MRMR NIGHT

Lars Noll is a Berlin-based visual artist with a focus on painting. He is one of the founders of "3ECK Kollektiv", which was active between 2011 and 2016 building sculptural skateboard ramps in urban spaces and institutions like Young Arts Nk, Urban Spree, and Stattbad Wedding. While organizing exhibitions and associated gatherings of 3ECK he finds interest in playing and putting music together.

Lars Noll [Tanz um den Kopf]

Toronto-based Automaticamore joined Running Hot this month, providing a mix of Italo-Disco and Synth-Pop gems. Expect sounds from Ralph River Band, Ishtar, and more.

Running Hot Radio w/ Automaticamore  - April 2021

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Hill men's Musical adventures w soFa @ Kiosk Radio 11.06.2021

https://soundcloud.com/marijanaanajiram & https://soundcloud.com/lucas-croon

https://www.retreatradio.net/deflections

Deflections #14 w/ Lucas & Marijana Croon (02/07/21)

https://soundcloud.com/houschyar
https://soundcloud.com/macadam-mambo
🛒 https://macadammambo.bandcamp.com/album/mmlpxx202-houschyar-mavi
🔊 https://youtu.be/dc8N2d7NzBQ

After his debut LP ‘Temmuz’, released at the beginning of last year, Houschyar is back on Macadam Mambo with his new album: a less danceable but more personal opus. Being locked up on the rooftops of Istanbul, Houschyar repurposed a satellite dish, making use of its perfectly round and concave shape to create strange metallic-sounding percussive loops which he painted with sonic atmospheres that contained diverse shades of blue. ‘Mavi’ is an introspective pallet of emotions condensed into 7 hybrid compositions highly improvised which divagate into a very jazzy modern state of mind, jamming with pianos, electronic organs and rhythm boxes to produce another type of spiritual music that sounds absolutely timeless. In a very prolific year - with his release with DJ Sofa and Okay Temiz on Music from Memory and the initial EP of Raphael Kosmos’ newborn label Späti Records -, Marius Houschyar leaves no doubt about the level of his talent and him being part of a new generation of artists to keep a close eye on. To discover as soon as possible!

Tracklist: 

A1. The Music Of The Street
A2. Blue 1 
A3. Satellite 1 
A4. Temassiz
B1. Untitled 26
B2. Satellite 6
B3. One More 4 Blue

Mavi

Temassiz

PREMIERE: Houschyar - Temassiz [Macadam Mambo]

The fifth Camel Ride delivery is brought by Justas Jelisejevas (@justas_j), a Vilnius-based producer, music digger and journalist. His passion for music and genre-bending varieties is reflected in the immaculately crafted selections, encompassing imaginative soundscapes, atmospheric emotions and subtly hypnotic dancefloor vibrations.

Safe to say, over the last years the beguiling selections of Justas in various venues and festivals have left no one indifferent. Moreover, he co-curated Calypso Magazine, an online journal with a number of interviews with prominent artists in his books. Becoming deeply ingrained in the Lithuanian scene, recently he started to produce his own sounds. This year saw the release of his debut EP titled Animaux, a six-track release that explores and interprets wild animals through the means of electronic music. Justas also co-runs a monthly radio show “Puppystyle” (@puppystylelove) at the newly emerged hub Radio Vilnius. Aside from music activities, Justas draws animal illustrations with oil pastels or ink.

Check out our interview with Justas: https://bit.ly/3iBjJW5

Listen to his debut EP Animaux: https://bit.ly/3A6GUgR

#005 Camel Ride with Jelisejev

Elegant Elephant by Elephant Gait Music w. Anna vs June and Anatolian Weapons.

Elegant Elephant by Elephant Gait Music w. Anna vs June & Anatolian Weapons [02.12.2021]

Isla to Isla is a team of passionate music lovers and bunch of friends pushing the boundaries of clubbing culture. Since it’s start in 2017 Isla has proceeded a number of events (residencies at Lizdas club and Empty Brain Resort), art happenings and 2 small festivals. Now it’s even more scaled with a launch of label called Isla to Isla. For now, 2 tapes of Vladas Dieninis and Jūra Elena Šedytė have been released but the ambitions are on fire and there is a vivid aim to release much more quality music on different physical formats. For Electric Shapes Isla co-founders Hìldá & Patricia Kokett recorded an intense and colourfully dynamic mix, consisting of their  eclectic tastes and giving a glimpse into what’s happening during their b2b’s.

