaking point to pick up our label for your demos? You just love our visual identity?
PETR STANCL: I like underground labels, I was interested in production and unknown super producers, I sent a demo and it came out :) it was that simple.

BSV: We found out that you have some alter egos when it comes to music. What’s your current one?
PETR STANCL: I currently use the alter ego Petr Stancl in production, as a DJ I play mainly house music under the nickname Luckie (@luckie_petr) since 2000.

BSV: Can you please describe to us Czech electronic music scene? Is it special?
PETR STANCL: The Czech dance scene is special because we have the largest concentration of DJs per meter2 :))) joke... We have a bunch of skilled producers and DJs, the largest festivals in Central Europe such as Let it Roll or Beats for Love in Ostrava. Brno is very techno-based, Prague more underground and house. At the moment it seems to me that techno is very much at the top, the EDM style is experiencing a fall:)) thank God:))

BSV: This mixtape is very coherent and it follows the flow from the beginning to the very end. These are your favs at this moment or you needed to dig deeper into your mp3/wav collection?
PETR STANCL: The mixtape is composed of current artists that I like, you will find tracks from our producer Roman Rai (@roman-rai), my little thing or maybe Pig and Dan (@pig-and-dan), I always try to have a story, I hope it works and you will like it!

BSV: Your time spent in the studio per week? Be honest.
PETR STANCL: In the summer it is certainly less, but an average of 10 hours a week.

BSV: Any upcoming events or projects maybe?
PETR STANCL: I have just released a 4-track EP on the Slovenian label Podvodo Records (@podvodo), otherwise I have no plans to play or have any extra plans :))

Check out -> Petr Stancl - Decent Full for @beatsoundvisions here: https://fanlink.to/BSV26

BSV SESSION 040 I PETR STANCL

Minimalistic underground track with a dirty bassline, a very deep atmo and suggestive lyrics.

Stronger than Ever (SNIPPET)

FAETD (@faetd) delivered a definition of a deep with his remix of 'Funky People'

Funky People (FAETD Remix) (SNIPPET)

Contains a light 'Juno' synth and powerful bass complemented with funky vocal chops.

Funky People (SNIPPET)

DJ Linus (@djlinusmunich) placed a 90's touch with his remix of 'Electric'

Electric (DJ Linus Remix) (SNIPPET)

Combination of a heavy bassline, hypnotic groove & filtered vox channel.

Electric (SNIPPET)

Currently living in the Czech Republic, Marko, aka @Resilientmusik is the founder of Beat Sound Visions, a record label specializing in deep and underground house music. 

Resilient recorded this exclusive mix for us using his latest original tracks and remixes.

Tracklist: 
1. Resilient - Stranger (Original Mix) [Upcoming for Instead Recordings] 
2. Dario Suerte feat. Sam Ho - We Can Be Free (Resilient Remix) [Upcoming] 
3. Resilient - Flashing (Original Mix) [Upcoming for Instead Recordings] 
4. Resilient - Into The Night (Original Mix) [Upcoming] 
5. Resilient - Kagran (Original Mix) [Upcoming] 
6. Resilient - Wet Bass (Original Mix) [Upcoming] 
7. Resilient - Holy (Original Mix) [Unpublished] 
8. Resilient - So Close, So Far (Original Mix) [Upcoming] 
9. Resilient - Digital Nomad (Original Mix) [Soviett Records] 
10. Resilient - Check Me Out (Original Mix) [Unpublished] 
11. Punktario - Emse Demse (Resilient ''Excuse Me For Delay'' Remix) [Free Download] 
12. Resilient - I Belong Here (Original Mix) [Soviett Records]

Spotify: open.spotify.com/artist/3QGlHQyZC74hH7lfSXaxh9 
Instagram: www.instagram.com/marko_resilient/ 
Facebook: www.facebook.com/resilientmusik

Follow Resilient 🎶

The Karismatik Podkast 94 - Resilient

Resilient @ Typos Brno 2023 - 11 - 03

Serenity Heartbeat Social: linktr.ee/serenityheartbeat

about*: @resilientmusik
A & R Manager at Beat Sound Visions (Worldwide). Vibing high with Deeplomatic Recordings (London); Berlin based Instead Recordings; Deep House Craft (South Africa); Hamburg based Neele Records; Munich based Karmaloft Music, Affect Recordings & Affekt Reaktion; Warrior City Records (Brazil); Soviett Records (Russia); SMR Underground (Italy).

No Bullshit Talk with Resilient:
https://newsportal.planetibiza.net/no-bullshit-talk-with-resilient/

*info provided by Resilient

Serenity Heartbeat Podcast by Resilient

Episode 041 & Belgrade, Serbia based Peter Portman (@peterportman93), interview below:

BSV: Hello broski! Such a pleasure to have you here. Welcome to the crew of visionaries!
PETER PORTMAN: Hi @beatsoundvisions team! Thanks for having me on this episode. Winter just kicked in, I brought you some tunes to warm up a little bit!

BSV: This recording is a “hell of a job”. Where on earth do you find these tracks?
PETER PORTMAN: Thanks for kind words, yes I do a lot of digging, from promo pools from email over listening tracks from the sets, I think the urge to discover new tunes keeps me digging deeper than usual, and after all this is our job, right? 

BSV: You had China tour at the end of September. How was that experience?
PETER PORTMAN: The China tour was really above expectations. Even though it was for their holidays where everyone traveled domestic, or international. I think I've managed to feel the true vibe of the country. Food was awesome too! Once again big thanks to my team Uros & Leo for making it happen!

BSV: Munich, Paris, London, New York… We dance… Which scene is your favourite?
PETER PORTMAN: Every scene has its own charm, really depends on the mood and also culture. Personally or from my point of view  however you want to call it... Letting loose without phones and enjoying the moment itself.

BSV: People that follow you know that you like to experiment with sound and that you are not limited by particular genre. Are you able to describe your frequencies?
PETER PORTMAN: Sometimes I do find it difficult explaining myself, really it's up to reading the room, the crowd, and the mood I am currently in. As I said above I try to listen to as much as possible a wide variety of the music (also non electronic) so I can try to bring together into one unique frequency.  I think you just need to have patience and to be there when magic happens.

BSV: The wonderkid of Serbian electronic music scene, can we call you like that?
PETER PORTMAN: /

BSV: Do you believe in magic while playing Romanian minimal? 
PETER PORTMAN: I think I don't see myself as a Rominimal DJ at all. I am A DJ, and  music in general is magic and it can be both healing or damaging.

BSV SESSION 041 I PETER PORTMAN

Dark Ray - Aldera (Resilient Remix)

Kaoma - Lambada (Resilient Edit) [FREE DOWNLOAD]

Resilient

Pinned to spotlight

Popular tracks