thank you juliette for this beautiful mix 💘

SNAKE SEX #17 - JAGIENKA JUNGLE MIX 4 CARNALINA

[surf037]

www.irlhuman.com
soundcloud.com/irlhuman
i-r-l.bandcamp.com

Written and recorded between June and September 2022, ‘Dull End’ reflects on the depths of grief, dissociation, and memory - what is there to remember?

Composed and recorded by Amanda Harvey
Recording assistance by Andrew Gray

artwork and mastering by @usofusofusofusof
linktr.ee/usofusofusofusof

🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️
ⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶ

IRL ~ Jaw Floor

@usofusofusofusof
"This mix was recorded live at the last Living Room event a few weeks ago in June. We hosted the first NUG show and also the lovely project called Tutti by Heather Mease and Grace Holleran. It was a pretty random track selection of some of my most played tunes and I decided to do a lot of looping, fx and tempo changes to make it really drony and drowsy. Honestly most of these songs came out unrecognizable. I was trying to cool off the place while the audience was still arriving to the venue from an intense heatwave outside."

WAVES FROM Usof

interview: https://www.lowendtheorists.com/theory-therapy-mixes/bad-lsd-trips

Psychedelic meditations.

For anyone not yet familiar, bad lsd trips is a collaboration between artists doris dana and Domingo Castillo. Last year, they released an album on enmossed that mixes early industrial, dark ambient and drone into shape-shifting structures. It's quickly become a personal favourite. 

Their Theory Therapy mix is a special one. Like their music, it's refreshingly unpredictable and tonally distinctive – a seemingly disparate collage of hums and sounds that will firmly lodge itself into your brain. Enjoy the trip.

Theory Therapy 56: bad lsd trips

As we find ourselves on the cusp of changing seasons, we’re reminded that everything is cyclical, the inescapable fact of endings is what makes life thrilling in the first place; the construction of one thing is so often preceded by the destruction of another. Perfect timing for this fiery Full Moon in Aries, the youngest sign in the zodiac, and who better to provide the sonic narration to this month’s lunation than Baptist Goth. Their gorgeous incantation casts an intricate web of light and dark, a gorgeous tapestry of found sounds and choral, droney, noisy, emo bliss. Long moments of contemplative calm, interspersed with erratic moments of chaos echo the sentiment that we can always burn it up and start again. Everything is impermanent, so savour this enchanted moment. 

Instagram  : @dylan__kerr 
Soundcloud : https://soundcloud.com/dylan-kerr-6
Bandcamp : https://baptistgoth.bandcamp.com/track/i-wake-up-in-the-morning-and-i-cry

Tracklist:
Mortan Feldman - Only  (Joan La Barbara)

Marcin Pietruszewski - modulator (mOPulWM) 

Charmaine Lee - Market Slip

Don Zilla - Full Moon

Hervé Zénouda - There is an object

James Tenney - Harmonium #1

1 hour of Truck backing up sound beep (YouTube rip)

Found construction site sounds

Weston Olencki - Tone Study No. 4

Brandon Labelle + Steve Roden - the path

Singer Pur & Hilliard Ensemble - Vigilia 7 Passion Motets No. 1. Tristis Est Anima Mea

Charles Ives - Study No. 11

Atte Elias Kantonen - Pink_

Christine Groult - La Condition Captive

Untitled Organ Improvisation - Baptist Goth

Organ + Piano Duet with Seán over telegram

Virginia Glee Club - Soon-Ah Will Be Done (arr. Dawson)

pent - uPg_(27.77._87)

Oliver Coates - Raimondas Rumsas

cami alone - senza parole

7038634357 - Perfect Night

Baptist Goth @ SWOON | 29.09.2023

https://soundcloud.com/juliettehenriu

https://www.retreatradio.net/radiant

RETREAT RADIO

Radiant #8 w/ juliettehenriu (01/10/23)

https://soundcloud.com/sofftronic

https://www.retreatradio.net/foil

FOIL #4 w/ Sofftronic (21/10/23)

An array of commonplace metal objects - chains, pans, a bicycle, a chair - recorded by Ross Alexander at home in Berlin during the pandemic comprise the source material of 11 𝑮𝒂𝒕𝒆𝒔. Functioning as a temporal and mnemonic exploration into the nature and conception of “home”, the album evokes Alexander’s earliest memories and broader hauntological perspectives of post-industrial England:

“Growing up in South Yorkshire in the 1980s and 90s was an existence haunted with the ghosts of a heavy manufacturing industry which once thrived in the region. On both a visceral and sensorial level it might be considered equally as impossible to escape the nostalgic stories of mines and steelworks as it was to escape the smell of molten metal in the air drifting from the Don Valley.”

The improvised metallic scrapes, bangs, and bowings recorded by Alexander were further abstracted in live performances using granular sampling techniques, creating a new and extrinsic world to which subconscious thoughts can flee, sonically and contextually. The results are both dreamy and unpredictable, fusing the immediacy of acoustic percussion with the billowing resonances imbued by granular synthesis.

“On tracing back through distant memories of my formative years for sound-objects which represented to me the essential idea of ‘being from’ as opposed to ‘being a visitor’ I related to a pervasive association with the sounds of metal and metallic objects, mostly in respect to how certain structural properties relate to haptic and resonant nature and the manifestation of those properties as sonic results. I feel this is the result of growing up in a place where heavy industry, or at least the remnant of which, was central to society, community and everyday life.”

---

Ross Alexander is an artist, producer and curator based in Berlin working in the context of expansive trans-disciplinary practice and non-individualist ideals. His broad ranging body of work as an artist has encompassed music, performance, sound art, visual arts, installation, radio art, digital media, augmented reality, intervention, social practice and education. Ross has presented and performed at such institutions as ICA London, Transmediale Festival, Nyege Nyege Festival, Documenta Kassel and Martin-Gropius Bau Berlin.

As a curator and organizer his experimental and diverse practice has seen him work with Transmediale festival, Maerzmusik, Glastonbury Festival, Cashmere Radio, Nyege Nyege Festival Uganda and extensively with his own Salon Oblique production collective.

rossalexanderpayne.com
instagram.com/o0rossalexander0o
rossalexanderworks.bandcamp.com
mixcloud.com/rossalexandermix

11 Gates

Ross Alexander - Piece 2 (ENMD-04)

Tonal None

SOMA - HEART (Preview)

𝖊𝖑𝖎𝖘𝖊, 𝖒𝖞 𝖑𝖔𝖛𝖊

TRACKS IN THE MUD - out now!
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Independent radio station based in Malmö, Sweden.

Listen 24/7 @ www.retreatradio.net

Radiant #8 w/ juliettehenriu (01/10/23)

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