Follow Patricia Kokett - https://soundcloud.com/patriciakaas
Follow Hìldå - https://soundcloud.com/hilezoda
Follow label - https://soundcloud.com/islatoisla

171⚡️Patricia Kokett x Hìldå

Hi and Welcome to Italo Moderni Mixes.

Starting the week with David Lost @davidlost with a special Valencia Sound mix for all Bakalao fans. In this case David selected rare tracks from this era and you can listen to a lot of side B from Megabeat and other producers from Valencia.
David is a key part of a scene formed in Barcelona in which it is difficult to identify his style, but it can be identified in which mixes dedicated to the Dark Wave, Post-punk and icy and industrial sounds abound. The mixing and selection capacity is of a high level, which is why it should be in the Italo Moderni Series. Time to welcome our friend David.

IM MIX 85: David Lost

Body Is My Body

Carlo & Selma, DJ duo and co-founders of Copenhagen party collective Group Therapy, deliver a mix that joins the dots between ambient, spiritual house, dramatic builds and ecstatic drops. A journey for the wandering mind that ventures into an imagined dance floor while we wait for the real deal to reopen.

https://soundcloud.com/carloselma 
https://www.facebook.com/carloandselma
https://www.residentadvisor.net/dj/carloselma

Tracklist:
Quaid — Uncanny Valley
Lena Platonos — Ηδύποτο Ρουμπίνι (Liqueur Ruby)
River Yarra — Toad charmer
Golden Ivy — Levitera
CCL — Tachyon Frog
Nathan Micay — If The World’s Still Here On Monday
Dr. Atomic — Schudelfloss (High on Hedonism mix)
Longhair — Forbidden dance
Fruit — unreleased
Intact — Act’s Of Sensation (Techno version)
Bicycle Thieves — Slap (Our mix)
Or:la — Grayed Out
Daiserta — Georgia Bird
Barbarella — Barbarella (The irresistible force mix)
Fruit — unreleased
Kosh — In a Maze (Electro edit)
Swoose — Lotus
DYI 1990 — Odisea
Pillow Queen — Estrel Nights
Jaymie Silk — Perc Life
Circuit 900 — Yabao (Drum mix)
Chiba — Time Flies (Extended mix)
Azealia Banks — Liquorice
Hinako Omori — 早歩き [haya_aruki‘]

Carlo & Selma (04/09/20)

Back after some times but here for a good time! Oscura Resistencia with a downtempo-filled mix, dubbed-out war calls and lovers voices. Psychedelia is a resistance tool, embrace it.

METAL DANCE 017 - Oscura Resistencia

Dropping mix number fifty three is @Dekatmemwa

Needing little introduction they're hosts of their own podcast series which provides multi-genre mixes from selectors all over the world. They're also a DJ collective based in Saint Petersburg, Moscow and Potsdam. Although separated, they get together to deliver rare and unconventional grooves for the dancefloor or during their residency show on Test FM Radio. @testfm_radio

Meanwhile here, the full trio take us on a wobbly trip of goodness beginning with downtempo before the mix speeds up to uncover its eclectic dancey side full of house jams! Enjoy! :)

M a g i c a s t - 0 5 3 🎇 - De Kat Memwa

2021's first mix in line comes all the way from sunny Australia by dear friend Lauren Hansom (@laurenhansom). Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Welcome on board Lauren. How was your start of the new year? It's summer where you are now right? That must be nice :)

LH: Hiii! Thanks for having me onboard :) The New Year has been great. Spent time surfing & soaking up sunshine in Australia.

MFM: You moved back to Australia last year. What has been keeping you busy there since? 

LH: I moved from Amsterdam to Berlin at the end of 2019 and went to Oz in February 2020 for a holiday. COVID hit, so I ended up staying. An easy decision with nature, beaches, food etc. Although, I’ve pretty much been living out of a suitcase as the majority of my stuff is in Berlin. I bought a Yamaha RM1X & a Poly800 last year to do some music and learnt The Mandalorian theme tune. I’ve also been learning more about quantum mechanics & biology plus space, which actually led me to find more cosmic sounds in genres from IDM to new wave for example. Imagining space with a multitude of soundscapes is pretty neat. 

MFM: While many DJs jumped on the streaming bandwagon it looks like you kept rather quiet over the last months. Is that for a reason? Did you maybe find other ways to creatively let go, or...?

LH: Thought you wouldn’t have noticed - was secretly trying to pull off a “Homer Simpson disappearing into the hedge”. Streaming is a great way for people to stay connected given the circumstances. For me, having a live crowd is always part of my process. No crowd, no party (or a one person party - not bad for these days, actually...). Also not having any gear here made it hard, especially with lockdown and social distancing.

MFM: Things were going really well for you as a DJ, your career seemed to be in a lift. What do you now hope for when touring becomes an option again? Has 2020 changed your perspective? 

LH: Thank you for saying so. I was pretty overwhelmed by how often I was playing and am grateful for it. It’s still very much a “pinch-my-arm” thought. I really would love to continue sharing tunes & creating musical experiences in some capacity. I’ve been thinking about Music Supervision within film & TV, so have been spending time on the side looking into that.

MFM: I've heard quite a few DJs saying they lost the urgency or need to listen to dance(floor) music. How is that for you? Have you been keeping track with new music lately at all? 

LH: I’m always listening to different styles, especially non-club music as it’s sort of where I started. Although I’ve enjoyed the holiday of not having to find a billion new tracks before every weekend, I’ve still been following new releases & it’s been interesting to hear how music has been shaped by the pandemic.

MFM: How would you describe that shape shifting? 

LH: I noticed more people collaborating from afar due to social distancing, restrictions and general lockdown. I think this allowed for some experimentation in a way and often that leads to something surprising and new. Sonically and stylistically, I think 2020 was really diverse as opposed to previous years where there was definitely a “Sound of Summer” so to say. There were also a great deal of compilations for new music to support artists affected by event cancellations and club closures.

MFM: About the mix, do you actually prefer a mix request to come with some kind of theme or direction to it, or do you value the freedom more? 

LH: Both. It’s nice having a brief as it gives you boundaries & pushes your creativity. Sometimes too much freedom can make it difficult. That said, I’m always imaging stories & daydreaming, so often the imagery in my mind’s eye gives me a good starting point. Once I have an idea, I create a selection of music & work out a way to make it all flow until there is some sense of an emotional ark & musical journey.

MFM Mix 024: Lauren Hansom

On March 5th, Ongehoord is releasing the concluding album of the Deadline Paranoia trilogy; Deadline Paranoia 3/3. The final set of rereleased psychedelic sounds that complete the oeuvre of the 1980s Amsterdam based band. Jeroen Vermandere, the person behind Ongehoord, discovered the band during his thorough search of Dutch cassettes and 1980s cassette culture and presents us this carefully selected triptych, taking the listener on quite a trip. 3/3 starts with a guttural exhalation, a celestial moan, setting the tone of the rest of the album - from there on the hot stickiness of dub oozes into the listener's ears, followed by ancestral percussion, rolling guitar riffs, and the nomadic sounds of the melodica. Deadline Paranoia 3/3 is light-hearted and suffocating all at once; the meditative rhythms cradle you back and forth while an array of peculiar sounds passes by, alluding to the band’s delusional name.The record comes with an inlay presenting the original artwork that Deadline Paranoia used for their cassettes, capturing a dichotomy that is recognizable in their music; a sensitivity towards the spiritual placed alongside anarchic violence. You will be taken on a surreal journey, timeless sounding beats are accompanied by wailing instruments, the atmosphere is thick and heavy with smoke.

Deadline Paranoia 3/3 - Dost Köyü Dub

TRACKS IN THE MUD - out now!
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Listen 24/7 @ www.retreatradio.net

Deflections #14 w/ Lucas & Marijana Croon (02/07/21)

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